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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F78AA0 it is the complementary color #08755F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F78AA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F78AA0 shade: #FC8A9B, #FF9CAE, #FFAEC1, #FFC0D4 and #FFD2E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F78AA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F78AA0 shade: #F78AA0, #E6788D, #D5667A, #C45467 and #B34254

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F78AA0 shade: #F6879E and #F68787

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F78AA0 shade: #F6879E, #F687BC, #F687DA, #F587F6 and #D787F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F78AA0 shade matches the following richer shades: #F6879E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F78AA0 shade: #F6879E, #EC92A4, #E29CAA, #D7A6B0 and #CDB1B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F78AA0 shade: #F687DA, #F687BD, #F6879F, #F68D87 and #F6AA87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F78AA0 shade: #F13A5F, #F4617E, #F6879E, #F9AEBD and #FCD4DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F78AA0 shade: #F78AA0, #F6F487 and #87CCF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F78AA0 shade: #F78AA0, #9FF687 and #879FF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F78AA0 shade: #F78AA0, #F6F487, #87F6DE and #8789F6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F78AA0 shade: #F78AA0, #D7F687, #87F6DE and #A787F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 35 / 3

HEX #F78AA0

RGB 247 138 160

HSL 347.89, 0.87%, 0.75%

LAB 69.82, 43.68, 6.86

 

Complementary color

CMYK 93 / 0 / 19 / 54

HEX #08755F

RGB 8 117 95

HSL 167.89, 0.87%, 0.25%

LAB 43.65, -33.3, 4.36

 

CMYK 0 / 45 / 38 / 1

HEX #FC8A9B

RGB 252 138 155

HSL 351.05, 0.95%, 0.76%

LAB 70.34, 44.87, 10.49

 

CMYK 0 / 39 / 32 / 0

HEX #FF9CAE

RGB 255 156 174

HSL 349.09, 1%, 0.81%

LAB 74.88, 39, 6.49

 

CMYK 0 / 32 / 24 / 0

HEX #FFAEC1

RGB 255 174 193

HSL 345.93, 1%, 0.84%

LAB 79.26, 32.16, 2.43

 

CMYK 0 / 25 / 17 / 0

HEX #FFC0D4

RGB 255 192 212

HSL 340.95, 1%, 0.88%

LAB 83.82, 25.5, -1.17

 

CMYK 0 / 18 / 9 / 0

HEX #FFD2E7

RGB 255 210 231

HSL 332, 1%, 0.91%

LAB 88.51, 19.08, -4.38

 

CMYK 0 / 44 / 35 / 3

HEX #F78AA0

RGB 247 138 160

HSL 347.89, 0.87%, 0.75%

LAB 69.82, 43.68, 6.86

 

CMYK 0 / 48 / 39 / 10

HEX #E6788D

RGB 230 120 141

HSL 348.55, 0.69%, 0.69%

LAB 63.49, 44.62, 8.25

 

CMYK 0 / 52 / 43 / 16

HEX #D5667A

RGB 213 102 122

HSL 349.19, 0.57%, 0.62%

LAB 57.13, 45.56, 9.86

 

CMYK 0 / 57 / 47 / 23

HEX #C45467

RGB 196 84 103

HSL 349.82, 0.49%, 0.55%

LAB 50.75, 46.48, 11.76

 

CMYK 0 / 63 / 53 / 30

HEX #B34254

RGB 179 66 84

HSL 350.44, 0.46%, 0.48%

LAB 44.4, 47.27, 14.07

 

CMYK 0 / 45 / 36 / 4

HEX #F6879E

RGB 246 135 158

HSL 347.57, 0.86%, 0.75%

LAB 69.03, 44.61, 6.83

 

CMYK 0 / 45 / 45 / 4

HEX #F68787

RGB 246 135 135

HSL 0, 0.86%, 0.75%

LAB 68.51, 42.14, 18.99

 

CMYK 0 / 45 / 36 / 4

HEX #F6879E

RGB 246 135 158

HSL 347.57, 0.86%, 0.75%

LAB 69.03, 44.61, 6.83

 

CMYK 0 / 45 / 24 / 4

HEX #F687BC

RGB 246 135 188

HSL 331.35, 0.86%, 0.75%

LAB 69.86, 48.45, -8.76

 

CMYK 0 / 45 / 11 / 4

HEX #F687DA

RGB 246 135 218

HSL 315.14, 0.86%, 0.75%

LAB 70.86, 52.91, -23.92

 

CMYK 0 / 45 / 0 / 4

HEX #F587F6

RGB 245 135 246

HSL 299.46, 0.86%, 0.75%

LAB 71.82, 57.3, -37.83

 

CMYK 13 / 45 / 0 / 4

HEX #D787F6

RGB 215 135 246

HSL 283.24, 0.86%, 0.75%

LAB 68.34, 48.86, -43.53

 

CMYK 0 / 45 / 36 / 4

HEX #F6879E

RGB 246 135 158

HSL 347.57, 0.86%, 0.75%

LAB 69.03, 44.61, 6.83

 

CMYK 0 / 45 / 36 / 4

HEX #F6879E

RGB 246 135 158

HSL 347.57, 0.86%, 0.75%

LAB 69.03, 44.61, 6.83

 

CMYK 0 / 38 / 31 / 7

HEX #EC92A4

RGB 236 146 164

HSL 348, 0.7%, 0.75%

LAB 70.23, 36.15, 5.03

 

CMYK 0 / 31 / 25 / 11

HEX #E29CAA

RGB 226 156 170

HSL 348, 0.55%, 0.75%

LAB 71.45, 28.04, 3.32

 

CMYK 0 / 23 / 18 / 16

HEX #D7A6B0

RGB 215 166 176

HSL 347.76, 0.38%, 0.75%

LAB 72.8, 19.53, 1.81

 

CMYK 0 / 14 / 11 / 20

HEX #CDB1B6

RGB 205 177 182

HSL 349.29, 0.22%, 0.75%

LAB 74.7, 10.91, 1.18

 

CMYK 0 / 45 / 11 / 4

HEX #F687DA

RGB 246 135 218

HSL 315.14, 0.86%, 0.75%

LAB 70.86, 52.91, -23.92

 

CMYK 0 / 45 / 23 / 4

HEX #F687BD

RGB 246 135 189

HSL 330.81, 0.86%, 0.75%

LAB 69.89, 48.58, -9.27

 

CMYK 0 / 45 / 35 / 4

HEX #F6879F

RGB 246 135 159

HSL 347.03, 0.86%, 0.75%

LAB 69.06, 44.73, 6.31

 

CMYK 0 / 43 / 45 / 4

HEX #F68D87

RGB 246 141 135

HSL 3.24, 0.86%, 0.75%

LAB 69.75, 39.08, 20.68

 

CMYK 0 / 31 / 45 / 4

HEX #F6AA87

RGB 246 170 135

HSL 18.92, 0.86%, 0.75%

LAB 76.13, 23.95, 29.28

 

CMYK 0 / 76 / 61 / 5

HEX #F13A5F

RGB 241 58 95

HSL 347.87, 0.87%, 0.59%

LAB 54.61, 69.89, 23.06

 

CMYK 0 / 60 / 48 / 4

HEX #F4617E

RGB 244 97 126

HSL 348.16, 0.87%, 0.67%

LAB 61.04, 58.65, 13.71

 

CMYK 0 / 45 / 36 / 4

HEX #F6879E

RGB 246 135 158

HSL 347.57, 0.86%, 0.75%

LAB 69.03, 44.61, 6.83

 

CMYK 0 / 30 / 24 / 2

HEX #F9AEBD

RGB 249 174 189

HSL 348, 0.86%, 0.83%

LAB 78.51, 29.47, 3.44

 

CMYK 0 / 16 / 13 / 1

HEX #FCD4DC

RGB 252 212 220

HSL 348, 0.87%, 0.91%

LAB 88.42, 15.21, 1.28

 

CMYK 0 / 44 / 35 / 3

HEX #F78AA0

RGB 247 138 160

HSL 347.89, 0.87%, 0.75%

LAB 69.82, 43.68, 6.86

 

CMYK 0 / 1 / 45 / 4

HEX #F6F487

RGB 246 244 135

HSL 58.92, 0.86%, 0.75%

LAB 94.33, -14.08, 52.46

 

CMYK 45 / 17 / 0 / 4

HEX #87CCF6

RGB 135 204 246

HSL 202.7, 0.86%, 0.75%

LAB 79.04, -10.86, -27.43

 

CMYK 0 / 44 / 35 / 3

HEX #F78AA0

RGB 247 138 160

HSL 347.89, 0.87%, 0.75%

LAB 69.82, 43.68, 6.86

 

CMYK 35 / 0 / 45 / 4

HEX #9FF687

RGB 159 246 135

HSL 107.03, 0.86%, 0.75%

LAB 89.41, -46.39, 45.15

 

CMYK 45 / 35 / 0 / 4

HEX #879FF6

RGB 135 159 246

HSL 227.03, 0.86%, 0.75%

LAB 66.98, 13.97, -46.15

 

CMYK 0 / 44 / 35 / 3

HEX #F78AA0

RGB 247 138 160

HSL 347.89, 0.87%, 0.75%

LAB 69.82, 43.68, 6.86

 

CMYK 0 / 1 / 45 / 4

HEX #F6F487

RGB 246 244 135

HSL 58.92, 0.86%, 0.75%

LAB 94.33, -14.08, 52.46

 

CMYK 45 / 0 / 10 / 4

HEX #87F6DE

RGB 135 246 222

HSL 167.03, 0.86%, 0.75%

LAB 90.02, -37.47, 1.65

 

CMYK 45 / 44 / 0 / 4

HEX #8789F6

RGB 135 137 246

HSL 238.92, 0.86%, 0.75%

LAB 61.39, 26.74, -54.99

 

CMYK 0 / 44 / 35 / 3

HEX #F78AA0

RGB 247 138 160

HSL 347.89, 0.87%, 0.75%

LAB 69.82, 43.68, 6.86

 

CMYK 13 / 0 / 45 / 4

HEX #D7F687

RGB 215 246 135

HSL 76.76, 0.86%, 0.75%

LAB 92.62, -26.89, 49.85

 

CMYK 45 / 0 / 10 / 4

HEX #87F6DE

RGB 135 246 222

HSL 167.03, 0.86%, 0.75%

LAB 90.02, -37.47, 1.65

 

CMYK 32 / 45 / 0 / 4

HEX #A787F6

RGB 167 135 246

HSL 257.3, 0.86%, 0.75%

LAB 63.51, 35.81, -51.47

 

Description

Color code: HEX #F78AA0 | qconv.com Color code: HEX #F78AA0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 138 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 138 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 35 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 35% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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