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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F88867 it is the complementary color #077798. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F88867. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F88867 shade: #FD8862, #FF9A75, #FFAC88, #FFBE9B and #FFD0AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F88867. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F88867 shade: #F88867, #E77654, #D66441, #C5522E and #B4401B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F88867 shade: #F78868 and #F76868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F88867 shade: #F78868, #F7AF68, #F7D668, #F2F768 and #CBF768

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F88867 shade matches the following richer shades: #F78868

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F88867 shade: #F78868, #EB8F74, #DE9681, #D19D8E and #C4A49B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F88867 shade: #F76895, #F7686F, #F78768, #F7AD68 and #F7D368

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F88867 shade: #F44B19, #F66940, #F78868, #F9A78F and #FBC6B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F88867 shade: #F88867, #BBF768 and #6882F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F88867 shade: #F88867, #68F787 and #8768F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F88867 shade: #F88867, #BBF768, #68D8F7 and #A368F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F88867 shade: #F88867, #90F768, #68D8F7 and #CF68F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 58 / 3

HEX #F88867

RGB 248 136 103

HSL 13.66, 0.91%, 0.69%

LAB 68.42, 39.65, 36.53

 

Complementary color

CMYK 95 / 22 / 0 / 40

HEX #077798

RGB 7 119 152

HSL 193.66, 0.91%, 0.31%

LAB 46.32, -15.36, -25.59

 

CMYK 0 / 46 / 61 / 1

HEX #FD8862

RGB 253 136 98

HSL 14.71, 0.97%, 0.69%

LAB 69.02, 41.2, 40.09

 

CMYK 0 / 40 / 54 / 0

HEX #FF9A75

RGB 255 154 117

HSL 16.09, 1%, 0.73%

LAB 73.32, 34.18, 35.43

 

CMYK 0 / 33 / 47 / 0

HEX #FFAC88

RGB 255 172 136

HSL 18.15, 1%, 0.77%

LAB 77.6, 26.49, 30.89

 

CMYK 0 / 25 / 39 / 0

HEX #FFBE9B

RGB 255 190 155

HSL 21, 1%, 0.8%

LAB 82.08, 19.02, 26.8

 

CMYK 0 / 18 / 32 / 0

HEX #FFD0AE

RGB 255 208 174

HSL 25.19, 1%, 0.84%

LAB 86.72, 11.86, 23.12

 

CMYK 0 / 45 / 58 / 3

HEX #F88867

RGB 248 136 103

HSL 13.66, 0.91%, 0.69%

LAB 68.42, 39.65, 36.53

 

CMYK 0 / 49 / 64 / 9

HEX #E77654

RGB 231 118 84

HSL 13.88, 0.75%, 0.62%

LAB 62.16, 41.01, 38.52

 

CMYK 0 / 53 / 70 / 16

HEX #D66441

RGB 214 100 65

HSL 14.09, 0.65%, 0.55%

LAB 55.88, 42.46, 40.72

 

CMYK 0 / 58 / 77 / 23

HEX #C5522E

RGB 197 82 46

HSL 14.3, 0.62%, 0.48%

LAB 49.62, 43.95, 43.08

 

CMYK 0 / 64 / 85 / 29

HEX #B4401B

RGB 180 64 27

HSL 14.51, 0.74%, 0.41%

LAB 43.43, 45.39, 45.37

 

CMYK 0 / 45 / 58 / 3

HEX #F78868

RGB 247 136 104

HSL 13.43, 0.9%, 0.69%

LAB 68.3, 39.34, 35.81

 

CMYK 0 / 58 / 58 / 3

HEX #F76868

RGB 247 104 104

HSL 0, 0.9%, 0.69%

LAB 62.23, 54.81, 28.03

 

CMYK 0 / 45 / 58 / 3

HEX #F78868

RGB 247 136 104

HSL 13.43, 0.9%, 0.69%

LAB 68.3, 39.34, 35.81

 

CMYK 0 / 29 / 58 / 3

HEX #F7AF68

RGB 247 175 104

HSL 29.79, 0.9%, 0.69%

LAB 76.94, 19.02, 46.43

 

CMYK 0 / 13 / 58 / 3

HEX #F7D668

RGB 247 214 104

HSL 46.15, 0.9%, 0.69%

LAB 86.44, -1.25, 57.56

 

CMYK 2 / 0 / 58 / 3

HEX #F2F768

RGB 242 247 104

HSL 62.1, 0.9%, 0.69%

LAB 94.48, -19.63, 66.47

 

CMYK 18 / 0 / 58 / 3

HEX #CBF768

RGB 203 247 104

HSL 78.46, 0.9%, 0.69%

LAB 91.78, -34.74, 62.72

 

CMYK 0 / 45 / 58 / 3

HEX #F78868

RGB 247 136 104

HSL 13.43, 0.9%, 0.69%

LAB 68.3, 39.34, 35.81

 

CMYK 0 / 45 / 58 / 3

HEX #F78868

RGB 247 136 104

HSL 13.43, 0.9%, 0.69%

LAB 68.3, 39.34, 35.81

 

CMYK 0 / 39 / 51 / 8

HEX #EB8F74

RGB 235 143 116

HSL 13.61, 0.75%, 0.69%

LAB 68.44, 32.09, 29.16

 

CMYK 0 / 32 / 42 / 13

HEX #DE9681

RGB 222 150 129

HSL 13.55, 0.58%, 0.69%

LAB 68.7, 24.6, 22.09

 

CMYK 0 / 25 / 32 / 18

HEX #D19D8E

RGB 209 157 142

HSL 13.43, 0.42%, 0.69%

LAB 69.2, 17.29, 15.38

 

CMYK 0 / 16 / 21 / 23

HEX #C4A49B

RGB 196 164 155

HSL 13.17, 0.26%, 0.69%

LAB 69.93, 10.31, 9.04

 

CMYK 0 / 58 / 40 / 3

HEX #F76895

RGB 247 104 149

HSL 341.12, 0.9%, 0.69%

LAB 63.21, 58.75, 3.59

 

CMYK 0 / 58 / 55 / 3

HEX #F7686F

RGB 247 104 111

HSL 357.06, 0.9%, 0.69%

LAB 62.36, 55.32, 24.22

 

CMYK 0 / 45 / 58 / 3

HEX #F78768

RGB 247 135 104

HSL 13.01, 0.9%, 0.69%

LAB 68.1, 39.85, 35.55

 

CMYK 0 / 30 / 58 / 3

HEX #F7AD68

RGB 247 173 104

HSL 28.95, 0.9%, 0.69%

LAB 76.47, 20.08, 45.87

 

CMYK 0 / 15 / 58 / 3

HEX #F7D368

RGB 247 211 104

HSL 44.9, 0.9%, 0.69%

LAB 85.69, 0.29, 56.7

 

CMYK 0 / 69 / 90 / 4

HEX #F44B19

RGB 244 75 25

HSL 13.7, 0.91%, 0.53%

LAB 56.42, 62.53, 61.22

 

CMYK 0 / 57 / 74 / 4

HEX #F66940

RGB 246 105 64

HSL 13.52, 0.91%, 0.61%

LAB 61.71, 51.78, 49.06

 

CMYK 0 / 45 / 58 / 3

HEX #F78868

RGB 247 136 104

HSL 13.43, 0.9%, 0.69%

LAB 68.3, 39.34, 35.81

 

CMYK 0 / 33 / 43 / 2

HEX #F9A78F

RGB 249 167 143

HSL 13.58, 0.9%, 0.77%

LAB 75.92, 27.5, 24.77

 

CMYK 0 / 21 / 27 / 2

HEX #FBC6B6

RGB 251 198 182

HSL 13.91, 0.9%, 0.85%

LAB 84.11, 16.61, 15.22

 

CMYK 0 / 45 / 58 / 3

HEX #F88867

RGB 248 136 103

HSL 13.66, 0.91%, 0.69%

LAB 68.42, 39.65, 36.53

 

CMYK 24 / 0 / 58 / 3

HEX #BBF768

RGB 187 247 104

HSL 85.17, 0.9%, 0.69%

LAB 90.82, -40.63, 61.37

 

CMYK 58 / 47 / 0 / 3

HEX #6882F7

RGB 104 130 247

HSL 229.09, 0.9%, 0.69%

LAB 57.68, 24.66, -61.59

 

CMYK 0 / 45 / 58 / 3

HEX #F88867

RGB 248 136 103

HSL 13.66, 0.91%, 0.69%

LAB 68.42, 39.65, 36.53

 

CMYK 58 / 0 / 45 / 3

HEX #68F787

RGB 104 247 135

HSL 133.01, 0.9%, 0.69%

LAB 87.59, -61.65, 42.41

 

CMYK 45 / 58 / 0 / 3

HEX #8768F7

RGB 135 104 247

HSL 253.01, 0.9%, 0.69%

LAB 53.78, 46.09, -67.75

 

CMYK 0 / 45 / 58 / 3

HEX #F88867

RGB 248 136 103

HSL 13.66, 0.91%, 0.69%

LAB 68.42, 39.65, 36.53

 

CMYK 24 / 0 / 58 / 3

HEX #BBF768

RGB 187 247 104

HSL 85.17, 0.9%, 0.69%

LAB 90.82, -40.63, 61.37

 

CMYK 58 / 13 / 0 / 3

HEX #68D8F7

RGB 104 216 247

HSL 193.01, 0.9%, 0.69%

LAB 81.17, -23.28, -24.82

 

CMYK 34 / 58 / 0 / 3

HEX #A368F7

RGB 163 104 247

HSL 264.76, 0.9%, 0.69%

LAB 56.49, 52.11, -63.25

 

CMYK 0 / 45 / 58 / 3

HEX #F88867

RGB 248 136 103

HSL 13.66, 0.91%, 0.69%

LAB 68.42, 39.65, 36.53

 

CMYK 42 / 0 / 58 / 3

HEX #90F768

RGB 144 247 104

HSL 103.22, 0.9%, 0.69%

LAB 88.66, -55.01, 58.34

 

CMYK 58 / 13 / 0 / 3

HEX #68D8F7

RGB 104 216 247

HSL 193.01, 0.9%, 0.69%

LAB 81.17, -23.28, -24.82

 

CMYK 16 / 58 / 0 / 3

HEX #CF68F7

RGB 207 104 247

HSL 283.22, 0.9%, 0.69%

LAB 61.55, 62.43, -54.86

 

Description

Color code: HEX #F88867 | qconv.com Color code: HEX #F88867 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 136 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 136 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 58 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 58% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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