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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F83FF1 it is the complementary color #07C00E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F83FF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F83FF1 shade: #FD3FEC, #FF51FF, #FF63FF, #FF75FF and #FF87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F83FF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F83FF1 shade: #F83FF1, #E72DDE, #D61BCB, #C509B8 and #B400A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F83FF1 shade: #F83FF1, #F83FBF, #F83F8D, #F83F5B and #F83F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F83FF1 shade: #F83FF1, #CD3FF8, #9B3FF8, #693FF8 and #3F3FF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F83FF1 shade matches the following richer shades: #F83FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F83FF1 shade: #F83FF1, #E74FE2, #D75FD3, #C76FC4 and #B77FB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F83FF1 shade: #9B3FF8, #CC3FF8, #F83FF1, #F83FC0 and #F83F8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F83FF1 shade: #DC08D4, #F617EE, #F83FF1, #F966F3 and #FA8EF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F83FF1 shade: #F83FF1, #F86A3F and #3FF8B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F83FF1 shade: #F83FF1, #F1F83F and #3FF1F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F83FF1 shade: #F83FF1, #F86A3F, #3FF845 and #3FCCF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F83FF1 shade: #F83FF1, #F8A13F, #3FF845 and #3F95F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

Complementary color

CMYK 96 / 0 / 93 / 25

HEX #07C00E

RGB 7 192 14

HSL 122.27, 0.93%, 0.39%

LAB 67.86, -69.01, 65.6

 

CMYK 0 / 75 / 7 / 1

HEX #FD3FEC

RGB 253 63 236

HSL 305.37, 0.98%, 0.62%

LAB 62.08, 86.15, -47.5

 

CMYK 0 / 68 / 0 / 0

HEX #FF51FF

RGB 255 81 255

HSL 300, 1%, 0.66%

LAB 65.25, 83.95, -52.99

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 0 / 81 / 4 / 9

HEX #E72DDE

RGB 231 45 222

HSL 302.9, 0.79%, 0.54%

LAB 56.23, 84.28, -49.13

 

CMYK 0 / 87 / 5 / 16

HEX #D61BCB

RGB 214 27 203

HSL 303.53, 0.78%, 0.47%

LAB 51.14, 81.83, -46.54

 

CMYK 0 / 95 / 7 / 23

HEX #C509B8

RGB 197 9 184

HSL 304.15, 0.91%, 0.4%

LAB 46.35, 78.28, -43.3

 

CMYK 0 / 100 / 8 / 29

HEX #B400A5

RGB 180 0 165

HSL 305, 1%, 0.35%

LAB 41.88, 73.5, -39.33

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 0 / 75 / 23 / 3

HEX #F83FBF

RGB 248 63 191

HSL 318.49, 0.93%, 0.61%

LAB 59.23, 79.09, -26.55

 

CMYK 0 / 75 / 43 / 3

HEX #F83F8D

RGB 248 63 141

HSL 334.7, 0.93%, 0.61%

LAB 57.5, 73.76, -0.04

 

CMYK 0 / 75 / 63 / 3

HEX #F83F5B

RGB 248 63 91

HSL 350.92, 0.93%, 0.61%

LAB 56.35, 70.1, 27.94

 

CMYK 0 / 75 / 75 / 3

HEX #F83F3F

RGB 248 63 63

HSL 0, 0.93%, 0.61%

LAB 55.96, 68.81, 43.46

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 17 / 75 / 0 / 3

HEX #CD3FF8

RGB 205 63 248

HSL 286.05, 0.93%, 0.61%

LAB 55.39, 78.77, -65.3

 

CMYK 38 / 75 / 0 / 3

HEX #9B3FF8

RGB 155 63 248

HSL 269.84, 0.93%, 0.61%

LAB 48.64, 70.09, -76.56

 

CMYK 58 / 75 / 0 / 3

HEX #693FF8

RGB 105 63 248

HSL 253.62, 0.93%, 0.61%

LAB 43.26, 62.96, -85.58

 

CMYK 75 / 75 / 0 / 3

HEX #3F3FF8

RGB 63 63 248

HSL 240, 0.93%, 0.61%

LAB 40.23, 58.8, -90.69

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 0 / 66 / 2 / 9

HEX #E74FE2

RGB 231 79 226

HSL 301.97, 0.76%, 0.61%

LAB 59.95, 74.83, -45.49

 

CMYK 0 / 56 / 2 / 16

HEX #D75FD3

RGB 215 95 211

HSL 302, 0.6%, 0.61%

LAB 59.28, 61.93, -38.25

 

CMYK 0 / 44 / 2 / 22

HEX #C76FC4

RGB 199 111 196

HSL 302.05, 0.44%, 0.61%

LAB 59.43, 47.05, -29.68

 

CMYK 0 / 31 / 1 / 28

HEX #B77FB5

RGB 183 127 181

HSL 302.14, 0.28%, 0.61%

LAB 60.41, 30.58, -19.8

 

CMYK 38 / 75 / 0 / 3

HEX #9B3FF8

RGB 155 63 248

HSL 269.84, 0.93%, 0.61%

LAB 48.64, 70.09, -76.56

 

CMYK 18 / 75 / 0 / 3

HEX #CC3FF8

RGB 204 63 248

HSL 285.73, 0.93%, 0.61%

LAB 55.25, 78.58, -65.54

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 0 / 75 / 23 / 3

HEX #F83FC0

RGB 248 63 192

HSL 318.16, 0.93%, 0.61%

LAB 59.27, 79.21, -27.07

 

CMYK 0 / 75 / 42 / 3

HEX #F83F8F

RGB 248 63 143

HSL 334.05, 0.93%, 0.61%

LAB 57.55, 73.94, -1.14

 

CMYK 0 / 96 / 4 / 14

HEX #DC08D4

RGB 220 8 212

HSL 302.26, 0.93%, 0.45%

LAB 52, 86.18, -50.29

 

CMYK 0 / 91 / 3 / 4

HEX #F617EE

RGB 246 23 238

HSL 302.15, 0.93%, 0.53%

LAB 58.39, 92.8, -54.54

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 0 / 59 / 2 / 2

HEX #F966F3

RGB 249 102 243

HSL 302.45, 0.92%, 0.69%

LAB 66.61, 72.85, -44.3

 

CMYK 0 / 43 / 2 / 2

HEX #FA8EF6

RGB 250 142 246

HSL 302.22, 0.92%, 0.77%

LAB 73.76, 55.29, -34.78

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 0 / 57 / 75 / 3

HEX #F86A3F

RGB 248 106 63

HSL 13.95, 0.93%, 0.61%

LAB 62.19, 51.99, 50.16

 

CMYK 75 / 0 / 27 / 3

HEX #3FF8B4

RGB 63 248 180

HSL 157.95, 0.93%, 0.61%

LAB 87.72, -60.71, 19.87

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 3 / 0 / 75 / 3

HEX #F1F83F

RGB 241 248 63

HSL 62.27, 0.93%, 0.61%

LAB 94.4, -22.72, 81.37

 

CMYK 75 / 3 / 0 / 3

HEX #3FF1F8

RGB 63 241 248

HSL 182.27, 0.93%, 0.61%

LAB 87.36, -40.69, -16.07

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 0 / 57 / 75 / 3

HEX #F86A3F

RGB 248 106 63

HSL 13.95, 0.93%, 0.61%

LAB 62.19, 51.99, 50.16

 

CMYK 75 / 0 / 72 / 3

HEX #3FF845

RGB 63 248 69

HSL 121.95, 0.93%, 0.61%

LAB 86.32, -76.95, 68.84

 

CMYK 75 / 18 / 0 / 3

HEX #3FCCF8

RGB 63 204 248

HSL 194.27, 0.93%, 0.61%

LAB 76.69, -23.01, -32.31

 

CMYK 0 / 75 / 3 / 3

HEX #F83FF1

RGB 248 63 241

HSL 302.27, 0.93%, 0.61%

LAB 61.54, 85.87, -51.2

 

CMYK 0 / 35 / 75 / 3

HEX #F8A13F

RGB 248 161 63

HSL 31.78, 0.93%, 0.61%

LAB 73.42, 24.44, 61.63

 

CMYK 75 / 0 / 72 / 3

HEX #3FF845

RGB 63 248 69

HSL 121.95, 0.93%, 0.61%

LAB 86.32, -76.95, 68.84

 

CMYK 75 / 40 / 0 / 3

HEX #3F95F8

RGB 63 149 248

HSL 212.11, 0.93%, 0.61%

LAB 61.07, 7.25, -56.81

 

Description

Color code: HEX #F83FF1 | qconv.com Color code: HEX #F83FF1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 63 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 63 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 3 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 3% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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