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Color name
HEX #F8D28E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8D28E it is the complementary color #072D71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8D28E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8D28E shade: #FDD289, #FFE49C, #FFF6AF, #FFFFC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8D28E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8D28E shade: #F8D28E, #E7C07B, #D6AE68, #C59C55 and #B48A42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8D28E shade: #F7D18B, #F7B38B, #F7968B and #F78B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8D28E shade: #F7D18B, #F7EE8B, #E4F78B, #C7F78B and #AAF78B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8D28E shade matches the following richer shades: #F7D18B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8D28E shade: #F7D18B, #EDCE95, #E3CB9F, #D9C8A9 and #D0C5B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8D28E shade: #F7968B, #F7B38B, #F7D08B, #F7EC8B and #E5F78B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8D28E shade: #F2B23E, #F5C165, #F7D18B, #FAE0B2 and #FCF0D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8D28E shade: #F8D28E, #9DF78B and #A58BF7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8D28E shade: #F8D28E, #8BF7D0 and #D08BF7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8D28E shade: #F8D28E, #9DF78B, #8BB3F7 and #E58BF7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8D28E shade: #F8D28E, #8BF79A, #8BB3F7 and #F78BE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 43 / 3

HEX #F8D28E

RGB 248 210 142

HSL 38.49, 0.88%, 0.76%

LAB 86.01, 4.5, 38.61

 

Complementary color

CMYK 94 / 60 / 0 / 56

HEX #072D71

RGB 7 45 113

HSL 218.49, 0.88%, 0.24%

LAB 20.5, 16.71, -42.64

 

CMYK 0 / 17 / 46 / 1

HEX #FDD289

RGB 253 210 137

HSL 37.76, 0.97%, 0.76%

LAB 86.4, 5.98, 41.72

 

CMYK 0 / 11 / 39 / 0

HEX #FFE49C

RGB 255 228 156

HSL 43.64, 1%, 0.81%

LAB 91.3, -0.5, 38.52

 

CMYK 0 / 4 / 31 / 0

HEX #FFF6AF

RGB 255 246 175

HSL 53.25, 1%, 0.84%

LAB 96.11, -7.36, 35.31

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC2

RGB 255 255 194

HSL 60, 1%, 0.88%

LAB 98.7, -9.41, 29.25

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 0 / 15 / 43 / 3

HEX #F8D28E

RGB 248 210 142

HSL 38.49, 0.88%, 0.76%

LAB 86.01, 4.5, 38.61

 

CMYK 0 / 17 / 47 / 9

HEX #E7C07B

RGB 231 192 123

HSL 38.33, 0.69%, 0.69%

LAB 79.68, 5.19, 39.86

 

CMYK 0 / 19 / 51 / 16

HEX #D6AE68

RGB 214 174 104

HSL 38.18, 0.57%, 0.62%

LAB 73.26, 5.99, 41.17

 

CMYK 0 / 21 / 57 / 23

HEX #C59C55

RGB 197 156 85

HSL 38.04, 0.49%, 0.55%

LAB 66.75, 6.93, 42.52

 

CMYK 0 / 23 / 63 / 29

HEX #B48A42

RGB 180 138 66

HSL 37.89, 0.46%, 0.48%

LAB 60.14, 8.03, 43.86

 

CMYK 0 / 15 / 44 / 3

HEX #F7D18B

RGB 247 209 139

HSL 38.89, 0.87%, 0.76%

LAB 85.62, 4.32, 39.61

 

CMYK 0 / 28 / 44 / 3

HEX #F7B38B

RGB 247 179 139

HSL 22.22, 0.87%, 0.76%

LAB 78.39, 20, 30.18

 

CMYK 0 / 39 / 44 / 3

HEX #F7968B

RGB 247 150 139

HSL 6.11, 0.87%, 0.76%

LAB 71.86, 35.22, 21.38

 

CMYK 0 / 44 / 44 / 3

HEX #F78B8B

RGB 247 139 139

HSL 0, 0.87%, 0.76%

LAB 69.54, 40.87, 18.2

 

CMYK 0 / 15 / 44 / 3

HEX #F7D18B

RGB 247 209 139

HSL 38.89, 0.87%, 0.76%

LAB 85.62, 4.32, 39.61

 

CMYK 0 / 4 / 44 / 3

HEX #F7EE8B

RGB 247 238 139

HSL 55, 0.87%, 0.76%

LAB 92.92, -10.36, 48.83

 

CMYK 8 / 0 / 44 / 3

HEX #E4F78B

RGB 228 247 139

HSL 70.56, 0.87%, 0.76%

LAB 93.83, -22.06, 49.64

 

CMYK 19 / 0 / 44 / 3

HEX #C7F78B

RGB 199 247 139

HSL 86.67, 0.87%, 0.76%

LAB 91.92, -32.77, 46.85

 

CMYK 31 / 0 / 44 / 3

HEX #AAF78B

RGB 170 247 139

HSL 102.78, 0.87%, 0.76%

LAB 90.29, -42.76, 44.45

 

CMYK 0 / 15 / 44 / 3

HEX #F7D18B

RGB 247 209 139

HSL 38.89, 0.87%, 0.76%

LAB 85.62, 4.32, 39.61

 

CMYK 0 / 15 / 44 / 3

HEX #F7D18B

RGB 247 209 139

HSL 38.89, 0.87%, 0.76%

LAB 85.62, 4.32, 39.61

 

CMYK 0 / 13 / 37 / 7

HEX #EDCE95

RGB 237 206 149

HSL 38.86, 0.71%, 0.76%

LAB 84.13, 3.01, 32.38

 

CMYK 0 / 11 / 30 / 11

HEX #E3CB9F

RGB 227 203 159

HSL 38.82, 0.55%, 0.76%

LAB 82.67, 1.92, 25.05

 

CMYK 0 / 8 / 22 / 15

HEX #D9C8A9

RGB 217 200 169

HSL 38.75, 0.39%, 0.76%

LAB 81.25, 1.06, 17.67

 

CMYK 0 / 5 / 14 / 18

HEX #D0C5B3

RGB 208 197 179

HSL 37.24, 0.24%, 0.76%

LAB 79.95, 0.82, 10.4

 

CMYK 0 / 39 / 44 / 3

HEX #F7968B

RGB 247 150 139

HSL 6.11, 0.87%, 0.76%

LAB 71.86, 35.22, 21.38

 

CMYK 0 / 28 / 44 / 3

HEX #F7B38B

RGB 247 179 139

HSL 22.22, 0.87%, 0.76%

LAB 78.39, 20, 30.18

 

CMYK 0 / 16 / 44 / 3

HEX #F7D08B

RGB 247 208 139

HSL 38.33, 0.87%, 0.76%

LAB 85.38, 4.84, 39.3

 

CMYK 0 / 4 / 44 / 3

HEX #F7EC8B

RGB 247 236 139

HSL 53.89, 0.87%, 0.76%

LAB 92.41, -9.37, 48.19

 

CMYK 7 / 0 / 44 / 3

HEX #E5F78B

RGB 229 247 139

HSL 70, 0.87%, 0.76%

LAB 93.9, -21.68, 49.75

 

CMYK 0 / 26 / 74 / 5

HEX #F2B23E

RGB 242 178 62

HSL 38.67, 0.87%, 0.6%

LAB 76.72, 12.95, 65.05

 

CMYK 0 / 21 / 59 / 4

HEX #F5C165

RGB 245 193 101

HSL 38.33, 0.88%, 0.68%

LAB 81.01, 8.55, 52.65

 

CMYK 0 / 15 / 44 / 3

HEX #F7D18B

RGB 247 209 139

HSL 38.89, 0.87%, 0.76%

LAB 85.62, 4.32, 39.61

 

CMYK 0 / 10 / 29 / 2

HEX #FAE0B2

RGB 250 224 178

HSL 38.33, 0.88%, 0.84%

LAB 90.25, 2.23, 25.82

 

CMYK 0 / 5 / 14 / 1

HEX #FCF0D9

RGB 252 240 217

HSL 39.43, 0.85%, 0.92%

LAB 95.17, 0.31, 12.55

 

CMYK 0 / 15 / 43 / 3

HEX #F8D28E

RGB 248 210 142

HSL 38.49, 0.88%, 0.76%

LAB 86.01, 4.5, 38.61

 

CMYK 36 / 0 / 44 / 3

HEX #9DF78B

RGB 157 247 139

HSL 110, 0.87%, 0.76%

LAB 89.65, -46.91, 43.51

 

CMYK 33 / 44 / 0 / 3

HEX #A58BF7

RGB 165 139 247

HSL 254.44, 0.87%, 0.76%

LAB 64.31, 33.29, -50.76

 

CMYK 0 / 15 / 43 / 3

HEX #F8D28E

RGB 248 210 142

HSL 38.49, 0.88%, 0.76%

LAB 86.01, 4.5, 38.61

 

CMYK 44 / 0 / 16 / 3

HEX #8BF7D0

RGB 139 247 208

HSL 158.33, 0.87%, 0.76%

LAB 90.12, -40.02, 9.1

 

CMYK 16 / 44 / 0 / 3

HEX #D08BF7

RGB 208 139 247

HSL 278.33, 0.87%, 0.76%

LAB 68.45, 45, -43.95

 

CMYK 0 / 15 / 43 / 3

HEX #F8D28E

RGB 248 210 142

HSL 38.49, 0.88%, 0.76%

LAB 86.01, 4.5, 38.61

 

CMYK 36 / 0 / 44 / 3

HEX #9DF78B

RGB 157 247 139

HSL 110, 0.87%, 0.76%

LAB 89.65, -46.91, 43.51

 

CMYK 44 / 28 / 0 / 3

HEX #8BB3F7

RGB 139 179 247

HSL 217.78, 0.87%, 0.76%

LAB 72.52, 3.91, -38

 

CMYK 7 / 44 / 0 / 3

HEX #E58BF7

RGB 229 139 247

HSL 290, 0.87%, 0.76%

LAB 70.76, 50.95, -40.17

 

CMYK 0 / 15 / 43 / 3

HEX #F8D28E

RGB 248 210 142

HSL 38.49, 0.88%, 0.76%

LAB 86.01, 4.5, 38.61

 

CMYK 44 / 0 / 38 / 3

HEX #8BF79A

RGB 139 247 154

HSL 128.33, 0.87%, 0.76%

LAB 89.08, -50.02, 35.25

 

CMYK 44 / 28 / 0 / 3

HEX #8BB3F7

RGB 139 179 247

HSL 217.78, 0.87%, 0.76%

LAB 72.52, 3.91, -38

 

CMYK 0 / 44 / 6 / 3

HEX #F78BE9

RGB 247 139 233

HSL 307.78, 0.87%, 0.76%

LAB 72.31, 53.68, -29.94

 

Description

Color code: HEX #F8D28E | qconv.com Color code: HEX #F8D28E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 210 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 210 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 43 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 43% 3% C M Y K

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Provide designers and agencies with accurate color values.

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