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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F93E5B it is the complementary color #06C1A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F93E5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F93E5B shade: #FE3E56, #FF5069, #FF627C, #FF748F and #FF86A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F93E5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F93E5B shade: #F93E5B, #E82C48, #D71A35, #C60822 and #B5000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F93E5B shade: #F93E5B and #F93E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F93E5B shade: #F93E5B, #F93E8D, #F93EBF, #F93EF2 and #CD3EF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F93E5B shade matches the following richer shades: #F93E5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F93E5B shade: #F93E5B, #E84E66, #D85E71, #C86E7C and #B87E87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F93E5B shade: #F93EC0, #F93E8F, #F93E5D, #F9503E and #F9823E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F93E5B shade: #DD0628, #F71639, #F93E5B, #FA667D and #FB8E9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F93E5B shade: #F93E5B, #F2F93E and #3EA8F9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F93E5B shade: #F93E5B, #5DF93E and #3E5DF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F93E5B shade: #F93E5B, #F2F93E, #3EF9D9 and #443EF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F93E5B shade: #F93E5B, #BAF93E, #3EF9D9 and #7C3EF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

Complementary color

CMYK 97 / 0 / 15 / 24

HEX #06C1A4

RGB 6 193 164

HSL 170.7, 0.94%, 0.39%

LAB 70.08, -47.09, 3.23

 

CMYK 0 / 76 / 66 / 0

HEX #FE3E56

RGB 254 62 86

HSL 352.5, 0.99%, 0.62%

LAB 57.26, 71.83, 32.23

 

CMYK 0 / 69 / 59 / 0

HEX #FF5069

RGB 255 80 105

HSL 351.43, 1%, 0.66%

LAB 59.9, 67.25, 24.65

 

CMYK 0 / 62 / 51 / 0

HEX #FF627C

RGB 255 98 124

HSL 350.06, 1%, 0.69%

LAB 62.89, 61.56, 17.69

 

CMYK 0 / 55 / 44 / 0

HEX #FF748F

RGB 255 116 143

HSL 348.35, 1%, 0.73%

LAB 66.32, 55.29, 11.61

 

CMYK 0 / 47 / 36 / 0

HEX #FF86A2

RGB 255 134 162

HSL 346.12, 1%, 0.76%

LAB 70.12, 48.68, 6.31

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

CMYK 0 / 81 / 69 / 9

HEX #E82C48

RGB 232 44 72

HSL 351.06, 0.8%, 0.54%

LAB 51.18, 70, 32

 

CMYK 0 / 88 / 75 / 16

HEX #D71A35

RGB 215 26 53

HSL 351.43, 0.78%, 0.47%

LAB 46.23, 68.49, 36.56

 

CMYK 0 / 96 / 83 / 22

HEX #C60822

RGB 198 8 34

HSL 351.79, 0.92%, 0.4%

LAB 41.68, 65.92, 41.57

 

CMYK 0 / 100 / 92 / 29

HEX #B5000F

RGB 181 0 15

HSL 355.03, 1%, 0.35%

LAB 37.59, 62.1, 46.15

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

CMYK 0 / 75 / 75 / 2

HEX #F93E3E

RGB 249 62 62

HSL 0, 0.94%, 0.61%

LAB 56.02, 69.37, 44.12

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

CMYK 0 / 75 / 43 / 2

HEX #F93E8D

RGB 249 62 141

HSL 334.65, 0.94%, 0.61%

LAB 57.57, 74.31, 0.08

 

CMYK 0 / 75 / 23 / 2

HEX #F93EBF

RGB 249 62 191

HSL 318.61, 0.94%, 0.61%

LAB 59.29, 79.61, -26.44

 

CMYK 0 / 75 / 3 / 2

HEX #F93EF2

RGB 249 62 242

HSL 302.25, 0.94%, 0.61%

LAB 61.65, 86.49, -51.56

 

CMYK 18 / 75 / 0 / 2

HEX #CD3EF9

RGB 205 62 249

HSL 285.88, 0.94%, 0.61%

LAB 55.34, 79.27, -65.93

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

CMYK 0 / 66 / 56 / 9

HEX #E84E66

RGB 232 78 102

HSL 350.65, 0.77%, 0.61%

LAB 55.65, 60.81, 20.02

 

CMYK 0 / 56 / 48 / 15

HEX #D85E71

RGB 216 94 113

HSL 350.66, 0.61%, 0.61%

LAB 55.88, 49.57, 13.45

 

CMYK 0 / 45 / 38 / 22

HEX #C86E7C

RGB 200 110 124

HSL 350.67, 0.45%, 0.61%

LAB 56.96, 37.04, 8.21

 

CMYK 0 / 32 / 27 / 28

HEX #B87E87

RGB 184 126 135

HSL 350.69, 0.29%, 0.61%

LAB 58.85, 23.77, 4.27

 

CMYK 0 / 75 / 23 / 2

HEX #F93EC0

RGB 249 62 192

HSL 318.29, 0.94%, 0.61%

LAB 59.33, 79.73, -26.95

 

CMYK 0 / 75 / 43 / 2

HEX #F93E8F

RGB 249 62 143

HSL 334.01, 0.94%, 0.61%

LAB 57.62, 74.5, -1.01

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5D

RGB 249 62 93

HSL 350.05, 0.94%, 0.61%

LAB 56.46, 70.8, 26.94

 

CMYK 0 / 68 / 75 / 2

HEX #F9503E

RGB 249 80 62

HSL 5.78, 0.94%, 0.61%

LAB 58.25, 63.21, 46.53

 

CMYK 0 / 48 / 75 / 2

HEX #F9823E

RGB 249 130 62

HSL 21.82, 0.94%, 0.61%

LAB 66.86, 40.77, 55.53

 

CMYK 0 / 97 / 82 / 13

HEX #DD0628

RGB 221 6 40

HSL 350.51, 0.95%, 0.45%

LAB 46.52, 71.96, 44.6

 

CMYK 0 / 91 / 77 / 3

HEX #F71639

RGB 247 22 57

HSL 350.67, 0.93%, 0.53%

LAB 52.56, 77.25, 43.04

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

CMYK 0 / 59 / 50 / 2

HEX #FA667D

RGB 250 102 125

HSL 350.68, 0.94%, 0.69%

LAB 62.77, 58.32, 16.83

 

CMYK 0 / 43 / 37 / 2

HEX #FB8E9F

RGB 251 142 159

HSL 350.64, 0.93%, 0.77%

LAB 71.12, 42.95, 9.34

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

CMYK 3 / 0 / 75 / 2

HEX #F2F93E

RGB 242 249 62

HSL 62.25, 0.94%, 0.61%

LAB 94.73, -22.83, 82

 

CMYK 75 / 33 / 0 / 2

HEX #3EA8F9

RGB 62 168 249

HSL 205.99, 0.94%, 0.61%

LAB 66.42, -3.52, -48.87

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

CMYK 63 / 0 / 75 / 2

HEX #5DF93E

RGB 93 249 62

HSL 110.05, 0.94%, 0.61%

LAB 87.21, -72.48, 72.22

 

CMYK 75 / 63 / 0 / 2

HEX #3E5DF9

RGB 62 93 249

HSL 230.05, 0.94%, 0.61%

LAB 46.57, 41.89, -80.82

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

CMYK 3 / 0 / 75 / 2

HEX #F2F93E

RGB 242 249 62

HSL 62.25, 0.94%, 0.61%

LAB 94.73, -22.83, 82

 

CMYK 75 / 0 / 13 / 2

HEX #3EF9D9

RGB 62 249 217

HSL 169.73, 0.94%, 0.61%

LAB 88.82, -52.58, 2.28

 

CMYK 73 / 75 / 0 / 2

HEX #443EF9

RGB 68 62 249

HSL 241.93, 0.94%, 0.61%

LAB 40.43, 60.01, -90.9

 

CMYK 0 / 75 / 63 / 2

HEX #F93E5B

RGB 249 62 91

HSL 350.7, 0.94%, 0.61%

LAB 56.43, 70.69, 28.07

 

CMYK 25 / 0 / 75 / 2

HEX #BAF93E

RGB 186 249 62

HSL 80.21, 0.94%, 0.61%

LAB 91.02, -44.67, 77.22

 

CMYK 75 / 0 / 13 / 2

HEX #3EF9D9

RGB 62 249 217

HSL 169.73, 0.94%, 0.61%

LAB 88.82, -52.58, 2.28

 

CMYK 50 / 75 / 0 / 2

HEX #7C3EF9

RGB 124 62 249

HSL 259.89, 0.94%, 0.61%

LAB 45.04, 66.12, -83.15

 

Description

Color code: HEX #F93E5B | qconv.com Color code: HEX #F93E5B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 62 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 62 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 63 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 63% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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