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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F89521 it is the complementary color #076ADE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F89521. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F89521 shade: #FD951C, #FFA72F, #FFB942, #FFCB55 and #FFDD68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F89521. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F89521 shade: #F89521, #E7830E, #D67100, #C55F00 and #B44D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F89521 shade: #F89420, #F85A20, #F82020 and #F82020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F89521 shade: #F89420, #F8CE20, #E7F820, #ACF820 and #72F820

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F89521 shade matches the following richer shades: #F89420

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F89521 shade: #F89420, #E59332, #D29145, #C09058 and #AD8E6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F89521 shade: #F82020, #F85920, #F89320, #F8CC20 and #E9F820

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F89521 shade: #C06A05, #E88007, #F89420, #F9A748 and #FABA70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F89521 shade: #F89521, #59F820 and #3D20F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F89521 shade: #F89521, #20F893 and #9320F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F89521 shade: #F89521, #59F820, #2085F8 and #BE20F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F89521 shade: #F89521, #20F827, #2085F8 and #F820F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 87 / 3

HEX #F89521

RGB 248 149 33

HSL 32.37, 0.94%, 0.55%

LAB 70.57, 29.77, 69.75

 

Complementary color

CMYK 97 / 52 / 0 / 13

HEX #076ADE

RGB 7 106 222

HSL 212.37, 0.94%, 0.45%

LAB 46.48, 20.07, -65.83

 

CMYK 0 / 41 / 89 / 1

HEX #FD951C

RGB 253 149 28

HSL 32.27, 0.98%, 0.55%

LAB 71.19, 31.72, 71.83

 

CMYK 0 / 35 / 82 / 0

HEX #FFA72F

RGB 255 167 47

HSL 34.62, 1%, 0.59%

LAB 75.52, 23.63, 69.9

 

CMYK 0 / 27 / 74 / 0

HEX #FFB942

RGB 255 185 66

HSL 37.78, 1%, 0.63%

LAB 79.81, 14.91, 66.99

 

CMYK 0 / 20 / 67 / 0

HEX #FFCB55

RGB 255 203 85

HSL 41.65, 1%, 0.67%

LAB 84.29, 6.49, 63.8

 

CMYK 0 / 13 / 59 / 0

HEX #FFDD68

RGB 255 221 104

HSL 46.49, 1%, 0.7%

LAB 88.91, -1.53, 60.56

 

CMYK 0 / 40 / 87 / 3

HEX #F89521

RGB 248 149 33

HSL 32.37, 0.94%, 0.55%

LAB 70.57, 29.77, 69.75

 

CMYK 0 / 43 / 94 / 9

HEX #E7830E

RGB 231 131 14

HSL 32.35, 0.89%, 0.48%

LAB 64.37, 31.85, 68.58

 

CMYK 0 / 47 / 100 / 16

HEX #D67100

RGB 214 113 0

HSL 31.68, 1%, 0.42%

LAB 58.14, 34.11, 65.68

 

CMYK 0 / 52 / 100 / 23

HEX #C55F00

RGB 197 95 0

HSL 28.93, 1%, 0.39%

LAB 51.9, 36.49, 60.67

 

CMYK 0 / 57 / 100 / 29

HEX #B44D00

RGB 180 77 0

HSL 25.67, 1%, 0.35%

LAB 45.65, 38.81, 55.67

 

CMYK 0 / 40 / 87 / 3

HEX #F89420

RGB 248 148 32

HSL 32.22, 0.94%, 0.55%

LAB 70.34, 30.27, 69.85

 

CMYK 0 / 64 / 87 / 3

HEX #F85A20

RGB 248 90 32

HSL 16.11, 0.94%, 0.55%

LAB 59.32, 58.08, 61.21

 

CMYK 0 / 87 / 87 / 3

HEX #F82020

RGB 248 32 32

HSL 0, 0.94%, 0.55%

LAB 53.05, 75.45, 56.34

 

CMYK 0 / 87 / 87 / 3

HEX #F82020

RGB 248 32 32

HSL 0, 0.94%, 0.55%

LAB 53.05, 75.45, 56.34

 

CMYK 0 / 40 / 87 / 3

HEX #F89420

RGB 248 148 32

HSL 32.22, 0.94%, 0.55%

LAB 70.34, 30.27, 69.85

 

CMYK 0 / 17 / 87 / 3

HEX #F8CE20

RGB 248 206 32

HSL 48.33, 0.94%, 0.55%

LAB 84.07, 0.05, 80.7

 

CMYK 7 / 0 / 87 / 3

HEX #E7F820

RGB 231 248 32

HSL 64.72, 0.94%, 0.55%

LAB 93.55, -27.69, 87.68

 

CMYK 31 / 0 / 87 / 3

HEX #ACF820

RGB 172 248 32

HSL 81.11, 0.94%, 0.55%

LAB 89.86, -50.43, 83.15

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 0 / 40 / 87 / 3

HEX #F89420

RGB 248 148 32

HSL 32.22, 0.94%, 0.55%

LAB 70.34, 30.27, 69.85

 

CMYK 0 / 40 / 87 / 3

HEX #F89420

RGB 248 148 32

HSL 32.22, 0.94%, 0.55%

LAB 70.34, 30.27, 69.85

 

CMYK 0 / 36 / 78 / 10

HEX #E59332

RGB 229 147 50

HSL 32.51, 0.77%, 0.55%

LAB 67.84, 23.41, 60.71

 

CMYK 0 / 31 / 67 / 18

HEX #D29145

RGB 210 145 69

HSL 32.34, 0.61%, 0.55%

LAB 65.26, 17.34, 49.06

 

CMYK 0 / 25 / 54 / 25

HEX #C09058

RGB 192 144 88

HSL 32.31, 0.45%, 0.55%

LAB 63.22, 11.61, 36.58

 

CMYK 0 / 18 / 39 / 32

HEX #AD8E6A

RGB 173 142 106

HSL 32.24, 0.29%, 0.55%

LAB 61.02, 6.58, 23.58

 

CMYK 0 / 87 / 87 / 3

HEX #F82020

RGB 248 32 32

HSL 0, 0.94%, 0.55%

LAB 53.05, 75.45, 56.34

 

CMYK 0 / 64 / 87 / 3

HEX #F85920

RGB 248 89 32

HSL 15.83, 0.94%, 0.55%

LAB 59.16, 58.49, 61.09

 

CMYK 0 / 41 / 87 / 3

HEX #F89320

RGB 248 147 32

HSL 31.94, 0.94%, 0.55%

LAB 70.13, 30.79, 69.68

 

CMYK 0 / 18 / 87 / 3

HEX #F8CC20

RGB 248 204 32

HSL 47.78, 0.94%, 0.55%

LAB 83.57, 1.07, 80.31

 

CMYK 6 / 0 / 87 / 3

HEX #E9F820

RGB 233 248 32

HSL 64.17, 0.94%, 0.55%

LAB 93.69, -26.88, 87.86

 

CMYK 0 / 45 / 97 / 25

HEX #C06A05

RGB 192 106 5

HSL 32.41, 0.95%, 0.39%

LAB 53.52, 28.7, 60.27

 

CMYK 0 / 45 / 97 / 9

HEX #E88007

RGB 232 128 7

HSL 32.27, 0.94%, 0.47%

LAB 63.84, 33.75, 69.38

 

CMYK 0 / 40 / 87 / 3

HEX #F89420

RGB 248 148 32

HSL 32.22, 0.94%, 0.55%

LAB 70.34, 30.27, 69.85

 

CMYK 0 / 33 / 71 / 2

HEX #F9A748

RGB 249 167 72

HSL 32.2, 0.94%, 0.63%

LAB 74.98, 22.11, 59.41

 

CMYK 0 / 26 / 55 / 2

HEX #FABA70

RGB 250 186 112

HSL 32.17, 0.93%, 0.71%

LAB 79.96, 15.07, 46.17

 

CMYK 0 / 40 / 87 / 3

HEX #F89521

RGB 248 149 33

HSL 32.37, 0.94%, 0.55%

LAB 70.57, 29.77, 69.75

 

CMYK 64 / 0 / 87 / 3

HEX #59F820

RGB 89 248 32

HSL 104.17, 0.94%, 0.55%

LAB 86.68, -74.43, 79.18

 

CMYK 75 / 87 / 0 / 3

HEX #3D20F8

RGB 61 32 248

HSL 248.06, 0.94%, 0.55%

LAB 35.6, 71.89, -98.37

 

CMYK 0 / 40 / 87 / 3

HEX #F89521

RGB 248 149 33

HSL 32.37, 0.94%, 0.55%

LAB 70.57, 29.77, 69.75

 

CMYK 87 / 0 / 41 / 3

HEX #20F893

RGB 32 248 147

HSL 151.94, 0.94%, 0.55%

LAB 86.77, -70.09, 35.22

 

CMYK 41 / 87 / 0 / 3

HEX #9320F8

RGB 147 32 248

HSL 271.94, 0.94%, 0.55%

LAB 44.25, 78.79, -83.78

 

CMYK 0 / 40 / 87 / 3

HEX #F89521

RGB 248 149 33

HSL 32.37, 0.94%, 0.55%

LAB 70.57, 29.77, 69.75

 

CMYK 64 / 0 / 87 / 3

HEX #59F820

RGB 89 248 32

HSL 104.17, 0.94%, 0.55%

LAB 86.68, -74.43, 79.18

 

CMYK 87 / 46 / 0 / 3

HEX #2085F8

RGB 32 133 248

HSL 211.94, 0.94%, 0.55%

LAB 55.95, 14.15, -65.06

 

CMYK 23 / 87 / 0 / 3

HEX #BE20F8

RGB 190 32 248

HSL 283.89, 0.94%, 0.55%

LAB 50.4, 84.36, -73.48

 

CMYK 0 / 40 / 87 / 3

HEX #F89521

RGB 248 149 33

HSL 32.37, 0.94%, 0.55%

LAB 70.57, 29.77, 69.75

 

CMYK 87 / 0 / 84 / 3

HEX #20F827

RGB 32 248 39

HSL 121.94, 0.94%, 0.55%

LAB 85.8, -82.03, 76.67

 

CMYK 87 / 46 / 0 / 3

HEX #2085F8

RGB 32 133 248

HSL 211.94, 0.94%, 0.55%

LAB 55.95, 14.15, -65.06

 

CMYK 0 / 87 / 3 / 3

HEX #F820F0

RGB 248 32 240

HSL 302.22, 0.94%, 0.55%

LAB 59.23, 92.26, -54.3

 

Description

Color code: HEX #F89521 | qconv.com Color code: HEX #F89521 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 149 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 149 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 87 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 87% 3% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - b3n - Ben Smith | Co...
Link: http://www.b3n.biz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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