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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8BB14 it is the complementary color #0744EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8BB14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8BB14 shade: #FDBB0F, #FFCD22, #FFDF35, #FFF148 and #FFFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8BB14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8BB14 shade: #F8BB14, #E7A901, #D69700, #C58500 and #B47300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8BB14 shade: #F7BB16, #F77E16, #F74216 and #F71616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8BB14 shade: #F7BB16, #F7F716, #BAF716, #7DF716 and #41F716

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8BB14 shade matches the following richer shades: #F7BB16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8BB14 shade: #F7BB16, #E4B229, #D1A93D, #BDA050 and #AA9764

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8BB14 shade: #F73F16, #F77B16, #F7B716, #F7F416 and #BFF716

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8BB14 shade: #B68605, #DEA406, #F7BB16, #F9C73E and #FAD266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8BB14 shade: #F8BB14, #29F716 and #5D16F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8BB14 shade: #F8BB14, #16F7B7 and #B716F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8BB14 shade: #F8BB14, #29F716, #1656F7 and #E516F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8BB14 shade: #F8BB14, #16F747, #1656F7 and #F716C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 92 / 3

HEX #F8BB14

RGB 248 187 20

HSL 43.95, 0.94%, 0.53%

LAB 79.36, 9.66, 79.27

 

Complementary color

CMYK 97 / 71 / 0 / 8

HEX #0744EB

RGB 7 68 235

HSL 223.95, 0.94%, 0.47%

LAB 38.16, 49.09, -86.83

 

CMYK 0 / 26 / 94 / 1

HEX #FDBB0F

RGB 253 187 15

HSL 43.36, 0.98%, 0.53%

LAB 79.87, 11.74, 80.59

 

CMYK 0 / 20 / 87 / 0

HEX #FFCD22

RGB 255 205 34

HSL 46.43, 1%, 0.57%

LAB 84.5, 3.58, 80.91

 

CMYK 0 / 13 / 79 / 0

HEX #FFDF35

RGB 255 223 53

HSL 50.5, 1%, 0.6%

LAB 89.06, -5.06, 79.93

 

CMYK 0 / 5 / 72 / 0

HEX #FFF148

RGB 255 241 72

HSL 55.41, 1%, 0.64%

LAB 93.73, -13.27, 78.26

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 25 / 92 / 3

HEX #F8BB14

RGB 248 187 20

HSL 43.95, 0.94%, 0.53%

LAB 79.36, 9.66, 79.27

 

CMYK 0 / 27 / 100 / 9

HEX #E7A901

RGB 231 169 1

HSL 43.83, 0.99%, 0.45%

LAB 73.13, 11.61, 76.32

 

CMYK 0 / 29 / 100 / 16

HEX #D69700

RGB 214 151 0

HSL 42.34, 1%, 0.42%

LAB 66.85, 13.81, 71.28

 

CMYK 0 / 32 / 100 / 23

HEX #C58500

RGB 197 133 0

HSL 40.51, 1%, 0.39%

LAB 60.47, 16.1, 66.06

 

CMYK 0 / 36 / 100 / 29

HEX #B47300

RGB 180 115 0

HSL 38.33, 1%, 0.35%

LAB 53.99, 18.48, 60.78

 

CMYK 0 / 24 / 91 / 3

HEX #F7BB16

RGB 247 187 22

HSL 44, 0.93%, 0.53%

LAB 79.26, 9.26, 78.82

 

CMYK 0 / 49 / 91 / 3

HEX #F77E16

RGB 247 126 22

HSL 27.73, 0.93%, 0.53%

LAB 65.56, 40.92, 68.78

 

CMYK 0 / 73 / 91 / 3

HEX #F74216

RGB 247 66 22

HSL 11.73, 0.93%, 0.53%

LAB 55.81, 66.55, 62.05

 

CMYK 0 / 91 / 91 / 3

HEX #F71616

RGB 247 22 22

HSL 0, 0.93%, 0.53%

LAB 52.29, 76.51, 59.76

 

CMYK 0 / 24 / 91 / 3

HEX #F7BB16

RGB 247 187 22

HSL 44, 0.93%, 0.53%

LAB 79.26, 9.26, 78.82

 

CMYK 0 / 0 / 91 / 3

HEX #F7F716

RGB 247 247 22

HSL 60, 0.93%, 0.53%

LAB 94.46, -20.84, 90.37

 

CMYK 25 / 0 / 91 / 3

HEX #BAF716

RGB 186 247 22

HSL 76.27, 0.93%, 0.53%

LAB 90.33, -45.09, 85.36

 

CMYK 49 / 0 / 91 / 3

HEX #7DF716

RGB 125 247 22

HSL 92.53, 0.93%, 0.53%

LAB 87.46, -65.51, 81.83

 

CMYK 74 / 0 / 91 / 3

HEX #41F716

RGB 65 247 22

HSL 108.53, 0.93%, 0.53%

LAB 85.86, -78.67, 79.86

 

CMYK 0 / 24 / 91 / 3

HEX #F7BB16

RGB 247 187 22

HSL 44, 0.93%, 0.53%

LAB 79.26, 9.26, 78.82

 

CMYK 0 / 24 / 91 / 3

HEX #F7BB16

RGB 247 187 22

HSL 44, 0.93%, 0.53%

LAB 79.26, 9.26, 78.82

 

CMYK 0 / 22 / 82 / 11

HEX #E4B229

RGB 228 178 41

HSL 43.96, 0.78%, 0.53%

LAB 75.14, 6.22, 70.3

 

CMYK 0 / 19 / 71 / 18

HEX #D1A93D

RGB 209 169 61

HSL 43.78, 0.62%, 0.53%

LAB 71.06, 3.55, 58.69

 

CMYK 0 / 15 / 58 / 26

HEX #BDA050

RGB 189 160 80

HSL 44.04, 0.45%, 0.53%

LAB 66.93, 0.94, 45.02

 

CMYK 0 / 11 / 41 / 33

HEX #AA9764

RGB 170 151 100

HSL 43.71, 0.29%, 0.53%

LAB 63.01, -0.34, 29.43

 

CMYK 0 / 74 / 91 / 3

HEX #F73F16

RGB 247 63 22

HSL 10.93, 0.93%, 0.53%

LAB 55.47, 67.51, 61.82

 

CMYK 0 / 50 / 91 / 3

HEX #F77B16

RGB 247 123 22

HSL 26.93, 0.93%, 0.53%

LAB 64.96, 42.41, 68.36

 

CMYK 0 / 26 / 91 / 3

HEX #F7B716

RGB 247 183 22

HSL 42.93, 0.93%, 0.53%

LAB 78.29, 11.35, 78.09

 

CMYK 0 / 1 / 91 / 3

HEX #F7F416

RGB 247 244 22

HSL 59.2, 0.93%, 0.53%

LAB 93.68, -19.41, 89.77

 

CMYK 23 / 0 / 91 / 3

HEX #BFF716

RGB 191 247 22

HSL 74.93, 0.93%, 0.53%

LAB 90.62, -43.2, 85.72

 

CMYK 0 / 26 / 97 / 29

HEX #B68605

RGB 182 134 5

HSL 43.73, 0.95%, 0.37%

LAB 58.98, 8.88, 63.41

 

CMYK 0 / 26 / 97 / 13

HEX #DEA406

RGB 222 164 6

HSL 43.89, 0.95%, 0.45%

LAB 70.94, 10.4, 73.75

 

CMYK 0 / 24 / 91 / 3

HEX #F7BB16

RGB 247 187 22

HSL 44, 0.93%, 0.53%

LAB 79.26, 9.26, 78.82

 

CMYK 0 / 20 / 75 / 2

HEX #F9C73E

RGB 249 199 62

HSL 43.96, 0.94%, 0.61%

LAB 82.56, 4.95, 70.91

 

CMYK 0 / 16 / 59 / 2

HEX #FAD266

RGB 250 210 102

HSL 43.78, 0.94%, 0.69%

LAB 85.69, 1.89, 57.7

 

CMYK 0 / 25 / 92 / 3

HEX #F8BB14

RGB 248 187 20

HSL 43.95, 0.94%, 0.53%

LAB 79.36, 9.66, 79.27

 

CMYK 83 / 0 / 91 / 3

HEX #29F716

RGB 41 247 22

HSL 114.93, 0.93%, 0.53%

LAB 85.53, -81.58, 79.45

 

CMYK 62 / 91 / 0 / 3

HEX #5D16F7

RGB 93 22 247

HSL 258.93, 0.93%, 0.53%

LAB 37.14, 76, -95.17

 

CMYK 0 / 25 / 92 / 3

HEX #F8BB14

RGB 248 187 20

HSL 43.95, 0.94%, 0.53%

LAB 79.36, 9.66, 79.27

 

CMYK 91 / 0 / 26 / 3

HEX #16F7B7

RGB 22 247 183

HSL 162.93, 0.93%, 0.53%

LAB 87.05, -62.93, 17.33

 

CMYK 26 / 91 / 0 / 3

HEX #B716F7

RGB 183 22 247

HSL 282.93, 0.93%, 0.53%

LAB 48.71, 84.87, -75.73

 

CMYK 0 / 25 / 92 / 3

HEX #F8BB14

RGB 248 187 20

HSL 43.95, 0.94%, 0.53%

LAB 79.36, 9.66, 79.27

 

CMYK 83 / 0 / 91 / 3

HEX #29F716

RGB 41 247 22

HSL 114.93, 0.93%, 0.53%

LAB 85.53, -81.58, 79.45

 

CMYK 91 / 65 / 0 / 3

HEX #1656F7

RGB 22 86 247

HSL 222.93, 0.93%, 0.53%

LAB 43.57, 42.84, -84.67

 

CMYK 7 / 91 / 0 / 3

HEX #E516F7

RGB 229 22 247

HSL 295.2, 0.93%, 0.53%

LAB 56.03, 91.48, -63.51

 

CMYK 0 / 25 / 92 / 3

HEX #F8BB14

RGB 248 187 20

HSL 43.95, 0.94%, 0.53%

LAB 79.36, 9.66, 79.27

 

CMYK 91 / 0 / 71 / 3

HEX #16F747

RGB 22 247 71

HSL 133.07, 0.93%, 0.53%

LAB 85.58, -80.38, 67.25

 

CMYK 91 / 65 / 0 / 3

HEX #1656F7

RGB 22 86 247

HSL 222.93, 0.93%, 0.53%

LAB 43.57, 42.84, -84.67

 

CMYK 0 / 91 / 20 / 3

HEX #F716C6

RGB 247 22 198

HSL 313.07, 0.93%, 0.53%

LAB 56.51, 87.93, -34.81

 

Description

Color code: HEX #F8BB14 | qconv.com Color code: HEX #F8BB14 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 187 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 187 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 92 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 92% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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