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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F76697 it is the complementary color #089968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F76697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F76697 shade: #FC6692, #FF78A5, #FF8AB8, #FF9CCB and #FFAEDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F76697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F76697 shade: #F76697, #E65484, #D54271, #C4305E and #B31E4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F76697 shade: #F66395, #F6636D and #F66363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F76697 shade: #F66395, #F663BD, #F663E4, #E163F6 and #B963F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F76697 shade matches the following richer shades: #F66395

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F76697 shade: #F66395, #E97199, #DC7E9E, #CF8BA2 and #C298A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F76697 shade: #F663E5, #F663BE, #F66397, #F66370 and #F67E63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F76697 shade: #F21560, #F43C7A, #F66395, #F88BB0 and #FAB2CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F76697 shade: #F76697, #F6E063 and #63D2F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F76697 shade: #F76697, #97F663 and #6397F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F76697 shade: #F76697, #F6E063, #63F6C3 and #6379F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F76697 shade: #F76697, #E0F663, #63F6C3 and #7963F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 39 / 3

HEX #F76697

RGB 247 102 151

HSL 339.72, 0.9%, 0.68%

LAB 62.94, 59.84, 2.04

 

Complementary color

CMYK 95 / 0 / 32 / 40

HEX #089968

RGB 8 153 104

HSL 159.72, 0.9%, 0.32%

LAB 55.92, -46.01, 16.39

 

CMYK 0 / 60 / 42 / 1

HEX #FC6692

RGB 252 102 146

HSL 342.4, 0.96%, 0.69%

LAB 63.57, 60.89, 5.92

 

CMYK 0 / 53 / 35 / 0

HEX #FF78A5

RGB 255 120 165

HSL 340, 1%, 0.74%

LAB 67.58, 55.75, 0.95

 

CMYK 0 / 46 / 28 / 0

HEX #FF8AB8

RGB 255 138 184

HSL 336.41, 1%, 0.77%

LAB 71.49, 49.38, -4

 

CMYK 0 / 39 / 20 / 0

HEX #FF9CCB

RGB 255 156 203

HSL 331.52, 1%, 0.81%

LAB 75.67, 42.92, -8.31

 

CMYK 0 / 32 / 13 / 0

HEX #FFAEDE

RGB 255 174 222

HSL 324.44, 1%, 0.84%

LAB 80.07, 36.49, -12.09

 

CMYK 0 / 59 / 39 / 3

HEX #F76697

RGB 247 102 151

HSL 339.72, 0.9%, 0.68%

LAB 62.94, 59.84, 2.04

 

CMYK 0 / 63 / 43 / 10

HEX #E65484

RGB 230 84 132

HSL 340.27, 0.74%, 0.62%

LAB 56.91, 60.33, 4.03

 

CMYK 0 / 69 / 47 / 16

HEX #D54271

RGB 213 66 113

HSL 340.82, 0.64%, 0.55%

LAB 50.96, 60.54, 6.44

 

CMYK 0 / 76 / 52 / 23

HEX #C4305E

RGB 196 48 94

HSL 341.35, 0.61%, 0.48%

LAB 45.16, 60.29, 9.41

 

CMYK 0 / 83 / 58 / 30

HEX #B31E4B

RGB 179 30 75

HSL 341.88, 0.71%, 0.41%

LAB 39.61, 59.28, 13.14

 

CMYK 0 / 60 / 39 / 4

HEX #F66395

RGB 246 99 149

HSL 339.59, 0.89%, 0.68%

LAB 62.24, 60.63, 2.16

 

CMYK 0 / 60 / 56 / 4

HEX #F6636D

RGB 246 99 109

HSL 355.92, 0.89%, 0.68%

LAB 61.33, 57.06, 23.96

 

CMYK 0 / 60 / 60 / 4

HEX #F66363

RGB 246 99 99

HSL 0, 0.89%, 0.68%

LAB 61.15, 56.35, 29.43

 

CMYK 0 / 60 / 39 / 4

HEX #F66395

RGB 246 99 149

HSL 339.59, 0.89%, 0.68%

LAB 62.24, 60.63, 2.16

 

CMYK 0 / 60 / 23 / 4

HEX #F663BD

RGB 246 99 189

HSL 323.27, 0.89%, 0.68%

LAB 63.5, 65.35, -18.9

 

CMYK 0 / 60 / 7 / 4

HEX #F663E4

RGB 246 99 228

HSL 307.35, 0.89%, 0.68%

LAB 65.06, 70.96, -38.44

 

CMYK 9 / 60 / 0 / 4

HEX #E163F6

RGB 225 99 246

HSL 291.43, 0.89%, 0.68%

LAB 63, 68.82, -51.87

 

CMYK 25 / 60 / 0 / 4

HEX #B963F6

RGB 185 99 246

HSL 275.1, 0.89%, 0.68%

LAB 57.93, 59.43, -60.24

 

CMYK 0 / 60 / 39 / 4

HEX #F66395

RGB 246 99 149

HSL 339.59, 0.89%, 0.68%

LAB 62.24, 60.63, 2.16

 

CMYK 0 / 60 / 39 / 4

HEX #F66395

RGB 246 99 149

HSL 339.59, 0.89%, 0.68%

LAB 62.24, 60.63, 2.16

 

CMYK 0 / 52 / 34 / 9

HEX #E97199

RGB 233 113 153

HSL 340, 0.73%, 0.68%

LAB 62.87, 50.48, 0.54

 

CMYK 0 / 43 / 28 / 14

HEX #DC7E9E

RGB 220 126 158

HSL 339.57, 0.57%, 0.68%

LAB 63.84, 40.14, -1.11

 

CMYK 0 / 33 / 22 / 19

HEX #CF8BA2

RGB 207 139 162

HSL 339.71, 0.41%, 0.68%

LAB 65.23, 29.15, -1.52

 

CMYK 0 / 22 / 14 / 24

HEX #C298A6

RGB 194 152 166

HSL 340, 0.26%, 0.68%

LAB 67.04, 17.9, -1.29

 

CMYK 0 / 60 / 7 / 4

HEX #F663E5

RGB 246 99 229

HSL 306.94, 0.89%, 0.68%

LAB 65.1, 71.12, -38.93

 

CMYK 0 / 60 / 23 / 4

HEX #F663BE

RGB 246 99 190

HSL 322.86, 0.89%, 0.68%

LAB 63.54, 65.49, -19.41

 

CMYK 0 / 60 / 39 / 4

HEX #F66397

RGB 246 99 151

HSL 338.78, 0.89%, 0.68%

LAB 62.3, 60.83, 1.09

 

CMYK 0 / 60 / 54 / 4

HEX #F66370

RGB 246 99 112

HSL 354.69, 0.89%, 0.68%

LAB 61.38, 57.28, 22.31

 

CMYK 0 / 49 / 60 / 4

HEX #F67E63

RGB 246 126 99

HSL 11.02, 0.89%, 0.68%

LAB 66.07, 43.64, 35.69

 

CMYK 0 / 91 / 60 / 5

HEX #F21560

RGB 242 21 96

HSL 339.64, 0.89%, 0.52%

LAB 52.13, 77.88, 19.18

 

CMYK 0 / 75 / 50 / 4

HEX #F43C7A

RGB 244 60 122

HSL 339.78, 0.89%, 0.6%

LAB 55.96, 71.99, 8.91

 

CMYK 0 / 60 / 39 / 4

HEX #F66395

RGB 246 99 149

HSL 339.59, 0.89%, 0.68%

LAB 62.24, 60.63, 2.16

 

CMYK 0 / 44 / 29 / 3

HEX #F88BB0

RGB 248 139 176

HSL 339.63, 0.89%, 0.76%

LAB 70.56, 45.5, -0.99

 

CMYK 0 / 29 / 19 / 2

HEX #FAB2CA

RGB 250 178 202

HSL 340, 0.88%, 0.84%

LAB 79.86, 29.6, -1.64

 

CMYK 0 / 59 / 39 / 3

HEX #F76697

RGB 247 102 151

HSL 339.72, 0.9%, 0.68%

LAB 62.94, 59.84, 2.04

 

CMYK 0 / 9 / 60 / 4

HEX #F6E063

RGB 246 224 99

HSL 51.02, 0.89%, 0.68%

LAB 88.83, -7.06, 62.46

 

CMYK 60 / 15 / 0 / 4

HEX #63D2F6

RGB 99 210 246

HSL 194.69, 0.89%, 0.68%

LAB 79.27, -21.45, -27.2

 

CMYK 0 / 59 / 39 / 3

HEX #F76697

RGB 247 102 151

HSL 339.72, 0.9%, 0.68%

LAB 62.94, 59.84, 2.04

 

CMYK 39 / 0 / 60 / 4

HEX #97F663

RGB 151 246 99

HSL 98.78, 0.89%, 0.68%

LAB 88.63, -52.92, 60.53

 

CMYK 60 / 39 / 0 / 4

HEX #6397F6

RGB 99 151 246

HSL 218.78, 0.89%, 0.68%

LAB 62.88, 10.89, -52.76

 

CMYK 0 / 59 / 39 / 3

HEX #F76697

RGB 247 102 151

HSL 339.72, 0.9%, 0.68%

LAB 62.94, 59.84, 2.04

 

CMYK 0 / 9 / 60 / 4

HEX #F6E063

RGB 246 224 99

HSL 51.02, 0.89%, 0.68%

LAB 88.83, -7.06, 62.46

 

CMYK 60 / 0 / 21 / 4

HEX #63F6C3

RGB 99 246 195

HSL 159.18, 0.89%, 0.68%

LAB 88.21, -51.15, 12.93

 

CMYK 60 / 51 / 0 / 4

HEX #6379F6

RGB 99 121 246

HSL 231.02, 0.89%, 0.68%

LAB 55.05, 28.86, -65.27

 

CMYK 0 / 59 / 39 / 3

HEX #F76697

RGB 247 102 151

HSL 339.72, 0.9%, 0.68%

LAB 62.94, 59.84, 2.04

 

CMYK 9 / 0 / 60 / 4

HEX #E0F663

RGB 224 246 99

HSL 68.98, 0.89%, 0.68%

LAB 92.87, -26.6, 66.41

 

CMYK 60 / 0 / 21 / 4

HEX #63F6C3

RGB 99 246 195

HSL 159.18, 0.89%, 0.68%

LAB 88.21, -51.15, 12.93

 

CMYK 51 / 60 / 0 / 4

HEX #7963F6

RGB 121 99 246

HSL 248.98, 0.89%, 0.68%

LAB 51.43, 45.89, -71.06

 

Description

Color code: HEX #F76697 | qconv.com Color code: HEX #F76697 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 102 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 102 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 39 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 39% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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