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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8A335 it is the complementary color #075CCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8A335. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8A335 shade: #FDA330, #FFB543, #FFC756, #FFD969 and #FFEB7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8A335. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8A335 shade: #F8A335, #E79122, #D67F0F, #C56D00 and #B45B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8A335 shade: #F7A235, #F76E35, #F73A35 and #F73535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8A335 shade: #F7A235, #F7D735, #E3F735, #AFF735 and #7AF735

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8A335 shade matches the following richer shades: #F7A235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8A335 shade: #F7A235, #E6A046, #D59E57, #C49C67 and #B49A78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8A335 shade: #F73835, #F76C35, #F7A035, #F7D435 and #E7F735

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8A335 shade: #D27A07, #F6900D, #F7A235, #F9B55D and #FAC784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8A335 shade: #F8A335, #65F735 and #5235F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8A335 shade: #F8A335, #35F7A0 and #A035F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8A335 shade: #F8A335, #65F735, #358CF7 and #C735F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8A335 shade: #F8A335, #35F73E, #358CF7 and #F735ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 79 / 3

HEX #F8A335

RGB 248 163 53

HSL 33.85, 0.93%, 0.59%

LAB 73.81, 23.01, 65.95

 

Complementary color

CMYK 97 / 54 / 0 / 21

HEX #075CCA

RGB 7 92 202

HSL 213.85, 0.93%, 0.41%

LAB 41.16, 21.26, -63.03

 

CMYK 0 / 36 / 81 / 1

HEX #FDA330

RGB 253 163 48

HSL 33.66, 0.98%, 0.59%

LAB 74.38, 24.92, 68.47

 

CMYK 0 / 29 / 74 / 0

HEX #FFB543

RGB 255 181 67

HSL 36.38, 1%, 0.63%

LAB 78.88, 17.04, 65.67

 

CMYK 0 / 22 / 66 / 0

HEX #FFC756

RGB 255 199 86

HSL 40.12, 1%, 0.67%

LAB 83.33, 8.61, 62.34

 

CMYK 0 / 15 / 59 / 0

HEX #FFD969

RGB 255 217 105

HSL 44.8, 1%, 0.71%

LAB 87.92, 0.56, 58.99

 

CMYK 0 / 8 / 51 / 0

HEX #FFEB7C

RGB 255 235 124

HSL 50.84, 1%, 0.74%

LAB 92.63, -7.06, 55.74

 

CMYK 0 / 34 / 79 / 3

HEX #F8A335

RGB 248 163 53

HSL 33.85, 0.93%, 0.59%

LAB 73.81, 23.01, 65.95

 

CMYK 0 / 37 / 85 / 9

HEX #E79122

RGB 231 145 34

HSL 33.81, 0.8%, 0.52%

LAB 67.54, 24.83, 66.12

 

CMYK 0 / 41 / 93 / 16

HEX #D67F0F

RGB 214 127 15

HSL 33.77, 0.87%, 0.45%

LAB 61.23, 26.88, 65.14

 

CMYK 0 / 45 / 100 / 23

HEX #C56D00

RGB 197 109 0

HSL 33.2, 1%, 0.39%

LAB 54.87, 29.15, 62.46

 

CMYK 0 / 49 / 100 / 29

HEX #B45B00

RGB 180 91 0

HSL 30.33, 1%, 0.35%

LAB 48.49, 31.61, 57.32

 

CMYK 0 / 34 / 79 / 3

HEX #F7A235

RGB 247 162 53

HSL 33.71, 0.92%, 0.59%

LAB 73.46, 23.12, 65.58

 

CMYK 0 / 55 / 79 / 3

HEX #F76E35

RGB 247 110 53

HSL 17.63, 0.92%, 0.59%

LAB 62.66, 49.41, 55.36

 

CMYK 0 / 77 / 79 / 3

HEX #F73A35

RGB 247 58 53

HSL 1.55, 0.92%, 0.59%

LAB 55.13, 69.69, 47.9

 

CMYK 0 / 79 / 79 / 3

HEX #F73535

RGB 247 53 53

HSL 0, 0.92%, 0.59%

LAB 54.63, 71.09, 47.39

 

CMYK 0 / 34 / 79 / 3

HEX #F7A235

RGB 247 162 53

HSL 33.71, 0.92%, 0.59%

LAB 73.46, 23.12, 65.58

 

CMYK 0 / 13 / 79 / 3

HEX #F7D735

RGB 247 215 53

HSL 50.1, 0.92%, 0.59%

LAB 86.32, -4.4, 77.23

 

CMYK 8 / 0 / 79 / 3

HEX #E3F735

RGB 227 247 53

HSL 66.19, 0.92%, 0.59%

LAB 93.06, -28.27, 82.6

 

CMYK 29 / 0 / 79 / 3

HEX #AFF735

RGB 175 247 53

HSL 82.27, 0.92%, 0.59%

LAB 89.81, -48.23, 78.46

 

CMYK 51 / 0 / 79 / 3

HEX #7AF735

RGB 122 247 53

HSL 98.66, 0.92%, 0.59%

LAB 87.44, -65.26, 75.41

 

CMYK 0 / 34 / 79 / 3

HEX #F7A235

RGB 247 162 53

HSL 33.71, 0.92%, 0.59%

LAB 73.46, 23.12, 65.58

 

CMYK 0 / 34 / 79 / 3

HEX #F7A235

RGB 247 162 53

HSL 33.71, 0.92%, 0.59%

LAB 73.46, 23.12, 65.58

 

CMYK 0 / 30 / 70 / 10

HEX #E6A046

RGB 230 160 70

HSL 33.75, 0.76%, 0.59%

LAB 71.15, 17.79, 55.61

 

CMYK 0 / 26 / 59 / 16

HEX #D59E57

RGB 213 158 87

HSL 33.81, 0.6%, 0.59%

LAB 68.96, 12.77, 44.54

 

CMYK 0 / 20 / 47 / 23

HEX #C49C67

RGB 196 156 103

HSL 34.19, 0.44%, 0.59%

LAB 66.89, 8.11, 33.32

 

CMYK 0 / 14 / 33 / 29

HEX #B49A78

RGB 180 154 120

HSL 34, 0.29%, 0.59%

LAB 65.1, 4.57, 21.43

 

CMYK 0 / 77 / 79 / 3

HEX #F73835

RGB 247 56 53

HSL 0.93, 0.92%, 0.59%

LAB 54.93, 70.26, 47.69

 

CMYK 0 / 56 / 79 / 3

HEX #F76C35

RGB 247 108 53

HSL 17.01, 0.92%, 0.59%

LAB 62.3, 50.34, 55.01

 

CMYK 0 / 35 / 79 / 3

HEX #F7A035

RGB 247 160 53

HSL 33.09, 0.92%, 0.59%

LAB 73.01, 24.17, 65.16

 

CMYK 0 / 14 / 79 / 3

HEX #F7D435

RGB 247 212 53

HSL 49.18, 0.92%, 0.59%

LAB 85.56, -2.88, 76.56

 

CMYK 6 / 0 / 79 / 3

HEX #E7F735

RGB 231 247 53

HSL 64.95, 0.92%, 0.59%

LAB 93.35, -26.66, 82.96

 

CMYK 0 / 42 / 97 / 18

HEX #D27A07

RGB 210 122 7

HSL 33.99, 0.94%, 0.43%

LAB 59.56, 27.77, 65.11

 

CMYK 0 / 41 / 95 / 4

HEX #F6900D

RGB 246 144 13

HSL 33.73, 0.93%, 0.51%

LAB 69.16, 31.24, 72.96

 

CMYK 0 / 34 / 79 / 3

HEX #F7A235

RGB 247 162 53

HSL 33.71, 0.92%, 0.59%

LAB 73.46, 23.12, 65.58

 

CMYK 0 / 27 / 63 / 2

HEX #F9B55D

RGB 249 181 93

HSL 33.85, 0.93%, 0.67%

LAB 78.45, 15.93, 53.61

 

CMYK 0 / 20 / 47 / 2

HEX #FAC784

RGB 250 199 132

HSL 34.07, 0.92%, 0.75%

LAB 83.36, 10.01, 40.32

 

CMYK 0 / 34 / 79 / 3

HEX #F8A335

RGB 248 163 53

HSL 33.85, 0.93%, 0.59%

LAB 73.81, 23.01, 65.95

 

CMYK 59 / 0 / 79 / 3

HEX #65F735

RGB 101 247 53

HSL 105.15, 0.92%, 0.59%

LAB 86.77, -70.59, 74.54

 

CMYK 67 / 79 / 0 / 3

HEX #5235F7

RGB 82 53 247

HSL 248.97, 0.92%, 0.59%

LAB 39.67, 64.87, -91.01

 

CMYK 0 / 34 / 79 / 3

HEX #F8A335

RGB 248 163 53

HSL 33.85, 0.93%, 0.59%

LAB 73.81, 23.01, 65.95

 

CMYK 79 / 0 / 35 / 3

HEX #35F7A0

RGB 53 247 160

HSL 153.09, 0.92%, 0.59%

LAB 86.91, -65.54, 28.93

 

CMYK 35 / 79 / 0 / 3

HEX #A035F7

RGB 160 53 247

HSL 273.09, 0.92%, 0.59%

LAB 47.92, 74.31, -77.14

 

CMYK 0 / 34 / 79 / 3

HEX #F8A335

RGB 248 163 53

HSL 33.85, 0.93%, 0.59%

LAB 73.81, 23.01, 65.95

 

CMYK 59 / 0 / 79 / 3

HEX #65F735

RGB 101 247 53

HSL 105.15, 0.92%, 0.59%

LAB 86.77, -70.59, 74.54

 

CMYK 79 / 43 / 0 / 3

HEX #358CF7

RGB 53 140 247

HSL 213.09, 0.92%, 0.59%

LAB 58.25, 11.18, -60.78

 

CMYK 19 / 79 / 0 / 3

HEX #C735F7

RGB 199 53 247

HSL 285.15, 0.92%, 0.59%

LAB 53.39, 80.58, -68.02

 

CMYK 0 / 34 / 79 / 3

HEX #F8A335

RGB 248 163 53

HSL 33.85, 0.93%, 0.59%

LAB 73.81, 23.01, 65.95

 

CMYK 79 / 0 / 75 / 3

HEX #35F73E

RGB 53 247 62

HSL 122.78, 0.92%, 0.59%

LAB 85.82, -78.46, 70.6

 

CMYK 79 / 43 / 0 / 3

HEX #358CF7

RGB 53 140 247

HSL 213.09, 0.92%, 0.59%

LAB 58.25, 11.18, -60.78

 

CMYK 0 / 79 / 4 / 3

HEX #F735ED

RGB 247 53 237

HSL 303.09, 0.92%, 0.59%

LAB 60.28, 87.66, -50.97

 

Description

Color code: HEX #F8A335 | qconv.com Color code: HEX #F8A335 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 163 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 163 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 79 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 79% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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