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Color name
HEX #F778AD

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F778AD it is the complementary color #088752. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F778AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F778AD shade: #FC78A8, #FF8ABB, #FF9CCE, #FFAEE1 and #FFC0F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F778AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F778AD shade: #F778AD, #E6669A, #D55487, #C44274 and #B33061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F778AD shade: #F778AD, #F7788A and #F77878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F778AD shade: #F778AD, #F778CF, #F778F1, #DA78F7 and #B878F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F778AD shade matches the following richer shades: #F778AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F778AD shade: #F778AD, #EB83AF, #E08FB0, #D49AB2 and #C8A6B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F778AD shade: #F778F2, #F778D1, #F778AF, #F7788D and #F78478

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F778AD shade: #F22A7D, #F45195, #F778AD, #F99FC4 and #FBC6DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F778AD shade: #F778AD, #F7D978 and #78E1F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F778AD shade: #F778AD, #AFF778 and #78AFF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F778AD shade: #F778AD, #F7D978, #78F7C0 and #7895F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F778AD shade: #F778AD, #EEF778, #78F7C0 and #8078F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

Complementary color

CMYK 94 / 0 / 39 / 47

HEX #088752

RGB 8 135 82

HSL 154.96, 0.89%, 0.28%

LAB 49.48, -43.97, 20

 

CMYK 0 / 52 / 33 / 1

HEX #FC78A8

RGB 252 120 168

HSL 338.18, 0.96%, 0.73%

LAB 67.24, 55.13, -1.29

 

CMYK 0 / 46 / 27 / 0

HEX #FF8ABB

RGB 255 138 187

HSL 334.87, 1%, 0.77%

LAB 71.57, 49.77, -5.54

 

CMYK 0 / 39 / 19 / 0

HEX #FF9CCE

RGB 255 156 206

HSL 329.7, 1%, 0.81%

LAB 75.76, 43.35, -9.82

 

CMYK 0 / 32 / 12 / 0

HEX #FFAEE1

RGB 255 174 225

HSL 322.22, 1%, 0.84%

LAB 80.16, 36.97, -13.57

 

CMYK 0 / 25 / 4 / 0

HEX #FFC0F4

RGB 255 192 244

HSL 310.48, 1%, 0.88%

LAB 84.74, 30.73, -16.89

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 0 / 56 / 33 / 10

HEX #E6669A

RGB 230 102 154

HSL 335.63, 0.72%, 0.65%

LAB 60.48, 54.83, -3.59

 

CMYK 0 / 61 / 37 / 16

HEX #D55487

RGB 213 84 135

HSL 336.28, 0.61%, 0.58%

LAB 54.28, 55.41, -1.9

 

CMYK 0 / 66 / 41 / 23

HEX #C44274

RGB 196 66 116

HSL 336.92, 0.52%, 0.51%

LAB 48.13, 55.76, 0.16

 

CMYK 0 / 73 / 46 / 30

HEX #B33061

RGB 179 48 97

HSL 337.56, 0.58%, 0.45%

LAB 42.09, 55.68, 2.74

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 0 / 51 / 44 / 3

HEX #F7788A

RGB 247 120 138

HSL 351.5, 0.89%, 0.72%

LAB 65.78, 50.21, 13.53

 

CMYK 0 / 51 / 51 / 3

HEX #F77878

RGB 247 120 120

HSL 0, 0.89%, 0.72%

LAB 65.41, 48.56, 23.2

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 0 / 51 / 16 / 3

HEX #F778CF

RGB 247 120 207

HSL 318.9, 0.89%, 0.72%

LAB 67.81, 58.76, -22.46

 

CMYK 0 / 51 / 2 / 3

HEX #F778F1

RGB 247 120 241

HSL 302.83, 0.89%, 0.72%

LAB 69.15, 64.13, -39.23

 

CMYK 12 / 51 / 0 / 3

HEX #DA78F7

RGB 218 120 247

HSL 286.3, 0.89%, 0.72%

LAB 65.79, 57.49, -48.06

 

CMYK 26 / 51 / 0 / 3

HEX #B878F7

RGB 184 120 247

HSL 270.24, 0.89%, 0.72%

LAB 61.95, 48.67, -54.39

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 0 / 44 / 26 / 8

HEX #EB83AF

RGB 235 131 175

HSL 334.62, 0.72%, 0.72%

LAB 67.27, 45.02, -5.47

 

CMYK 0 / 36 / 21 / 12

HEX #E08FB0

RGB 224 143 176

HSL 335.56, 0.57%, 0.72%

LAB 68.48, 35.14, -4.39

 

CMYK 0 / 27 / 16 / 17

HEX #D49AB2

RGB 212 154 178

HSL 335.17, 0.4%, 0.72%

LAB 69.7, 25.27, -3.86

 

CMYK 0 / 17 / 10 / 22

HEX #C8A6B4

RGB 200 166 180

HSL 335.29, 0.24%, 0.72%

LAB 71.45, 14.75, -2.53

 

CMYK 0 / 51 / 2 / 3

HEX #F778F2

RGB 247 120 242

HSL 302.36, 0.89%, 0.72%

LAB 69.2, 64.3, -39.71

 

CMYK 0 / 51 / 15 / 3

HEX #F778D1

RGB 247 120 209

HSL 317.95, 0.89%, 0.72%

LAB 67.88, 59.06, -23.47

 

CMYK 0 / 51 / 29 / 3

HEX #F778AF

RGB 247 120 175

HSL 334.02, 0.89%, 0.72%

LAB 66.75, 54.37, -6.06

 

CMYK 0 / 51 / 43 / 3

HEX #F7788D

RGB 247 120 141

HSL 350.08, 0.89%, 0.72%

LAB 65.85, 50.51, 11.92

 

CMYK 0 / 47 / 51 / 3

HEX #F78478

RGB 247 132 120

HSL 5.67, 0.89%, 0.72%

LAB 67.75, 42.64, 26.33

 

CMYK 0 / 83 / 48 / 5

HEX #F22A7D

RGB 242 42 125

HSL 335.1, 0.88%, 0.56%

LAB 54.04, 76.34, 4.33

 

CMYK 0 / 67 / 39 / 4

HEX #F45195

RGB 244 81 149

HSL 334.97, 0.88%, 0.64%

LAB 59.24, 67.33, -2.26

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 0 / 36 / 21 / 2

HEX #F99FC4

RGB 249 159 196

HSL 335.33, 0.88%, 0.8%

LAB 75.4, 38.32, -4.93

 

CMYK 0 / 21 / 12 / 2

HEX #FBC6DC

RGB 251 198 220

HSL 335.09, 0.87%, 0.88%

LAB 85.03, 22.2, -3.7

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 0 / 12 / 51 / 3

HEX #F7D978

RGB 247 217 120

HSL 45.83, 0.89%, 0.72%

LAB 87.37, -1.53, 51.16

 

CMYK 51 / 9 / 0 / 3

HEX #78E1F7

RGB 120 225 247

HSL 190.39, 0.89%, 0.72%

LAB 84.26, -24.62, -20.08

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 29 / 0 / 51 / 3

HEX #AFF778

RGB 175 247 120

HSL 94.02, 0.89%, 0.72%

LAB 90.32, -43.31, 53.5

 

CMYK 51 / 29 / 0 / 3

HEX #78AFF7

RGB 120 175 247

HSL 214.02, 0.89%, 0.72%

LAB 70.43, 1.71, -41.33

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 0 / 12 / 51 / 3

HEX #F7D978

RGB 247 217 120

HSL 45.83, 0.89%, 0.72%

LAB 87.37, -1.53, 51.16

 

CMYK 51 / 0 / 22 / 3

HEX #78F7C0

RGB 120 247 192

HSL 154.02, 0.89%, 0.72%

LAB 89.07, -47.88, 15.79

 

CMYK 51 / 40 / 0 / 3

HEX #7895F7

RGB 120 149 247

HSL 226.3, 0.89%, 0.72%

LAB 63.51, 16.62, -52.23

 

CMYK 0 / 51 / 30 / 3

HEX #F778AD

RGB 247 120 173

HSL 334.96, 0.89%, 0.72%

LAB 66.69, 54.12, -5.02

 

CMYK 4 / 0 / 51 / 3

HEX #EEF778

RGB 238 247 120

HSL 64.25, 0.89%, 0.72%

LAB 94.34, -19.98, 59.25

 

CMYK 51 / 0 / 22 / 3

HEX #78F7C0

RGB 120 247 192

HSL 154.02, 0.89%, 0.72%

LAB 89.07, -47.88, 15.79

 

CMYK 48 / 51 / 0 / 3

HEX #8078F7

RGB 128 120 247

HSL 243.78, 0.89%, 0.72%

LAB 56.82, 35.43, -62.88

 

Description

Color code: HEX #F778AD | qconv.com Color code: HEX #F778AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 120 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 120 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 30 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 30% 3% C M Y K

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Provide designers and agencies with accurate color values.

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