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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F76DDB it is the complementary color #089224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F76DDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F76DDB shade: #FC6DD6, #FF7FE9, #FF91FC, #FFA3FF and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F76DDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F76DDB shade: #F76DDB, #E65BC8, #D549B5, #C437A2 and #B3258F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F76DDB shade: #F76DDB, #F76DB6, #F76D91 and #F76D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F76DDB shade: #F76DDB, #EE6DF7, #C96DF7, #A36DF7 and #7E6DF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F76DDB shade matches the following richer shades: #F76DDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F76DDB shade: #F76DDB, #EA7AD4, #DE86CC, #D292C5 and #C59FBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F76DDB shade: #C96DF7, #EE6DF7, #F76DDB, #F76DB7 and #F76D92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F76DDB shade: #F31FC8, #F546D1, #F76DDB, #F994E5 and #FBBCEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F76DDB shade: #F76DDB, #F7A46D and #6DF7DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F76DDB shade: #F76DDB, #DBF76D and #6DDBF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F76DDB shade: #F76DDB, #F7A46D, #6DF789 and #6DC0F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F76DDB shade: #F76DDB, #F7CE6D, #6DF789 and #6D96F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

Complementary color

CMYK 95 / 0 / 75 / 43

HEX #089224

RGB 8 146 36

HSL 132.17, 0.9%, 0.3%

LAB 52.66, -54.54, 46.25

 

CMYK 0 / 57 / 15 / 1

HEX #FC6DD6

RGB 252 109 214

HSL 315.94, 0.96%, 0.71%

LAB 66.89, 66.2, -27.72

 

CMYK 0 / 50 / 9 / 0

HEX #FF7FE9

RGB 255 127 233

HSL 310.31, 1%, 0.75%

LAB 71.09, 61.79, -31.74

 

CMYK 0 / 43 / 1 / 0

HEX #FF91FC

RGB 255 145 252

HSL 301.64, 1%, 0.78%

LAB 75.16, 56.29, -35.81

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 0 / 60 / 13 / 10

HEX #E65BC8

RGB 230 91 200

HSL 312.95, 0.74%, 0.63%

LAB 60.32, 65.88, -30.24

 

CMYK 0 / 66 / 15 / 16

HEX #D549B5

RGB 213 73 181

HSL 313.71, 0.63%, 0.56%

LAB 54.29, 65.9, -28.88

 

CMYK 0 / 72 / 17 / 23

HEX #C437A2

RGB 196 55 162

HSL 314.47, 0.56%, 0.49%

LAB 48.36, 65.48, -27.16

 

CMYK 0 / 79 / 20 / 30

HEX #B3258F

RGB 179 37 143

HSL 315.21, 0.66%, 0.42%

LAB 42.6, 64.37, -24.93

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 0 / 56 / 26 / 3

HEX #F76DB6

RGB 247 109 182

HSL 328.26, 0.9%, 0.7%

LAB 65.03, 60.36, -12.59

 

CMYK 0 / 56 / 41 / 3

HEX #F76D91

RGB 247 109 145

HSL 344.35, 0.9%, 0.7%

LAB 63.96, 56.08, 6.96

 

CMYK 0 / 56 / 56 / 3

HEX #F76D6D

RGB 247 109 109

HSL 0, 0.9%, 0.7%

LAB 63.19, 52.89, 26.46

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 4 / 56 / 0 / 3

HEX #EE6DF7

RGB 238 109 247

HSL 296.09, 0.9%, 0.7%

LAB 66.39, 67.79, -46.94

 

CMYK 19 / 56 / 0 / 3

HEX #C96DF7

RGB 201 109 247

HSL 280, 0.9%, 0.7%

LAB 61.71, 58.56, -54.64

 

CMYK 34 / 56 / 0 / 3

HEX #A36DF7

RGB 163 109 247

HSL 263.48, 0.9%, 0.7%

LAB 57.5, 49.45, -61.62

 

CMYK 49 / 56 / 0 / 3

HEX #7E6DF7

RGB 126 109 247

HSL 247.39, 0.9%, 0.7%

LAB 54.12, 41.42, -67.24

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 0 / 48 / 9 / 8

HEX #EA7AD4

RGB 234 122 212

HSL 311.79, 0.73%, 0.7%

LAB 66.65, 54.73, -27.18

 

CMYK 0 / 40 / 8 / 13

HEX #DE86CC

RGB 222 134 204

HSL 312.27, 0.57%, 0.7%

LAB 67.23, 43.65, -21.95

 

CMYK 0 / 30 / 6 / 18

HEX #D292C5

RGB 210 146 197

HSL 312.19, 0.42%, 0.7%

LAB 68.23, 32.13, -16.65

 

CMYK 0 / 19 / 4 / 23

HEX #C59FBD

RGB 197 159 189

HSL 312.63, 0.25%, 0.7%

LAB 69.71, 19.12, -10.12

 

CMYK 19 / 56 / 0 / 3

HEX #C96DF7

RGB 201 109 247

HSL 280, 0.9%, 0.7%

LAB 61.71, 58.56, -54.64

 

CMYK 4 / 56 / 0 / 3

HEX #EE6DF7

RGB 238 109 247

HSL 296.09, 0.9%, 0.7%

LAB 66.39, 67.79, -46.94

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 0 / 56 / 26 / 3

HEX #F76DB7

RGB 247 109 183

HSL 327.83, 0.9%, 0.7%

LAB 65.07, 60.49, -13.11

 

CMYK 0 / 56 / 41 / 3

HEX #F76D92

RGB 247 109 146

HSL 343.91, 0.9%, 0.7%

LAB 63.99, 56.18, 6.42

 

CMYK 0 / 87 / 18 / 5

HEX #F31FC8

RGB 243 31 200

HSL 312.17, 0.9%, 0.54%

LAB 56.29, 86.23, -36.35

 

CMYK 0 / 71 / 15 / 4

HEX #F546D1

RGB 245 70 209

HSL 312.34, 0.9%, 0.62%

LAB 60.25, 78.6, -35.28

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 0 / 41 / 8 / 2

HEX #F994E5

RGB 249 148 229

HSL 311.88, 0.89%, 0.78%

LAB 74.17, 49.1, -24.87

 

CMYK 0 / 25 / 5 / 2

HEX #FBBCEE

RGB 251 188 238

HSL 312.38, 0.89%, 0.86%

LAB 83.26, 30.48, -15.95

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 0 / 34 / 56 / 3

HEX #F7A46D

RGB 247 164 109

HSL 23.91, 0.9%, 0.7%

LAB 74.46, 25.19, 40.87

 

CMYK 56 / 0 / 11 / 3

HEX #6DF7DB

RGB 109 247 219

HSL 167.83, 0.9%, 0.7%

LAB 89.34, -44.19, 2.12

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 11 / 0 / 56 / 3

HEX #DBF76D

RGB 219 247 109

HSL 72.17, 0.9%, 0.7%

LAB 92.88, -28.25, 62.08

 

CMYK 56 / 11 / 0 / 3

HEX #6DDBF7

RGB 109 219 247

HSL 192.17, 0.9%, 0.7%

LAB 82.18, -23.84, -23.26

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 0 / 34 / 56 / 3

HEX #F7A46D

RGB 247 164 109

HSL 23.91, 0.9%, 0.7%

LAB 74.46, 25.19, 40.87

 

CMYK 56 / 0 / 45 / 3

HEX #6DF789

RGB 109 247 137

HSL 132.17, 0.9%, 0.7%

LAB 87.77, -60.23, 41.69

 

CMYK 56 / 22 / 0 / 3

HEX #6DC0F7

RGB 109 192 247

HSL 203.91, 0.9%, 0.7%

LAB 74.61, -9.91, -34.87

 

CMYK 0 / 56 / 11 / 3

HEX #F76DDB

RGB 247 109 219

HSL 312.17, 0.9%, 0.7%

LAB 66.39, 65.57, -31.34

 

CMYK 0 / 17 / 56 / 3

HEX #F7CE6D

RGB 247 206 109

HSL 42.17, 0.9%, 0.7%

LAB 84.49, 3.22, 52.98

 

CMYK 56 / 0 / 45 / 3

HEX #6DF789

RGB 109 247 137

HSL 132.17, 0.9%, 0.7%

LAB 87.77, -60.23, 41.69

 

CMYK 56 / 39 / 0 / 3

HEX #6D96F7

RGB 109 150 247

HSL 222.17, 0.9%, 0.7%

LAB 63.16, 13.73, -52.83

 

Description

Color code: HEX #F76DDB | qconv.com Color code: HEX #F76DDB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 109 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 109 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 11 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 11% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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