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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8CA8F it is the complementary color #073570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8CA8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8CA8F shade: #FDCA8A, #FFDC9D, #FFEEB0, #FFFFC3 and #FFFFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8CA8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8CA8F shade: #F8CA8F, #E7B87C, #D6A669, #C59456 and #B48243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8CA8F shade: #F7CA90, #F7AE90, #F79390 and #F79090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8CA8F shade: #F7CA90, #F7E690, #EDF790, #D1F790 and #B5F790

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8CA8F shade matches the following richer shades: #F7CA90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8CA8F shade: #F7CA90, #EEC99A, #E4C8A3, #DBC7AD and #D2C6B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8CA8F shade: #F79290, #F7AD90, #F7C990, #F7E590 and #EFF790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8CA8F shade: #F3A543, #F5B869, #F7CA90, #FADDB7 and #FCEFDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8CA8F shade: #F8CA8F, #AAF790 and #A090F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8CA8F shade: #F8CA8F, #90F7C9 and #C990F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8CA8F shade: #F8CA8F, #AAF790, #90BFF7 and #DE90F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8CA8F shade: #F8CA8F, #90F795, #90BFF7 and #F790F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 42 / 3

HEX #F8CA8F

RGB 248 202 143

HSL 33.71, 0.88%, 0.77%

LAB 84.06, 8.75, 35.57

 

Complementary color

CMYK 94 / 53 / 0 / 56

HEX #073570

RGB 7 53 112

HSL 213.71, 0.88%, 0.23%

LAB 22.87, 10.43, -38.15

 

CMYK 0 / 20 / 45 / 1

HEX #FDCA8A

RGB 253 202 138

HSL 33.39, 0.97%, 0.77%

LAB 84.46, 10.22, 38.74

 

CMYK 0 / 14 / 38 / 0

HEX #FFDC9D

RGB 255 220 157

HSL 38.57, 1%, 0.81%

LAB 89.34, 3.69, 35.44

 

CMYK 0 / 7 / 31 / 0

HEX #FFEEB0

RGB 255 238 176

HSL 47.09, 1%, 0.85%

LAB 94.12, -3.24, 32.15

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 19 / 42 / 3

HEX #F8CA8F

RGB 248 202 143

HSL 33.71, 0.88%, 0.77%

LAB 84.06, 8.75, 35.57

 

CMYK 0 / 20 / 46 / 9

HEX #E7B87C

RGB 231 184 124

HSL 33.64, 0.69%, 0.7%

LAB 77.71, 9.5, 36.84

 

CMYK 0 / 22 / 51 / 16

HEX #D6A669

RGB 214 166 105

HSL 33.58, 0.57%, 0.63%

LAB 71.27, 10.36, 38.18

 

CMYK 0 / 25 / 56 / 23

HEX #C59456

RGB 197 148 86

HSL 33.51, 0.49%, 0.55%

LAB 64.74, 11.37, 39.6

 

CMYK 0 / 28 / 63 / 29

HEX #B48243

RGB 180 130 67

HSL 33.45, 0.46%, 0.48%

LAB 58.11, 12.54, 41.05

 

CMYK 0 / 18 / 42 / 3

HEX #F7CA90

RGB 247 202 144

HSL 33.79, 0.87%, 0.77%

LAB 83.98, 8.46, 34.93

 

CMYK 0 / 30 / 42 / 3

HEX #F7AE90

RGB 247 174 144

HSL 17.48, 0.87%, 0.77%

LAB 77.32, 23.15, 26.08

 

CMYK 0 / 40 / 42 / 3

HEX #F79390

RGB 247 147 144

HSL 1.75, 0.87%, 0.77%

LAB 71.32, 37.29, 17.88

 

CMYK 0 / 42 / 42 / 3

HEX #F79090

RGB 247 144 144

HSL 0, 0.87%, 0.77%

LAB 70.69, 38.83, 17.01

 

CMYK 0 / 18 / 42 / 3

HEX #F7CA90

RGB 247 202 144

HSL 33.79, 0.87%, 0.77%

LAB 83.98, 8.46, 34.93

 

CMYK 0 / 7 / 42 / 3

HEX #F7E690

RGB 247 230 144

HSL 50.1, 0.87%, 0.77%

LAB 90.95, -5.87, 43.92

 

CMYK 4 / 0 / 42 / 3

HEX #EDF790

RGB 237 247 144

HSL 65.83, 0.87%, 0.77%

LAB 94.54, -18.12, 48.28

 

CMYK 15 / 0 / 42 / 3

HEX #D1F790

RGB 209 247 144

HSL 82.14, 0.87%, 0.77%

LAB 92.61, -28.58, 45.44

 

CMYK 27 / 0 / 42 / 3

HEX #B5F790

RGB 181 247 144

HSL 98.45, 0.87%, 0.77%

LAB 90.94, -38.45, 42.97

 

CMYK 0 / 18 / 42 / 3

HEX #F7CA90

RGB 247 202 144

HSL 33.79, 0.87%, 0.77%

LAB 83.98, 8.46, 34.93

 

CMYK 0 / 18 / 42 / 3

HEX #F7CA90

RGB 247 202 144

HSL 33.79, 0.87%, 0.77%

LAB 83.98, 8.46, 34.93

 

CMYK 0 / 16 / 35 / 7

HEX #EEC99A

RGB 238 201 154

HSL 33.57, 0.71%, 0.77%

LAB 83.06, 6.58, 28.37

 

CMYK 0 / 12 / 29 / 11

HEX #E4C8A3

RGB 228 200 163

HSL 34.15, 0.55%, 0.77%

LAB 82.08, 4.39, 22.15

 

CMYK 0 / 9 / 21 / 14

HEX #DBC7AD

RGB 219 199 173

HSL 33.91, 0.39%, 0.77%

LAB 81.25, 2.91, 15.57

 

CMYK 0 / 6 / 13 / 18

HEX #D2C6B6

RGB 210 198 182

HSL 34.29, 0.24%, 0.77%

LAB 80.44, 1.5, 9.51

 

CMYK 0 / 41 / 42 / 3

HEX #F79290

RGB 247 146 144

HSL 1.17, 0.87%, 0.77%

LAB 71.11, 37.8, 17.59

 

CMYK 0 / 30 / 42 / 3

HEX #F7AD90

RGB 247 173 144

HSL 16.89, 0.87%, 0.77%

LAB 77.09, 23.68, 25.76

 

CMYK 0 / 19 / 42 / 3

HEX #F7C990

RGB 247 201 144

HSL 33.2, 0.87%, 0.77%

LAB 83.74, 8.98, 34.61

 

CMYK 0 / 7 / 42 / 3

HEX #F7E590

RGB 247 229 144

HSL 49.51, 0.87%, 0.77%

LAB 90.7, -5.37, 43.6

 

CMYK 3 / 0 / 42 / 3

HEX #EFF790

RGB 239 247 144

HSL 64.66, 0.87%, 0.77%

LAB 94.69, -17.36, 48.49

 

CMYK 0 / 32 / 72 / 5

HEX #F3A543

RGB 243 165 67

HSL 33.41, 0.88%, 0.61%

LAB 73.79, 20.44, 60.13

 

CMYK 0 / 25 / 57 / 4

HEX #F5B869

RGB 245 184 105

HSL 33.86, 0.88%, 0.69%

LAB 78.88, 13.55, 48.2

 

CMYK 0 / 18 / 42 / 3

HEX #F7CA90

RGB 247 202 144

HSL 33.79, 0.87%, 0.77%

LAB 83.98, 8.46, 34.93

 

CMYK 0 / 12 / 27 / 2

HEX #FADDB7

RGB 250 221 183

HSL 34.03, 0.87%, 0.85%

LAB 89.61, 4.42, 22.34

 

CMYK 0 / 5 / 12 / 1

HEX #FCEFDE

RGB 252 239 222

HSL 34, 0.83%, 0.93%

LAB 95.04, 1.6, 9.78

 

CMYK 0 / 19 / 42 / 3

HEX #F8CA8F

RGB 248 202 143

HSL 33.71, 0.88%, 0.77%

LAB 84.06, 8.75, 35.57

 

CMYK 31 / 0 / 42 / 3

HEX #AAF790

RGB 170 247 144

HSL 104.85, 0.87%, 0.77%

LAB 90.36, -42.11, 42.11

 

CMYK 35 / 42 / 0 / 3

HEX #A090F7

RGB 160 144 247

HSL 249.32, 0.87%, 0.77%

LAB 65.07, 29.15, -49.58

 

CMYK 0 / 19 / 42 / 3

HEX #F8CA8F

RGB 248 202 143

HSL 33.71, 0.88%, 0.77%

LAB 84.06, 8.75, 35.57

 

CMYK 42 / 0 / 19 / 3

HEX #90F7C9

RGB 144 247 201

HSL 153.2, 0.87%, 0.77%

LAB 90.17, -40.2, 12.82

 

CMYK 19 / 42 / 0 / 3

HEX #C990F7

RGB 201 144 247

HSL 273.2, 0.87%, 0.77%

LAB 68.81, 40.34, -43.44

 

CMYK 0 / 19 / 42 / 3

HEX #F8CA8F

RGB 248 202 143

HSL 33.71, 0.88%, 0.77%

LAB 84.06, 8.75, 35.57

 

CMYK 31 / 0 / 42 / 3

HEX #AAF790

RGB 170 247 144

HSL 104.85, 0.87%, 0.77%

LAB 90.36, -42.11, 42.11

 

CMYK 42 / 23 / 0 / 3

HEX #90BFF7

RGB 144 191 247

HSL 212.62, 0.87%, 0.77%

LAB 76.01, -1.44, -32.57

 

CMYK 10 / 42 / 0 / 3

HEX #DE90F7

RGB 222 144 247

HSL 285.44, 0.87%, 0.77%

LAB 71, 46.35, -39.85

 

CMYK 0 / 19 / 42 / 3

HEX #F8CA8F

RGB 248 202 143

HSL 33.71, 0.88%, 0.77%

LAB 84.06, 8.75, 35.57

 

CMYK 42 / 0 / 40 / 3

HEX #90F795

RGB 144 247 149

HSL 122.91, 0.87%, 0.77%

LAB 89.22, -49.38, 37.94

 

CMYK 42 / 23 / 0 / 3

HEX #90BFF7

RGB 144 191 247

HSL 212.62, 0.87%, 0.77%

LAB 76.01, -1.44, -32.57

 

CMYK 0 / 42 / 2 / 3

HEX #F790F2

RGB 247 144 242

HSL 302.91, 0.87%, 0.77%

LAB 73.63, 52.72, -32.82

 

Description

Color code: HEX #F8CA8F | qconv.com Color code: HEX #F8CA8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 202 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 202 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 42 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 42% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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