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Color name
HEX #F8E17C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F8E17C it is the complementary color #071E83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F8E17C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F8E17C shade: #FDE177, #FFF38A, #FFFF9D, #FFFFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F8E17C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F8E17C shade: #F8E17C, #E7CF69, #D6BD56, #C5AB43 and #B49930

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F8E17C shade: #F8E17C, #F8BF7C, #F89E7C, #F87C7C and #F87C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F8E17C shade: #F8E17C, #EDF87C, #CCF87C, #AAF87C and #89F87C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F8E17C shade matches the following richer shades: #F8E17C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F8E17C shade: #F8E17C, #ECDA87, #E1D392, #D6CC9D and #CBC5A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F8E17C shade: #F89D7C, #F8BE7C, #F8DF7C, #EFF87C and #CEF87C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F8E17C shade: #F3CF2D, #F6D854, #F8E17C, #FAEAA3 and #FCF3CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F8E17C shade: #F8E17C, #7CF87C and #AD7CF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F8E17C shade: #F8E17C, #7CF8DF and #DF7CF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F8E17C shade: #F8E17C, #7CF87C, #7C94F8 and #F87CF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F8E17C shade: #F8E17C, #7CF8A1, #7C94F8 and #F87CD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

Complementary color

CMYK 95 / 77 / 0 / 49

HEX #071E83

RGB 7 30 131

HSL 228.87, 0.9%, 0.27%

LAB 18.42, 34.49, -57.54

 

CMYK 0 / 11 / 53 / 1

HEX #FDE177

RGB 253 225 119

HSL 47.46, 0.97%, 0.73%

LAB 89.89, -3.25, 54.77

 

CMYK 0 / 5 / 46 / 0

HEX #FFF38A

RGB 255 243 138

HSL 53.85, 1%, 0.77%

LAB 94.82, -9.8, 51.8

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

CMYK 0 / 10 / 55 / 9

HEX #E7CF69

RGB 231 207 105

HSL 48.57, 0.72%, 0.66%

LAB 83.25, -4.15, 53.04

 

CMYK 0 / 12 / 60 / 16

HEX #D6BD56

RGB 214 189 86

HSL 48.28, 0.61%, 0.59%

LAB 76.9, -3.34, 54.17

 

CMYK 0 / 13 / 66 / 23

HEX #C5AB43

RGB 197 171 67

HSL 48, 0.53%, 0.52%

LAB 70.46, -2.38, 55.17

 

CMYK 0 / 15 / 73 / 29

HEX #B49930

RGB 180 153 48

HSL 47.73, 0.58%, 0.45%

LAB 63.92, -1.23, 55.85

 

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

CMYK 0 / 23 / 50 / 3

HEX #F8BF7C

RGB 248 191 124

HSL 32.42, 0.9%, 0.73%

LAB 81.11, 12.66, 41.5

 

CMYK 0 / 36 / 50 / 3

HEX #F89E7C

RGB 248 158 124

HSL 16.45, 0.9%, 0.73%

LAB 73.46, 29.99, 31.7

 

CMYK 0 / 50 / 50 / 3

HEX #F87C7C

RGB 248 124 124

HSL 0, 0.9%, 0.73%

LAB 66.39, 47.31, 22.3

 

CMYK 0 / 50 / 50 / 3

HEX #F87C7C

RGB 248 124 124

HSL 0, 0.9%, 0.73%

LAB 66.39, 47.31, 22.3

 

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

CMYK 4 / 0 / 50 / 3

HEX #EDF87C

RGB 237 248 124

HSL 65.32, 0.9%, 0.73%

LAB 94.57, -20.51, 57.68

 

CMYK 18 / 0 / 50 / 3

HEX #CCF87C

RGB 204 248 124

HSL 81.29, 0.9%, 0.73%

LAB 92.32, -33.02, 54.47

 

CMYK 31 / 0 / 50 / 3

HEX #AAF87C

RGB 170 248 124

HSL 97.74, 0.9%, 0.73%

LAB 90.38, -44.99, 51.68

 

CMYK 45 / 0 / 50 / 3

HEX #89F87C

RGB 137 248 124

HSL 113.71, 0.9%, 0.73%

LAB 88.88, -55.22, 49.5

 

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

CMYK 0 / 8 / 43 / 7

HEX #ECDA87

RGB 236 218 135

HSL 49.31, 0.73%, 0.73%

LAB 86.86, -5.04, 43

 

CMYK 0 / 6 / 35 / 12

HEX #E1D392

RGB 225 211 146

HSL 49.37, 0.57%, 0.73%

LAB 84.31, -4.58, 33.97

 

CMYK 0 / 5 / 27 / 16

HEX #D6CC9D

RGB 214 204 157

HSL 49.47, 0.41%, 0.73%

LAB 81.79, -3.83, 24.72

 

CMYK 0 / 3 / 17 / 20

HEX #CBC5A8

RGB 203 197 168

HSL 49.71, 0.25%, 0.73%

LAB 79.3, -2.74, 15.31

 

CMYK 0 / 37 / 50 / 3

HEX #F89D7C

RGB 248 157 124

HSL 15.97, 0.9%, 0.73%

LAB 73.24, 30.51, 31.41

 

CMYK 0 / 23 / 50 / 3

HEX #F8BE7C

RGB 248 190 124

HSL 31.94, 0.9%, 0.73%

LAB 80.87, 13.18, 41.2

 

CMYK 0 / 10 / 50 / 3

HEX #F8DF7C

RGB 248 223 124

HSL 47.9, 0.9%, 0.73%

LAB 89.01, -3.83, 51.25

 

CMYK 4 / 0 / 50 / 3

HEX #EFF87C

RGB 239 248 124

HSL 64.35, 0.9%, 0.73%

LAB 94.71, -19.73, 57.89

 

CMYK 17 / 0 / 50 / 3

HEX #CEF87C

RGB 206 248 124

HSL 80.32, 0.9%, 0.73%

LAB 92.45, -32.28, 54.65

 

CMYK 0 / 15 / 81 / 5

HEX #F3CF2D

RGB 243 207 45

HSL 49.09, 0.89%, 0.56%

LAB 83.9, -2.28, 77.26

 

CMYK 0 / 12 / 66 / 4

HEX #F6D854

RGB 246 216 84

HSL 48.89, 0.9%, 0.65%

LAB 86.67, -3.95, 66.47

 

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

CMYK 0 / 6 / 35 / 2

HEX #FAEAA3

RGB 250 234 163

HSL 48.97, 0.9%, 0.81%

LAB 92.49, -4.66, 36.48

 

CMYK 0 / 4 / 20 / 1

HEX #FCF3CA

RGB 252 243 202

HSL 49.2, 0.89%, 0.89%

LAB 95.61, -3.42, 20.88

 

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

CMYK 50 / 0 / 50 / 3

HEX #7CF87C

RGB 124 248 124

HSL 120, 0.9%, 0.73%

LAB 88.39, -58.76, 48.78

 

CMYK 30 / 50 / 0 / 3

HEX #AD7CF8

RGB 173 124 248

HSL 263.71, 0.9%, 0.73%

LAB 61.72, 43.97, -55.37

 

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

CMYK 50 / 0 / 10 / 3

HEX #7CF8DF

RGB 124 248 223

HSL 167.9, 0.9%, 0.73%

LAB 90.21, -40.62, 1.36

 

CMYK 10 / 50 / 0 / 3

HEX #DF7CF8

RGB 223 124 248

HSL 287.9, 0.9%, 0.73%

LAB 67.19, 57.03, -46.37

 

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

CMYK 50 / 0 / 50 / 3

HEX #7CF87C

RGB 124 248 124

HSL 120, 0.9%, 0.73%

LAB 88.39, -58.76, 48.78

 

CMYK 50 / 40 / 0 / 3

HEX #7C94F8

RGB 124 148 248

HSL 228.39, 0.9%, 0.73%

LAB 63.54, 18.39, -52.71

 

CMYK 0 / 50 / 0 / 3

HEX #F87CF8

RGB 248 124 248

HSL 300, 0.9%, 0.73%

LAB 70.28, 63.74, -41.3

 

CMYK 0 / 9 / 50 / 3

HEX #F8E17C

RGB 248 225 124

HSL 48.87, 0.9%, 0.73%

LAB 89.52, -4.84, 51.86

 

CMYK 50 / 0 / 35 / 3

HEX #7CF8A1

RGB 124 248 161

HSL 137.9, 0.9%, 0.73%

LAB 88.92, -53.2, 31.42

 

CMYK 50 / 40 / 0 / 3

HEX #7C94F8

RGB 124 148 248

HSL 228.39, 0.9%, 0.73%

LAB 63.54, 18.39, -52.71

 

CMYK 0 / 50 / 15 / 3

HEX #F87CD2

RGB 248 124 210

HSL 318.39, 0.9%, 0.73%

LAB 68.77, 57.62, -22.65

 

Description

Color code: HEX #F8E17C | qconv.com Color code: HEX #F8E17C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 225 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 225 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 50 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 50% 3% C M Y K

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Provide designers and agencies with accurate color values.

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