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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F834C7 it is the complementary color #07CB38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F834C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F834C7 shade: #FD34C2, #FF46D5, #FF58E8, #FF6AFB and #FF7CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F834C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F834C7 shade: #F834C7, #E722B4, #D610A1, #C5008E and #B4007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F834C7 shade: #F735C7, #F73592, #F7355E and #F73535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F834C7 shade: #F735C7, #F335F7, #BF35F7, #8A35F7 and #5635F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F834C7 shade matches the following richer shades: #F735C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F834C7 shade: #F735C7, #E646BE, #D557B6, #C467AD and #B478A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F834C7 shade: #C035F7, #F435F7, #F735C7, #F73593 and #F7355F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F834C7 shade: #D2079F, #F60DBC, #F735C7, #F95DD2 and #FA84DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F834C7 shade: #F834C7, #F78C35 and #35F7DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F834C7 shade: #F834C7, #C7F735 and #35C7F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F834C7 shade: #F834C7, #F78C35, #35F765 and #35A0F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F834C7 shade: #F834C7, #F7C735, #35F765 and #3565F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 20 / 3

HEX #F834C7

RGB 248 52 199

HSL 315, 0.93%, 0.59%

LAB 58.54, 82.99, -32.2

 

Complementary color

CMYK 97 / 0 / 72 / 20

HEX #07CB38

RGB 7 203 56

HSL 135, 0.93%, 0.41%

LAB 71.58, -69.79, 58.19

 

CMYK 0 / 79 / 23 / 1

HEX #FD34C2

RGB 253 52 194

HSL 317.61, 0.98%, 0.6%

LAB 59.19, 83.46, -28.26

 

CMYK 0 / 73 / 16 / 0

HEX #FF46D5

RGB 255 70 213

HSL 313.62, 1%, 0.64%

LAB 62.04, 81.4, -34.64

 

CMYK 0 / 65 / 9 / 0

HEX #FF58E8

RGB 255 88 232

HSL 308.26, 1%, 0.67%

LAB 65.01, 78.03, -40.64

 

CMYK 0 / 58 / 2 / 0

HEX #FF6AFB

RGB 255 106 251

HSL 301.61, 1%, 0.71%

LAB 68.41, 73.96, -45.8

 

CMYK 0 / 51 / 0 / 0

HEX #FF7CFF

RGB 255 124 255

HSL 300, 1%, 0.74%

LAB 71.48, 66.79, -43.17

 

CMYK 0 / 79 / 20 / 3

HEX #F834C7

RGB 248 52 199

HSL 315, 0.93%, 0.59%

LAB 58.54, 82.99, -32.2

 

CMYK 0 / 85 / 22 / 9

HEX #E722B4

RGB 231 34 180

HSL 315.53, 0.8%, 0.52%

LAB 53.42, 80.92, -29.42

 

CMYK 0 / 93 / 25 / 16

HEX #D610A1

RGB 214 16 161

HSL 316.06, 0.86%, 0.45%

LAB 48.56, 77.87, -26

 

CMYK 0 / 100 / 28 / 23

HEX #C5008E

RGB 197 0 142

HSL 316.75, 1%, 0.39%

LAB 43.98, 73.8, -21.91

 

CMYK 0 / 100 / 32 / 29

HEX #B4007B

RGB 180 0 123

HSL 319, 1%, 0.35%

LAB 39.8, 68.3, -16.92

 

CMYK 0 / 79 / 19 / 3

HEX #F735C7

RGB 247 53 199

HSL 314.85, 0.92%, 0.59%

LAB 58.46, 82.53, -32.35

 

CMYK 0 / 79 / 41 / 3

HEX #F73592

RGB 247 53 146

HSL 331.24, 0.92%, 0.59%

LAB 56.48, 76.75, -4.51

 

CMYK 0 / 79 / 62 / 3

HEX #F7355E

RGB 247 53 94

HSL 347.32, 0.92%, 0.59%

LAB 55.2, 72.87, 24.64

 

CMYK 0 / 79 / 79 / 3

HEX #F73535

RGB 247 53 53

HSL 0, 0.92%, 0.59%

LAB 54.63, 71.09, 47.39

 

CMYK 0 / 79 / 19 / 3

HEX #F735C7

RGB 247 53 199

HSL 314.85, 0.92%, 0.59%

LAB 58.46, 82.53, -32.35

 

CMYK 2 / 79 / 0 / 3

HEX #F335F7

RGB 243 53 247

HSL 298.76, 0.92%, 0.59%

LAB 60.17, 88.38, -56.75

 

CMYK 23 / 79 / 0 / 3

HEX #BF35F7

RGB 191 53 247

HSL 282.68, 0.92%, 0.59%

LAB 52.22, 79.24, -69.97

 

CMYK 44 / 79 / 0 / 3

HEX #8A35F7

RGB 138 53 247

HSL 266.29, 0.92%, 0.59%

LAB 45.17, 71.16, -81.76

 

CMYK 65 / 79 / 0 / 3

HEX #5635F7

RGB 86 53 247

HSL 250.21, 0.92%, 0.59%

LAB 39.98, 65.23, -90.49

 

CMYK 0 / 79 / 19 / 3

HEX #F735C7

RGB 247 53 199

HSL 314.85, 0.92%, 0.59%

LAB 58.46, 82.53, -32.35

 

CMYK 0 / 79 / 19 / 3

HEX #F735C7

RGB 247 53 199

HSL 314.85, 0.92%, 0.59%

LAB 58.46, 82.53, -32.35

 

CMYK 0 / 70 / 17 / 10

HEX #E646BE

RGB 230 70 190

HSL 315, 0.76%, 0.59%

LAB 57, 72.49, -29.67

 

CMYK 0 / 59 / 15 / 16

HEX #D557B6

RGB 213 87 182

HSL 314.76, 0.6%, 0.59%

LAB 56.43, 60.29, -26.15

 

CMYK 0 / 47 / 12 / 23

HEX #C467AD

RGB 196 103 173

HSL 314.84, 0.44%, 0.59%

LAB 56.54, 46.25, -20.98

 

CMYK 0 / 33 / 8 / 29

HEX #B478A5

RGB 180 120 165

HSL 315, 0.29%, 0.59%

LAB 57.9, 30.51, -14.49

 

CMYK 22 / 79 / 0 / 3

HEX #C035F7

RGB 192 53 247

HSL 282.99, 0.92%, 0.59%

LAB 52.36, 79.4, -69.73

 

CMYK 1 / 79 / 0 / 3

HEX #F435F7

RGB 244 53 247

HSL 299.07, 0.92%, 0.59%

LAB 60.33, 88.57, -56.49

 

CMYK 0 / 79 / 19 / 3

HEX #F735C7

RGB 247 53 199

HSL 314.85, 0.92%, 0.59%

LAB 58.46, 82.53, -32.35

 

CMYK 0 / 79 / 40 / 3

HEX #F73593

RGB 247 53 147

HSL 330.93, 0.92%, 0.59%

LAB 56.51, 76.85, -5.05

 

CMYK 0 / 79 / 62 / 3

HEX #F7355F

RGB 247 53 95

HSL 347.01, 0.92%, 0.59%

LAB 55.22, 72.92, 24.07

 

CMYK 0 / 97 / 24 / 18

HEX #D2079F

RGB 210 7 159

HSL 315.07, 0.94%, 0.43%

LAB 47.44, 77.67, -26.61

 

CMYK 0 / 95 / 24 / 4

HEX #F60DBC

RGB 246 13 188

HSL 314.94, 0.93%, 0.51%

LAB 55.6, 87.42, -30.47

 

CMYK 0 / 79 / 19 / 3

HEX #F735C7

RGB 247 53 199

HSL 314.85, 0.92%, 0.59%

LAB 58.46, 82.53, -32.35

 

CMYK 0 / 63 / 16 / 2

HEX #F95DD2

RGB 249 93 210

HSL 315, 0.93%, 0.67%

LAB 63.85, 71.48, -30.2

 

CMYK 0 / 47 / 12 / 2

HEX #FA84DD

RGB 250 132 221

HSL 314.75, 0.92%, 0.75%

LAB 70.9, 56.06, -25.47

 

CMYK 0 / 79 / 20 / 3

HEX #F834C7

RGB 248 52 199

HSL 315, 0.93%, 0.59%

LAB 58.54, 82.99, -32.2

 

CMYK 0 / 43 / 79 / 3

HEX #F78C35

RGB 247 140 53

HSL 26.91, 0.92%, 0.59%

LAB 68.6, 34.57, 61.04

 

CMYK 79 / 0 / 12 / 3

HEX #35F7DA

RGB 53 247 218

HSL 171.03, 0.92%, 0.59%

LAB 88.13, -52.38, 0.74

 

CMYK 0 / 79 / 20 / 3

HEX #F834C7

RGB 248 52 199

HSL 315, 0.93%, 0.59%

LAB 58.54, 82.99, -32.2

 

CMYK 19 / 0 / 79 / 3

HEX #C7F735

RGB 199 247 53

HSL 74.85, 0.92%, 0.59%

LAB 91.2, -39.29, 80.23

 

CMYK 79 / 19 / 0 / 3

HEX #35C7F7

RGB 53 199 247

HSL 194.85, 0.92%, 0.59%

LAB 75.03, -21.83, -34.36

 

CMYK 0 / 79 / 20 / 3

HEX #F834C7

RGB 248 52 199

HSL 315, 0.93%, 0.59%

LAB 58.54, 82.99, -32.2

 

CMYK 0 / 43 / 79 / 3

HEX #F78C35

RGB 247 140 53

HSL 26.91, 0.92%, 0.59%

LAB 68.6, 34.57, 61.04

 

CMYK 79 / 0 / 59 / 3

HEX #35F765

RGB 53 247 101

HSL 134.85, 0.92%, 0.59%

LAB 86.12, -74.81, 56.05

 

CMYK 79 / 35 / 0 / 3

HEX #35A0F7

RGB 53 160 247

HSL 206.91, 0.92%, 0.59%

LAB 63.85, -0.63, -51.87

 

CMYK 0 / 79 / 20 / 3

HEX #F834C7

RGB 248 52 199

HSL 315, 0.93%, 0.59%

LAB 58.54, 82.99, -32.2

 

CMYK 0 / 19 / 79 / 3

HEX #F7C735

RGB 247 199 53

HSL 45.15, 0.92%, 0.59%

LAB 82.31, 3.78, 73.65

 

CMYK 79 / 0 / 59 / 3

HEX #35F765

RGB 53 247 101

HSL 134.85, 0.92%, 0.59%

LAB 86.12, -74.81, 56.05

 

CMYK 79 / 59 / 0 / 3

HEX #3565F7

RGB 53 101 247

HSL 225.15, 0.92%, 0.59%

LAB 47.98, 35.39, -77.4

 

Description

Color code: HEX #F834C7 | qconv.com Color code: HEX #F834C7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 52 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 52 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 20 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 20% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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