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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F87CED it is the complementary color #078312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F87CED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F87CED shade: #FD7CE8, #FF8EFB, #FFA0FF, #FFB2FF and #FFC4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F87CED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F87CED shade: #F87CED, #E76ADA, #D658C7, #C546B4 and #B434A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F87CED shade: #F87CED, #F87CCB, #F87CAA, #F87C88 and #F87C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F87CED shade: #F87CED, #E17CF8, #C07CF8, #9E7CF8 and #7D7CF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F87CED shade matches the following richer shades: #F87CED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F87CED shade: #F87CED, #EC87E3, #E192DA, #D69DD1 and #CBA8C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F87CED shade: #C07CF8, #E17CF8, #F87CED, #F87CCC and #F87CAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F87CED shade: #F32DE2, #F654E7, #F87CED, #FAA3F2 and #FCCAF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F87CED shade: #F87CED, #F89F7C and #7CF8D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F87CED shade: #F87CED, #EDF87C and #7CEDF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F87CED shade: #F87CED, #F89F7C, #7CF886 and #7CD5F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F87CED shade: #F87CED, #F8C47C, #7CF886 and #7CAFF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

Complementary color

CMYK 95 / 0 / 86 / 49

HEX #078312

RGB 7 131 18

HSL 125.32, 0.9%, 0.27%

LAB 47.39, -51.3, 47.04

 

CMYK 0 / 51 / 8 / 1

HEX #FD7CE8

RGB 253 124 232

HSL 309.77, 0.97%, 0.74%

LAB 70.26, 62.46, -32.49

 

CMYK 0 / 44 / 2 / 0

HEX #FF8EFB

RGB 255 142 251

HSL 302.12, 1%, 0.78%

LAB 74.55, 57.59, -36.21

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 23 / 0 / 0

HEX #FFC4FF

RGB 255 196 255

HSL 300, 1%, 0.88%

LAB 85.99, 30.57, -20.85

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 0 / 54 / 6 / 9

HEX #E76ADA

RGB 231 106 218

HSL 306.24, 0.72%, 0.66%

LAB 63.64, 62.4, -35.22

 

CMYK 0 / 59 / 7 / 16

HEX #D658C7

RGB 214 88 199

HSL 307.14, 0.61%, 0.59%

LAB 57.46, 62.76, -34.29

 

CMYK 0 / 64 / 9 / 23

HEX #C546B4

RGB 197 70 180

HSL 308.03, 0.52%, 0.52%

LAB 51.32, 62.86, -33.12

 

CMYK 0 / 71 / 11 / 29

HEX #B434A1

RGB 180 52 161

HSL 308.91, 0.55%, 0.45%

LAB 45.27, 62.5, -31.59

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 0 / 50 / 18 / 3

HEX #F87CCB

RGB 248 124 203

HSL 321.77, 0.9%, 0.73%

LAB 68.52, 56.59, -19.13

 

CMYK 0 / 50 / 31 / 3

HEX #F87CAA

RGB 248 124 170

HSL 337.74, 0.9%, 0.73%

LAB 67.48, 52.16, -2.14

 

CMYK 0 / 50 / 45 / 3

HEX #F87C88

RGB 248 124 136

HSL 354.19, 0.9%, 0.73%

LAB 66.63, 48.42, 15.87

 

CMYK 0 / 50 / 50 / 3

HEX #F87C7C

RGB 248 124 124

HSL 0, 0.9%, 0.73%

LAB 66.39, 47.31, 22.3

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 9 / 50 / 0 / 3

HEX #E17CF8

RGB 225 124 248

HSL 288.87, 0.9%, 0.73%

LAB 67.43, 57.57, -45.97

 

CMYK 23 / 50 / 0 / 3

HEX #C07CF8

RGB 192 124 248

HSL 272.9, 0.9%, 0.73%

LAB 63.67, 48.84, -52.15

 

CMYK 36 / 50 / 0 / 3

HEX #9E7CF8

RGB 158 124 248

HSL 256.45, 0.9%, 0.73%

LAB 60.3, 40.26, -57.71

 

CMYK 50 / 50 / 0 / 3

HEX #7D7CF8

RGB 125 124 248

HSL 240.48, 0.9%, 0.73%

LAB 57.61, 32.74, -62.18

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 0 / 43 / 4 / 7

HEX #EC87E3

RGB 236 135 227

HSL 305.35, 0.73%, 0.73%

LAB 69.97, 51.38, -30.36

 

CMYK 0 / 35 / 3 / 12

HEX #E192DA

RGB 225 146 218

HSL 305.32, 0.57%, 0.73%

LAB 70.61, 40.75, -24.52

 

CMYK 0 / 27 / 2 / 16

HEX #D69DD1

RGB 214 157 209

HSL 305.26, 0.41%, 0.73%

LAB 71.56, 29.66, -18.22

 

CMYK 0 / 17 / 1 / 20

HEX #CBA8C8

RGB 203 168 200

HSL 305.14, 0.25%, 0.73%

LAB 72.81, 18.28, -11.5

 

CMYK 23 / 50 / 0 / 3

HEX #C07CF8

RGB 192 124 248

HSL 272.9, 0.9%, 0.73%

LAB 63.67, 48.84, -52.15

 

CMYK 9 / 50 / 0 / 3

HEX #E17CF8

RGB 225 124 248

HSL 288.87, 0.9%, 0.73%

LAB 67.43, 57.57, -45.97

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 0 / 50 / 18 / 3

HEX #F87CCC

RGB 248 124 204

HSL 321.29, 0.9%, 0.73%

LAB 68.56, 56.73, -19.63

 

CMYK 0 / 50 / 31 / 3

HEX #F87CAB

RGB 248 124 171

HSL 337.26, 0.9%, 0.73%

LAB 67.51, 52.28, -2.66

 

CMYK 0 / 81 / 7 / 5

HEX #F32DE2

RGB 243 45 226

HSL 305.15, 0.89%, 0.56%

LAB 58.44, 87.12, -47.76

 

CMYK 0 / 66 / 6 / 4

HEX #F654E7

RGB 246 84 231

HSL 305.56, 0.9%, 0.65%

LAB 63.1, 77.23, -43.18

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 0 / 35 / 3 / 2

HEX #FAA3F2

RGB 250 163 242

HSL 305.52, 0.9%, 0.81%

LAB 77.83, 43.94, -26.34

 

CMYK 0 / 20 / 2 / 1

HEX #FCCAF7

RGB 252 202 247

HSL 306, 0.89%, 0.89%

LAB 86.83, 25.01, -15.37

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 0 / 36 / 50 / 3

HEX #F89F7C

RGB 248 159 124

HSL 16.94, 0.9%, 0.73%

LAB 73.68, 29.47, 31.99

 

CMYK 50 / 0 / 16 / 3

HEX #7CF8D0

RGB 124 248 208

HSL 160.65, 0.9%, 0.73%

LAB 89.85, -44.01, 8.63

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 4 / 0 / 50 / 3

HEX #EDF87C

RGB 237 248 124

HSL 65.32, 0.9%, 0.73%

LAB 94.57, -20.51, 57.68

 

CMYK 50 / 4 / 0 / 3

HEX #7CEDF8

RGB 124 237 248

HSL 185.32, 0.9%, 0.73%

LAB 87.79, -29.36, -15.27

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 0 / 36 / 50 / 3

HEX #F89F7C

RGB 248 159 124

HSL 16.94, 0.9%, 0.73%

LAB 73.68, 29.47, 31.99

 

CMYK 50 / 0 / 46 / 3

HEX #7CF886

RGB 124 248 134

HSL 124.84, 0.9%, 0.73%

LAB 88.51, -57.41, 44.2

 

CMYK 50 / 14 / 0 / 3

HEX #7CD5F8

RGB 124 213 248

HSL 196.94, 0.9%, 0.73%

LAB 81.1, -17.48, -25.39

 

CMYK 0 / 50 / 4 / 3

HEX #F87CED

RGB 248 124 237

HSL 305.32, 0.9%, 0.73%

LAB 69.81, 61.88, -35.99

 

CMYK 0 / 21 / 50 / 3

HEX #F8C47C

RGB 248 196 124

HSL 34.84, 0.9%, 0.73%

LAB 82.32, 10.05, 43.02

 

CMYK 50 / 0 / 46 / 3

HEX #7CF886

RGB 124 248 134

HSL 124.84, 0.9%, 0.73%

LAB 88.51, -57.41, 44.2

 

CMYK 50 / 29 / 0 / 3

HEX #7CAFF8

RGB 124 175 248

HSL 215.32, 0.9%, 0.73%

LAB 70.68, 2.9, -41.48

 

Description

Color code: HEX #F87CED | qconv.com Color code: HEX #F87CED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 124 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 124 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 4 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 4% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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