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Color name
HEX #F825AC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F825AC it is the complementary color #07DA53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F825AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F825AC shade: #FD25A7, #FF37BA, #FF49CD, #FF5BE0 and #FF6DF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F825AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F825AC shade: #F825AC, #E71399, #D60186, #C50073 and #B40060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F825AC shade: #F825AC, #F82573, #F8253A and #F82525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F825AC shade: #F825AC, #F825E5, #D225F8, #9925F8 and #6025F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F825AC shade matches the following richer shades: #F825AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F825AC shade: #F825AC, #E637A7, #D349A2, #C15B9D and #AF6D97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F825AC shade: #D125F8, #F825E6, #F825AE, #F82576 and #F8253D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F825AC shade: #C40680, #ED079A, #F825AC, #F94DBB and #FA75CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F825AC shade: #F825AC, #F89925 and #25F8ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F825AC shade: #F825AC, #AEF825 and #25AEF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F825AC shade: #F825AC, #F89925, #25F86F and #2584F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F825AC shade: #F825AC, #F8D825, #25F86F and #2544F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

Complementary color

CMYK 97 / 0 / 62 / 15

HEX #07DA53

RGB 7 218 83

HSL 141.61, 0.94%, 0.44%

LAB 76.57, -71.44, 52.79

 

CMYK 0 / 85 / 34 / 1

HEX #FD25A7

RGB 253 37 167

HSL 323.89, 0.98%, 0.57%

LAB 57.07, 83.61, -15.86

 

CMYK 0 / 78 / 27 / 0

HEX #FF37BA

RGB 255 55 186

HSL 320.7, 1%, 0.61%

LAB 59.47, 82.25, -23.21

 

CMYK 0 / 71 / 20 / 0

HEX #FF49CD

RGB 255 73 205

HSL 316.48, 1%, 0.64%

LAB 62.03, 79.43, -30.12

 

CMYK 0 / 64 / 12 / 0

HEX #FF5BE0

RGB 255 91 224

HSL 311.34, 1%, 0.68%

LAB 65.06, 75.76, -36.1

 

CMYK 0 / 57 / 5 / 0

HEX #FF6DF3

RGB 255 109 243

HSL 304.93, 1%, 0.71%

LAB 68.51, 71.42, -41.25

 

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

CMYK 0 / 92 / 34 / 9

HEX #E71399

RGB 231 19 153

HSL 322.08, 0.85%, 0.49%

LAB 51.56, 80.15, -16.35

 

CMYK 0 / 100 / 37 / 16

HEX #D60186

RGB 214 1 134

HSL 322.54, 0.99%, 0.42%

LAB 47.03, 76.34, -12.08

 

CMYK 0 / 100 / 42 / 23

HEX #C50073

RGB 197 0 115

HSL 324.97, 1%, 0.39%

LAB 42.93, 71.09, -6.88

 

CMYK 0 / 100 / 47 / 29

HEX #B40060

RGB 180 0 96

HSL 328, 1%, 0.35%

LAB 38.81, 65.71, -1.39

 

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

CMYK 0 / 85 / 54 / 3

HEX #F82573

RGB 248 37 115

HSL 337.82, 0.94%, 0.56%

LAB 54.57, 78.06, 11.25

 

CMYK 0 / 85 / 77 / 3

HEX #F8253A

RGB 248 37 58

HSL 354.03, 0.94%, 0.56%

LAB 53.58, 75.19, 43.64

 

CMYK 0 / 85 / 85 / 3

HEX #F82525

RGB 248 37 37

HSL 0, 0.94%, 0.56%

LAB 53.4, 74.64, 54.35

 

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

CMYK 0 / 85 / 8 / 3

HEX #F825E5

RGB 248 37 229

HSL 305.4, 0.94%, 0.56%

LAB 58.92, 89.96, -48.64

 

CMYK 15 / 85 / 0 / 3

HEX #D225F8

RGB 210 37 248

HSL 289.19, 0.94%, 0.56%

LAB 53.82, 86.39, -67.8

 

CMYK 38 / 85 / 0 / 3

HEX #9925F8

RGB 153 37 248

HSL 272.99, 0.94%, 0.56%

LAB 45.46, 78.3, -81.77

 

CMYK 61 / 85 / 0 / 3

HEX #6025F8

RGB 96 37 248

HSL 256.78, 0.94%, 0.56%

LAB 38.88, 72.44, -92.85

 

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

CMYK 0 / 76 / 27 / 10

HEX #E637A7

RGB 230 55 167

HSL 321.6, 0.78%, 0.56%

LAB 54.39, 74.3, -20.32

 

CMYK 0 / 65 / 23 / 17

HEX #D349A2

RGB 211 73 162

HSL 321.3, 0.61%, 0.56%

LAB 53.19, 62.74, -19.5

 

CMYK 0 / 53 / 19 / 24

HEX #C15B9D

RGB 193 91 157

HSL 321.18, 0.45%, 0.56%

LAB 53.23, 48.79, -16.76

 

CMYK 0 / 38 / 14 / 31

HEX #AF6D97

RGB 175 109 151

HSL 321.82, 0.29%, 0.56%

LAB 54.33, 32.43, -11.81

 

CMYK 16 / 85 / 0 / 3

HEX #D125F8

RGB 209 37 248

HSL 288.91, 0.94%, 0.56%

LAB 53.66, 86.24, -68.06

 

CMYK 0 / 85 / 7 / 3

HEX #F825E6

RGB 248 37 230

HSL 305.12, 0.94%, 0.56%

LAB 58.97, 90.1, -49.12

 

CMYK 0 / 85 / 30 / 3

HEX #F825AE

RGB 248 37 174

HSL 321.04, 0.94%, 0.56%

LAB 56.42, 83.26, -21.03

 

CMYK 0 / 85 / 52 / 3

HEX #F82576

RGB 248 37 118

HSL 336.97, 0.94%, 0.56%

LAB 54.64, 78.27, 9.55

 

CMYK 0 / 85 / 75 / 3

HEX #F8253D

RGB 248 37 61

HSL 353.18, 0.94%, 0.56%

LAB 53.62, 75.29, 41.99

 

CMYK 0 / 97 / 35 / 23

HEX #C40680

RGB 196 6 128

HSL 321.47, 0.94%, 0.4%

LAB 43.4, 71.55, -14.25

 

CMYK 0 / 97 / 35 / 7

HEX #ED079A

RGB 237 7 154

HSL 321.65, 0.94%, 0.48%

LAB 52.39, 82.51, -15.58

 

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

CMYK 0 / 69 / 25 / 2

HEX #F94DBB

RGB 249 77 187

HSL 321.63, 0.93%, 0.64%

LAB 60.81, 74.39, -21.81

 

CMYK 0 / 53 / 19 / 2

HEX #FA75CA

RGB 250 117 202

HSL 321.65, 0.93%, 0.72%

LAB 67.51, 60.32, -20.08

 

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

CMYK 0 / 38 / 85 / 3

HEX #F89925

RGB 248 153 37

HSL 32.99, 0.94%, 0.56%

LAB 71.47, 27.78, 69.31

 

CMYK 85 / 0 / 4 / 3

HEX #25F8ED

RGB 37 248 237

HSL 176.87, 0.94%, 0.56%

LAB 88.75, -48.93, -8.28

 

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

CMYK 30 / 0 / 85 / 3

HEX #AEF825

RGB 174 248 37

HSL 81.04, 0.94%, 0.56%

LAB 89.98, -49.58, 82.35

 

CMYK 85 / 30 / 0 / 3

HEX #25AEF8

RGB 37 174 248

HSL 201.04, 0.94%, 0.56%

LAB 67.61, -9.52, -46.49

 

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

CMYK 0 / 38 / 85 / 3

HEX #F89925

RGB 248 153 37

HSL 32.99, 0.94%, 0.56%

LAB 71.47, 27.78, 69.31

 

CMYK 85 / 0 / 55 / 3

HEX #25F86F

RGB 37 248 111

HSL 141.04, 0.94%, 0.56%

LAB 86.34, -75.4, 51.84

 

CMYK 85 / 47 / 0 / 3

HEX #2584F8

RGB 37 132 248

HSL 212.99, 0.94%, 0.56%

LAB 55.76, 15.09, -65.36

 

CMYK 0 / 85 / 31 / 3

HEX #F825AC

RGB 248 37 172

HSL 321.61, 0.94%, 0.56%

LAB 56.35, 83.05, -19.98

 

CMYK 0 / 13 / 85 / 3

HEX #F8D825

RGB 248 216 37

HSL 50.9, 0.94%, 0.56%

LAB 86.6, -4.92, 81.67

 

CMYK 85 / 0 / 55 / 3

HEX #25F86F

RGB 37 248 111

HSL 141.04, 0.94%, 0.56%

LAB 86.34, -75.4, 51.84

 

CMYK 85 / 73 / 0 / 3

HEX #2544F8

RGB 37 68 248

HSL 231.18, 0.94%, 0.56%

LAB 40.09, 54.5, -90.95

 

Description

Color code: HEX #F825AC | qconv.com Color code: HEX #F825AC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 37 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 37 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 31 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 31% 3% C M Y K

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