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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F83FC9 it is the complementary color #07C036. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F83FC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F83FC9 shade: #FD3FC4, #FF51D7, #FF63EA, #FF75FD and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F83FC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F83FC9 shade: #F83FC9, #E72DB6, #D61BA3, #C50990 and #B4007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F83FC9 shade: #F83FC9, #F83F97, #F83F65 and #F83F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F83FC9 shade: #F83FC9, #F53FF8, #C33FF8, #913FF8 and #5F3FF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F83FC9 shade matches the following richer shades: #F83FC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F83FC9 shade: #F83FC9, #E74FC1, #D75FB9, #C76FB1 and #B77FA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F83FC9 shade: #C33FF8, #F43FF8, #F83FC9, #F83F98 and #F83F67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F83FC9 shade: #DC08A6, #F617BD, #F83FC9, #F966D4 and #FA8EDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F83FC9 shade: #F83FC9, #F8923F and #3FF8DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F83FC9 shade: #F83FC9, #C9F83F and #3FC9F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F83FC9 shade: #F83FC9, #F8923F, #3FF86D and #3FA4F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F83FC9 shade: #F83FC9, #F8C93F, #3FF86D and #3F6DF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

Complementary color

CMYK 96 / 0 / 72 / 25

HEX #07C036

RGB 7 192 54

HSL 135.24, 0.93%, 0.39%

LAB 68.03, -66.78, 55.27

 

CMYK 0 / 75 / 23 / 1

HEX #FD3FC4

RGB 253 63 196

HSL 318, 0.98%, 0.62%

LAB 60.27, 80.85, -27.74

 

CMYK 0 / 68 / 16 / 0

HEX #FF51D7

RGB 255 81 215

HSL 313.79, 1%, 0.66%

LAB 63.39, 78.1, -33.66

 

CMYK 0 / 61 / 8 / 0

HEX #FF63EA

RGB 255 99 234

HSL 308.08, 1%, 0.69%

LAB 66.61, 74.13, -39.24

 

CMYK 0 / 54 / 1 / 0

HEX #FF75FD

RGB 255 117 253

HSL 300.87, 1%, 0.73%

LAB 70.23, 69.59, -44.05

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 0 / 81 / 21 / 9

HEX #E72DB6

RGB 231 45 182

HSL 315.81, 0.79%, 0.54%

LAB 54.28, 78.91, -29.24

 

CMYK 0 / 87 / 24 / 16

HEX #D61BA3

RGB 214 27 163

HSL 316.36, 0.78%, 0.47%

LAB 49.16, 76.61, -26.26

 

CMYK 0 / 95 / 27 / 23

HEX #C50990

RGB 197 9 144

HSL 316.91, 0.91%, 0.4%

LAB 44.35, 73.2, -22.56

 

CMYK 0 / 100 / 31 / 29

HEX #B4007D

RGB 180 0 125

HSL 318.33, 1%, 0.35%

LAB 39.89, 68.51, -18.03

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 0 / 75 / 39 / 3

HEX #F83F97

RGB 248 63 151

HSL 331.46, 0.93%, 0.61%

LAB 57.8, 74.69, -5.49

 

CMYK 0 / 75 / 59 / 3

HEX #F83F65

RGB 248 63 101

HSL 347.68, 0.93%, 0.61%

LAB 56.54, 70.7, 22.29

 

CMYK 0 / 75 / 75 / 3

HEX #F83F3F

RGB 248 63 63

HSL 0, 0.93%, 0.61%

LAB 55.96, 68.81, 43.46

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 1 / 75 / 0 / 3

HEX #F53FF8

RGB 245 63 248

HSL 299.03, 0.93%, 0.61%

LAB 61.43, 86.34, -55.28

 

CMYK 21 / 75 / 0 / 3

HEX #C33FF8

RGB 195 63 248

HSL 282.81, 0.93%, 0.61%

LAB 53.96, 76.95, -67.68

 

CMYK 42 / 75 / 0 / 3

HEX #913FF8

RGB 145 63 248

HSL 266.59, 0.93%, 0.61%

LAB 47.43, 68.51, -78.58

 

CMYK 62 / 75 / 0 / 3

HEX #5F3FF8

RGB 95 63 248

HSL 250.38, 0.93%, 0.61%

LAB 42.41, 61.8, -87.02

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 0 / 66 / 16 / 9

HEX #E74FC1

RGB 231 79 193

HSL 315, 0.76%, 0.61%

LAB 58.44, 69.9, -29.14

 

CMYK 0 / 56 / 14 / 16

HEX #D75FB9

RGB 215 95 185

HSL 315, 0.6%, 0.61%

LAB 58.16, 57.73, -25.17

 

CMYK 0 / 44 / 11 / 22

HEX #C76FB1

RGB 199 111 177

HSL 315, 0.44%, 0.61%

LAB 58.68, 43.75, -19.98

 

CMYK 0 / 31 / 8 / 28

HEX #B77FA9

RGB 183 127 169

HSL 315, 0.28%, 0.61%

LAB 59.99, 28.37, -13.59

 

CMYK 21 / 75 / 0 / 3

HEX #C33FF8

RGB 195 63 248

HSL 282.81, 0.93%, 0.61%

LAB 53.96, 76.95, -67.68

 

CMYK 2 / 75 / 0 / 3

HEX #F43FF8

RGB 244 63 248

HSL 298.7, 0.93%, 0.61%

LAB 61.28, 86.15, -55.54

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 0 / 75 / 39 / 3

HEX #F83F98

RGB 248 63 152

HSL 331.14, 0.93%, 0.61%

LAB 57.83, 74.79, -6.03

 

CMYK 0 / 75 / 58 / 3

HEX #F83F67

RGB 248 63 103

HSL 347.03, 0.93%, 0.61%

LAB 56.58, 70.82, 21.16

 

CMYK 0 / 96 / 25 / 14

HEX #DC08A6

RGB 220 8 166

HSL 315.28, 0.93%, 0.45%

LAB 49.67, 80.33, -27.16

 

CMYK 0 / 91 / 23 / 4

HEX #F617BD

RGB 246 23 189

HSL 315.34, 0.93%, 0.53%

LAB 55.97, 86.58, -30.48

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 0 / 59 / 15 / 2

HEX #F966D4

RGB 249 102 212

HSL 315.1, 0.92%, 0.69%

LAB 65.28, 68.1, -29.12

 

CMYK 0 / 43 / 11 / 2

HEX #FA8EDF

RGB 250 142 223

HSL 315, 0.92%, 0.77%

LAB 72.89, 51.45, -23.53

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 0 / 41 / 75 / 3

HEX #F8923F

RGB 248 146 63

HSL 26.92, 0.93%, 0.61%

LAB 70.09, 32.26, 58.3

 

CMYK 75 / 0 / 11 / 3

HEX #3FF8DC

RGB 63 248 220

HSL 170.92, 0.93%, 0.61%

LAB 88.62, -51.29, 0.43

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 19 / 0 / 75 / 3

HEX #C9F83F

RGB 201 248 63

HSL 75.24, 0.93%, 0.61%

LAB 91.64, -38.55, 77.81

 

CMYK 75 / 19 / 0 / 3

HEX #3FC9F8

RGB 63 201 248

HSL 195.24, 0.93%, 0.61%

LAB 75.83, -21.49, -33.64

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 0 / 41 / 75 / 3

HEX #F8923F

RGB 248 146 63

HSL 26.92, 0.93%, 0.61%

LAB 70.09, 32.26, 58.3

 

CMYK 75 / 0 / 56 / 3

HEX #3FF86D

RGB 63 248 109

HSL 134.92, 0.93%, 0.61%

LAB 86.65, -72.9, 53.19

 

CMYK 75 / 34 / 0 / 3

HEX #3FA4F8

RGB 63 164 248

HSL 207.24, 0.93%, 0.61%

LAB 65.27, -1.48, -50.15

 

CMYK 0 / 75 / 19 / 3

HEX #F83FC9

RGB 248 63 201

HSL 315.24, 0.93%, 0.61%

LAB 59.64, 80.34, -31.63

 

CMYK 0 / 19 / 75 / 3

HEX #F8C93F

RGB 248 201 63

HSL 44.76, 0.93%, 0.61%

LAB 82.96, 3.54, 70.9

 

CMYK 75 / 0 / 56 / 3

HEX #3FF86D

RGB 63 248 109

HSL 134.92, 0.93%, 0.61%

LAB 86.65, -72.9, 53.19

 

CMYK 75 / 56 / 0 / 3

HEX #3F6DF8

RGB 63 109 248

HSL 225.08, 0.93%, 0.61%

LAB 50.42, 31.76, -73.97

 

Description

Color code: HEX #F83FC9 | qconv.com Color code: HEX #F83FC9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 63 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 63 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 19 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 19% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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