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Color name
HEX #F8C367

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8C367 it is the complementary color #073C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8C367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8C367 shade: #FDC362, #FFD575, #FFE788, #FFF99B and #FFFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8C367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8C367 shade: #F8C367, #E7B154, #D69F41, #C58D2E and #B47B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8C367 shade: #F7C368, #F79C68, #F77568 and #F76868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8C367 shade: #F7C368, #F7EA68, #DEF768, #B8F768 and #91F768

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8C367 shade matches the following richer shades: #F7C368

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8C367 shade: #F7C368, #EBBF74, #DEBC81, #D1B88E and #C4B59B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8C367 shade: #F77668, #F79C68, #F7C368, #F7E968 and #DFF768

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8C367 shade: #F4A419, #F6B340, #F7C368, #F9D28F and #FBE2B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8C367 shade: #F8C367, #7FF768 and #8968F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8C367 shade: #F8C367, #68F7C3 and #C368F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8C367 shade: #F8C367, #7FF768, #689CF7 and #DF68F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8C367 shade: #F8C367, #68F77B, #689CF7 and #F768E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 58 / 3

HEX #F8C367

RGB 248 195 103

HSL 38.07, 0.91%, 0.69%

LAB 81.82, 8.88, 52.72

 

Complementary color

CMYK 95 / 61 / 0 / 40

HEX #073C98

RGB 7 60 152

HSL 218.07, 0.91%, 0.31%

LAB 28.23, 22.57, -54.44

 

CMYK 0 / 23 / 61 / 1

HEX #FDC362

RGB 253 195 98

HSL 37.55, 0.97%, 0.69%

LAB 82.27, 10.59, 55.72

 

CMYK 0 / 16 / 54 / 0

HEX #FFD575

RGB 255 213 117

HSL 41.74, 1%, 0.73%

LAB 87.06, 3.5, 52.4

 

CMYK 0 / 9 / 47 / 0

HEX #FFE788

RGB 255 231 136

HSL 47.9, 1%, 0.77%

LAB 91.77, -4.01, 48.99

 

CMYK 0 / 2 / 39 / 0

HEX #FFF99B

RGB 255 249 155

HSL 56.4, 1%, 0.8%

LAB 96.57, -11.09, 45.79

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 21 / 58 / 3

HEX #F8C367

RGB 248 195 103

HSL 38.07, 0.91%, 0.69%

LAB 81.82, 8.88, 52.72

 

CMYK 0 / 23 / 64 / 9

HEX #E7B154

RGB 231 177 84

HSL 37.96, 0.75%, 0.62%

LAB 75.5, 9.99, 53.98

 

CMYK 0 / 26 / 70 / 16

HEX #D69F41

RGB 214 159 65

HSL 37.85, 0.65%, 0.55%

LAB 69.09, 11.27, 55.13

 

CMYK 0 / 28 / 77 / 23

HEX #C58D2E

RGB 197 141 46

HSL 37.75, 0.62%, 0.48%

LAB 62.61, 12.76, 55.99

 

CMYK 0 / 32 / 85 / 29

HEX #B47B1B

RGB 180 123 27

HSL 37.65, 0.74%, 0.41%

LAB 56.04, 14.5, 56.18

 

CMYK 0 / 21 / 58 / 3

HEX #F7C368

RGB 247 195 104

HSL 38.18, 0.9%, 0.69%

LAB 81.73, 8.55, 52.11

 

CMYK 0 / 37 / 58 / 3

HEX #F79C68

RGB 247 156 104

HSL 21.82, 0.9%, 0.69%

LAB 72.59, 29.01, 41.15

 

CMYK 0 / 53 / 58 / 3

HEX #F77568

RGB 247 117 104

HSL 5.45, 0.9%, 0.69%

LAB 64.56, 48.75, 31.05

 

CMYK 0 / 58 / 58 / 3

HEX #F76868

RGB 247 104 104

HSL 0, 0.9%, 0.69%

LAB 62.23, 54.81, 28.03

 

CMYK 0 / 21 / 58 / 3

HEX #F7C368

RGB 247 195 104

HSL 38.18, 0.9%, 0.69%

LAB 81.73, 8.55, 52.11

 

CMYK 0 / 5 / 58 / 3

HEX #F7EA68

RGB 247 234 104

HSL 54.55, 0.9%, 0.69%

LAB 91.51, -11.29, 63.29

 

CMYK 10 / 0 / 58 / 3

HEX #DEF768

RGB 222 247 104

HSL 70.49, 0.9%, 0.69%

LAB 93.04, -27.48, 64.47

 

CMYK 26 / 0 / 58 / 3

HEX #B8F768

RGB 184 247 104

HSL 86.43, 0.9%, 0.69%

LAB 90.65, -41.71, 61.13

 

CMYK 41 / 0 / 58 / 3

HEX #91F768

RGB 145 247 104

HSL 102.8, 0.9%, 0.69%

LAB 88.7, -54.71, 58.4

 

CMYK 0 / 21 / 58 / 3

HEX #F7C368

RGB 247 195 104

HSL 38.18, 0.9%, 0.69%

LAB 81.73, 8.55, 52.11

 

CMYK 0 / 21 / 58 / 3

HEX #F7C368

RGB 247 195 104

HSL 38.18, 0.9%, 0.69%

LAB 81.73, 8.55, 52.11

 

CMYK 0 / 19 / 51 / 8

HEX #EBBF74

RGB 235 191 116

HSL 37.82, 0.75%, 0.69%

LAB 79.72, 6.7, 43.53

 

CMYK 0 / 15 / 42 / 13

HEX #DEBC81

RGB 222 188 129

HSL 38.06, 0.58%, 0.69%

LAB 77.92, 4.28, 34.35

 

CMYK 0 / 12 / 32 / 18

HEX #D1B88E

RGB 209 184 142

HSL 37.61, 0.42%, 0.69%

LAB 75.94, 2.76, 24.64

 

CMYK 0 / 8 / 21 / 23

HEX #C4B59B

RGB 196 181 155

HSL 38.05, 0.26%, 0.69%

LAB 74.29, 1.13, 15.19

 

CMYK 0 / 52 / 58 / 3

HEX #F77668

RGB 247 118 104

HSL 5.87, 0.9%, 0.69%

LAB 64.75, 48.27, 31.29

 

CMYK 0 / 37 / 58 / 3

HEX #F79C68

RGB 247 156 104

HSL 21.82, 0.9%, 0.69%

LAB 72.59, 29.01, 41.15

 

CMYK 0 / 21 / 58 / 3

HEX #F7C368

RGB 247 195 104

HSL 38.18, 0.9%, 0.69%

LAB 81.73, 8.55, 52.11

 

CMYK 0 / 6 / 58 / 3

HEX #F7E968

RGB 247 233 104

HSL 54.13, 0.9%, 0.69%

LAB 91.26, -10.79, 63.01

 

CMYK 10 / 0 / 58 / 3

HEX #DFF768

RGB 223 247 104

HSL 70.07, 0.9%, 0.69%

LAB 93.11, -27.09, 64.56

 

CMYK 0 / 33 / 90 / 4

HEX #F4A419

RGB 244 164 25

HSL 38.08, 0.91%, 0.53%

LAB 73.45, 20.1, 73.74

 

CMYK 0 / 27 / 74 / 4

HEX #F6B340

RGB 246 179 64

HSL 37.91, 0.91%, 0.61%

LAB 77.4, 14.19, 65.08

 

CMYK 0 / 21 / 58 / 3

HEX #F7C368

RGB 247 195 104

HSL 38.18, 0.9%, 0.69%

LAB 81.73, 8.55, 52.11

 

CMYK 0 / 16 / 43 / 2

HEX #F9D28F

RGB 249 210 143

HSL 37.92, 0.9%, 0.77%

LAB 86.11, 5, 38.25

 

CMYK 0 / 10 / 27 / 2

HEX #FBE2B6

RGB 251 226 182

HSL 38.26, 0.9%, 0.85%

LAB 90.91, 2.1, 24.67

 

CMYK 0 / 21 / 58 / 3

HEX #F8C367

RGB 248 195 103

HSL 38.07, 0.91%, 0.69%

LAB 81.82, 8.88, 52.72

 

CMYK 49 / 0 / 58 / 3

HEX #7FF768

RGB 127 247 104

HSL 110.35, 0.9%, 0.69%

LAB 87.98, -59.93, 57.38

 

CMYK 45 / 58 / 0 / 3

HEX #8968F7

RGB 137 104 247

HSL 253.85, 0.9%, 0.69%

LAB 53.96, 46.5, -67.46

 

CMYK 0 / 21 / 58 / 3

HEX #F8C367

RGB 248 195 103

HSL 38.07, 0.91%, 0.69%

LAB 81.82, 8.88, 52.72

 

CMYK 58 / 0 / 21 / 3

HEX #68F7C3

RGB 104 247 195

HSL 158.18, 0.9%, 0.69%

LAB 88.64, -50.61, 13.56

 

CMYK 21 / 58 / 0 / 3

HEX #C368F7

RGB 195 104 247

HSL 278.18, 0.9%, 0.69%

LAB 60.09, 59.55, -57.28

 

CMYK 0 / 21 / 58 / 3

HEX #F8C367

RGB 248 195 103

HSL 38.07, 0.91%, 0.69%

LAB 81.82, 8.88, 52.72

 

CMYK 49 / 0 / 58 / 3

HEX #7FF768

RGB 127 247 104

HSL 110.35, 0.9%, 0.69%

LAB 87.98, -59.93, 57.38

 

CMYK 58 / 37 / 0 / 3

HEX #689CF7

RGB 104 156 247

HSL 218.18, 0.9%, 0.69%

LAB 64.51, 9.24, -50.7

 

CMYK 10 / 58 / 0 / 3

HEX #DF68F7

RGB 223 104 247

HSL 289.93, 0.9%, 0.69%

LAB 63.59, 66.31, -51.49

 

CMYK 0 / 21 / 58 / 3

HEX #F8C367

RGB 248 195 103

HSL 38.07, 0.91%, 0.69%

LAB 81.82, 8.88, 52.72

 

CMYK 58 / 0 / 50 / 3

HEX #68F77B

RGB 104 247 123

HSL 127.97, 0.9%, 0.69%

LAB 87.43, -63.36, 47.93

 

CMYK 58 / 37 / 0 / 3

HEX #689CF7

RGB 104 156 247

HSL 218.18, 0.9%, 0.69%

LAB 64.51, 9.24, -50.7

 

CMYK 0 / 58 / 8 / 3

HEX #F768E4

RGB 247 104 228

HSL 307.97, 0.9%, 0.69%

LAB 65.96, 69.12, -37.01

 

Description

Color code: HEX #F8C367 | qconv.com Color code: HEX #F8C367 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 195 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 195 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 58 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 58% 3% C M Y K

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Provide designers and agencies with accurate color values.

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