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Color name
HEX #F84D25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F84D25 it is the complementary color #07B2DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F84D25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F84D25 shade: #FD4D20, #FF5F33, #FF7146, #FF8359 and #FF956C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F84D25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F84D25 shade: #F84D25, #E73B12, #D62900, #C51700 and #B40500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F84D25 shade: #F84D25 and #F82525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F84D25 shade: #F84D25, #F88625, #F8BF25, #F8F725 and #BFF825

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F84D25 shade matches the following richer shades: #F84D25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F84D25 shade: #F84D25, #E65837, #D36349, #C16F5B and #AF7A6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F84D25 shade: #F8256F, #F82536, #F84C25, #F88425 and #F8BC25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F84D25 shade: #C42A06, #ED3207, #F84D25, #F96D4D and #FA8E75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F84D25 shade: #F84D25, #A7F825 and #2553F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F84D25 shade: #F84D25, #25F84C and #4C25F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F84D25 shade: #F84D25, #A7F825, #25D1F8 and #7625F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F84D25 shade: #F84D25, #68F825, #25D1F8 and #B525F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

Complementary color

CMYK 97 / 18 / 0 / 15

HEX #07B2DA

RGB 7 178 218

HSL 191.37, 0.94%, 0.44%

LAB 67.24, -23.49, -30.69

 

CMYK 0 / 70 / 87 / 1

HEX #FD4D20

RGB 253 77 32

HSL 12.22, 0.98%, 0.56%

LAB 58.32, 64.76, 60.81

 

CMYK 0 / 63 / 80 / 0

HEX #FF5F33

RGB 255 95 51

HSL 12.94, 1%, 0.6%

LAB 61.38, 58.83, 55.49

 

CMYK 0 / 56 / 73 / 0

HEX #FF7146

RGB 255 113 70

HSL 13.95, 1%, 0.64%

LAB 64.57, 51.56, 49.54

 

CMYK 0 / 49 / 65 / 0

HEX #FF8359

RGB 255 131 89

HSL 15.18, 1%, 0.67%

LAB 68.18, 43.89, 43.88

 

CMYK 0 / 42 / 58 / 0

HEX #FF956C

RGB 255 149 108

HSL 16.73, 1%, 0.71%

LAB 72.12, 36.06, 38.69

 

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

CMYK 0 / 74 / 92 / 9

HEX #E73B12

RGB 231 59 18

HSL 11.55, 0.86%, 0.49%

LAB 52.02, 63.93, 59.4

 

CMYK 0 / 81 / 100 / 16

HEX #D62900

RGB 214 41 0

HSL 11.5, 1%, 0.42%

LAB 46.82, 63.98, 59.71

 

CMYK 0 / 88 / 100 / 23

HEX #C51700

RGB 197 23 0

HSL 7.01, 1%, 0.39%

LAB 41.97, 63.18, 55.7

 

CMYK 0 / 97 / 100 / 29

HEX #B40500

RGB 180 5 0

HSL 1.67, 1%, 0.35%

LAB 37.5, 61.1, 51.8

 

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

CMYK 0 / 85 / 85 / 3

HEX #F82525

RGB 248 37 37

HSL 0, 0.94%, 0.56%

LAB 53.4, 74.64, 54.35

 

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

CMYK 0 / 46 / 85 / 3

HEX #F88625

RGB 248 134 37

HSL 27.58, 0.94%, 0.56%

LAB 67.38, 37.58, 65.95

 

CMYK 0 / 23 / 85 / 3

HEX #F8BF25

RGB 248 191 37

HSL 43.79, 0.94%, 0.56%

LAB 80.38, 7.89, 76.6

 

CMYK 0 / 0 / 85 / 3

HEX #F8F725

RGB 248 247 37

HSL 59.72, 0.94%, 0.56%

LAB 94.57, -20.17, 88.14

 

CMYK 23 / 0 / 85 / 3

HEX #BFF825

RGB 191 248 37

HSL 76.21, 0.94%, 0.56%

LAB 90.94, -43.3, 83.54

 

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

CMYK 0 / 62 / 76 / 10

HEX #E65837

RGB 230 88 55

HSL 11.31, 0.78%, 0.56%

LAB 56.17, 53.4, 46.98

 

CMYK 0 / 53 / 65 / 17

HEX #D36349

RGB 211 99 73

HSL 11.3, 0.61%, 0.56%

LAB 55.33, 42.27, 35.62

 

CMYK 0 / 42 / 53 / 24

HEX #C16F5B

RGB 193 111 91

HSL 11.76, 0.45%, 0.56%

LAB 55.54, 30.4, 25.21

 

CMYK 0 / 30 / 38 / 31

HEX #AF7A6D

RGB 175 122 109

HSL 11.82, 0.29%, 0.56%

LAB 56.22, 18.98, 15.41

 

CMYK 0 / 85 / 55 / 3

HEX #F8256F

RGB 248 37 111

HSL 338.96, 0.94%, 0.56%

LAB 54.48, 77.79, 13.52

 

CMYK 0 / 85 / 78 / 3

HEX #F82536

RGB 248 37 54

HSL 355.17, 0.94%, 0.56%

LAB 53.54, 75.07, 45.8

 

CMYK 0 / 69 / 85 / 3

HEX #F84C25

RGB 248 76 37

HSL 11.09, 0.94%, 0.56%

LAB 57.33, 63.65, 57.63

 

CMYK 0 / 47 / 85 / 3

HEX #F88425

RGB 248 132 37

HSL 27.01, 0.94%, 0.56%

LAB 66.97, 38.59, 65.61

 

CMYK 0 / 24 / 85 / 3

HEX #F8BC25

RGB 248 188 37

HSL 42.94, 0.94%, 0.56%

LAB 79.65, 9.45, 76

 

CMYK 0 / 79 / 97 / 23

HEX #C42A06

RGB 196 42 6

HSL 11.37, 0.94%, 0.4%

LAB 43.37, 58.49, 54.26

 

CMYK 0 / 79 / 97 / 7

HEX #ED3207

RGB 237 50 7

HSL 11.22, 0.94%, 0.48%

LAB 52.18, 68.25, 62.93

 

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

CMYK 0 / 56 / 69 / 2

HEX #F96D4D

RGB 249 109 77

HSL 11.16, 0.93%, 0.64%

LAB 63.02, 51.6, 43.94

 

CMYK 0 / 43 / 53 / 2

HEX #FA8E75

RGB 250 142 117

HSL 11.28, 0.93%, 0.72%

LAB 70.14, 38.44, 31.2

 

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

CMYK 33 / 0 / 85 / 3

HEX #A7F825

RGB 167 248 37

HSL 83.03, 0.94%, 0.56%

LAB 89.62, -52.06, 81.9

 

CMYK 85 / 67 / 0 / 3

HEX #2553F8

RGB 37 83 248

HSL 226.92, 0.94%, 0.56%

LAB 43.3, 45.72, -85.66

 

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

CMYK 85 / 0 / 69 / 3

HEX #25F84C

RGB 37 248 76

HSL 131.09, 0.94%, 0.56%

LAB 86.03, -79.25, 65.96

 

CMYK 69 / 85 / 0 / 3

HEX #4C25F8

RGB 76 37 248

HSL 251.09, 0.94%, 0.56%

LAB 37.18, 71.03, -95.71

 

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

CMYK 33 / 0 / 85 / 3

HEX #A7F825

RGB 167 248 37

HSL 83.03, 0.94%, 0.56%

LAB 89.62, -52.06, 81.9

 

CMYK 85 / 16 / 0 / 3

HEX #25D1F8

RGB 37 209 248

HSL 191.09, 0.94%, 0.56%

LAB 77.74, -27.78, -30.73

 

CMYK 52 / 85 / 0 / 3

HEX #7625F8

RGB 118 37 248

HSL 263.03, 0.94%, 0.56%

LAB 41.14, 74.39, -89.04

 

CMYK 0 / 69 / 85 / 3

HEX #F84D25

RGB 248 77 37

HSL 11.37, 0.94%, 0.56%

LAB 57.46, 63.28, 57.74

 

CMYK 58 / 0 / 85 / 3

HEX #68F825

RGB 104 248 37

HSL 100.95, 0.94%, 0.56%

LAB 87.1, -70.93, 78.74

 

CMYK 85 / 16 / 0 / 3

HEX #25D1F8

RGB 37 209 248

HSL 191.09, 0.94%, 0.56%

LAB 77.74, -27.78, -30.73

 

CMYK 27 / 85 / 0 / 3

HEX #B525F8

RGB 181 37 248

HSL 280.95, 0.94%, 0.56%

LAB 49.4, 82.05, -75.16

 

Description

Color code: HEX #F84D25 | qconv.com Color code: HEX #F84D25 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 77 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 77 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 85 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 85% 3% C M Y K

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