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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F76091 it is the complementary color #089F6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F76091. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F76091 shade: #FC608C, #FF729F, #FF84B2, #FF96C5 and #FFA8D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F76091. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F76091 shade: #F76091, #E64E7E, #D53C6B, #C42A58 and #B31845

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F76091 shade: #F65F90, #F65F67 and #F65F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F76091 shade: #F65F90, #F65FB9, #F65FE1, #E25FF6 and #B95FF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F76091 shade matches the following richer shades: #F65F90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F76091 shade: #F65F90, #E86C95, #DB7A99, #CD879E and #C095A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F76091 shade: #F65FE2, #F65FB9, #F65F91, #F65F69 and #F67D5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F76091 shade: #F21059, #F43775, #F65F90, #F886AB and #FAADC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F76091 shade: #F76091, #F6E25F and #5FCEF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F76091 shade: #F76091, #91F65F and #5F91F6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F76091 shade: #F76091, #F6E25F, #5FF6C4 and #5F73F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F76091 shade: #F76091, #DDF65F, #5FF6C4 and #785FF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 41 / 3

HEX #F76091

RGB 247 96 145

HSL 340.53, 0.9%, 0.67%

LAB 61.81, 61.81, 3.87

 

Complementary color

CMYK 95 / 0 / 31 / 38

HEX #089F6E

RGB 8 159 110

HSL 160.53, 0.9%, 0.33%

LAB 58.01, -46.95, 15.93

 

CMYK 0 / 62 / 44 / 1

HEX #FC608C

RGB 252 96 140

HSL 343.08, 0.96%, 0.68%

LAB 62.47, 62.86, 7.81

 

CMYK 0 / 55 / 38 / 0

HEX #FF729F

RGB 255 114 159

HSL 340.85, 1%, 0.72%

LAB 66.37, 57.85, 2.58

 

CMYK 0 / 48 / 30 / 0

HEX #FF84B2

RGB 255 132 178

HSL 337.56, 1%, 0.76%

LAB 70.16, 51.56, -2.6

 

CMYK 0 / 41 / 23 / 0

HEX #FF96C5

RGB 255 150 197

HSL 333.14, 1%, 0.79%

LAB 74.26, 45.12, -7.1

 

CMYK 0 / 34 / 15 / 0

HEX #FFA8D8

RGB 255 168 216

HSL 326.9, 1%, 0.83%

LAB 78.59, 38.67, -11.05

 

CMYK 0 / 61 / 41 / 3

HEX #F76091

RGB 247 96 145

HSL 340.53, 0.9%, 0.67%

LAB 61.81, 61.81, 3.87

 

CMYK 0 / 66 / 45 / 10

HEX #E64E7E

RGB 230 78 126

HSL 341.05, 0.75%, 0.6%

LAB 55.86, 62.17, 6.07

 

CMYK 0 / 72 / 50 / 16

HEX #D53C6B

RGB 213 60 107

HSL 341.57, 0.65%, 0.54%

LAB 50.02, 62.19, 8.74

 

CMYK 0 / 79 / 55 / 23

HEX #C42A58

RGB 196 42 88

HSL 342.08, 0.65%, 0.47%

LAB 44.37, 61.65, 12.03

 

CMYK 0 / 87 / 61 / 30

HEX #B31845

RGB 179 24 69

HSL 342.58, 0.76%, 0.4%

LAB 39.01, 60.23, 16.15

 

CMYK 0 / 61 / 41 / 4

HEX #F65F90

RGB 246 95 144

HSL 340.53, 0.89%, 0.67%

LAB 61.47, 61.82, 3.94

 

CMYK 0 / 61 / 58 / 4

HEX #F65F67

RGB 246 95 103

HSL 356.82, 0.89%, 0.67%

LAB 60.57, 58.36, 26.39

 

CMYK 0 / 61 / 61 / 4

HEX #F65F5F

RGB 246 95 95

HSL 0, 0.89%, 0.67%

LAB 60.43, 57.83, 30.78

 

CMYK 0 / 61 / 41 / 4

HEX #F65F90

RGB 246 95 144

HSL 340.53, 0.89%, 0.67%

LAB 61.47, 61.82, 3.94

 

CMYK 0 / 61 / 25 / 4

HEX #F65FB9

RGB 246 95 185

HSL 324.24, 0.89%, 0.67%

LAB 62.74, 66.5, -17.77

 

CMYK 0 / 61 / 9 / 4

HEX #F65FE1

RGB 246 95 225

HSL 308.34, 0.89%, 0.67%

LAB 64.33, 72.12, -37.9

 

CMYK 8 / 61 / 0 / 4

HEX #E25FF6

RGB 226 95 246

HSL 292.05, 0.89%, 0.67%

LAB 62.51, 70.76, -52.63

 

CMYK 25 / 61 / 0 / 4

HEX #B95FF6

RGB 185 95 246

HSL 275.76, 0.89%, 0.67%

LAB 57.22, 61.35, -61.38

 

CMYK 0 / 61 / 41 / 4

HEX #F65F90

RGB 246 95 144

HSL 340.53, 0.89%, 0.67%

LAB 61.47, 61.82, 3.94

 

CMYK 0 / 61 / 41 / 4

HEX #F65F90

RGB 246 95 144

HSL 340.53, 0.89%, 0.67%

LAB 61.47, 61.82, 3.94

 

CMYK 0 / 53 / 36 / 9

HEX #E86C95

RGB 232 108 149

HSL 340.16, 0.73%, 0.67%

LAB 61.7, 52.08, 1.11

 

CMYK 0 / 44 / 30 / 14

HEX #DB7A99

RGB 219 122 153

HSL 340.82, 0.57%, 0.67%

LAB 62.74, 41.2, 0.12

 

CMYK 0 / 34 / 23 / 20

HEX #CD879E

RGB 205 135 158

HSL 340.29, 0.41%, 0.67%

LAB 63.98, 30, -1.12

 

CMYK 0 / 22 / 15 / 25

HEX #C095A3

RGB 192 149 163

HSL 340.47, 0.25%, 0.67%

LAB 66.02, 18.33, -1.13

 

CMYK 0 / 61 / 8 / 4

HEX #F65FE2

RGB 246 95 226

HSL 307.95, 0.89%, 0.67%

LAB 64.38, 72.28, -38.39

 

CMYK 0 / 61 / 25 / 4

HEX #F65FB9

RGB 246 95 185

HSL 324.24, 0.89%, 0.67%

LAB 62.74, 66.5, -17.77

 

CMYK 0 / 61 / 41 / 4

HEX #F65F91

RGB 246 95 145

HSL 340.13, 0.89%, 0.67%

LAB 61.5, 61.92, 3.4

 

CMYK 0 / 61 / 57 / 4

HEX #F65F69

RGB 246 95 105

HSL 356.03, 0.89%, 0.67%

LAB 60.6, 58.5, 25.29

 

CMYK 0 / 49 / 61 / 4

HEX #F67D5F

RGB 246 125 95

HSL 11.92, 0.89%, 0.67%

LAB 65.82, 43.87, 37.54

 

CMYK 0 / 93 / 63 / 5

HEX #F21059

RGB 242 16 89

HSL 340.62, 0.9%, 0.51%

LAB 51.8, 78.04, 22.99

 

CMYK 0 / 77 / 52 / 4

HEX #F43775

RGB 244 55 117

HSL 340.32, 0.9%, 0.59%

LAB 55.33, 73.04, 11

 

CMYK 0 / 61 / 41 / 4

HEX #F65F90

RGB 246 95 144

HSL 340.53, 0.89%, 0.67%

LAB 61.47, 61.82, 3.94

 

CMYK 0 / 46 / 31 / 3

HEX #F886AB

RGB 248 134 171

HSL 340.53, 0.89%, 0.75%

LAB 69.43, 47.37, 0.15

 

CMYK 0 / 31 / 21 / 2

HEX #FAADC6

RGB 250 173 198

HSL 340.52, 0.89%, 0.83%

LAB 78.63, 31.64, -1.27

 

CMYK 0 / 61 / 41 / 3

HEX #F76091

RGB 247 96 145

HSL 340.53, 0.9%, 0.67%

LAB 61.81, 61.81, 3.87

 

CMYK 0 / 8 / 61 / 4

HEX #F6E25F

RGB 246 226 95

HSL 52.05, 0.89%, 0.67%

LAB 89.3, -8.32, 64.7

 

CMYK 61 / 16 / 0 / 4

HEX #5FCEF6

RGB 95 206 246

HSL 195.89, 0.89%, 0.67%

LAB 78.01, -20.12, -29.14

 

CMYK 0 / 61 / 41 / 3

HEX #F76091

RGB 247 96 145

HSL 340.53, 0.9%, 0.67%

LAB 61.81, 61.81, 3.87

 

CMYK 41 / 0 / 61 / 4

HEX #91F65F

RGB 145 246 95

HSL 100.13, 0.89%, 0.67%

LAB 88.33, -55.17, 61.8

 

CMYK 61 / 41 / 0 / 4

HEX #5F91F6

RGB 95 145 246

HSL 220.13, 0.89%, 0.67%

LAB 61.08, 13.7, -55.63

 

CMYK 0 / 61 / 41 / 3

HEX #F76091

RGB 247 96 145

HSL 340.53, 0.9%, 0.67%

LAB 61.81, 61.81, 3.87

 

CMYK 0 / 8 / 61 / 4

HEX #F6E25F

RGB 246 226 95

HSL 52.05, 0.89%, 0.67%

LAB 89.3, -8.32, 64.7

 

CMYK 61 / 0 / 20 / 4

HEX #5FF6C4

RGB 95 246 196

HSL 160.13, 0.89%, 0.67%

LAB 88.13, -51.65, 12.28

 

CMYK 61 / 53 / 0 / 4

HEX #5F73F6

RGB 95 115 246

HSL 232.05, 0.89%, 0.67%

LAB 53.33, 31.81, -68.07

 

CMYK 0 / 61 / 41 / 3

HEX #F76091

RGB 247 96 145

HSL 340.53, 0.9%, 0.67%

LAB 61.81, 61.81, 3.87

 

CMYK 10 / 0 / 61 / 4

HEX #DDF65F

RGB 221 246 95

HSL 69.93, 0.89%, 0.67%

LAB 92.62, -28.05, 67.73

 

CMYK 61 / 0 / 20 / 4

HEX #5FF6C4

RGB 95 246 196

HSL 160.13, 0.89%, 0.67%

LAB 88.13, -51.65, 12.28

 

CMYK 51 / 61 / 0 / 4

HEX #785FF6

RGB 120 95 246

HSL 249.93, 0.89%, 0.67%

LAB 50.49, 47.96, -72.59

 

Description

Color code: HEX #F76091 | qconv.com Color code: HEX #F76091 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 96 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 96 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 41 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 41% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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