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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F93882 it is the complementary color #06C77D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F93882. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F93882 shade: #FE387D, #FF4A90, #FF5CA3, #FF6EB6 and #FF80C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F93882. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F93882 shade: #F93882, #E8266F, #D7145C, #C60249 and #B50036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F93882 shade: #F83982, #F8394E and #F83939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F93882 shade: #F83982, #F839B6, #F839EA, #D339F8 and #A039F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F93882 shade matches the following richer shades: #F83982

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F93882 shade: #F83982, #E84986, #D75A8A, #C76A8E and #B67B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F93882 shade: #F839EC, #F839B8, #F83985, #F83952 and #F85239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F93882 shade: #D80657, #F71169, #F83982, #FA619B and #FB89B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F93882 shade: #F93882, #F8D239 and #39D2F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F93882 shade: #F93882, #85F839 and #3985F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F93882 shade: #F93882, #F8D239, #39F8AC and #395FF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F93882 shade: #F93882, #E5F839, #39F8AC and #4C39F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 48 / 2

HEX #F93882

RGB 249 56 130

HSL 336.99, 0.94%, 0.6%

LAB 56.66, 75.07, 5.28

 

Complementary color

CMYK 97 / 0 / 37 / 22

HEX #06C77D

RGB 6 199 125

HSL 156.99, 0.94%, 0.4%

LAB 71.12, -58.62, 25.65

 

CMYK 0 / 78 / 51 / 0

HEX #FE387D

RGB 254 56 125

HSL 339.09, 0.99%, 0.61%

LAB 57.44, 75.96, 9.49

 

CMYK 0 / 71 / 44 / 0

HEX #FF4A90

RGB 255 74 144

HSL 336.8, 1%, 0.65%

LAB 60.04, 72.39, 2.05

 

CMYK 0 / 64 / 36 / 0

HEX #FF5CA3

RGB 255 92 163

HSL 333.87, 1%, 0.68%

LAB 62.98, 67.68, -4.67

 

CMYK 0 / 57 / 29 / 0

HEX #FF6EB6

RGB 255 110 182

HSL 330.21, 1%, 0.72%

LAB 66.36, 62.32, -10.48

 

CMYK 0 / 50 / 21 / 0

HEX #FF80C9

RGB 255 128 201

HSL 325.51, 1%, 0.75%

LAB 70.12, 56.54, -15.51

 

CMYK 0 / 78 / 48 / 2

HEX #F93882

RGB 249 56 130

HSL 336.99, 0.94%, 0.6%

LAB 56.66, 75.07, 5.28

 

CMYK 0 / 84 / 52 / 9

HEX #E8266F

RGB 232 38 111

HSL 337.42, 0.81%, 0.53%

LAB 51.48, 73.68, 8.87

 

CMYK 0 / 91 / 57 / 16

HEX #D7145C

RGB 215 20 92

HSL 337.85, 0.83%, 0.46%

LAB 46.61, 71.36, 13.22

 

CMYK 0 / 99 / 63 / 22

HEX #C60249

RGB 198 2 73

HSL 338.27, 0.98%, 0.39%

LAB 42.05, 68.06, 18.35

 

CMYK 0 / 100 / 70 / 29

HEX #B50036

RGB 181 0 54

HSL 342.1, 1%, 0.35%

LAB 38, 63.24, 24.49

 

CMYK 0 / 77 / 48 / 3

HEX #F83982

RGB 248 57 130

HSL 337.07, 0.93%, 0.6%

LAB 56.58, 74.54, 5.14

 

CMYK 0 / 77 / 69 / 3

HEX #F8394E

RGB 248 57 78

HSL 353.4, 0.93%, 0.6%

LAB 55.52, 71.22, 34.47

 

CMYK 0 / 77 / 77 / 3

HEX #F83939

RGB 248 57 57

HSL 0, 0.93%, 0.6%

LAB 55.26, 70.39, 45.96

 

CMYK 0 / 77 / 48 / 3

HEX #F83982

RGB 248 57 130

HSL 337.07, 0.93%, 0.6%

LAB 56.58, 74.54, 5.14

 

CMYK 0 / 77 / 27 / 3

HEX #F839B6

RGB 248 57 182

HSL 320.73, 0.93%, 0.6%

LAB 58.28, 79.69, -22.82

 

CMYK 0 / 77 / 6 / 3

HEX #F839EA

RGB 248 57 234

HSL 304.4, 0.93%, 0.6%

LAB 60.63, 86.44, -48.74

 

CMYK 15 / 77 / 0 / 3

HEX #D339F8

RGB 211 57 248

HSL 288.38, 0.93%, 0.6%

LAB 55.64, 81.7, -64.86

 

CMYK 35 / 77 / 0 / 3

HEX #A039F8

RGB 160 57 248

HSL 272.36, 0.93%, 0.6%

LAB 48.48, 73.14, -76.79

 

CMYK 0 / 77 / 48 / 3

HEX #F83982

RGB 248 57 130

HSL 337.07, 0.93%, 0.6%

LAB 56.58, 74.54, 5.14

 

CMYK 0 / 77 / 48 / 3

HEX #F83982

RGB 248 57 130

HSL 337.07, 0.93%, 0.6%

LAB 56.58, 74.54, 5.14

 

CMYK 0 / 69 / 42 / 9

HEX #E84986

RGB 232 73 134

HSL 336.98, 0.78%, 0.6%

LAB 55.73, 65.41, 1.18

 

CMYK 0 / 58 / 36 / 16

HEX #D75A8A

RGB 215 90 138

HSL 336.96, 0.61%, 0.6%

LAB 55.68, 53.7, -1.58

 

CMYK 0 / 47 / 29 / 22

HEX #C76A8E

RGB 199 106 142

HSL 336.77, 0.45%, 0.6%

LAB 56.49, 41.05, -3

 

CMYK 0 / 32 / 20 / 29

HEX #B67B92

RGB 182 123 146

HSL 336.61, 0.29%, 0.6%

LAB 58.21, 26.36, -3.03

 

CMYK 0 / 77 / 5 / 3

HEX #F839EC

RGB 248 57 236

HSL 303.77, 0.93%, 0.6%

LAB 60.73, 86.73, -49.69

 

CMYK 0 / 77 / 26 / 3

HEX #F839B8

RGB 248 57 184

HSL 320.1, 0.93%, 0.6%

LAB 58.36, 79.92, -23.86

 

CMYK 0 / 77 / 46 / 3

HEX #F83985

RGB 248 57 133

HSL 336.13, 0.93%, 0.6%

LAB 56.66, 74.79, 3.48

 

CMYK 0 / 77 / 67 / 3

HEX #F83952

RGB 248 57 82

HSL 352.15, 0.93%, 0.6%

LAB 55.58, 71.41, 32.22

 

CMYK 0 / 67 / 77 / 3

HEX #F85239

RGB 248 82 57

HSL 7.85, 0.93%, 0.6%

LAB 58.31, 61.95, 49.13

 

CMYK 0 / 97 / 60 / 15

HEX #D80657

RGB 216 6 87

HSL 336.86, 0.95%, 0.44%

LAB 46.2, 72.72, 15.8

 

CMYK 0 / 93 / 57 / 3

HEX #F71169

RGB 247 17 105

HSL 337.04, 0.93%, 0.52%

LAB 53.16, 80.01, 15.29

 

CMYK 0 / 77 / 48 / 3

HEX #F83982

RGB 248 57 130

HSL 337.07, 0.93%, 0.6%

LAB 56.58, 74.54, 5.14

 

CMYK 0 / 61 / 38 / 2

HEX #FA619B

RGB 250 97 155

HSL 337.25, 0.94%, 0.68%

LAB 62.71, 63.32, -0.54

 

CMYK 0 / 45 / 28 / 2

HEX #FB89B4

RGB 251 137 180

HSL 337.37, 0.93%, 0.76%

LAB 70.66, 48.03, -3.04

 

CMYK 0 / 78 / 48 / 2

HEX #F93882

RGB 249 56 130

HSL 336.99, 0.94%, 0.6%

LAB 56.66, 75.07, 5.28

 

CMYK 0 / 15 / 77 / 3

HEX #F8D239

RGB 248 210 57

HSL 48.06, 0.93%, 0.6%

LAB 85.17, -1.3, 75

 

CMYK 77 / 15 / 0 / 3

HEX #39D2F8

RGB 57 210 248

HSL 191.94, 0.93%, 0.6%

LAB 78.31, -26.65, -29.83

 

CMYK 0 / 78 / 48 / 2

HEX #F93882

RGB 249 56 130

HSL 336.99, 0.94%, 0.6%

LAB 56.66, 75.07, 5.28

 

CMYK 46 / 0 / 77 / 3

HEX #85F839

RGB 133 248 57

HSL 96.13, 0.93%, 0.6%

LAB 88.17, -62.28, 75.1

 

CMYK 77 / 46 / 0 / 3

HEX #3985F8

RGB 57 133 248

HSL 216.13, 0.93%, 0.6%

LAB 56.51, 16.22, -64.13

 

CMYK 0 / 78 / 48 / 2

HEX #F93882

RGB 249 56 130

HSL 336.99, 0.94%, 0.6%

LAB 56.66, 75.07, 5.28

 

CMYK 0 / 15 / 77 / 3

HEX #F8D239

RGB 248 210 57

HSL 48.06, 0.93%, 0.6%

LAB 85.17, -1.3, 75

 

CMYK 77 / 0 / 31 / 3

HEX #39F8AC

RGB 57 248 172

HSL 156.13, 0.93%, 0.6%

LAB 87.48, -63.08, 23.62

 

CMYK 77 / 62 / 0 / 3

HEX #395FF8

RGB 57 95 248

HSL 228.06, 0.93%, 0.6%

LAB 46.75, 39.84, -79.96

 

CMYK 0 / 78 / 48 / 2

HEX #F93882

RGB 249 56 130

HSL 336.99, 0.94%, 0.6%

LAB 56.66, 75.07, 5.28

 

CMYK 8 / 0 / 77 / 3

HEX #E5F839

RGB 229 248 57

HSL 65.97, 0.93%, 0.6%

LAB 93.49, -27.79, 81.95

 

CMYK 77 / 0 / 31 / 3

HEX #39F8AC

RGB 57 248 172

HSL 156.13, 0.93%, 0.6%

LAB 87.48, -63.08, 23.62

 

CMYK 69 / 77 / 0 / 3

HEX #4C39F8

RGB 76 57 248

HSL 245.97, 0.93%, 0.6%

LAB 39.98, 62.82, -91.07

 

Description

Color code: HEX #F93882 | qconv.com Color code: HEX #F93882 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 56 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 56 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 48 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 48% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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