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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F78B95 it is the complementary color #08746A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F78B95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F78B95 shade: #FC8B90, #FF9DA3, #FFAFB6, #FFC1C9 and #FFD3DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F78B95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F78B95 shade: #F78B95, #E67982, #D5676F, #C4555C and #B34349

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F78B95 shade: #F78C96 and #F78C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F78B95 shade: #F78C96, #F78CB3, #F78CCF, #F78CEC and #E48CF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F78B95 shade matches the following richer shades: #F78C96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F78B95 shade: #F78C96, #ED969E, #E3A0A6, #D9AAAE and #CFB4B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F78B95 shade: #F78CCF, #F78CB3, #F78C97, #F79E8C and #F7BA8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F78B95 shade: #F13F4F, #F46573, #F78C96, #F9B3B9 and #FCD9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F78B95 shade: #F78B95, #ECF78C and #8CC1F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F78B95 shade: #F78B95, #97F78C and #8C97F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F78B95 shade: #F78B95, #ECF78C, #8CF7EC and #978CF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F78B95 shade: #F78B95, #CCF78C, #8CF7EC and #B78CF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 40 / 3

HEX #F78B95

RGB 247 139 149

HSL 354.44, 0.87%, 0.76%

LAB 69.76, 41.93, 12.93

 

Complementary color

CMYK 93 / 0 / 9 / 55

HEX #08746A

RGB 8 116 106

HSL 174.44, 0.87%, 0.24%

LAB 43.63, -29.57, -2.26

 

CMYK 0 / 45 / 43 / 1

HEX #FC8B90

RGB 252 139 144

HSL 357.35, 0.95%, 0.77%

LAB 70.3, 43.19, 16.56

 

CMYK 0 / 38 / 36 / 0

HEX #FF9DA3

RGB 255 157 163

HSL 356.33, 1%, 0.81%

LAB 74.84, 37.16, 12.47

 

CMYK 0 / 31 / 29 / 0

HEX #FFAFB6

RGB 255 175 182

HSL 354.75, 1%, 0.84%

LAB 79.21, 30.15, 8.33

 

CMYK 0 / 24 / 21 / 0

HEX #FFC1C9

RGB 255 193 201

HSL 352.26, 1%, 0.88%

LAB 83.77, 23.33, 4.65

 

CMYK 0 / 17 / 14 / 0

HEX #FFD3DC

RGB 255 211 220

HSL 347.73, 1%, 0.91%

LAB 88.46, 16.78, 1.35

 

CMYK 0 / 44 / 40 / 3

HEX #F78B95

RGB 247 139 149

HSL 354.44, 0.87%, 0.76%

LAB 69.76, 41.93, 12.93

 

CMYK 0 / 47 / 43 / 10

HEX #E67982

RGB 230 121 130

HSL 355.05, 0.69%, 0.69%

LAB 63.43, 42.93, 14.45

 

CMYK 0 / 52 / 48 / 16

HEX #D5676F

RGB 213 103 111

HSL 355.64, 0.57%, 0.62%

LAB 57.07, 43.97, 16.2

 

CMYK 0 / 57 / 53 / 23

HEX #C4555C

RGB 196 85 92

HSL 356.22, 0.48%, 0.55%

LAB 50.69, 45, 18.25

 

CMYK 0 / 63 / 59 / 30

HEX #B34349

RGB 179 67 73

HSL 356.79, 0.46%, 0.48%

LAB 44.35, 45.95, 20.73

 

CMYK 0 / 43 / 39 / 3

HEX #F78C96

RGB 247 140 150

HSL 354.39, 0.87%, 0.76%

LAB 69.99, 41.53, 12.69

 

CMYK 0 / 43 / 43 / 3

HEX #F78C8C

RGB 247 140 140

HSL 0, 0.87%, 0.76%

LAB 69.77, 40.47, 17.96

 

CMYK 0 / 43 / 39 / 3

HEX #F78C96

RGB 247 140 150

HSL 354.39, 0.87%, 0.76%

LAB 69.99, 41.53, 12.69

 

CMYK 0 / 43 / 28 / 3

HEX #F78CB3

RGB 247 140 179

HSL 338.13, 0.87%, 0.76%

LAB 70.72, 45.04, -2.45

 

CMYK 0 / 43 / 16 / 3

HEX #F78CCF

RGB 247 140 207

HSL 322.43, 0.87%, 0.76%

LAB 71.58, 49.02, -16.74

 

CMYK 0 / 43 / 4 / 3

HEX #F78CEC

RGB 247 140 236

HSL 306.17, 0.87%, 0.76%

LAB 72.62, 53.69, -31.11

 

CMYK 8 / 43 / 0 / 3

HEX #E48CF7

RGB 228 140 247

HSL 289.35, 0.87%, 0.76%

LAB 70.85, 50.15, -40.04

 

CMYK 0 / 43 / 39 / 3

HEX #F78C96

RGB 247 140 150

HSL 354.39, 0.87%, 0.76%

LAB 69.99, 41.53, 12.69

 

CMYK 0 / 43 / 39 / 3

HEX #F78C96

RGB 247 140 150

HSL 354.39, 0.87%, 0.76%

LAB 69.99, 41.53, 12.69

 

CMYK 0 / 37 / 33 / 7

HEX #ED969E

RGB 237 150 158

HSL 354.48, 0.71%, 0.76%

LAB 71.07, 33.66, 9.59

 

CMYK 0 / 30 / 27 / 11

HEX #E3A0A6

RGB 227 160 166

HSL 354.63, 0.54%, 0.76%

LAB 72.38, 25.71, 6.88

 

CMYK 0 / 22 / 20 / 15

HEX #D9AAAE

RGB 217 170 174

HSL 354.89, 0.38%, 0.76%

LAB 73.91, 17.79, 4.55

 

CMYK 0 / 13 / 12 / 19

HEX #CFB4B6

RGB 207 180 182

HSL 355.56, 0.22%, 0.76%

LAB 75.63, 10.01, 2.55

 

CMYK 0 / 43 / 16 / 3

HEX #F78CCF

RGB 247 140 207

HSL 322.43, 0.87%, 0.76%

LAB 71.58, 49.02, -16.74

 

CMYK 0 / 43 / 28 / 3

HEX #F78CB3

RGB 247 140 179

HSL 338.13, 0.87%, 0.76%

LAB 70.72, 45.04, -2.45

 

CMYK 0 / 43 / 39 / 3

HEX #F78C97

RGB 247 140 151

HSL 353.83, 0.87%, 0.76%

LAB 70.01, 41.64, 12.16

 

CMYK 0 / 36 / 43 / 3

HEX #F79E8C

RGB 247 158 140

HSL 10.09, 0.87%, 0.76%

LAB 73.62, 31.15, 23.24

 

CMYK 0 / 25 / 43 / 3

HEX #F7BA8C

RGB 247 186 140

HSL 25.79, 0.87%, 0.76%

LAB 80.06, 16.42, 31.85

 

CMYK 0 / 74 / 67 / 5

HEX #F13F4F

RGB 241 63 79

HSL 354.61, 0.86%, 0.6%

LAB 54.89, 67.47, 32.83

 

CMYK 0 / 59 / 53 / 4

HEX #F46573

RGB 244 101 115

HSL 354.13, 0.87%, 0.68%

LAB 61.46, 55.97, 20.64

 

CMYK 0 / 43 / 39 / 3

HEX #F78C96

RGB 247 140 150

HSL 354.39, 0.87%, 0.76%

LAB 69.99, 41.53, 12.69

 

CMYK 0 / 28 / 26 / 2

HEX #F9B3B9

RGB 249 179 185

HSL 354.86, 0.85%, 0.84%

LAB 79.55, 26.28, 7.1

 

CMYK 0 / 14 / 13 / 1

HEX #FCD9DC

RGB 252 217 220

HSL 354.86, 0.85%, 0.92%

LAB 89.62, 12.61, 3.02

 

CMYK 0 / 44 / 40 / 3

HEX #F78B95

RGB 247 139 149

HSL 354.44, 0.87%, 0.76%

LAB 69.76, 41.93, 12.93

 

CMYK 4 / 0 / 43 / 3

HEX #ECF78C

RGB 236 247 140

HSL 66.17, 0.87%, 0.76%

LAB 94.42, -18.91, 50.02

 

CMYK 43 / 22 / 0 / 3

HEX #8CC1F7

RGB 140 193 247

HSL 210.28, 0.87%, 0.76%

LAB 76.33, -3.52, -32.1

 

CMYK 0 / 44 / 40 / 3

HEX #F78B95

RGB 247 139 149

HSL 354.44, 0.87%, 0.76%

LAB 69.76, 41.93, 12.93

 

CMYK 39 / 0 / 43 / 3

HEX #97F78C

RGB 151 247 140

HSL 113.83, 0.87%, 0.76%

LAB 89.39, -48.61, 42.63

 

CMYK 43 / 39 / 0 / 3

HEX #8C97F7

RGB 140 151 247

HSL 233.83, 0.87%, 0.76%

LAB 65.3, 20.07, -49.32

 

CMYK 0 / 44 / 40 / 3

HEX #F78B95

RGB 247 139 149

HSL 354.44, 0.87%, 0.76%

LAB 69.76, 41.93, 12.93

 

CMYK 4 / 0 / 43 / 3

HEX #ECF78C

RGB 236 247 140

HSL 66.17, 0.87%, 0.76%

LAB 94.42, -18.91, 50.02

 

CMYK 43 / 0 / 4 / 3

HEX #8CF7EC

RGB 140 247 236

HSL 173.83, 0.87%, 0.76%

LAB 90.85, -33.52, -4.39

 

CMYK 39 / 43 / 0 / 3

HEX #978CF7

RGB 151 140 247

HSL 246.17, 0.87%, 0.76%

LAB 63.38, 29.14, -52.3

 

CMYK 0 / 44 / 40 / 3

HEX #F78B95

RGB 247 139 149

HSL 354.44, 0.87%, 0.76%

LAB 69.76, 41.93, 12.93

 

CMYK 17 / 0 / 43 / 3

HEX #CCF78C

RGB 204 247 140

HSL 84.11, 0.87%, 0.76%

LAB 92.24, -30.86, 46.84

 

CMYK 43 / 0 / 4 / 3

HEX #8CF7EC

RGB 140 247 236

HSL 173.83, 0.87%, 0.76%

LAB 90.85, -33.52, -4.39

 

CMYK 26 / 43 / 0 / 3

HEX #B78CF7

RGB 183 140 247

HSL 264.11, 0.87%, 0.76%

LAB 66.17, 37.53, -47.72

 

Description

Color code: HEX #F78B95 | qconv.com Color code: HEX #F78B95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 139 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 139 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 40 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 40% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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