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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F947ED it is the complementary color #06B812. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F947ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F947ED shade: #FE47E8, #FF59FB, #FF6BFF, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F947ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F947ED shade: #F947ED, #E835DA, #D723C7, #C611B4 and #B500A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F947ED shade: #F947ED, #F947BD, #F9478D, #F9475D and #F94747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F947ED shade: #F947ED, #D547F9, #A547F9, #7547F9 and #4747F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F947ED shade matches the following richer shades: #F947ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F947ED shade: #F947ED, #EA57E0, #DA66D2, #CB75C5 and #BC85B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F947ED shade: #A647F9, #D547F9, #F947ED, #F947BE and #F9478E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F947ED shade: #E707D8, #F81FE9, #F947ED, #FA6FF1 and #FB98F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F947ED shade: #F947ED, #F97747 and #47F9BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F947ED shade: #F947ED, #EDF947 and #47EDF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F947ED shade: #F947ED, #F97747, #47F953 and #47CAF9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F947ED shade: #F947ED, #F9AC47, #47F953 and #4794F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

Complementary color

CMYK 97 / 0 / 90 / 28

HEX #06B812

RGB 6 184 18

HSL 124.04, 0.94%, 0.37%

LAB 65.25, -66.72, 62.76

 

CMYK 0 / 72 / 9 / 0

HEX #FE47E8

RGB 254 71 232

HSL 307.21, 0.99%, 0.64%

LAB 62.85, 83.49, -44.05

 

CMYK 0 / 65 / 2 / 0

HEX #FF59FB

RGB 255 89 251

HSL 301.45, 1%, 0.67%

LAB 66.04, 80.55, -49.55

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 0 / 77 / 6 / 9

HEX #E835DA

RGB 232 53 218

HSL 304.69, 0.8%, 0.56%

LAB 56.84, 81.98, -45.88

 

CMYK 0 / 84 / 7 / 16

HEX #D723C7

RGB 215 35 199

HSL 305.33, 0.72%, 0.49%

LAB 51.58, 80.05, -43.53

 

CMYK 0 / 91 / 9 / 22

HEX #C611B4

RGB 198 17 180

HSL 305.97, 0.84%, 0.42%

LAB 46.58, 77.1, -40.57

 

CMYK 0 / 100 / 11 / 29

HEX #B500A1

RGB 181 0 161

HSL 306.63, 1%, 0.35%

LAB 41.84, 73.12, -36.98

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 0 / 71 / 24 / 2

HEX #F947BD

RGB 249 71 189

HSL 320.22, 0.94%, 0.63%

LAB 60.18, 76.63, -23.93

 

CMYK 0 / 71 / 43 / 2

HEX #F9478D

RGB 249 71 141

HSL 336.4, 0.94%, 0.63%

LAB 58.57, 71.49, 1.55

 

CMYK 0 / 71 / 63 / 2

HEX #F9475D

RGB 249 71 93

HSL 352.58, 0.94%, 0.63%

LAB 57.5, 67.91, 28.28

 

CMYK 0 / 71 / 71 / 2

HEX #F94747

RGB 249 71 71

HSL 0, 0.94%, 0.63%

LAB 57.17, 66.81, 40.46

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 14 / 71 / 0 / 2

HEX #D547F9

RGB 213 71 249

HSL 287.87, 0.94%, 0.63%

LAB 57.55, 77.77, -62.32

 

CMYK 34 / 71 / 0 / 2

HEX #A547F9

RGB 165 71 249

HSL 271.69, 0.94%, 0.63%

LAB 51.09, 68.76, -73.08

 

CMYK 53 / 71 / 0 / 2

HEX #7547F9

RGB 117 71 249

HSL 255.51, 0.94%, 0.63%

LAB 45.81, 61, -81.92

 

CMYK 71 / 71 / 0 / 2

HEX #4747F9

RGB 71 71 249

HSL 240, 0.94%, 0.63%

LAB 42.29, 55.53, -87.84

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 0 / 63 / 4 / 8

HEX #EA57E0

RGB 234 87 224

HSL 304.08, 0.78%, 0.63%

LAB 61.39, 72.19, -42.08

 

CMYK 0 / 53 / 4 / 15

HEX #DA66D2

RGB 218 102 210

HSL 304.14, 0.61%, 0.63%

LAB 60.84, 59.37, -35.23

 

CMYK 0 / 42 / 3 / 20

HEX #CB75C5

RGB 203 117 197

HSL 304.19, 0.45%, 0.63%

LAB 61.18, 45.34, -27.5

 

CMYK 0 / 29 / 2 / 26

HEX #BC85B8

RGB 188 133 184

HSL 304.36, 0.29%, 0.63%

LAB 62.45, 29.5, -18.35

 

CMYK 33 / 71 / 0 / 2

HEX #A647F9

RGB 166 71 249

HSL 272.02, 0.94%, 0.63%

LAB 51.21, 68.94, -72.87

 

CMYK 14 / 71 / 0 / 2

HEX #D547F9

RGB 213 71 249

HSL 287.87, 0.94%, 0.63%

LAB 57.55, 77.77, -62.32

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 0 / 71 / 24 / 2

HEX #F947BE

RGB 249 71 190

HSL 319.89, 0.94%, 0.63%

LAB 60.22, 76.76, -24.44

 

CMYK 0 / 71 / 43 / 2

HEX #F9478E

RGB 249 71 142

HSL 336.07, 0.94%, 0.63%

LAB 58.6, 71.58, 1

 

CMYK 0 / 97 / 6 / 9

HEX #E707D8

RGB 231 7 216

HSL 304.02, 0.94%, 0.47%

LAB 54.13, 88.63, -49.06

 

CMYK 0 / 88 / 6 / 3

HEX #F81FE9

RGB 248 31 233

HSL 304.15, 0.94%, 0.55%

LAB 58.81, 91.44, -51.06

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 0 / 56 / 4 / 2

HEX #FA6FF1

RGB 250 111 241

HSL 303.88, 0.93%, 0.71%

LAB 68.05, 68.96, -40.92

 

CMYK 0 / 39 / 2 / 2

HEX #FB98F5

RGB 251 152 245

HSL 303.64, 0.93%, 0.79%

LAB 75.8, 50.4, -31.08

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 0 / 52 / 71 / 2

HEX #F97747

RGB 249 119 71

HSL 16.18, 0.94%, 0.63%

LAB 64.79, 46.58, 49.02

 

CMYK 71 / 0 / 24 / 2

HEX #47F9BE

RGB 71 249 190

HSL 160.11, 0.94%, 0.63%

LAB 88.36, -57.91, 15.63

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 5 / 0 / 71 / 2

HEX #EDF947

RGB 237 249 71

HSL 64.04, 0.94%, 0.63%

LAB 94.4, -24.47, 78.75

 

CMYK 71 / 5 / 0 / 2

HEX #47EDF9

RGB 71 237 249

HSL 184.04, 0.94%, 0.63%

LAB 86.38, -37.71, -18.06

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 0 / 52 / 71 / 2

HEX #F97747

RGB 249 119 71

HSL 16.18, 0.94%, 0.63%

LAB 64.79, 46.58, 49.02

 

CMYK 71 / 0 / 67 / 2

HEX #47F953

RGB 71 249 83

HSL 124.04, 0.94%, 0.63%

LAB 86.86, -74.89, 64.35

 

CMYK 71 / 19 / 0 / 2

HEX #47CAF9

RGB 71 202 249

HSL 195.84, 0.94%, 0.63%

LAB 76.33, -20.73, -33.39

 

CMYK 0 / 71 / 5 / 2

HEX #F947ED

RGB 249 71 237

HSL 304.04, 0.94%, 0.63%

LAB 62.31, 83.15, -47.75

 

CMYK 0 / 31 / 71 / 2

HEX #F9AC47

RGB 249 172 71

HSL 34.04, 0.94%, 0.63%

LAB 76.13, 19.43, 61.04

 

CMYK 71 / 0 / 67 / 2

HEX #47F953

RGB 71 249 83

HSL 124.04, 0.94%, 0.63%

LAB 86.86, -74.89, 64.35

 

CMYK 71 / 41 / 0 / 2

HEX #4794F9

RGB 71 148 249

HSL 214.04, 0.94%, 0.63%

LAB 61.1, 9.2, -57.3

 

Description

Color code: HEX #F947ED | qconv.com Color code: HEX #F947ED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 71 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 71 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 5 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 5% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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