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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F867C4 it is the complementary color #07983B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F867C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F867C4 shade: #FD67BF, #FF79D2, #FF8BE5, #FF9DF8 and #FFAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F867C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F867C4 shade: #F867C4, #E755B1, #D6439E, #C5318B and #B41F78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F867C4 shade: #F768C4, #F7689D, #F76876 and #F76868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F867C4 shade: #F768C4, #F768EB, #DD68F7, #B768F7 and #9068F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F867C4 shade matches the following richer shades: #F768C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F867C4 shade: #F768C4, #EB74C0, #DE81BD, #D18EB9 and #C49BB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F867C4 shade: #DD68F7, #F768EB, #F768C5, #F7689F and #F76878

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F867C4 shade: #F419A5, #F640B4, #F768C4, #F98FD3 and #FBB6E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F867C4 shade: #F867C4, #F7B768 and #68F7F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F867C4 shade: #F867C4, #C5F768 and #68C5F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F867C4 shade: #F867C4, #F7B768, #68F79A and #68A8F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F867C4 shade: #F867C4, #F7E268, #68F79A and #687DF7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 21 / 3

HEX #F867C4

RGB 248 103 196

HSL 321.52, 0.91%, 0.69%

LAB 64.68, 65.15, -21.04

 

Complementary color

CMYK 95 / 0 / 61 / 40

HEX #07983B

RGB 7 152 59

HSL 141.52, 0.91%, 0.31%

LAB 54.88, -53.97, 38.78

 

CMYK 0 / 59 / 25 / 1

HEX #FD67BF

RGB 253 103 191

HSL 324.8, 0.97%, 0.7%

LAB 65.24, 65.9, -17.3

 

CMYK 0 / 53 / 18 / 0

HEX #FF79D2

RGB 255 121 210

HSL 320.15, 1%, 0.74%

LAB 69.17, 61.09, -21.95

 

CMYK 0 / 45 / 10 / 0

HEX #FF8BE5

RGB 255 139 229

HSL 313.45, 1%, 0.77%

LAB 73.14, 55.41, -26.39

 

CMYK 0 / 38 / 3 / 0

HEX #FF9DF8

RGB 255 157 248

HSL 304.29, 1%, 0.81%

LAB 77.37, 49.59, -30.24

 

CMYK 0 / 31 / 0 / 0

HEX #FFAFFF

RGB 255 175 255

HSL 300, 1%, 0.84%

LAB 81.37, 41.56, -27.87

 

CMYK 0 / 58 / 21 / 3

HEX #F867C4

RGB 248 103 196

HSL 321.52, 0.91%, 0.69%

LAB 64.68, 65.15, -21.04

 

CMYK 0 / 63 / 23 / 9

HEX #E755B1

RGB 231 85 177

HSL 322.19, 0.75%, 0.62%

LAB 58.66, 65.39, -19.6

 

CMYK 0 / 69 / 26 / 16

HEX #D6439E

RGB 214 67 158

HSL 322.86, 0.64%, 0.55%

LAB 52.71, 65.31, -17.84

 

CMYK 0 / 75 / 29 / 23

HEX #C5318B

RGB 197 49 139

HSL 323.51, 0.6%, 0.48%

LAB 46.88, 64.72, -15.63

 

CMYK 0 / 83 / 33 / 29

HEX #B41F78

RGB 180 31 120

HSL 324.16, 0.71%, 0.41%

LAB 41.28, 63.34, -12.8

 

CMYK 0 / 58 / 21 / 3

HEX #F768C4

RGB 247 104 196

HSL 321.4, 0.9%, 0.69%

LAB 64.69, 64.44, -21.03

 

CMYK 0 / 58 / 36 / 3

HEX #F7689D

RGB 247 104 157

HSL 337.76, 0.9%, 0.69%

LAB 63.43, 59.61, -0.69

 

CMYK 0 / 58 / 52 / 3

HEX #F76876

RGB 247 104 118

HSL 354.13, 0.9%, 0.69%

LAB 62.49, 55.87, 20.4

 

CMYK 0 / 58 / 58 / 3

HEX #F76868

RGB 247 104 104

HSL 0, 0.9%, 0.69%

LAB 62.23, 54.81, 28.03

 

CMYK 0 / 58 / 21 / 3

HEX #F768C4

RGB 247 104 196

HSL 321.4, 0.9%, 0.69%

LAB 64.69, 64.44, -21.03

 

CMYK 0 / 58 / 5 / 3

HEX #F768EB

RGB 247 104 235

HSL 305.03, 0.9%, 0.69%

LAB 66.27, 70.23, -40.42

 

CMYK 11 / 58 / 0 / 3

HEX #DD68F7

RGB 221 104 247

HSL 289.09, 0.9%, 0.69%

LAB 63.33, 65.82, -51.92

 

CMYK 26 / 58 / 0 / 3

HEX #B768F7

RGB 183 104 247

HSL 273.15, 0.9%, 0.69%

LAB 58.68, 56.71, -59.61

 

CMYK 42 / 58 / 0 / 3

HEX #9068F7

RGB 144 104 247

HSL 256.78, 0.9%, 0.69%

LAB 54.6, 47.96, -66.38

 

CMYK 0 / 58 / 21 / 3

HEX #F768C4

RGB 247 104 196

HSL 321.4, 0.9%, 0.69%

LAB 64.69, 64.44, -21.03

 

CMYK 0 / 58 / 21 / 3

HEX #F768C4

RGB 247 104 196

HSL 321.4, 0.9%, 0.69%

LAB 64.69, 64.44, -21.03

 

CMYK 0 / 51 / 18 / 8

HEX #EB74C0

RGB 235 116 192

HSL 321.68, 0.75%, 0.69%

LAB 64.93, 54.85, -18.57

 

CMYK 0 / 42 / 15 / 13

HEX #DE81BD

RGB 222 129 189

HSL 321.29, 0.58%, 0.69%

LAB 65.67, 43.79, -15.91

 

CMYK 0 / 32 / 11 / 18

HEX #D18EB9

RGB 209 142 185

HSL 321.49, 0.42%, 0.69%

LAB 66.83, 31.89, -12.08

 

CMYK 0 / 21 / 8 / 23

HEX #C49BB5

RGB 196 155 181

HSL 321.95, 0.26%, 0.69%

LAB 68.4, 19.54, -7.64

 

CMYK 11 / 58 / 0 / 3

HEX #DD68F7

RGB 221 104 247

HSL 289.09, 0.9%, 0.69%

LAB 63.33, 65.82, -51.92

 

CMYK 0 / 58 / 5 / 3

HEX #F768EB

RGB 247 104 235

HSL 305.03, 0.9%, 0.69%

LAB 66.27, 70.23, -40.42

 

CMYK 0 / 58 / 20 / 3

HEX #F768C5

RGB 247 104 197

HSL 320.98, 0.9%, 0.69%

LAB 64.73, 64.57, -21.54

 

CMYK 0 / 58 / 36 / 3

HEX #F7689F

RGB 247 104 159

HSL 336.92, 0.9%, 0.69%

LAB 63.49, 59.83, -1.75

 

CMYK 0 / 58 / 51 / 3

HEX #F76878

RGB 247 104 120

HSL 353.29, 0.9%, 0.69%

LAB 62.53, 56.03, 19.31

 

CMYK 0 / 90 / 32 / 4

HEX #F419A5

RGB 244 25 165

HSL 321.64, 0.91%, 0.53%

LAB 54.7, 83.33, -18.44

 

CMYK 0 / 74 / 27 / 4

HEX #F640B4

RGB 246 64 180

HSL 321.76, 0.91%, 0.61%

LAB 58.56, 77.01, -21.27

 

CMYK 0 / 58 / 21 / 3

HEX #F768C4

RGB 247 104 196

HSL 321.4, 0.9%, 0.69%

LAB 64.69, 64.44, -21.03

 

CMYK 0 / 43 / 15 / 2

HEX #F98FD3

RGB 249 143 211

HSL 321.51, 0.9%, 0.77%

LAB 72.55, 48.76, -17.45

 

CMYK 0 / 27 / 10 / 2

HEX #FBB6E2

RGB 251 182 226

HSL 321.74, 0.9%, 0.85%

LAB 81.54, 31.61, -12.09

 

CMYK 0 / 58 / 21 / 3

HEX #F867C4

RGB 248 103 196

HSL 321.52, 0.91%, 0.69%

LAB 64.68, 65.15, -21.04

 

CMYK 0 / 26 / 58 / 3

HEX #F7B768

RGB 247 183 104

HSL 33.15, 0.9%, 0.69%

LAB 78.83, 14.82, 48.7

 

CMYK 58 / 0 / 3 / 3

HEX #68F7F0

RGB 104 247 240

HSL 177.06, 0.9%, 0.69%

LAB 89.75, -39.91, -8.24

 

CMYK 0 / 58 / 21 / 3

HEX #F867C4

RGB 248 103 196

HSL 321.52, 0.91%, 0.69%

LAB 64.68, 65.15, -21.04

 

CMYK 20 / 0 / 58 / 3

HEX #C5F768

RGB 197 247 104

HSL 80.98, 0.9%, 0.69%

LAB 91.41, -36.97, 62.2

 

CMYK 58 / 20 / 0 / 3

HEX #68C5F7

RGB 104 197 247

HSL 200.98, 0.9%, 0.69%

LAB 75.82, -13.53, -33.03

 

CMYK 0 / 58 / 21 / 3

HEX #F867C4

RGB 248 103 196

HSL 321.52, 0.91%, 0.69%

LAB 64.68, 65.15, -21.04

 

CMYK 0 / 26 / 58 / 3

HEX #F7B768

RGB 247 183 104

HSL 33.15, 0.9%, 0.69%

LAB 78.83, 14.82, 48.7

 

CMYK 58 / 0 / 38 / 3

HEX #68F79A

RGB 104 247 154

HSL 140.98, 0.9%, 0.69%

LAB 87.87, -58.59, 33.42

 

CMYK 58 / 32 / 0 / 3

HEX #68A8F7

RGB 104 168 247

HSL 213.15, 0.9%, 0.69%

LAB 67.77, 2.34, -45.56

 

CMYK 0 / 58 / 21 / 3

HEX #F867C4

RGB 248 103 196

HSL 321.52, 0.91%, 0.69%

LAB 64.68, 65.15, -21.04

 

CMYK 0 / 9 / 58 / 3

HEX #F7E268

RGB 247 226 104

HSL 51.19, 0.9%, 0.69%

LAB 89.47, -7.31, 61

 

CMYK 58 / 0 / 38 / 3

HEX #68F79A

RGB 104 247 154

HSL 140.98, 0.9%, 0.69%

LAB 87.87, -58.59, 33.42

 

CMYK 58 / 49 / 0 / 3

HEX #687DF7

RGB 104 125 247

HSL 231.19, 0.9%, 0.69%

LAB 56.41, 27.67, -63.62

 

Description

Color code: HEX #F867C4 | qconv.com Color code: HEX #F867C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 103 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 103 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 21 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 21% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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