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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F74BFA it is the complementary color #08B405. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F74BFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F74BFA shade: #FC4BF5, #FF5DFF, #FF6FFF, #FF81FF and #FF93FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F74BFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F74BFA shade: #F74BFA, #E639E7, #D527D4, #C415C1 and #B303AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F74BFA shade: #F74BFA, #FA4BCE, #FA4B9F, #FA4B70 and #FA4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F74BFA shade: #F74BFA, #C84BFA, #994BFA, #6A4BFA and #4B4BFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F74BFA shade matches the following richer shades: #F74BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F74BFA shade: #F74BFA, #E95AEB, #DA69DC, #CC78CD and #BE87BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F74BFA shade: #974BFA, #C64BFA, #F44BFA, #FA4BD1 and #FA4BA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F74BFA shade: #E906ED, #F523F9, #F74BFA, #F974FB and #FA9CFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F74BFA shade: #F74BFA, #FA694B and #4BFAAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F74BFA shade: #F74BFA, #FAF44B and #4BFAF4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F74BFA shade: #F74BFA, #FA694B, #51FA4B and #4BDDFA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F74BFA shade: #F74BFA, #FA9D4B, #51FA4B and #4BA9FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

Complementary color

CMYK 96 / 0 / 97 / 29

HEX #08B405

RGB 8 180 5

HSL 118.97, 0.95%, 0.36%

LAB 63.92, -65.85, 63.47

 

CMYK 0 / 70 / 3 / 1

HEX #FC4BF5

RGB 252 75 245

HSL 302.37, 0.97%, 0.64%

LAB 63.61, 83.73, -50.1

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 0 / 75 / 0 / 9

HEX #E639E7

RGB 230 57 231

HSL 299.66, 0.78%, 0.56%

LAB 57.58, 82.46, -52.07

 

CMYK 0 / 82 / 0 / 16

HEX #D527D4

RGB 213 39 212

HSL 300.34, 0.69%, 0.49%

LAB 52.23, 80.75, -49.99

 

CMYK 0 / 89 / 2 / 23

HEX #C415C1

RGB 196 21 193

HSL 301.03, 0.81%, 0.43%

LAB 47.13, 78.07, -47.32

 

CMYK 0 / 98 / 3 / 30

HEX #B303AE

RGB 179 3 174

HSL 301.7, 0.97%, 0.36%

LAB 42.32, 74.31, -44.01

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 0 / 70 / 18 / 2

HEX #FA4BCE

RGB 250 75 206

HSL 315.09, 0.95%, 0.64%

LAB 61.49, 77.74, -31.58

 

CMYK 0 / 70 / 36 / 2

HEX #FA4B9F

RGB 250 75 159

HSL 331.2, 0.95%, 0.64%

LAB 59.76, 72.16, -7.21

 

CMYK 0 / 70 / 55 / 2

HEX #FA4B70

RGB 250 75 112

HSL 347.31, 0.95%, 0.64%

LAB 58.53, 68.05, 18.57

 

CMYK 0 / 70 / 70 / 2

HEX #FA4B4B

RGB 250 75 75

HSL 0, 0.95%, 0.64%

LAB 57.91, 65.89, 39.12

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 20 / 70 / 0 / 2

HEX #C84BFA

RGB 200 75 250

HSL 282.86, 0.95%, 0.64%

LAB 56.3, 73.94, -64.98

 

CMYK 39 / 70 / 0 / 2

HEX #994BFA

RGB 153 75 250

HSL 266.74, 0.95%, 0.64%

LAB 50.34, 65.14, -74.91

 

CMYK 58 / 70 / 0 / 2

HEX #6A4BFA

RGB 106 75 250

HSL 250.63, 0.95%, 0.64%

LAB 45.63, 57.73, -82.8

 

CMYK 70 / 70 / 0 / 2

HEX #4B4BFA

RGB 75 75 250

HSL 240, 0.95%, 0.64%

LAB 43.4, 54.04, -86.55

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 1 / 62 / 0 / 8

HEX #E95AEB

RGB 233 90 235

HSL 299.17, 0.78%, 0.64%

LAB 62.2, 72.55, -46.96

 

CMYK 1 / 52 / 0 / 14

HEX #DA69DC

RGB 218 105 220

HSL 298.96, 0.62%, 0.64%

LAB 61.81, 59.69, -39.34

 

CMYK 0 / 41 / 0 / 20

HEX #CC78CD

RGB 204 120 205

HSL 299.29, 0.46%, 0.64%

LAB 62.23, 45.54, -30.37

 

CMYK 0 / 29 / 0 / 25

HEX #BE87BE

RGB 190 135 190

HSL 300, 0.3%, 0.64%

LAB 63.34, 30.19, -20.37

 

CMYK 40 / 70 / 0 / 2

HEX #974BFA

RGB 151 75 250

HSL 266.06, 0.95%, 0.64%

LAB 50.11, 64.79, -75.3

 

CMYK 21 / 70 / 0 / 2

HEX #C64BFA

RGB 198 75 250

HSL 282.17, 0.95%, 0.64%

LAB 56.03, 73.55, -65.43

 

CMYK 2 / 70 / 0 / 2

HEX #F44BFA

RGB 244 75 250

HSL 297.94, 0.95%, 0.64%

LAB 62.65, 82.84, -54.46

 

CMYK 0 / 70 / 16 / 2

HEX #FA4BD1

RGB 250 75 209

HSL 314.06, 0.95%, 0.64%

LAB 61.62, 78.14, -33.08

 

CMYK 0 / 70 / 35 / 2

HEX #FA4BA3

RGB 250 75 163

HSL 329.83, 0.95%, 0.64%

LAB 59.89, 72.58, -9.34

 

CMYK 2 / 97 / 0 / 7

HEX #E906ED

RGB 233 6 237

HSL 298.96, 0.95%, 0.48%

LAB 55.65, 91.95, -58.49

 

CMYK 2 / 86 / 0 / 2

HEX #F523F9

RGB 245 35 249

HSL 298.88, 0.95%, 0.56%

LAB 59.39, 92.59, -59.09

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 1 / 54 / 0 / 2

HEX #F974FB

RGB 249 116 251

HSL 299.11, 0.94%, 0.72%

LAB 69.18, 68.16, -44.65

 

CMYK 1 / 38 / 0 / 1

HEX #FA9CFC

RGB 250 156 252

HSL 298.75, 0.94%, 0.8%

LAB 76.76, 49.3, -33.39

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 0 / 58 / 70 / 2

HEX #FA694B

RGB 250 105 75

HSL 10.29, 0.95%, 0.64%

LAB 62.45, 53.68, 44.38

 

CMYK 70 / 0 / 30 / 2

HEX #4BFAAE

RGB 75 250 174

HSL 153.94, 0.95%, 0.64%

LAB 88.41, -61.14, 23.93

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 0 / 2 / 70 / 2

HEX #FAF44B

RGB 250 244 75

HSL 57.94, 0.95%, 0.64%

LAB 94.11, -16.63, 77.47

 

CMYK 70 / 0 / 2 / 2

HEX #4BFAF4

RGB 75 250 244

HSL 177.94, 0.95%, 0.64%

LAB 90.04, -44.47, -9.95

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 0 / 58 / 70 / 2

HEX #FA694B

RGB 250 105 75

HSL 10.29, 0.95%, 0.64%

LAB 62.45, 53.68, 44.38

 

CMYK 68 / 0 / 70 / 2

HEX #51FA4B

RGB 81 250 75

HSL 117.94, 0.95%, 0.64%

LAB 87.3, -74.21, 67.86

 

CMYK 70 / 12 / 0 / 2

HEX #4BDDFA

RGB 75 221 250

HSL 189.94, 0.95%, 0.64%

LAB 81.9, -29.37, -25.37

 

CMYK 1 / 70 / 0 / 2

HEX #F74BFA

RGB 247 75 250

HSL 298.97, 0.95%, 0.64%

LAB 63.1, 83.46, -53.72

 

CMYK 0 / 37 / 70 / 2

HEX #FA9D4B

RGB 250 157 75

HSL 28.11, 0.95%, 0.64%

LAB 72.86, 27.9, 55.86

 

CMYK 68 / 0 / 70 / 2

HEX #51FA4B

RGB 81 250 75

HSL 117.94, 0.95%, 0.64%

LAB 87.3, -74.21, 67.86

 

CMYK 70 / 32 / 0 / 2

HEX #4BA9FA

RGB 75 169 250

HSL 207.77, 0.95%, 0.64%

LAB 67.11, -2.09, -48.31

 

Description

Color code: HEX #F74BFA | qconv.com Color code: HEX #F74BFA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 75 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 75 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 70 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 70% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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