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Color name
HEX #F82AEE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F82AEE it is the complementary color #07D511. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F82AEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F82AEE shade: #FD2AE9, #FF3CFC, #FF4EFF, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F82AEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F82AEE shade: #F82AEE, #E718DB, #D606C8, #C500B5 and #B400A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F82AEE shade: #F82AEE, #F82AB6, #F82A7F, #F82A47 and #F82A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F82AEE shade: #F82AEE, #CA2AF8, #932AF8, #5B2AF8 and #2A2AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F82AEE shade matches the following richer shades: #F82AEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F82AEE shade: #F82AEE, #E63CDE, #D44DCE, #C35FBE and #B171AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F82AEE shade: #912AF8, #C82AF8, #F82AF1, #F82ABA and #F82A83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F82AEE shade: #C906C0, #F107E6, #F82AEE, #F952F1 and #FA7AF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F82AEE shade: #F82AEE, #F85A2A and #2AF8AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F82AEE shade: #F82AEE, #F1F82A and #2AF1F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F82AEE shade: #F82AEE, #F85A2A, #2AF831 and #2AC8F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F82AEE shade: #F82AEE, #F8982A, #2AF831 and #2A8AF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

Complementary color

CMYK 97 / 0 / 92 / 16

HEX #07D511

RGB 7 213 17

HSL 122.91, 0.94%, 0.43%

LAB 74.62, -74.64, 70.87

 

CMYK 0 / 83 / 8 / 1

HEX #FD2AE9

RGB 253 42 233

HSL 305.69, 0.98%, 0.58%

LAB 60.27, 90.54, -48.69

 

CMYK 0 / 76 / 1 / 0

HEX #FF3CFC

RGB 255 60 252

HSL 300.92, 1%, 0.62%

LAB 62.94, 89.66, -55

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

CMYK 0 / 90 / 5 / 9

HEX #E718DB

RGB 231 24 219

HSL 303.48, 0.81%, 0.5%

LAB 54.82, 87.49, -49.67

 

CMYK 0 / 97 / 7 / 16

HEX #D606C8

RGB 214 6 200

HSL 304.04, 0.95%, 0.43%

LAB 50.21, 83.66, -46.29

 

CMYK 0 / 100 / 8 / 23

HEX #C500B5

RGB 197 0 181

HSL 304.87, 1%, 0.39%

LAB 45.92, 78.65, -42.22

 

CMYK 0 / 100 / 10 / 29

HEX #B400A2

RGB 180 0 162

HSL 306, 1%, 0.35%

LAB 41.71, 73.08, -37.8

 

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

CMYK 0 / 83 / 27 / 3

HEX #F82AB6

RGB 248 42 182

HSL 319.22, 0.94%, 0.57%

LAB 57.07, 83.19, -24.69

 

CMYK 0 / 83 / 49 / 3

HEX #F82A7F

RGB 248 42 127

HSL 335.24, 0.94%, 0.57%

LAB 55.22, 77.95, 4.97

 

CMYK 0 / 83 / 71 / 3

HEX #F82A47

RGB 248 42 71

HSL 351.55, 0.94%, 0.57%

LAB 54.1, 74.65, 36.83

 

CMYK 0 / 83 / 83 / 3

HEX #F82A2A

RGB 248 42 42

HSL 0, 0.94%, 0.57%

LAB 53.79, 73.73, 52.28

 

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

CMYK 19 / 83 / 0 / 3

HEX #CA2AF8

RGB 202 42 248

HSL 286.6, 0.94%, 0.57%

LAB 52.94, 84.08, -69.28

 

CMYK 41 / 83 / 0 / 3

HEX #932AF8

RGB 147 42 248

HSL 270.58, 0.94%, 0.57%

LAB 45.13, 76.19, -82.34

 

CMYK 63 / 83 / 0 / 3

HEX #5B2AF8

RGB 91 42 248

HSL 254.27, 0.94%, 0.57%

LAB 39, 70.34, -92.67

 

CMYK 83 / 83 / 0 / 3

HEX #2A2AF8

RGB 42 42 248

HSL 240, 0.94%, 0.57%

LAB 35.84, 67.49, -98

 

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

CMYK 0 / 74 / 3 / 10

HEX #E63CDE

RGB 230 60 222

HSL 302.82, 0.77%, 0.57%

LAB 57.39, 80.25, -47.29

 

CMYK 0 / 64 / 3 / 17

HEX #D44DCE

RGB 212 77 206

HSL 302.67, 0.61%, 0.57%

LAB 55.85, 67.94, -40.84

 

CMYK 0 / 51 / 3 / 24

HEX #C35FBE

RGB 195 95 190

HSL 303, 0.45%, 0.57%

LAB 55.59, 52.83, -32.26

 

CMYK 0 / 36 / 2 / 31

HEX #B171AE

RGB 177 113 174

HSL 302.81, 0.29%, 0.57%

LAB 56.3, 35.02, -22.13

 

CMYK 42 / 83 / 0 / 3

HEX #912AF8

RGB 145 42 248

HSL 270, 0.94%, 0.57%

LAB 44.88, 75.94, -82.77

 

CMYK 19 / 83 / 0 / 3

HEX #C82AF8

RGB 200 42 248

HSL 286.02, 0.94%, 0.57%

LAB 52.63, 83.76, -69.79

 

CMYK 0 / 83 / 3 / 3

HEX #F82AF1

RGB 248 42 241

HSL 302.04, 0.94%, 0.57%

LAB 59.86, 90.74, -53.87

 

CMYK 0 / 83 / 25 / 3

HEX #F82ABA

RGB 248 42 186

HSL 318.06, 0.94%, 0.57%

LAB 57.23, 83.64, -26.76

 

CMYK 0 / 83 / 47 / 3

HEX #F82A83

RGB 248 42 131

HSL 334.08, 0.94%, 0.57%

LAB 55.33, 78.26, 2.74

 

CMYK 0 / 97 / 4 / 21

HEX #C906C0

RGB 201 6 192

HSL 302.77, 0.94%, 0.41%

LAB 47.43, 80.35, -46.21

 

CMYK 0 / 97 / 5 / 5

HEX #F107E6

RGB 241 7 230

HSL 302.82, 0.94%, 0.49%

LAB 56.65, 92.18, -52.88

 

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

CMYK 0 / 67 / 3 / 2

HEX #F952F1

RGB 249 82 241

HSL 302.87, 0.93%, 0.65%

LAB 63.77, 80.15, -47.65

 

CMYK 0 / 51 / 2 / 2

HEX #FA7AF4

RGB 250 122 244

HSL 302.81, 0.93%, 0.73%

LAB 70.02, 64.52, -39.5

 

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

CMYK 0 / 64 / 83 / 3

HEX #F85A2A

RGB 248 90 42

HSL 13.98, 0.94%, 0.57%

LAB 59.38, 58.3, 57.25

 

CMYK 83 / 0 / 31 / 3

HEX #2AF8AC

RGB 42 248 172

HSL 157.86, 0.94%, 0.57%

LAB 87.29, -64.49, 23.33

 

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

CMYK 3 / 0 / 83 / 3

HEX #F1F82A

RGB 241 248 42

HSL 62.04, 0.94%, 0.57%

LAB 94.31, -23.4, 86.7

 

CMYK 83 / 3 / 0 / 3

HEX #2AF1F8

RGB 42 241 248

HSL 182.04, 0.94%, 0.57%

LAB 87.09, -42.45, -16.51

 

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

CMYK 0 / 64 / 83 / 3

HEX #F85A2A

RGB 248 90 42

HSL 13.98, 0.94%, 0.57%

LAB 59.38, 58.3, 57.25

 

CMYK 83 / 0 / 80 / 3

HEX #2AF831

RGB 42 248 49

HSL 122.04, 0.94%, 0.57%

LAB 85.93, -80.71, 74.43

 

CMYK 83 / 19 / 0 / 3

HEX #2AC8F8

RGB 42 200 248

HSL 193.98, 0.94%, 0.57%

LAB 75.19, -22.93, -34.66

 

CMYK 0 / 83 / 4 / 3

HEX #F82AEE

RGB 248 42 238

HSL 302.91, 0.94%, 0.57%

LAB 59.69, 90.32, -52.45

 

CMYK 0 / 39 / 83 / 3

HEX #F8982A

RGB 248 152 42

HSL 32.04, 0.94%, 0.57%

LAB 71.27, 28.43, 67.56

 

CMYK 83 / 0 / 80 / 3

HEX #2AF831

RGB 42 248 49

HSL 122.04, 0.94%, 0.57%

LAB 85.93, -80.71, 74.43

 

CMYK 83 / 44 / 0 / 3

HEX #2A8AF8

RGB 42 138 248

HSL 212.04, 0.94%, 0.57%

LAB 57.51, 11.79, -62.54

 

Description

Color code: HEX #F82AEE | qconv.com Color code: HEX #F82AEE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 42 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 42 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 4 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 4% 3% C M Y K

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