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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F75DD5 it is the complementary color #08A22A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F75DD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F75DD5 shade: #FC5DD0, #FF6FE3, #FF81F6, #FF93FF and #FFA5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F75DD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F75DD5 shade: #F75DD5, #E64BC2, #D539AF, #C4279C and #B31589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F75DD5 shade: #F75ED5, #F75EAC, #F75E83 and #F75E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F75DD5 shade: #F75ED5, #EF5EF7, #C65EF7, #9D5EF7 and #745EF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F75DD5 shade matches the following richer shades: #F75ED5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F75DD5 shade: #F75ED5, #E96BCE, #DC79C6, #CE87BE and #C094B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F75DD5 shade: #C65EF7, #EF5EF7, #F75ED6, #F75EAD and #F75E84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F75DD5 shade: #F30FC1, #F536CB, #F75ED5, #F985DF and #FBADE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F75DD5 shade: #F75DD5, #F79E5E and #5EF7DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F75DD5 shade: #F75DD5, #D6F75E and #5ED6F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F75DD5 shade: #F75DD5, #F79E5E, #5EF77F and #5EB7F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F75DD5 shade: #F75DD5, #F7CC5E, #5EF77F and #5E89F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 14 / 3

HEX #F75DD5

RGB 247 93 213

HSL 313.25, 0.91%, 0.67%

LAB 63.68, 71.4, -32.18

 

Complementary color

CMYK 95 / 0 / 74 / 36

HEX #08A22A

RGB 8 162 42

HSL 133.25, 0.91%, 0.33%

LAB 58.09, -58.89, 49.53

 

CMYK 0 / 63 / 17 / 1

HEX #FC5DD0

RGB 252 93 208

HSL 316.6, 0.96%, 0.68%

LAB 64.22, 71.98, -28.46

 

CMYK 0 / 56 / 11 / 0

HEX #FF6FE3

RGB 255 111 227

HSL 311.67, 1%, 0.72%

LAB 68.15, 68.08, -32.98

 

CMYK 0 / 49 / 4 / 0

HEX #FF81F6

RGB 255 129 246

HSL 304.29, 1%, 0.75%

LAB 71.97, 62.97, -37.5

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 35 / 0 / 0

HEX #FFA5FF

RGB 255 165 255

HSL 300, 1%, 0.82%

LAB 79.27, 46.73, -31.1

 

CMYK 0 / 62 / 14 / 3

HEX #F75DD5

RGB 247 93 213

HSL 313.25, 0.91%, 0.67%

LAB 63.68, 71.4, -32.18

 

CMYK 0 / 67 / 16 / 10

HEX #E64BC2

RGB 230 75 194

HSL 313.94, 0.76%, 0.6%

LAB 57.8, 71.27, -30.72

 

CMYK 0 / 73 / 18 / 16

HEX #D539AF

RGB 213 57 175

HSL 314.62, 0.65%, 0.53%

LAB 52.03, 70.68, -28.9

 

CMYK 0 / 80 / 20 / 23

HEX #C4279C

RGB 196 39 156

HSL 315.29, 0.67%, 0.46%

LAB 46.43, 69.41, -26.58

 

CMYK 0 / 88 / 23 / 30

HEX #B31589

RGB 179 21 137

HSL 315.95, 0.79%, 0.39%

LAB 41.1, 67.14, -23.59

 

CMYK 0 / 62 / 14 / 3

HEX #F75ED5

RGB 247 94 213

HSL 313.33, 0.91%, 0.67%

LAB 63.82, 71, -31.96

 

CMYK 0 / 62 / 30 / 3

HEX #F75EAC

RGB 247 94 172

HSL 329.41, 0.91%, 0.67%

LAB 62.3, 65.59, -10.98

 

CMYK 0 / 62 / 47 / 3

HEX #F75E83

RGB 247 94 131

HSL 345.49, 0.91%, 0.67%

LAB 61.15, 61.32, 11.04

 

CMYK 0 / 62 / 62 / 3

HEX #F75E5E

RGB 247 94 94

HSL 0, 0.91%, 0.67%

LAB 60.42, 58.52, 31.37

 

CMYK 0 / 62 / 14 / 3

HEX #F75ED5

RGB 247 94 213

HSL 313.33, 0.91%, 0.67%

LAB 63.82, 71, -31.96

 

CMYK 3 / 62 / 0 / 3

HEX #EF5EF7

RGB 239 94 247

HSL 296.86, 0.91%, 0.67%

LAB 64.22, 74.36, -50.36

 

CMYK 20 / 62 / 0 / 3

HEX #C65EF7

RGB 198 94 247

HSL 280.78, 0.91%, 0.67%

LAB 58.72, 64.95, -59.44

 

CMYK 36 / 62 / 0 / 3

HEX #9D5EF7

RGB 157 94 247

HSL 264.71, 0.91%, 0.67%

LAB 53.91, 56.01, -67.44

 

CMYK 53 / 62 / 0 / 3

HEX #745EF7

RGB 116 94 247

HSL 248.63, 0.91%, 0.67%

LAB 50.02, 48.11, -73.93

 

CMYK 0 / 62 / 14 / 3

HEX #F75ED5

RGB 247 94 213

HSL 313.33, 0.91%, 0.67%

LAB 63.82, 71, -31.96

 

CMYK 0 / 62 / 14 / 3

HEX #F75ED5

RGB 247 94 213

HSL 313.33, 0.91%, 0.67%

LAB 63.82, 71, -31.96

 

CMYK 0 / 54 / 12 / 9

HEX #E96BCE

RGB 233 107 206

HSL 312.86, 0.74%, 0.67%

LAB 63.59, 60.59, -28.54

 

CMYK 0 / 45 / 10 / 14

HEX #DC79C6

RGB 220 121 198

HSL 313.33, 0.59%, 0.67%

LAB 64.13, 48.7, -23.34

 

CMYK 0 / 34 / 8 / 19

HEX #CE87BE

RGB 206 135 190

HSL 313.52, 0.42%, 0.67%

LAB 65.1, 35.51, -17.53

 

CMYK 0 / 23 / 5 / 25

HEX #C094B7

RGB 192 148 183

HSL 312.27, 0.26%, 0.67%

LAB 66.37, 22.36, -11.82

 

CMYK 20 / 62 / 0 / 3

HEX #C65EF7

RGB 198 94 247

HSL 280.78, 0.91%, 0.67%

LAB 58.72, 64.95, -59.44

 

CMYK 3 / 62 / 0 / 3

HEX #EF5EF7

RGB 239 94 247

HSL 296.86, 0.91%, 0.67%

LAB 64.22, 74.36, -50.36

 

CMYK 0 / 62 / 13 / 3

HEX #F75ED6

RGB 247 94 214

HSL 312.94, 0.91%, 0.67%

LAB 63.86, 71.14, -32.45

 

CMYK 0 / 62 / 30 / 3

HEX #F75EAD

RGB 247 94 173

HSL 329.02, 0.91%, 0.67%

LAB 62.34, 65.71, -11.5

 

CMYK 0 / 62 / 47 / 3

HEX #F75E84

RGB 247 94 132

HSL 345.1, 0.91%, 0.67%

LAB 61.17, 61.41, 10.49

 

CMYK 0 / 94 / 21 / 5

HEX #F30FC1

RGB 243 15 193

HSL 313.16, 0.9%, 0.51%

LAB 55.33, 87.27, -33.83

 

CMYK 0 / 78 / 17 / 4

HEX #F536CB

RGB 245 54 203

HSL 313.19, 0.91%, 0.59%

LAB 58.38, 82.36, -34.78

 

CMYK 0 / 62 / 14 / 3

HEX #F75ED5

RGB 247 94 213

HSL 313.33, 0.91%, 0.67%

LAB 63.82, 71, -31.96

 

CMYK 0 / 47 / 10 / 2

HEX #F985DF

RGB 249 133 223

HSL 313.45, 0.91%, 0.75%

LAB 71.04, 55.59, -26.38

 

CMYK 0 / 31 / 7 / 2

HEX #FBADE9

RGB 251 173 233

HSL 313.85, 0.91%, 0.83%

LAB 79.77, 37.5, -18.52

 

CMYK 0 / 62 / 14 / 3

HEX #F75DD5

RGB 247 93 213

HSL 313.25, 0.91%, 0.67%

LAB 63.68, 71.4, -32.18

 

CMYK 0 / 36 / 62 / 3

HEX #F79E5E

RGB 247 158 94

HSL 25.1, 0.91%, 0.67%

LAB 72.92, 27.26, 46.65

 

CMYK 62 / 0 / 11 / 3

HEX #5EF7DB

RGB 94 247 219

HSL 169.02, 0.91%, 0.67%

LAB 88.93, -46.88, 1.48

 

CMYK 0 / 62 / 14 / 3

HEX #F75DD5

RGB 247 93 213

HSL 313.25, 0.91%, 0.67%

LAB 63.68, 71.4, -32.18

 

CMYK 13 / 0 / 62 / 3

HEX #D6F75E

RGB 214 247 94

HSL 72.94, 0.91%, 0.67%

LAB 92.41, -31.3, 67.76

 

CMYK 62 / 13 / 0 / 3

HEX #5ED6F7

RGB 94 214 247

HSL 192.94, 0.91%, 0.67%

LAB 80.29, -24.03, -26.19

 

CMYK 0 / 62 / 14 / 3

HEX #F75DD5

RGB 247 93 213

HSL 313.25, 0.91%, 0.67%

LAB 63.68, 71.4, -32.18

 

CMYK 0 / 36 / 62 / 3

HEX #F79E5E

RGB 247 158 94

HSL 25.1, 0.91%, 0.67%

LAB 72.92, 27.26, 46.65

 

CMYK 62 / 0 / 49 / 3

HEX #5EF77F

RGB 94 247 127

HSL 132.94, 0.91%, 0.67%

LAB 87.21, -64.91, 45.71

 

CMYK 62 / 26 / 0 / 3

HEX #5EB7F7

RGB 94 183 247

HSL 205.1, 0.91%, 0.67%

LAB 71.53, -7.85, -39.71

 

CMYK 0 / 62 / 14 / 3

HEX #F75DD5

RGB 247 93 213

HSL 313.25, 0.91%, 0.67%

LAB 63.68, 71.4, -32.18

 

CMYK 0 / 17 / 62 / 3

HEX #F7CC5E

RGB 247 204 94

HSL 43.14, 0.91%, 0.67%

LAB 83.84, 3.2, 59.16

 

CMYK 62 / 0 / 49 / 3

HEX #5EF77F

RGB 94 247 127

HSL 132.94, 0.91%, 0.67%

LAB 87.21, -64.91, 45.71

 

CMYK 62 / 45 / 0 / 3

HEX #5E89F7

RGB 94 137 247

HSL 223.14, 0.91%, 0.67%

LAB 58.96, 18.64, -59.56

 

Description

Color code: HEX #F75DD5 | qconv.com Color code: HEX #F75DD5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 93 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 93 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 14 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 14% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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