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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8B02F it is the complementary color #074FD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8B02F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8B02F shade: #FDB02A, #FFC23D, #FFD450, #FFE663 and #FFF876

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8B02F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8B02F shade: #F8B02F, #E79E1C, #D68C09, #C57A00 and #B46800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8B02F shade: #F7B030, #F77A30, #F74430 and #F73030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8B02F shade: #F7B030, #F7E530, #D3F730, #9DF730 and #67F730

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8B02F shade matches the following richer shades: #F7B030

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8B02F shade: #F7B030, #E6AB41, #D4A652, #C3A164 and #B29C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8B02F shade: #F74430, #F77930, #F7AE30, #F7E330 and #D6F730

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8B02F shade: #CD8607, #F5A008, #F7B030, #F8BF58 and #FACE7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8B02F shade: #F8B02F, #51F730 and #5E30F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8B02F shade: #F8B02F, #30F7AE and #AE30F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8B02F shade: #F8B02F, #51F730, #3079F7 and #D630F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8B02F shade: #F8B02F, #30F74A, #3079F7 and #F730DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 81 / 3

HEX #F8B02F

RGB 248 176 47

HSL 38.51, 0.93%, 0.58%

LAB 76.81, 15.99, 70.72

 

Complementary color

CMYK 97 / 62 / 0 / 18

HEX #074FD0

RGB 7 79 208

HSL 218.51, 0.93%, 0.42%

LAB 38.18, 32.19, -71.36

 

CMYK 0 / 30 / 83 / 1

HEX #FDB02A

RGB 253 176 42

HSL 38.1, 0.98%, 0.58%

LAB 77.34, 17.96, 72.94

 

CMYK 0 / 24 / 76 / 0

HEX #FFC23D

RGB 255 194 61

HSL 41.13, 1%, 0.62%

LAB 81.94, 10.03, 70.89

 

CMYK 0 / 17 / 69 / 0

HEX #FFD450

RGB 255 212 80

HSL 45.26, 1%, 0.66%

LAB 86.47, 1.61, 68.13

 

CMYK 0 / 10 / 61 / 0

HEX #FFE663

RGB 255 230 99

HSL 50.38, 1%, 0.69%

LAB 91.12, -6.39, 65.2

 

CMYK 0 / 3 / 54 / 0

HEX #FFF876

RGB 255 248 118

HSL 56.93, 1%, 0.73%

LAB 95.87, -13.94, 62.26

 

CMYK 0 / 29 / 81 / 3

HEX #F8B02F

RGB 248 176 47

HSL 38.51, 0.93%, 0.58%

LAB 76.81, 15.99, 70.72

 

CMYK 0 / 32 / 88 / 9

HEX #E79E1C

RGB 231 158 28

HSL 38.42, 0.81%, 0.51%

LAB 70.54, 17.79, 70.17

 

CMYK 0 / 35 / 96 / 16

HEX #D68C09

RGB 214 140 9

HSL 38.34, 0.92%, 0.44%

LAB 64.22, 19.83, 68.23

 

CMYK 0 / 38 / 100 / 23

HEX #C57A00

RGB 197 122 0

HSL 37.16, 1%, 0.39%

LAB 57.84, 22.12, 64.34

 

CMYK 0 / 42 / 100 / 29

HEX #B46800

RGB 180 104 0

HSL 34.67, 1%, 0.35%

LAB 51.39, 24.57, 59.1

 

CMYK 0 / 29 / 81 / 3

HEX #F7B030

RGB 247 176 48

HSL 38.59, 0.93%, 0.58%

LAB 76.7, 15.6, 70.26

 

CMYK 0 / 51 / 81 / 3

HEX #F77A30

RGB 247 122 48

HSL 22.31, 0.93%, 0.58%

LAB 64.89, 43.48, 59.63

 

CMYK 0 / 72 / 81 / 3

HEX #F74430

RGB 247 68 48

HSL 6.03, 0.93%, 0.58%

LAB 56.21, 66.42, 51.5

 

CMYK 0 / 81 / 81 / 3

HEX #F73030

RGB 247 48 48

HSL 0, 0.93%, 0.58%

LAB 54.13, 72.23, 49.51

 

CMYK 0 / 29 / 81 / 3

HEX #F7B030

RGB 247 176 48

HSL 38.59, 0.93%, 0.58%

LAB 76.7, 15.6, 70.26

 

CMYK 0 / 7 / 81 / 3

HEX #F7E530

RGB 247 229 48

HSL 54.57, 0.93%, 0.58%

LAB 89.87, -11.55, 81.73

 

CMYK 15 / 0 / 81 / 3

HEX #D3F730

RGB 211 247 48

HSL 70.85, 0.93%, 0.58%

LAB 91.95, -34.8, 82.47

 

CMYK 36 / 0 / 81 / 3

HEX #9DF730

RGB 157 247 48

HSL 87.14, 0.93%, 0.58%

LAB 88.88, -54.72, 78.58

 

CMYK 58 / 0 / 81 / 3

HEX #67F730

RGB 103 247 48

HSL 103.42, 0.93%, 0.58%

LAB 86.81, -70.37, 75.93

 

CMYK 0 / 29 / 81 / 3

HEX #F7B030

RGB 247 176 48

HSL 38.59, 0.93%, 0.58%

LAB 76.7, 15.6, 70.26

 

CMYK 0 / 29 / 81 / 3

HEX #F7B030

RGB 247 176 48

HSL 38.59, 0.93%, 0.58%

LAB 76.7, 15.6, 70.26

 

CMYK 0 / 26 / 72 / 10

HEX #E6AB41

RGB 230 171 65

HSL 38.55, 0.77%, 0.58%

LAB 73.76, 11.69, 60.48

 

CMYK 0 / 22 / 61 / 17

HEX #D4A652

RGB 212 166 82

HSL 38.77, 0.6%, 0.58%

LAB 70.79, 7.69, 49.08

 

CMYK 0 / 17 / 49 / 24

HEX #C3A164

RGB 195 161 100

HSL 38.53, 0.44%, 0.58%

LAB 68.03, 4.69, 36.32

 

CMYK 0 / 12 / 34 / 30

HEX #B29C75

RGB 178 156 117

HSL 38.36, 0.28%, 0.58%

LAB 65.38, 2.28, 23.43

 

CMYK 0 / 72 / 81 / 3

HEX #F74430

RGB 247 68 48

HSL 6.03, 0.93%, 0.58%

LAB 56.21, 66.42, 51.5

 

CMYK 0 / 51 / 81 / 3

HEX #F77930

RGB 247 121 48

HSL 22.01, 0.93%, 0.58%

LAB 64.69, 43.97, 59.45

 

CMYK 0 / 30 / 81 / 3

HEX #F7AE30

RGB 247 174 48

HSL 37.99, 0.93%, 0.58%

LAB 76.23, 16.65, 69.84

 

CMYK 0 / 8 / 81 / 3

HEX #F7E330

RGB 247 227 48

HSL 53.97, 0.93%, 0.58%

LAB 89.36, -10.56, 81.28

 

CMYK 13 / 0 / 81 / 3

HEX #D6F730

RGB 214 247 48

HSL 69.95, 0.93%, 0.58%

LAB 92.15, -33.62, 82.72

 

CMYK 0 / 35 / 97 / 20

HEX #CD8607

RGB 205 134 7

HSL 38.48, 0.93%, 0.42%

LAB 61.69, 19.15, 66.26

 

CMYK 0 / 35 / 97 / 4

HEX #F5A008

RGB 245 160 8

HSL 38.48, 0.94%, 0.5%

LAB 72.61, 22.42, 75.9

 

CMYK 0 / 29 / 81 / 3

HEX #F7B030

RGB 247 176 48

HSL 38.59, 0.93%, 0.58%

LAB 76.7, 15.6, 70.26

 

CMYK 0 / 23 / 65 / 3

HEX #F8BF58

RGB 248 191 88

HSL 38.63, 0.92%, 0.66%

LAB 80.7, 9.98, 58.4

 

CMYK 0 / 18 / 49 / 2

HEX #FACE7F

RGB 250 206 127

HSL 38.54, 0.92%, 0.74%

LAB 85, 5.93, 44.9

 

CMYK 0 / 29 / 81 / 3

HEX #F8B02F

RGB 248 176 47

HSL 38.51, 0.93%, 0.58%

LAB 76.81, 15.99, 70.72

 

CMYK 67 / 0 / 81 / 3

HEX #51F730

RGB 81 247 48

HSL 110.05, 0.93%, 0.58%

LAB 86.25, -75.03, 75.21

 

CMYK 62 / 81 / 0 / 3

HEX #5E30F7

RGB 94 48 247

HSL 253.87, 0.93%, 0.58%

LAB 39.93, 68.05, -90.55

 

CMYK 0 / 29 / 81 / 3

HEX #F8B02F

RGB 248 176 47

HSL 38.51, 0.93%, 0.58%

LAB 76.81, 15.99, 70.72

 

CMYK 81 / 0 / 30 / 3

HEX #30F7AE

RGB 48 247 174

HSL 157.99, 0.93%, 0.58%

LAB 87.1, -63.19, 22.05

 

CMYK 30 / 81 / 0 / 3

HEX #AE30F7

RGB 174 48 247

HSL 277.99, 0.93%, 0.58%

LAB 49.29, 78, -74.84

 

CMYK 0 / 29 / 81 / 3

HEX #F8B02F

RGB 248 176 47

HSL 38.51, 0.93%, 0.58%

LAB 76.81, 15.99, 70.72

 

CMYK 67 / 0 / 81 / 3

HEX #51F730

RGB 81 247 48

HSL 110.05, 0.93%, 0.58%

LAB 86.25, -75.03, 75.21

 

CMYK 81 / 51 / 0 / 3

HEX #3079F7

RGB 48 121 247

HSL 217.99, 0.93%, 0.58%

LAB 52.97, 22.41, -69.3

 

CMYK 13 / 81 / 0 / 3

HEX #D630F7

RGB 214 48 247

HSL 290.05, 0.93%, 0.58%

LAB 55.2, 84.45, -64.98

 

CMYK 0 / 29 / 81 / 3

HEX #F8B02F

RGB 248 176 47

HSL 38.51, 0.93%, 0.58%

LAB 76.81, 15.99, 70.72

 

CMYK 81 / 0 / 70 / 3

HEX #30F74A

RGB 48 247 74

HSL 127.84, 0.93%, 0.58%

LAB 85.83, -78.11, 66.51

 

CMYK 81 / 51 / 0 / 3

HEX #3079F7

RGB 48 121 247

HSL 217.99, 0.93%, 0.58%

LAB 52.97, 22.41, -69.3

 

CMYK 0 / 81 / 11 / 3

HEX #F730DC

RGB 247 48 220

HSL 308.14, 0.93%, 0.58%

LAB 59.03, 86.42, -43.4

 

Description

Color code: HEX #F8B02F | qconv.com Color code: HEX #F8B02F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 176 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 176 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 81 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 81% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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