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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F93486 it is the complementary color #06CB79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F93486. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F93486 shade: #FE3481, #FF4694, #FF58A7, #FF6ABA and #FF7CCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F93486. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F93486 shade: #F93486, #E82273, #D71060, #C6004D and #B5003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F93486 shade: #F83485, #F83450 and #F83434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F93486 shade: #F83485, #F834BA, #F834EF, #CC34F8 and #9734F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F93486 shade matches the following richer shades: #F83485

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F93486 shade: #F83485, #E74588, #D6568B, #C5668E and #B57791

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F93486 shade: #F834EE, #F834BA, #F83486, #F83451 and #F84B34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F93486 shade: #D3065B, #F70C6E, #F83485, #F95C9D and #FB84B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F93486 shade: #F93486, #F8CE34 and #34D4F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F93486 shade: #F93486, #86F834 and #3486F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F93486 shade: #F93486, #F8CE34, #34F8A6 and #345EF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F93486 shade: #F93486, #E8F834, #34F8A6 and #4434F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 46 / 2

HEX #F93486

RGB 249 52 134

HSL 335.03, 0.94%, 0.59%

LAB 56.4, 76.45, 2.53

 

Complementary color

CMYK 97 / 0 / 40 / 20

HEX #06CB79

RGB 6 203 121

HSL 155.03, 0.94%, 0.41%

LAB 72.32, -60.82, 29.32

 

CMYK 0 / 80 / 49 / 0

HEX #FE3481

RGB 254 52 129

HSL 337.13, 0.99%, 0.6%

LAB 57.18, 77.29, 6.74

 

CMYK 0 / 73 / 42 / 0

HEX #FF4694

RGB 255 70 148

HSL 334.7, 1%, 0.64%

LAB 59.69, 74.06, -0.8

 

CMYK 0 / 65 / 35 / 0

HEX #FF58A7

RGB 255 88 167

HSL 331.62, 1%, 0.67%

LAB 62.53, 69.66, -7.63

 

CMYK 0 / 58 / 27 / 0

HEX #FF6ABA

RGB 255 106 186

HSL 327.79, 1%, 0.71%

LAB 65.84, 64.56, -13.53

 

CMYK 0 / 51 / 20 / 0

HEX #FF7CCD

RGB 255 124 205

HSL 322.9, 1%, 0.74%

LAB 69.53, 58.99, -18.63

 

CMYK 0 / 79 / 46 / 2

HEX #F93486

RGB 249 52 134

HSL 335.03, 0.94%, 0.59%

LAB 56.4, 76.45, 2.53

 

CMYK 0 / 85 / 50 / 9

HEX #E82273

RGB 232 34 115

HSL 335.45, 0.81%, 0.52%

LAB 51.31, 74.77, 6.2

 

CMYK 0 / 93 / 55 / 16

HEX #D71060

RGB 215 16 96

HSL 335.88, 0.86%, 0.45%

LAB 46.53, 72.12, 10.63

 

CMYK 0 / 100 / 61 / 22

HEX #C6004D

RGB 198 0 77

HSL 336.67, 1%, 0.39%

LAB 42.06, 68.49, 15.84

 

CMYK 0 / 100 / 68 / 29

HEX #B5003A

RGB 181 0 58

HSL 340.77, 1%, 0.35%

LAB 38.07, 63.42, 22.03

 

CMYK 0 / 79 / 46 / 3

HEX #F83485

RGB 248 52 133

HSL 335.2, 0.93%, 0.59%

LAB 56.19, 76.12, 2.8

 

CMYK 0 / 79 / 68 / 3

HEX #F83450

RGB 248 52 80

HSL 351.43, 0.93%, 0.59%

LAB 55.06, 72.67, 32.75

 

CMYK 0 / 79 / 79 / 3

HEX #F83434

RGB 248 52 52

HSL 0, 0.93%, 0.59%

LAB 54.72, 71.6, 48.07

 

CMYK 0 / 79 / 46 / 3

HEX #F83485

RGB 248 52 133

HSL 335.2, 0.93%, 0.59%

LAB 56.19, 76.12, 2.8

 

CMYK 0 / 79 / 25 / 3

HEX #F834BA

RGB 248 52 186

HSL 318.98, 0.93%, 0.59%

LAB 58, 81.43, -25.57

 

CMYK 0 / 79 / 4 / 3

HEX #F834EF

RGB 248 52 239

HSL 302.76, 0.93%, 0.59%

LAB 60.47, 88.37, -51.78

 

CMYK 18 / 79 / 0 / 3

HEX #CC34F8

RGB 204 52 248

HSL 286.53, 0.93%, 0.59%

LAB 54.1, 81.89, -67.38

 

CMYK 39 / 79 / 0 / 3

HEX #9734F8

RGB 151 52 248

HSL 270.31, 0.93%, 0.59%

LAB 46.73, 73.55, -79.7

 

CMYK 0 / 79 / 46 / 3

HEX #F83485

RGB 248 52 133

HSL 335.2, 0.93%, 0.59%

LAB 56.19, 76.12, 2.8

 

CMYK 0 / 79 / 46 / 3

HEX #F83485

RGB 248 52 133

HSL 335.2, 0.93%, 0.59%

LAB 56.19, 76.12, 2.8

 

CMYK 0 / 70 / 41 / 9

HEX #E74588

RGB 231 69 136

HSL 335.19, 0.77%, 0.59%

LAB 55.1, 66.76, -0.95

 

CMYK 0 / 60 / 35 / 16

HEX #D6568B

RGB 214 86 139

HSL 335.16, 0.61%, 0.59%

LAB 54.88, 55.3, -3.36

 

CMYK 0 / 48 / 28 / 23

HEX #C5668E

RGB 197 102 142

HSL 334.74, 0.45%, 0.59%

LAB 55.41, 42.42, -4.63

 

CMYK 0 / 34 / 20 / 29

HEX #B57791

RGB 181 119 145

HSL 334.84, 0.3%, 0.59%

LAB 57.14, 28.06, -4.05

 

CMYK 0 / 79 / 4 / 3

HEX #F834EE

RGB 248 52 238

HSL 303.06, 0.93%, 0.59%

LAB 60.41, 88.22, -51.31

 

CMYK 0 / 79 / 25 / 3

HEX #F834BA

RGB 248 52 186

HSL 318.98, 0.93%, 0.59%

LAB 58, 81.43, -25.57

 

CMYK 0 / 79 / 46 / 3

HEX #F83486

RGB 248 52 134

HSL 334.9, 0.93%, 0.59%

LAB 56.22, 76.2, 2.25

 

CMYK 0 / 79 / 67 / 3

HEX #F83451

RGB 248 52 81

HSL 351.12, 0.93%, 0.59%

LAB 55.08, 72.72, 32.19

 

CMYK 0 / 70 / 79 / 3

HEX #F84B34

RGB 248 75 52

HSL 7.04, 0.93%, 0.59%

LAB 57.31, 64.41, 50.64

 

CMYK 0 / 97 / 57 / 17

HEX #D3065B

RGB 211 6 91

HSL 335.12, 0.94%, 0.43%

LAB 45.27, 71.81, 11.86

 

CMYK 0 / 95 / 55 / 3

HEX #F70C6E

RGB 247 12 110

HSL 334.98, 0.94%, 0.51%

LAB 53.13, 80.76, 12.21

 

CMYK 0 / 79 / 46 / 3

HEX #F83485

RGB 248 52 133

HSL 335.2, 0.93%, 0.59%

LAB 56.19, 76.12, 2.8

 

CMYK 0 / 63 / 37 / 2

HEX #F95C9D

RGB 249 92 157

HSL 335.16, 0.93%, 0.67%

LAB 61.85, 65.3, -2.98

 

CMYK 0 / 47 / 28 / 2

HEX #FB84B5

RGB 251 132 181

HSL 335.29, 0.94%, 0.75%

LAB 69.72, 50.63, -4.99

 

CMYK 0 / 79 / 46 / 2

HEX #F93486

RGB 249 52 134

HSL 335.03, 0.94%, 0.59%

LAB 56.4, 76.45, 2.53

 

CMYK 0 / 17 / 79 / 3

HEX #F8CE34

RGB 248 206 52

HSL 47.14, 0.93%, 0.59%

LAB 84.15, 0.57, 75.64

 

CMYK 79 / 15 / 0 / 3

HEX #34D4F8

RGB 52 212 248

HSL 191.02, 0.93%, 0.59%

LAB 78.81, -28.11, -29.07

 

CMYK 0 / 79 / 46 / 2

HEX #F93486

RGB 249 52 134

HSL 335.03, 0.94%, 0.59%

LAB 56.4, 76.45, 2.53

 

CMYK 46 / 0 / 79 / 3

HEX #86F834

RGB 134 248 52

HSL 94.9, 0.93%, 0.59%

LAB 88.19, -62.23, 76.54

 

CMYK 79 / 46 / 0 / 3

HEX #3486F8

RGB 52 134 248

HSL 214.9, 0.93%, 0.59%

LAB 56.64, 15.1, -63.92

 

CMYK 0 / 79 / 46 / 2

HEX #F93486

RGB 249 52 134

HSL 335.03, 0.94%, 0.59%

LAB 56.4, 76.45, 2.53

 

CMYK 0 / 17 / 79 / 3

HEX #F8CE34

RGB 248 206 52

HSL 47.14, 0.93%, 0.59%

LAB 84.15, 0.57, 75.64

 

CMYK 79 / 0 / 33 / 3

HEX #34F8A6

RGB 52 248 166

HSL 154.9, 0.93%, 0.59%

LAB 87.3, -64.82, 26.42

 

CMYK 79 / 62 / 0 / 3

HEX #345EF8

RGB 52 94 248

HSL 227.14, 0.93%, 0.59%

LAB 46.33, 40.01, -80.67

 

CMYK 0 / 79 / 46 / 2

HEX #F93486

RGB 249 52 134

HSL 335.03, 0.94%, 0.59%

LAB 56.4, 76.45, 2.53

 

CMYK 6 / 0 / 79 / 3

HEX #E8F834

RGB 232 248 52

HSL 64.9, 0.93%, 0.59%

LAB 93.68, -26.76, 83.55

 

CMYK 79 / 0 / 33 / 3

HEX #34F8A6

RGB 52 248 166

HSL 154.9, 0.93%, 0.59%

LAB 87.3, -64.82, 26.42

 

CMYK 73 / 79 / 0 / 3

HEX #4434F8

RGB 68 52 248

HSL 244.9, 0.93%, 0.59%

LAB 38.66, 64.52, -93.28

 

Description

Color code: HEX #F93486 | qconv.com Color code: HEX #F93486 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 52 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 52 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 46 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 46% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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