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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8E077 it is the complementary color #071F88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8E077. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8E077 shade: #FDE072, #FFF285, #FFFF98, #FFFFAB and #FFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8E077. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8E077 shade: #F8E077, #E7CE64, #D6BC51, #C5AA3E and #B4982B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8E077 shade: #F7DF77, #F7BD77, #F79A77, #F77777 and #F77777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8E077 shade: #F7DF77, #EDF777, #CAF777, #A7F777 and #85F777

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8E077 shade matches the following richer shades: #F7DF77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8E077 shade: #F7DF77, #ECD882, #E0D18E, #D5CA99 and #C9C2A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8E077 shade: #F79977, #F7BB77, #F7DE77, #EFF777 and #CDF777

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8E077 shade: #F3CE28, #F5D650, #F7DF77, #F9E89E and #FBF1C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8E077 shade: #F8E077, #77F777 and #AA77F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8E077 shade: #F8E077, #77F7DE and #DE77F7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8E077 shade: #F8E077, #77F777, #7791F7 and #F777F7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8E077 shade: #F8E077, #77F79D, #7791F7 and #F777D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 52 / 3

HEX #F8E077

RGB 248 224 119

HSL 48.84, 0.9%, 0.72%

LAB 89.21, -4.76, 53.86

 

Complementary color

CMYK 95 / 77 / 0 / 47

HEX #071F88

RGB 7 31 136

HSL 228.84, 0.9%, 0.28%

LAB 19.24, 35.74, -59.33

 

CMYK 0 / 11 / 55 / 1

HEX #FDE072

RGB 253 224 114

HSL 47.48, 0.97%, 0.72%

LAB 89.58, -3.14, 56.74

 

CMYK 0 / 5 / 48 / 0

HEX #FFF285

RGB 255 242 133

HSL 53.61, 1%, 0.76%

LAB 94.51, -9.76, 53.78

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAB

RGB 255 255 171

HSL 60, 1%, 0.84%

LAB 98.32, -12.27, 40.22

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 10 / 52 / 3

HEX #F8E077

RGB 248 224 119

HSL 48.84, 0.9%, 0.72%

LAB 89.21, -4.76, 53.86

 

CMYK 0 / 11 / 57 / 9

HEX #E7CE64

RGB 231 206 100

HSL 48.55, 0.73%, 0.65%

LAB 82.94, -4.02, 55.01

 

CMYK 0 / 12 / 62 / 16

HEX #D6BC51

RGB 214 188 81

HSL 48.27, 0.62%, 0.58%

LAB 76.59, -3.16, 56.09

 

CMYK 0 / 14 / 69 / 23

HEX #C5AA3E

RGB 197 170 62

HSL 48, 0.54%, 0.51%

LAB 70.15, -2.14, 56.98

 

CMYK 0 / 16 / 76 / 29

HEX #B4982B

RGB 180 152 43

HSL 47.74, 0.61%, 0.44%

LAB 63.62, -0.92, 57.46

 

CMYK 0 / 10 / 52 / 3

HEX #F7DF77

RGB 247 223 119

HSL 48.75, 0.89%, 0.72%

LAB 88.87, -4.65, 53.43

 

CMYK 0 / 23 / 52 / 3

HEX #F7BD77

RGB 247 189 119

HSL 32.81, 0.89%, 0.72%

LAB 80.46, 12.87, 43.2

 

CMYK 0 / 38 / 52 / 3

HEX #F79A77

RGB 247 154 119

HSL 16.41, 0.89%, 0.72%

LAB 72.37, 31.25, 32.94

 

CMYK 0 / 52 / 52 / 3

HEX #F77777

RGB 247 119 119

HSL 0, 0.89%, 0.72%

LAB 65.2, 48.96, 23.48

 

CMYK 0 / 52 / 52 / 3

HEX #F77777

RGB 247 119 119

HSL 0, 0.89%, 0.72%

LAB 65.2, 48.96, 23.48

 

CMYK 0 / 10 / 52 / 3

HEX #F7DF77

RGB 247 223 119

HSL 48.75, 0.89%, 0.72%

LAB 88.87, -4.65, 53.43

 

CMYK 4 / 0 / 52 / 3

HEX #EDF777

RGB 237 247 119

HSL 64.69, 0.89%, 0.72%

LAB 94.25, -20.45, 59.58

 

CMYK 18 / 0 / 52 / 3

HEX #CAF777

RGB 202 247 119

HSL 81.09, 0.89%, 0.72%

LAB 91.87, -33.79, 56.18

 

CMYK 32 / 0 / 52 / 3

HEX #A7F777

RGB 167 247 119

HSL 97.5, 0.89%, 0.72%

LAB 89.89, -46.11, 53.35

 

CMYK 46 / 0 / 52 / 3

HEX #85F777

RGB 133 247 119

HSL 113.44, 0.89%, 0.72%

LAB 88.37, -56.57, 51.16

 

CMYK 0 / 10 / 52 / 3

HEX #F7DF77

RGB 247 223 119

HSL 48.75, 0.89%, 0.72%

LAB 88.87, -4.65, 53.43

 

CMYK 0 / 10 / 52 / 3

HEX #F7DF77

RGB 247 223 119

HSL 48.75, 0.89%, 0.72%

LAB 88.87, -4.65, 53.43

 

CMYK 0 / 8 / 45 / 7

HEX #ECD882

RGB 236 216 130

HSL 48.68, 0.74%, 0.72%

LAB 86.28, -4.52, 44.75

 

CMYK 0 / 7 / 37 / 12

HEX #E0D18E

RGB 224 209 142

HSL 49.02, 0.57%, 0.72%

LAB 83.65, -4.41, 35.14

 

CMYK 0 / 5 / 28 / 16

HEX #D5CA99

RGB 213 202 153

HSL 49, 0.42%, 0.72%

LAB 81.12, -3.71, 25.9

 

CMYK 0 / 3 / 18 / 21

HEX #C9C2A5

RGB 201 194 165

HSL 48.33, 0.25%, 0.72%

LAB 78.3, -2.37, 15.48

 

CMYK 0 / 38 / 52 / 3

HEX #F79977

RGB 247 153 119

HSL 15.94, 0.89%, 0.72%

LAB 72.15, 31.77, 32.66

 

CMYK 0 / 24 / 52 / 3

HEX #F7BB77

RGB 247 187 119

HSL 31.88, 0.89%, 0.72%

LAB 79.98, 13.91, 42.6

 

CMYK 0 / 10 / 52 / 3

HEX #F7DE77

RGB 247 222 119

HSL 48.28, 0.89%, 0.72%

LAB 88.61, -4.15, 53.13

 

CMYK 3 / 0 / 52 / 3

HEX #EFF777

RGB 239 247 119

HSL 63.75, 0.89%, 0.72%

LAB 94.4, -19.67, 59.79

 

CMYK 17 / 0 / 52 / 3

HEX #CDF777

RGB 205 247 119

HSL 79.69, 0.89%, 0.72%

LAB 92.06, -32.67, 56.45

 

CMYK 0 / 15 / 84 / 5

HEX #F3CE28

RGB 243 206 40

HSL 49.06, 0.89%, 0.55%

LAB 83.63, -1.9, 78.33

 

CMYK 0 / 13 / 67 / 4

HEX #F5D650

RGB 245 214 80

HSL 48.73, 0.89%, 0.64%

LAB 86.05, -3.57, 67.41

 

CMYK 0 / 10 / 52 / 3

HEX #F7DF77

RGB 247 223 119

HSL 48.75, 0.89%, 0.72%

LAB 88.87, -4.65, 53.43

 

CMYK 0 / 7 / 37 / 2

HEX #F9E89E

RGB 249 232 158

HSL 48.79, 0.88%, 0.8%

LAB 91.83, -4.61, 38.11

 

CMYK 0 / 4 / 22 / 2

HEX #FBF1C5

RGB 251 241 197

HSL 48.89, 0.87%, 0.88%

LAB 94.93, -3.48, 22.5

 

CMYK 0 / 10 / 52 / 3

HEX #F8E077

RGB 248 224 119

HSL 48.84, 0.9%, 0.72%

LAB 89.21, -4.76, 53.86

 

CMYK 52 / 0 / 52 / 3

HEX #77F777

RGB 119 247 119

HSL 120, 0.89%, 0.72%

LAB 87.86, -60.3, 50.42

 

CMYK 31 / 52 / 0 / 3

HEX #AA77F7

RGB 170 119 247

HSL 263.91, 0.89%, 0.72%

LAB 60.3, 45.71, -57.11

 

CMYK 0 / 10 / 52 / 3

HEX #F8E077

RGB 248 224 119

HSL 48.84, 0.9%, 0.72%

LAB 89.21, -4.76, 53.86

 

CMYK 52 / 0 / 10 / 3

HEX #77F7DE

RGB 119 247 222

HSL 168.28, 0.89%, 0.72%

LAB 89.73, -41.47, 1.16

 

CMYK 10 / 52 / 0 / 3

HEX #DE77F7

RGB 222 119 247

HSL 288.28, 0.89%, 0.72%

LAB 66.09, 59.03, -47.56

 

CMYK 0 / 10 / 52 / 3

HEX #F8E077

RGB 248 224 119

HSL 48.84, 0.9%, 0.72%

LAB 89.21, -4.76, 53.86

 

CMYK 52 / 0 / 52 / 3

HEX #77F777

RGB 119 247 119

HSL 120, 0.89%, 0.72%

LAB 87.86, -60.3, 50.42

 

CMYK 52 / 41 / 0 / 3

HEX #7791F7

RGB 119 145 247

HSL 227.81, 0.89%, 0.72%

LAB 62.41, 18.75, -53.98

 

CMYK 0 / 52 / 0 / 3

HEX #F777F7

RGB 247 119 247

HSL 300, 0.89%, 0.72%

LAB 69.24, 65.6, -42.38

 

CMYK 0 / 10 / 52 / 3

HEX #F8E077

RGB 248 224 119

HSL 48.84, 0.9%, 0.72%

LAB 89.21, -4.76, 53.86

 

CMYK 52 / 0 / 36 / 3

HEX #77F79D

RGB 119 247 157

HSL 137.81, 0.89%, 0.72%

LAB 88.39, -54.69, 32.69

 

CMYK 52 / 41 / 0 / 3

HEX #7791F7

RGB 119 145 247

HSL 227.81, 0.89%, 0.72%

LAB 62.41, 18.75, -53.98

 

CMYK 0 / 52 / 15 / 3

HEX #F777D1

RGB 247 119 209

HSL 317.81, 0.89%, 0.72%

LAB 67.7, 59.53, -23.74

 

Description

Color code: HEX #F8E077 | qconv.com Color code: HEX #F8E077 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 224 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 224 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 52% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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