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Color name
HEX #F79C1B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F79C1B it is the complementary color #0863E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F79C1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F79C1B shade: #FC9C16, #FFAE29, #FFC03C, #FFD24F and #FFE462

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F79C1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F79C1B shade: #F79C1B, #E68A08, #D57800, #C46600 and #B35400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F79C1B shade: #F69C1C, #F6611C, #F6261C and #F61C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F79C1B shade: #F69C1C, #F6D71C, #DBF61C, #A0F61C and #65F61C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F79C1B shade matches the following richer shades: #F69C1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F79C1B shade: #F69C1C, #E3992F, #D09542, #BD9255 and #AA8F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F79C1B shade: #F6271C, #F6611C, #F69B1C, #F6D61C and #DDF61C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F79C1B shade: #BA6F06, #E18708, #F69C1C, #F8AD44 and #F9BF6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F79C1B shade: #F79C1B, #4BF61C and #441CF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F79C1B shade: #F79C1B, #1CF69B and #9B1CF6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F79C1B shade: #F79C1B, #4BF61C, #1C77F6 and #C71CF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F79C1B shade: #F79C1B, #1CF62E, #1C77F6 and #F61CE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 89 / 3

HEX #F79C1B

RGB 247 156 27

HSL 35.18, 0.93%, 0.54%

LAB 71.98, 25.59, 72.34

 

Complementary color

CMYK 96 / 57 / 0 / 11

HEX #0863E4

RGB 8 99 228

HSL 215.18, 0.93%, 0.46%

LAB 45.05, 26.97, -71.56

 

CMYK 0 / 38 / 91 / 1

HEX #FC9C16

RGB 252 156 22

HSL 34.96, 0.97%, 0.54%

LAB 72.58, 27.59, 74.15

 

CMYK 0 / 32 / 84 / 0

HEX #FFAE29

RGB 255 174 41

HSL 37.29, 1%, 0.58%

LAB 77.1, 19.82, 73.12

 

CMYK 0 / 25 / 76 / 0

HEX #FFC03C

RGB 255 192 60

HSL 40.62, 1%, 0.62%

LAB 81.45, 11.03, 70.79

 

CMYK 0 / 18 / 69 / 0

HEX #FFD24F

RGB 255 210 79

HSL 44.66, 1%, 0.65%

LAB 85.97, 2.58, 68.02

 

CMYK 0 / 11 / 62 / 0

HEX #FFE462

RGB 255 228 98

HSL 49.68, 1%, 0.69%

LAB 90.61, -5.45, 65.07

 

CMYK 0 / 37 / 89 / 3

HEX #F79C1B

RGB 247 156 27

HSL 35.18, 0.93%, 0.54%

LAB 71.98, 25.59, 72.34

 

CMYK 0 / 40 / 97 / 10

HEX #E68A08

RGB 230 138 8

HSL 35.14, 0.93%, 0.47%

LAB 65.76, 27.7, 70.38

 

CMYK 0 / 44 / 100 / 16

HEX #D57800

RGB 213 120 0

HSL 33.8, 1%, 0.42%

LAB 59.51, 30.02, 66.45

HEX #D57800

CMYK 0 / 48 / 100 / 23

HEX #C46600

RGB 196 102 0

HSL 31.22, 1%, 0.38%

LAB 53.21, 32.45, 61.37

HEX #C46600

CMYK 0 / 53 / 100 / 30

HEX #B35400

RGB 179 84 0

HSL 28.16, 1%, 0.35%

LAB 46.88, 34.86, 56.29

HEX #B35400

CMYK 0 / 37 / 89 / 4

HEX #F69C1C

RGB 246 156 28

HSL 35.23, 0.92%, 0.54%

LAB 71.86, 25.19, 71.96

 

CMYK 0 / 61 / 89 / 4

HEX #F6611C

RGB 246 97 28

HSL 18.99, 0.92%, 0.54%

LAB 60.09, 54.33, 63.05

 

CMYK 0 / 85 / 89 / 4

HEX #F6261C

RGB 246 38 28

HSL 2.75, 0.92%, 0.54%

LAB 53.02, 73.76, 57.84

 

CMYK 0 / 89 / 89 / 4

HEX #F61C1C

RGB 246 28 28

HSL 0, 0.92%, 0.54%

LAB 52.41, 75.52, 57.4

 

CMYK 0 / 37 / 89 / 4

HEX #F69C1C

RGB 246 156 28

HSL 35.23, 0.92%, 0.54%

LAB 71.86, 25.19, 71.96

 

CMYK 0 / 13 / 89 / 4

HEX #F6D71C

RGB 246 215 28

HSL 51.47, 0.92%, 0.54%

LAB 86.15, -5.45, 83.01

 

CMYK 11 / 0 / 89 / 4

HEX #DBF61C

RGB 219 246 28

HSL 67.43, 0.92%, 0.54%

LAB 92.16, -31.68, 86.86

 

CMYK 35 / 0 / 89 / 4

HEX #A0F61C

RGB 160 246 28

HSL 83.67, 0.92%, 0.54%

LAB 88.67, -53.93, 82.58

 

CMYK 59 / 0 / 89 / 4

HEX #65F61C

RGB 101 246 28

HSL 99.91, 0.92%, 0.54%

LAB 86.39, -71.27, 79.74

 

CMYK 0 / 37 / 89 / 4

HEX #F69C1C

RGB 246 156 28

HSL 35.23, 0.92%, 0.54%

LAB 71.86, 25.19, 71.96

 

CMYK 0 / 37 / 89 / 4

HEX #F69C1C

RGB 246 156 28

HSL 35.23, 0.92%, 0.54%

LAB 71.86, 25.19, 71.96

 

CMYK 0 / 33 / 79 / 11

HEX #E3992F

RGB 227 153 47

HSL 35.33, 0.76%, 0.54%

LAB 68.98, 19.26, 62.82

 

CMYK 0 / 28 / 68 / 18

HEX #D09542

RGB 208 149 66

HSL 35.07, 0.6%, 0.54%

LAB 65.98, 14.15, 51.18

 

CMYK 0 / 23 / 55 / 26

HEX #BD9255

RGB 189 146 85

HSL 35.19, 0.44%, 0.54%

LAB 63.37, 8.97, 38.25

 

CMYK 0 / 16 / 39 / 33

HEX #AA8F68

RGB 170 143 104

HSL 35.45, 0.28%, 0.54%

LAB 60.95, 4.54, 24.54

 

CMYK 0 / 84 / 89 / 4

HEX #F6271C

RGB 246 39 28

HSL 3.03, 0.92%, 0.54%

LAB 53.09, 73.56, 57.89

 

CMYK 0 / 61 / 89 / 4

HEX #F6611C

RGB 246 97 28

HSL 18.99, 0.92%, 0.54%

LAB 60.09, 54.33, 63.05

 

CMYK 0 / 37 / 89 / 4

HEX #F69B1C

RGB 246 155 28

HSL 34.95, 0.92%, 0.54%

LAB 71.64, 25.72, 71.79

 

CMYK 0 / 13 / 89 / 4

HEX #F6D61C

RGB 246 214 28

HSL 51.19, 0.92%, 0.54%

LAB 85.89, -4.94, 82.82

 

CMYK 10 / 0 / 89 / 4

HEX #DDF61C

RGB 221 246 28

HSL 66.88, 0.92%, 0.54%

LAB 92.29, -30.87, 87.02

 

CMYK 0 / 40 / 97 / 27

HEX #BA6F06

RGB 186 111 6

HSL 35, 0.94%, 0.38%

LAB 53.84, 23.42, 59.9

 

CMYK 0 / 40 / 96 / 12

HEX #E18708

RGB 225 135 8

HSL 35.12, 0.93%, 0.46%

LAB 64.45, 27.19, 69.18

 

CMYK 0 / 37 / 89 / 4

HEX #F69C1C

RGB 246 156 28

HSL 35.23, 0.92%, 0.54%

LAB 71.86, 25.19, 71.96

 

CMYK 0 / 30 / 73 / 3

HEX #F8AD44

RGB 248 173 68

HSL 35, 0.93%, 0.62%

LAB 76.23, 18.35, 62.37

 

CMYK 0 / 23 / 57 / 2

HEX #F9BF6C

RGB 249 191 108

HSL 35.32, 0.92%, 0.7%

LAB 81.01, 11.75, 49.38

 

CMYK 0 / 37 / 89 / 3

HEX #F79C1B

RGB 247 156 27

HSL 35.18, 0.93%, 0.54%

LAB 71.98, 25.59, 72.34

 

CMYK 70 / 0 / 89 / 4

HEX #4BF61C

RGB 75 246 28

HSL 107.06, 0.92%, 0.54%

LAB 85.75, -76.6, 78.95

 

CMYK 72 / 89 / 0 / 4

HEX #441CF6

RGB 68 28 246

HSL 251.01, 0.92%, 0.54%

LAB 35.43, 72.9, -97.52

 

CMYK 0 / 37 / 89 / 3

HEX #F79C1B

RGB 247 156 27

HSL 35.18, 0.93%, 0.54%

LAB 71.98, 25.59, 72.34

 

CMYK 89 / 0 / 37 / 4

HEX #1CF69B

RGB 28 246 155

HSL 154.95, 0.92%, 0.54%

LAB 86.27, -68.15, 30.55

 

CMYK 37 / 89 / 0 / 4

HEX #9B1CF6

RGB 155 28 246

HSL 274.95, 0.92%, 0.54%

LAB 44.88, 80.17, -81.6

 

CMYK 0 / 37 / 89 / 3

HEX #F79C1B

RGB 247 156 27

HSL 35.18, 0.93%, 0.54%

LAB 71.98, 25.59, 72.34

 

CMYK 70 / 0 / 89 / 4

HEX #4BF61C

RGB 75 246 28

HSL 107.06, 0.92%, 0.54%

LAB 85.75, -76.6, 78.95

 

CMYK 89 / 52 / 0 / 4

HEX #1C77F6

RGB 28 119 246

HSL 214.95, 0.92%, 0.54%

LAB 51.94, 21.89, -70.43

 

CMYK 19 / 89 / 0 / 4

HEX #C71CF6

RGB 199 28 246

HSL 287.06, 0.92%, 0.54%

LAB 51.41, 86, -70.66

 

CMYK 0 / 37 / 89 / 3

HEX #F79C1B

RGB 247 156 27

HSL 35.18, 0.93%, 0.54%

LAB 71.98, 25.59, 72.34

 

CMYK 89 / 0 / 81 / 4

HEX #1CF62E

RGB 28 246 46

HSL 124.95, 0.92%, 0.54%

LAB 85.18, -81.43, 74.46

 

CMYK 89 / 52 / 0 / 4

HEX #1C77F6

RGB 28 119 246

HSL 214.95, 0.92%, 0.54%

LAB 51.94, 21.89, -70.43

 

CMYK 0 / 89 / 7 / 4

HEX #F61CE4

RGB 246 28 228

HSL 304.95, 0.92%, 0.54%

LAB 58.06, 90.82, -49.45

 

Description

Color code: HEX #F79C1B | qconv.com Color code: HEX #F79C1B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 156 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 156 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 89 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 89% 3% C M Y K

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Provide designers and agencies with accurate color values.

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