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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8E8AA it is the complementary color #071755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8E8AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8E8AA shade: #FDE8A5, #FFFAB8, #FFFFCB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8E8AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8E8AA shade: #F8E8AA, #E7D697, #D6C484, #C5B271 and #B4A05E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8E8AA shade: #F8E8AA, #F8D3AA, #F8BEAA and #F8AAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8E8AA shade: #F8E8AA, #F3F8AA, #DEF8AA, #C8F8AA and #B3F8AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8E8AA shade matches the following richer shades: #F8E8AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8E8AA shade: #F8E8AA, #F0E3B1, #E9DFB8, #E1DAC0 and #DAD6C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8E8AA shade: #F8BDAA, #F8D2AA, #F8E7AA, #F4F8AA and #DFF8AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8E8AA shade: #F1D35D, #F5DD83, #F8E8AA, #FBF2D0 and #FEFCF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8E8AA shade: #F8E8AA, #ABF8AA and #C7AAF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8E8AA shade: #F8E8AA, #AAF8E7 and #E7AAF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8E8AA shade: #F8E8AA, #ABF8AA, #AABAF8 and #F6AAF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8E8AA shade: #F8E8AA, #AAF8C0, #AABAF8 and #F8AAE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

Complementary color

CMYK 92 / 73 / 0 / 67

HEX #071755

RGB 7 23 85

HSL 227.69, 0.85%, 0.18%

LAB 11.37, 20.83, -39.08

 

CMYK 0 / 8 / 35 / 1

HEX #FDE8A5

RGB 253 232 165

HSL 45.68, 0.96%, 0.82%

LAB 92.27, -2.28, 35.23

 

CMYK 0 / 2 / 28 / 0

HEX #FFFAB8

RGB 255 250 184

HSL 55.77, 1%, 0.86%

LAB 97.26, -8.24, 32.34

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCB

RGB 255 255 203

HSL 60, 1%, 0.9%

LAB 98.86, -8.19, 24.92

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

CMYK 0 / 7 / 35 / 9

HEX #E7D697

RGB 231 214 151

HSL 47.25, 0.63%, 0.75%

LAB 85.66, -3.21, 33.28

 

CMYK 0 / 8 / 38 / 16

HEX #D6C484

RGB 214 196 132

HSL 46.83, 0.5%, 0.68%

LAB 79.3, -2.77, 34.44

 

CMYK 0 / 10 / 43 / 23

HEX #C5B271

RGB 197 178 113

HSL 46.43, 0.42%, 0.61%

LAB 72.83, -2.26, 35.65

 

CMYK 0 / 11 / 48 / 29

HEX #B4A05E

RGB 180 160 94

HSL 46.05, 0.36%, 0.54%

LAB 66.25, -1.66, 36.92

 

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

CMYK 0 / 15 / 31 / 3

HEX #F8D3AA

RGB 248 211 170

HSL 31.54, 0.85%, 0.82%

LAB 86.73, 7.16, 25.13

 

CMYK 0 / 23 / 31 / 3

HEX #F8BEAA

RGB 248 190 170

HSL 15.38, 0.85%, 0.82%

LAB 81.67, 18.13, 18.15

 

CMYK 0 / 31 / 31 / 3

HEX #F8AAAA

RGB 248 170 170

HSL 0, 0.85%, 0.82%

LAB 77.05, 28.67, 11.66

 

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

CMYK 2 / 0 / 31 / 3

HEX #F3F8AA

RGB 243 248 170

HSL 63.85, 0.85%, 0.82%

LAB 95.62, -13.43, 37

 

CMYK 10 / 0 / 31 / 3

HEX #DEF8AA

RGB 222 248 170

HSL 80, 0.85%, 0.82%

LAB 94.13, -21.12, 34.75

 

CMYK 19 / 0 / 31 / 3

HEX #C8F8AA

RGB 200 248 170

HSL 96.92, 0.85%, 0.82%

LAB 92.71, -28.89, 32.61

 

CMYK 28 / 0 / 31 / 3

HEX #B3F8AA

RGB 179 248 170

HSL 113.08, 0.85%, 0.82%

LAB 91.51, -35.91, 30.8

 

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

CMYK 0 / 5 / 26 / 6

HEX #F0E3B1

RGB 240 227 177

HSL 47.62, 0.68%, 0.82%

LAB 90.15, -3.17, 26.07

 

CMYK 0 / 4 / 21 / 9

HEX #E9DFB8

RGB 233 223 184

HSL 47.76, 0.53%, 0.82%

LAB 88.71, -2.76, 20.37

 

CMYK 0 / 3 / 15 / 12

HEX #E1DAC0

RGB 225 218 192

HSL 47.27, 0.35%, 0.82%

LAB 86.98, -1.91, 13.65

 

CMYK 0 / 2 / 9 / 15

HEX #DAD6C7

RGB 218 214 199

HSL 47.37, 0.2%, 0.82%

LAB 85.57, -1.21, 7.88

 

CMYK 0 / 24 / 31 / 3

HEX #F8BDAA

RGB 248 189 170

HSL 14.62, 0.85%, 0.82%

LAB 81.43, 18.66, 17.82

 

CMYK 0 / 15 / 31 / 3

HEX #F8D2AA

RGB 248 210 170

HSL 30.77, 0.85%, 0.82%

LAB 86.48, 7.68, 24.79

 

CMYK 0 / 7 / 31 / 3

HEX #F8E7AA

RGB 248 231 170

HSL 46.92, 0.85%, 0.82%

LAB 91.69, -3.08, 31.84

 

CMYK 2 / 0 / 31 / 3

HEX #F4F8AA

RGB 244 248 170

HSL 63.08, 0.85%, 0.82%

LAB 95.69, -13.06, 37.11

 

CMYK 10 / 0 / 31 / 3

HEX #DFF8AA

RGB 223 248 170

HSL 79.23, 0.85%, 0.82%

LAB 94.19, -20.76, 34.85

 

CMYK 0 / 12 / 61 / 5

HEX #F1D35D

RGB 241 211 93

HSL 47.84, 0.84%, 0.65%

LAB 85.04, -2.93, 60.77

 

CMYK 0 / 10 / 47 / 4

HEX #F5DD83

RGB 245 221 131

HSL 47.37, 0.85%, 0.74%

LAB 88.34, -3.39, 46.98

 

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

CMYK 0 / 4 / 17 / 2

HEX #FBF2D0

RGB 251 242 208

HSL 47.44, 0.84%, 0.9%

LAB 95.4, -2.41, 17.5

 

CMYK 0 / 1 / 3 / 0

HEX #FEFCF6

RGB 254 252 246

HSL 45, 0.8%, 0.98%

LAB 98.96, -0.37, 3.09

 

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

CMYK 31 / 0 / 31 / 3

HEX #ABF8AA

RGB 171 248 170

HSL 119.23, 0.85%, 0.82%

LAB 91.1, -38.46, 30.16

 

CMYK 20 / 31 / 0 / 3

HEX #C7AAF8

RGB 199 170 248

HSL 262.31, 0.85%, 0.82%

LAB 74.62, 25.75, -34.95

 

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

CMYK 31 / 0 / 7 / 3

HEX #AAF8E7

RGB 170 248 231

HSL 166.92, 0.85%, 0.82%

LAB 92.33, -27.41, 0.54

 

CMYK 7 / 31 / 0 / 3

HEX #E7AAF8

RGB 231 170 248

HSL 286.92, 0.85%, 0.82%

LAB 77.59, 35.47, -30.12

 

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

CMYK 31 / 0 / 31 / 3

HEX #ABF8AA

RGB 171 248 170

HSL 119.23, 0.85%, 0.82%

LAB 91.1, -38.46, 30.16

 

CMYK 31 / 25 / 0 / 3

HEX #AABAF8

RGB 170 186 248

HSL 227.69, 0.85%, 0.82%

LAB 76.34, 8.5, -32.47

 

CMYK 1 / 31 / 0 / 3

HEX #F6AAF8

RGB 246 170 248

HSL 298.46, 0.85%, 0.82%

LAB 79.11, 40.12, -27.66

 

CMYK 0 / 6 / 31 / 3

HEX #F8E8AA

RGB 248 232 170

HSL 47.69, 0.85%, 0.82%

LAB 91.94, -3.59, 32.18

 

CMYK 31 / 0 / 23 / 3

HEX #AAF8C0

RGB 170 248 192

HSL 136.92, 0.85%, 0.82%

LAB 91.45, -35.06, 19.44

 

CMYK 31 / 25 / 0 / 3

HEX #AABAF8

RGB 170 186 248

HSL 227.69, 0.85%, 0.82%

LAB 76.34, 8.5, -32.47

 

CMYK 0 / 31 / 9 / 3

HEX #F8AAE2

RGB 248 170 226

HSL 316.92, 0.85%, 0.82%

LAB 78.58, 36.92, -16.57

 

Description

Color code: HEX #F8E8AA | qconv.com Color code: HEX #F8E8AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 232 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 232 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 31 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 31% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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