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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F73ECA it is the complementary color #08C135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F73ECA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F73ECA shade: #FC3EC5, #FF50D8, #FF62EB, #FF74FE and #FF86FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F73ECA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F73ECA shade: #F73ECA, #E62CB7, #D51AA4, #C40891 and #B3007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F73ECA shade: #F740CA, #F74099, #F74067 and #F74040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F73ECA shade: #F740CA, #F240F7, #C040F7, #8F40F7 and #5E40F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F73ECA shade matches the following richer shades: #F740CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F73ECA shade: #F740CA, #E650C2, #D660BA, #C670B1 and #B680A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F73ECA shade: #C040F7, #F040F7, #F740CC, #F7409B and #F7406A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F73ECA shade: #DB09A8, #F518BF, #F740CA, #F867D5 and #FA8FE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F73ECA shade: #F73ECA, #F78F40 and #40F7D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F73ECA shade: #F73ECA, #CCF740 and #40CCF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F73ECA shade: #F73ECA, #F78F40, #40F76A and #40A7F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F73ECA shade: #F73ECA, #F7C640, #40F76A and #4070F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 18 / 3

HEX #F73ECA

RGB 247 62 202

HSL 314.59, 0.92%, 0.61%

LAB 59.42, 80.53, -32.56

 

Complementary color

CMYK 96 / 0 / 73 / 24

HEX #08C135

RGB 8 193 53

HSL 134.59, 0.92%, 0.39%

LAB 68.35, -67.11, 55.97

 

CMYK 0 / 75 / 22 / 1

HEX #FC3EC5

RGB 252 62 197

HSL 317.37, 0.97%, 0.62%

LAB 60.04, 81.02, -28.67

 

CMYK 0 / 69 / 15 / 0

HEX #FF50D8

RGB 255 80 216

HSL 313.37, 1%, 0.66%

LAB 63.31, 78.58, -34.35

 

CMYK 0 / 62 / 8 / 0

HEX #FF62EB

RGB 255 98 235

HSL 307.64, 1%, 0.69%

LAB 66.51, 74.68, -39.95

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FE

RGB 255 116 254

HSL 300.43, 1%, 0.73%

LAB 70.11, 70.2, -44.78

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 75 / 18 / 3

HEX #F73ECA

RGB 247 62 202

HSL 314.59, 0.92%, 0.61%

LAB 59.42, 80.53, -32.56

 

CMYK 0 / 81 / 20 / 10

HEX #E62CB7

RGB 230 44 183

HSL 315.16, 0.79%, 0.54%

LAB 54.07, 79.04, -30.16

 

CMYK 0 / 88 / 23 / 16

HEX #D51AA4

RGB 213 26 164

HSL 315.72, 0.78%, 0.47%

LAB 48.96, 76.69, -27.17

 

CMYK 0 / 96 / 26 / 23

HEX #C40891

RGB 196 8 145

HSL 316.28, 0.92%, 0.4%

LAB 44.17, 73.21, -23.46

 

CMYK 0 / 100 / 30 / 30

HEX #B3007E

RGB 179 0 126

HSL 317.77, 1%, 0.35%

LAB 39.73, 68.42, -18.91

 

CMYK 0 / 74 / 18 / 3

HEX #F740CA

RGB 247 64 202

HSL 314.75, 0.92%, 0.61%

LAB 59.62, 79.95, -32.25

 

CMYK 0 / 74 / 38 / 3

HEX #F74099

RGB 247 64 153

HSL 330.82, 0.92%, 0.61%

LAB 57.79, 74.33, -6.69

 

CMYK 0 / 74 / 58 / 3

HEX #F74067

RGB 247 64 103

HSL 347.21, 0.92%, 0.61%

LAB 56.51, 70.23, 21.04

 

CMYK 0 / 74 / 74 / 3

HEX #F74040

RGB 247 64 64

HSL 0, 0.92%, 0.61%

LAB 55.9, 68.24, 42.79

 

CMYK 0 / 74 / 18 / 3

HEX #F740CA

RGB 247 64 202

HSL 314.75, 0.92%, 0.61%

LAB 59.62, 79.95, -32.25

 

CMYK 2 / 74 / 0 / 3

HEX #F240F7

RGB 242 64 247

HSL 298.36, 0.92%, 0.61%

LAB 61.01, 85.32, -55.43

 

CMYK 22 / 74 / 0 / 3

HEX #C040F7

RGB 192 64 247

HSL 281.97, 0.92%, 0.61%

LAB 53.59, 75.87, -67.74

 

CMYK 42 / 74 / 0 / 3

HEX #8F40F7

RGB 143 64 247

HSL 265.9, 0.92%, 0.61%

LAB 47.26, 67.55, -78.31

 

CMYK 62 / 74 / 0 / 3

HEX #5E40F7

RGB 94 64 247

HSL 249.84, 0.92%, 0.61%

LAB 42.4, 60.91, -86.47

 

CMYK 0 / 74 / 18 / 3

HEX #F740CA

RGB 247 64 202

HSL 314.75, 0.92%, 0.61%

LAB 59.62, 79.95, -32.25

 

CMYK 0 / 74 / 18 / 3

HEX #F740CA

RGB 247 64 202

HSL 314.75, 0.92%, 0.61%

LAB 59.62, 79.95, -32.25

 

CMYK 0 / 65 / 16 / 10

HEX #E650C2

RGB 230 80 194

HSL 314.4, 0.75%, 0.61%

LAB 58.47, 69.41, -29.68

 

CMYK 0 / 55 / 13 / 16

HEX #D660BA

RGB 214 96 186

HSL 314.24, 0.59%, 0.61%

LAB 58.23, 57.14, -25.65

 

CMYK 0 / 43 / 11 / 22

HEX #C670B1

RGB 198 112 177

HSL 314.65, 0.43%, 0.61%

LAB 58.76, 42.91, -19.87

 

CMYK 0 / 30 / 7 / 29

HEX #B680A9

RGB 182 128 169

HSL 314.44, 0.27%, 0.61%

LAB 60.11, 27.46, -13.42

 

CMYK 22 / 74 / 0 / 3

HEX #C040F7

RGB 192 64 247

HSL 281.97, 0.92%, 0.61%

LAB 53.59, 75.87, -67.74

 

CMYK 3 / 74 / 0 / 3

HEX #F040F7

RGB 240 64 247

HSL 297.7, 0.92%, 0.61%

LAB 60.7, 84.93, -55.94

 

CMYK 0 / 74 / 17 / 3

HEX #F740CC

RGB 247 64 204

HSL 314.1, 0.92%, 0.61%

LAB 59.71, 80.21, -33.25

 

CMYK 0 / 74 / 37 / 3

HEX #F7409B

RGB 247 64 155

HSL 330.16, 0.92%, 0.61%

LAB 57.85, 74.53, -7.77

 

CMYK 0 / 74 / 57 / 3

HEX #F7406A

RGB 247 64 106

HSL 346.23, 0.92%, 0.61%

LAB 56.57, 70.43, 19.34

 

CMYK 0 / 96 / 23 / 14

HEX #DB09A8

RGB 219 9 168

HSL 314.57, 0.92%, 0.45%

LAB 49.6, 80.29, -28.47

 

CMYK 0 / 90 / 22 / 4

HEX #F518BF

RGB 245 24 191

HSL 314.66, 0.92%, 0.53%

LAB 55.91, 86.49, -31.73

 

CMYK 0 / 74 / 18 / 3

HEX #F740CA

RGB 247 64 202

HSL 314.75, 0.92%, 0.61%

LAB 59.62, 79.95, -32.25

 

CMYK 0 / 58 / 14 / 3

HEX #F867D5

RGB 248 103 213

HSL 314.48, 0.91%, 0.69%

LAB 65.33, 67.55, -29.62

 

CMYK 0 / 43 / 10 / 2

HEX #FA8FE0

RGB 250 143 224

HSL 314.58, 0.91%, 0.77%

LAB 73.12, 51.11, -23.73

 

CMYK 0 / 75 / 18 / 3

HEX #F73ECA

RGB 247 62 202

HSL 314.59, 0.92%, 0.61%

LAB 59.42, 80.53, -32.56

 

CMYK 0 / 42 / 74 / 3

HEX #F78F40

RGB 247 143 64

HSL 25.9, 0.92%, 0.61%

LAB 69.32, 33.45, 57.04

 

CMYK 74 / 0 / 13 / 3

HEX #40F7D8

RGB 64 247 216

HSL 169.84, 0.92%, 0.61%

LAB 88.24, -51.78, 1.96

 

CMYK 0 / 75 / 18 / 3

HEX #F73ECA

RGB 247 62 202

HSL 314.59, 0.92%, 0.61%

LAB 59.42, 80.53, -32.56

 

CMYK 17 / 0 / 74 / 3

HEX #CCF740

RGB 204 247 64

HSL 74.1, 0.92%, 0.61%

LAB 91.56, -36.9, 77.5

 

CMYK 74 / 17 / 0 / 3

HEX #40CCF7

RGB 64 204 247

HSL 194.1, 0.92%, 0.61%

LAB 76.67, -23.22, -31.8

 

CMYK 0 / 75 / 18 / 3

HEX #F73ECA

RGB 247 62 202

HSL 314.59, 0.92%, 0.61%

LAB 59.42, 80.53, -32.56

 

CMYK 0 / 42 / 74 / 3

HEX #F78F40

RGB 247 143 64

HSL 25.9, 0.92%, 0.61%

LAB 69.32, 33.45, 57.04

 

CMYK 74 / 0 / 57 / 3

HEX #40F76A

RGB 64 247 106

HSL 133.77, 0.92%, 0.61%

LAB 86.33, -72.82, 54.15

 

CMYK 74 / 32 / 0 / 3

HEX #40A7F7

RGB 64 167 247

HSL 206.23, 0.92%, 0.61%

LAB 66.09, -3.41, -48.3

 

CMYK 0 / 75 / 18 / 3

HEX #F73ECA

RGB 247 62 202

HSL 314.59, 0.92%, 0.61%

LAB 59.42, 80.53, -32.56

 

CMYK 0 / 20 / 74 / 3

HEX #F7C640

RGB 247 198 64

HSL 43.93, 0.92%, 0.61%

LAB 82.13, 4.71, 69.7

 

CMYK 74 / 0 / 57 / 3

HEX #40F76A

RGB 64 247 106

HSL 133.77, 0.92%, 0.61%

LAB 86.33, -72.82, 54.15

 

CMYK 74 / 55 / 0 / 3

HEX #4070F7

RGB 64 112 247

HSL 224.26, 0.92%, 0.61%

LAB 51.14, 29.64, -72.23

 

Description

Color code: HEX #F73ECA | qconv.com Color code: HEX #F73ECA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 62 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 62 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 18 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 18% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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