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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F94554 it is the complementary color #06BAAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F94554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F94554 shade: #FE454F, #FF5762, #FF6975, #FF7B88 and #FF8D9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F94554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F94554 shade: #F94554, #E83341, #D7212E, #C60F1B and #B50008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F94554 shade: #F94352 and #F94343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F94554 shade: #F94352, #F94383, #F943B4, #F943E5 and #DB43F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F94554 shade matches the following richer shades: #F94352

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F94554 shade: #F94352, #E9525F, #D9626C, #CA7279 and #BA8186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F94554 shade: #F943B3, #F94382, #F94352, #F96443 and #F99443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F94554 shade: #E20719, #F71A2D, #F94352, #FA6B76 and #FB939B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F94554 shade: #F94554, #E3F943 and #439BF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F94554 shade: #F94554, #52F943 and #4352F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F94554 shade: #F94554, #E3F943, #43F9EA and #5843F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F94554 shade: #F94554, #ADF943, #43F9EA and #8E43F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 66 / 2

HEX #F94554

RGB 249 69 84

HSL 355, 0.94%, 0.62%

LAB 57.11, 68.1, 33.01

 

Complementary color

CMYK 97 / 0 / 8 / 27

HEX #06BAAB

RGB 6 186 171

HSL 175, 0.94%, 0.38%

LAB 68.09, -42.17, -3.51

 

CMYK 0 / 73 / 69 / 0

HEX #FE454F

RGB 254 69 79

HSL 356.76, 0.99%, 0.63%

LAB 57.93, 69.31, 37.08

 

CMYK 0 / 66 / 62 / 0

HEX #FF5762

RGB 255 87 98

HSL 356.07, 1%, 0.67%

LAB 60.74, 64.18, 29.78

 

CMYK 0 / 59 / 54 / 0

HEX #FF6975

RGB 255 105 117

HSL 355.2, 1%, 0.71%

LAB 63.87, 58, 23.04

 

CMYK 0 / 52 / 47 / 0

HEX #FF7B88

RGB 255 123 136

HSL 354.09, 1%, 0.74%

LAB 67.43, 51.33, 17.13

 

CMYK 0 / 45 / 39 / 0

HEX #FF8D9B

RGB 255 141 155

HSL 352.63, 1%, 0.78%

LAB 71.33, 44.42, 11.95

 

CMYK 0 / 72 / 66 / 2

HEX #F94554

RGB 249 69 84

HSL 355, 0.94%, 0.62%

LAB 57.11, 68.1, 33.01

 

CMYK 0 / 78 / 72 / 9

HEX #E83341

RGB 232 51 65

HSL 355.36, 0.8%, 0.55%

LAB 51.73, 67.86, 36.75

 

CMYK 0 / 85 / 79 / 16

HEX #D7212E

RGB 215 33 46

HSL 355.71, 0.73%, 0.49%

LAB 46.62, 66.93, 40.99

 

CMYK 0 / 92 / 86 / 22

HEX #C60F1B

RGB 198 15 27

HSL 356.07, 0.86%, 0.42%

LAB 41.89, 65.01, 45.42

 

CMYK 0 / 100 / 96 / 29

HEX #B50008

RGB 181 0 8

HSL 357.35, 1%, 0.35%

LAB 37.56, 62.02, 48.81

 

CMYK 0 / 73 / 67 / 2

HEX #F94352

RGB 249 67 82

HSL 355.05, 0.94%, 0.62%

LAB 56.84, 68.65, 33.83

 

CMYK 0 / 73 / 73 / 2

HEX #F94343

RGB 249 67 67

HSL 0, 0.94%, 0.62%

LAB 56.64, 67.98, 42.07

 

CMYK 0 / 73 / 67 / 2

HEX #F94352

RGB 249 67 82

HSL 355.05, 0.94%, 0.62%

LAB 56.84, 68.65, 33.83

 

CMYK 0 / 73 / 47 / 2

HEX #F94383

RGB 249 67 131

HSL 338.9, 0.94%, 0.62%

LAB 57.84, 71.92, 6.38

 

CMYK 0 / 73 / 28 / 2

HEX #F943B4

RGB 249 67 180

HSL 322.75, 0.94%, 0.62%

LAB 59.39, 76.82, -19.96

 

CMYK 0 / 73 / 8 / 2

HEX #F943E5

RGB 249 67 229

HSL 306.59, 0.94%, 0.62%

LAB 61.49, 83.19, -44.56

 

CMYK 12 / 73 / 0 / 2

HEX #DB43F9

RGB 219 67 249

HSL 290.11, 0.94%, 0.62%

LAB 57.96, 80.28, -61.62

 

CMYK 0 / 73 / 67 / 2

HEX #F94352

RGB 249 67 82

HSL 355.05, 0.94%, 0.62%

LAB 56.84, 68.65, 33.83

 

CMYK 0 / 73 / 67 / 2

HEX #F94352

RGB 249 67 82

HSL 355.05, 0.94%, 0.62%

LAB 56.84, 68.65, 33.83

 

CMYK 0 / 65 / 59 / 9

HEX #E9525F

RGB 233 82 95

HSL 354.83, 0.77%, 0.62%

LAB 56.27, 59.03, 24.99

 

CMYK 0 / 55 / 50 / 15

HEX #D9626C

RGB 217 98 108

HSL 354.96, 0.61%, 0.62%

LAB 56.65, 47.56, 17.47

 

CMYK 0 / 44 / 40 / 21

HEX #CA7279

RGB 202 114 121

HSL 355.23, 0.45%, 0.62%

LAB 58.01, 35.32, 11.47

 

CMYK 0 / 31 / 28 / 27

HEX #BA8186

RGB 186 129 134

HSL 354.74, 0.29%, 0.62%

LAB 59.76, 22.73, 6.19

 

CMYK 0 / 73 / 28 / 2

HEX #F943B3

RGB 249 67 179

HSL 323.08, 0.94%, 0.62%

LAB 59.35, 76.7, -19.44

 

CMYK 0 / 73 / 48 / 2

HEX #F94382

RGB 249 67 130

HSL 339.23, 0.94%, 0.62%

LAB 57.81, 71.83, 6.93

 

CMYK 0 / 73 / 67 / 2

HEX #F94352

RGB 249 67 82

HSL 355.05, 0.94%, 0.62%

LAB 56.84, 68.65, 33.83

 

CMYK 0 / 60 / 73 / 2

HEX #F96443

RGB 249 100 67

HSL 10.88, 0.94%, 0.62%

LAB 61.36, 55.2, 47.29

 

CMYK 0 / 41 / 73 / 2

HEX #F99443

RGB 249 148 67

HSL 26.7, 0.94%, 0.62%

LAB 70.68, 31.8, 57.18

 

CMYK 0 / 97 / 89 / 11

HEX #E20719

RGB 226 7 25

HSL 355.07, 0.94%, 0.46%

LAB 47.48, 72.8, 53.24

 

CMYK 0 / 89 / 82 / 3

HEX #F71A2D

RGB 247 26 45

HSL 354.84, 0.93%, 0.54%

LAB 52.62, 76.4, 49.62

 

CMYK 0 / 73 / 67 / 2

HEX #F94352

RGB 249 67 82

HSL 355.05, 0.94%, 0.62%

LAB 56.84, 68.65, 33.83

 

CMYK 0 / 57 / 53 / 2

HEX #FA6B76

RGB 250 107 118

HSL 355.38, 0.93%, 0.7%

LAB 63.46, 55.52, 21.79

 

CMYK 0 / 41 / 38 / 2

HEX #FB939B

RGB 251 147 155

HSL 355.38, 0.93%, 0.78%

LAB 72.06, 39.95, 12.89

 

CMYK 0 / 72 / 66 / 2

HEX #F94554

RGB 249 69 84

HSL 355, 0.94%, 0.62%

LAB 57.11, 68.1, 33.01

 

CMYK 9 / 0 / 73 / 2

HEX #E3F943

RGB 227 249 67

HSL 67.25, 0.94%, 0.62%

LAB 93.66, -28.65, 79.08

 

CMYK 73 / 38 / 0 / 2

HEX #439BF9

RGB 67 155 249

HSL 210.99, 0.94%, 0.62%

LAB 62.91, 4.56, -54.43

 

CMYK 0 / 72 / 66 / 2

HEX #F94554

RGB 249 69 84

HSL 355, 0.94%, 0.62%

LAB 57.11, 68.1, 33.01

 

CMYK 67 / 0 / 73 / 2

HEX #52F943

RGB 82 249 67

HSL 115.05, 0.94%, 0.62%

LAB 86.97, -74.32, 70.29

 

CMYK 73 / 67 / 0 / 2

HEX #4352F9

RGB 67 82 249

HSL 235.05, 0.94%, 0.62%

LAB 44.33, 48.95, -84.48

 

CMYK 0 / 72 / 66 / 2

HEX #F94554

RGB 249 69 84

HSL 355, 0.94%, 0.62%

LAB 57.11, 68.1, 33.01

 

CMYK 9 / 0 / 73 / 2

HEX #E3F943

RGB 227 249 67

HSL 67.25, 0.94%, 0.62%

LAB 93.66, -28.65, 79.08

 

CMYK 73 / 0 / 6 / 2

HEX #43F9EA

RGB 67 249 234

HSL 175.05, 0.94%, 0.62%

LAB 89.34, -47.64, -5.8

 

CMYK 65 / 73 / 0 / 2

HEX #5843F9

RGB 88 67 249

HSL 246.92, 0.94%, 0.62%

LAB 42.66, 59.34, -87.19

 

CMYK 0 / 72 / 66 / 2

HEX #F94554

RGB 249 69 84

HSL 355, 0.94%, 0.62%

LAB 57.11, 68.1, 33.01

 

CMYK 31 / 0 / 73 / 2

HEX #ADF943

RGB 173 249 67

HSL 85.05, 0.94%, 0.62%

LAB 90.34, -49.1, 74.74

 

CMYK 73 / 0 / 6 / 2

HEX #43F9EA

RGB 67 249 234

HSL 175.05, 0.94%, 0.62%

LAB 89.34, -47.64, -5.8

 

CMYK 43 / 73 / 0 / 2

HEX #8E43F9

RGB 142 67 249

HSL 264.73, 0.94%, 0.62%

LAB 47.76, 66.6, -78.62

 

Description

Color code: HEX #F94554 | qconv.com Color code: HEX #F94554 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 69 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 69 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 66 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 66% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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