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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7782B it is the complementary color #0887D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7782B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F7782B shade: #FC7826, #FF8A39, #FF9C4C, #FFAE5F and #FFC072

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7782B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F7782B shade: #F7782B, #E66618, #D55405, #C44200 and #B33000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F7782B shade: #F7782B, #F7412B and #F72B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F7782B shade: #F7782B, #F7AF2B, #F7E62B, #D1F72B and #9AF72B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F7782B shade matches the following richer shades: #F7782B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F7782B shade: #F7782B, #E57C3D, #D3814E, #C28560 and #B08972

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F7782B shade: #F72B4D, #F73F2B, #F7762B, #F7AC2B and #F7E22B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F7782B shade: #C85007, #F06008, #F7782B, #F89153 and #FAAB7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F7782B shade: #F7782B, #83F72B and #2B32F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F7782B shade: #F7782B, #2BF776 and #762BF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F7782B shade: #F7782B, #83F72B, #2BACF7 and #9E2BF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F7782B shade: #F7782B, #46F72B, #2BACF7 and #DC2BF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

Complementary color

CMYK 96 / 36 / 0 / 17

HEX #0887D4

RGB 8 135 212

HSL 202.65, 0.93%, 0.43%

LAB 54.17, -1.88, -47.83

 

CMYK 0 / 52 / 85 / 1

HEX #FC7826

RGB 252 120 38

HSL 22.99, 0.97%, 0.57%

LAB 65.18, 46.09, 64.02

 

CMYK 0 / 46 / 78 / 0

HEX #FF8A39

RGB 255 138 57

HSL 24.55, 1%, 0.61%

LAB 69.28, 38.9, 60.4

 

CMYK 0 / 39 / 70 / 0

HEX #FF9C4C

RGB 255 156 76

HSL 26.82, 1%, 0.65%

LAB 73.26, 30.49, 56.02

 

CMYK 0 / 32 / 63 / 0

HEX #FFAE5F

RGB 255 174 95

HSL 29.63, 1%, 0.69%

LAB 77.49, 22.18, 51.73

 

CMYK 0 / 25 / 55 / 0

HEX #FFC072

RGB 255 192 114

HSL 33.19, 1%, 0.72%

LAB 81.93, 14.12, 47.69

 

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

CMYK 0 / 56 / 90 / 10

HEX #E66618

RGB 230 102 24

HSL 22.72, 0.81%, 0.5%

LAB 58.41, 46.16, 61.92

 

CMYK 0 / 61 / 98 / 16

HEX #D55405

RGB 213 84 5

HSL 22.79, 0.95%, 0.43%

LAB 52.4, 48.02, 61.19

 

CMYK 0 / 66 / 100 / 23

HEX #C44200

RGB 196 66 0

HSL 20.2, 1%, 0.38%

LAB 46.49, 49.78, 57.61

 

CMYK 0 / 73 / 100 / 30

HEX #B33000

RGB 179 48 0

HSL 16.09, 1%, 0.35%

LAB 40.73, 51.1, 53.03

 

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

CMYK 0 / 74 / 83 / 3

HEX #F7412B

RGB 247 65 43

HSL 6.47, 0.93%, 0.57%

LAB 55.82, 67.27, 53.56

 

CMYK 0 / 83 / 83 / 3

HEX #F72B2B

RGB 247 43 43

HSL 0, 0.93%, 0.57%

LAB 53.68, 73.27, 51.62

 

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

CMYK 0 / 29 / 83 / 3

HEX #F7AF2B

RGB 247 175 43

HSL 38.82, 0.93%, 0.57%

LAB 76.44, 15.98, 71.62

 

CMYK 0 / 7 / 83 / 3

HEX #F7E62B

RGB 247 230 43

HSL 55, 0.93%, 0.57%

LAB 90.11, -12.18, 83.16

 

CMYK 15 / 0 / 83 / 3

HEX #D1F72B

RGB 209 247 43

HSL 71.18, 0.93%, 0.57%

LAB 91.8, -35.75, 83.46

 

CMYK 38 / 0 / 83 / 3

HEX #9AF72B

RGB 154 247 43

HSL 87.35, 0.93%, 0.57%

LAB 88.72, -55.91, 79.58

 

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

CMYK 0 / 46 / 73 / 10

HEX #E57C3D

RGB 229 124 61

HSL 22.5, 0.76%, 0.57%

LAB 62.85, 35.94, 50.98

 

CMYK 0 / 39 / 63 / 17

HEX #D3814E

RGB 211 129 78

HSL 23.01, 0.6%, 0.57%

LAB 61.74, 26.98, 40.56

 

CMYK 0 / 31 / 51 / 24

HEX #C28560

RGB 194 133 96

HSL 22.65, 0.45%, 0.57%

LAB 60.86, 19.23, 29.33

 

CMYK 0 / 22 / 35 / 31

HEX #B08972

RGB 176 137 114

HSL 22.26, 0.28%, 0.57%

LAB 60.19, 11.59, 18.03

 

CMYK 0 / 83 / 69 / 3

HEX #F72B4D

RGB 247 43 77

HSL 350, 0.93%, 0.57%

LAB 54.07, 74.43, 33.24

 

CMYK 0 / 74 / 83 / 3

HEX #F73F2B

RGB 247 63 43

HSL 5.88, 0.93%, 0.57%

LAB 55.59, 67.9, 53.35

 

CMYK 0 / 52 / 83 / 3

HEX #F7762B

RGB 247 118 43

HSL 22.06, 0.93%, 0.57%

LAB 64.08, 45.29, 60.92

 

CMYK 0 / 30 / 83 / 3

HEX #F7AC2B

RGB 247 172 43

HSL 37.94, 0.93%, 0.57%

LAB 75.73, 17.55, 71.01

 

CMYK 0 / 9 / 83 / 3

HEX #F7E22B

RGB 247 226 43

HSL 53.82, 0.93%, 0.57%

LAB 89.08, -10.2, 82.3

 

CMYK 0 / 60 / 97 / 22

HEX #C85007

RGB 200 80 7

HSL 22.69, 0.93%, 0.41%

LAB 49.53, 45.09, 57.92

 

CMYK 0 / 60 / 97 / 6

HEX #F06008

RGB 240 96 8

HSL 22.76, 0.94%, 0.49%

LAB 58.89, 52.4, 66.72

 

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

CMYK 0 / 42 / 67 / 3

HEX #F89153

RGB 248 145 83

HSL 22.55, 0.92%, 0.65%

LAB 70.06, 33.76, 48.87

 

CMYK 0 / 32 / 51 / 2

HEX #FAAB7B

RGB 250 171 123

HSL 22.68, 0.93%, 0.73%

LAB 76.61, 23.86, 36.34

 

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

CMYK 47 / 0 / 83 / 3

HEX #83F72B

RGB 131 247 43

HSL 94.12, 0.93%, 0.57%

LAB 87.74, -63.14, 78.34

 

CMYK 83 / 80 / 0 / 3

HEX #2B32F7

RGB 43 50 247

HSL 237.94, 0.93%, 0.57%

LAB 36.95, 63.74, -95.59

 

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

CMYK 83 / 0 / 52 / 3

HEX #2BF776

RGB 43 247 118

HSL 142.06, 0.93%, 0.57%

LAB 86.18, -73.61, 48.45

 

CMYK 52 / 83 / 0 / 3

HEX #762BF7

RGB 118 43 247

HSL 262.06, 0.93%, 0.57%

LAB 41.68, 72.26, -87.58

 

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

CMYK 47 / 0 / 83 / 3

HEX #83F72B

RGB 131 247 43

HSL 94.12, 0.93%, 0.57%

LAB 87.74, -63.14, 78.34

 

CMYK 83 / 30 / 0 / 3

HEX #2BACF7

RGB 43 172 247

HSL 202.06, 0.93%, 0.57%

LAB 67.08, -8.32, -46.78

 

CMYK 36 / 83 / 0 / 3

HEX #9E2BF7

RGB 158 43 247

HSL 273.82, 0.93%, 0.57%

LAB 46.59, 77.13, -79.33

 

CMYK 0 / 51 / 83 / 3

HEX #F7782B

RGB 247 120 43

HSL 22.65, 0.93%, 0.57%

LAB 64.47, 44.32, 61.26

 

CMYK 72 / 0 / 83 / 3

HEX #46F72B

RGB 70 247 43

HSL 112.06, 0.93%, 0.57%

LAB 86.01, -77.17, 76.14

 

CMYK 83 / 30 / 0 / 3

HEX #2BACF7

RGB 43 172 247

HSL 202.06, 0.93%, 0.57%

LAB 67.08, -8.32, -46.78

 

CMYK 11 / 83 / 0 / 3

HEX #DC2BF7

RGB 220 43 247

HSL 292.06, 0.93%, 0.57%

LAB 55.74, 86.61, -64.05

 

Description

Color code: HEX #F7782B | qconv.com Color code: HEX #F7782B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 120 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 120 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 83 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 83% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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