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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F965D2 it is the complementary color #069A2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F965D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F965D2 shade: #FE65CD, #FF77E0, #FF89F3, #FF9BFF and #FFADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F965D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F965D2 shade: #F965D2, #E853BF, #D741AC, #C62F99 and #B51D86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F965D2 shade: #F966D2, #F966AB, #F96683 and #F96666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F965D2 shade: #F966D2, #F866F9, #D066F9, #A966F9 and #8166F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F965D2 shade matches the following richer shades: #F966D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F965D2 shade: #F966D2, #EC73CC, #DF80C6, #D38CC0 and #C699BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F965D2 shade: #CF66F9, #F766F9, #F966D4, #F966AD and #F96686

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F965D2 shade: #F616BB, #F83EC7, #F966D2, #FA8EDE and #FCB6E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F965D2 shade: #F965D2, #F9A866 and #66F9E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F965D2 shade: #F965D2, #D4F966 and #66D4F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F965D2 shade: #F965D2, #F9A866, #66F98B and #66B7F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F965D2 shade: #F965D2, #F9D466, #66F98B and #668BF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 16 / 2

HEX #F965D2

RGB 249 101 210

HSL 315.81, 0.93%, 0.69%

LAB 65.04, 68.23, -28.36

 

Complementary color

CMYK 96 / 0 / 71 / 40

HEX #069A2D

RGB 6 154 45

HSL 135.81, 0.93%, 0.31%

LAB 55.42, -56.29, 45.58

 

CMYK 0 / 60 / 19 / 0

HEX #FE65CD

RGB 254 101 205

HSL 319.22, 0.99%, 0.7%

LAB 65.58, 68.88, -24.66

 

CMYK 0 / 53 / 12 / 0

HEX #FF77E0

RGB 255 119 224

HSL 313.68, 1%, 0.73%

LAB 69.35, 64.08, -29.45

 

CMYK 0 / 46 / 5 / 0

HEX #FF89F3

RGB 255 137 243

HSL 306.1, 1%, 0.77%

LAB 73.3, 58.66, -33.8

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 0 / 32 / 0 / 0

HEX #FFADFF

RGB 255 173 255

HSL 300, 1%, 0.84%

LAB 80.94, 42.6, -28.53

 

CMYK 0 / 59 / 16 / 2

HEX #F965D2

RGB 249 101 210

HSL 315.81, 0.93%, 0.69%

LAB 65.04, 68.23, -28.36

 

CMYK 0 / 64 / 18 / 9

HEX #E853BF

RGB 232 83 191

HSL 316.51, 0.76%, 0.62%

LAB 59.07, 68.35, -27.01

 

CMYK 0 / 70 / 20 / 16

HEX #D741AC

RGB 215 65 172

HSL 317.2, 0.65%, 0.55%

LAB 53.17, 68.1, -25.34

 

CMYK 0 / 76 / 23 / 22

HEX #C62F99

RGB 198 47 153

HSL 317.88, 0.62%, 0.48%

LAB 47.42, 67.3, -23.23

 

CMYK 0 / 84 / 26 / 29

HEX #B51D86

RGB 181 29 134

HSL 318.55, 0.72%, 0.41%

LAB 41.88, 65.65, -20.51

 

CMYK 0 / 59 / 16 / 2

HEX #F966D2

RGB 249 102 210

HSL 315.92, 0.92%, 0.69%

LAB 65.2, 67.81, -28.12

 

CMYK 0 / 59 / 31 / 2

HEX #F966AB

RGB 249 102 171

HSL 331.84, 0.92%, 0.69%

LAB 63.82, 62.69, -8.1

 

CMYK 0 / 59 / 47 / 2

HEX #F96683

RGB 249 102 131

HSL 348.16, 0.92%, 0.69%

LAB 62.74, 58.52, 13.32

 

CMYK 0 / 59 / 59 / 2

HEX #F96666

RGB 249 102 102

HSL 0, 0.92%, 0.69%

LAB 62.17, 56.24, 29.15

 

CMYK 0 / 59 / 16 / 2

HEX #F966D2

RGB 249 102 210

HSL 315.92, 0.92%, 0.69%

LAB 65.2, 67.81, -28.12

 

CMYK 0 / 59 / 0 / 2

HEX #F866F9

RGB 248 102 249

HSL 299.59, 0.92%, 0.69%

LAB 66.75, 73.58, -47.39

 

CMYK 16 / 59 / 0 / 2

HEX #D066F9

RGB 208 102 249

HSL 283.27, 0.92%, 0.69%

LAB 61.44, 64, -56.14

 

CMYK 32 / 59 / 0 / 2

HEX #A966F9

RGB 169 102 249

HSL 267.35, 0.92%, 0.69%

LAB 56.86, 54.99, -63.73

 

CMYK 48 / 59 / 0 / 2

HEX #8166F9

RGB 129 102 249

HSL 251.02, 0.92%, 0.69%

LAB 52.96, 46.58, -70.21

 

CMYK 0 / 59 / 16 / 2

HEX #F966D2

RGB 249 102 210

HSL 315.92, 0.92%, 0.69%

LAB 65.2, 67.81, -28.12

 

CMYK 0 / 59 / 16 / 2

HEX #F966D2

RGB 249 102 210

HSL 315.92, 0.92%, 0.69%

LAB 65.2, 67.81, -28.12

 

CMYK 0 / 51 / 14 / 7

HEX #EC73CC

RGB 236 115 204

HSL 315.87, 0.76%, 0.69%

LAB 65.32, 57.42, -24.72

 

CMYK 0 / 43 / 11 / 13

HEX #DF80C6

RGB 223 128 198

HSL 315.79, 0.6%, 0.69%

LAB 65.91, 46.07, -20.6

 

CMYK 0 / 34 / 9 / 17

HEX #D38CC0

RGB 211 140 192

HSL 316.06, 0.45%, 0.69%

LAB 66.83, 34.83, -15.97

 

CMYK 0 / 23 / 6 / 22

HEX #C699BA

RGB 198 153 186

HSL 316, 0.28%, 0.69%

LAB 68.27, 22.23, -10.6

 

CMYK 17 / 59 / 0 / 2

HEX #CF66F9

RGB 207 102 249

HSL 282.86, 0.92%, 0.69%

LAB 61.31, 63.76, -56.34

 

CMYK 1 / 59 / 0 / 2

HEX #F766F9

RGB 247 102 249

HSL 299.18, 0.92%, 0.69%

LAB 66.61, 73.34, -47.62

 

CMYK 0 / 59 / 15 / 2

HEX #F966D4

RGB 249 102 212

HSL 315.1, 0.92%, 0.69%

LAB 65.28, 68.1, -29.12

 

CMYK 0 / 59 / 31 / 2

HEX #F966AD

RGB 249 102 173

HSL 331.02, 0.92%, 0.69%

LAB 63.88, 62.93, -9.15

 

CMYK 0 / 59 / 46 / 2

HEX #F96686

RGB 249 102 134

HSL 346.94, 0.92%, 0.69%

LAB 62.81, 58.79, 11.69

 

CMYK 0 / 91 / 24 / 4

HEX #F616BB

RGB 246 22 187

HSL 315.8, 0.93%, 0.53%

LAB 55.84, 86.46, -29.51

 

CMYK 0 / 75 / 20 / 3

HEX #F83EC7

RGB 248 62 199

HSL 315.81, 0.93%, 0.61%

LAB 59.46, 80.37, -30.78

 

CMYK 0 / 59 / 16 / 2

HEX #F966D2

RGB 249 102 210

HSL 315.92, 0.92%, 0.69%

LAB 65.2, 67.81, -28.12

 

CMYK 0 / 43 / 11 / 2

HEX #FA8EDE

RGB 250 142 222

HSL 315.56, 0.92%, 0.77%

LAB 72.85, 51.29, -23.04

 

CMYK 0 / 28 / 8 / 1

HEX #FCB6E9

RGB 252 182 233

HSL 316.29, 0.92%, 0.85%

LAB 81.86, 33.11, -15.37

 

CMYK 0 / 59 / 16 / 2

HEX #F965D2

RGB 249 101 210

HSL 315.81, 0.93%, 0.69%

LAB 65.04, 68.23, -28.36

 

CMYK 0 / 33 / 59 / 2

HEX #F9A866

RGB 249 168 102

HSL 26.94, 0.92%, 0.69%

LAB 75.52, 23.37, 45.78

 

CMYK 59 / 0 / 9 / 2

HEX #66F9E3

RGB 102 249 227

HSL 171.02, 0.92%, 0.69%

LAB 89.92, -44.42, -1.22

 

CMYK 0 / 59 / 16 / 2

HEX #F965D2

RGB 249 101 210

HSL 315.81, 0.93%, 0.69%

LAB 65.04, 68.23, -28.36

 

CMYK 15 / 0 / 59 / 2

HEX #D4F966

RGB 212 249 102

HSL 75.1, 0.92%, 0.69%

LAB 92.89, -32.41, 64.95

 

CMYK 59 / 15 / 0 / 2

HEX #66D4F9

RGB 102 212 249

HSL 195.1, 0.92%, 0.69%

LAB 80.04, -21.05, -27.61

 

CMYK 0 / 59 / 16 / 2

HEX #F965D2

RGB 249 101 210

HSL 315.81, 0.93%, 0.69%

LAB 65.04, 68.23, -28.36

 

CMYK 0 / 33 / 59 / 2

HEX #F9A866

RGB 249 168 102

HSL 26.94, 0.92%, 0.69%

LAB 75.52, 23.37, 45.78

 

CMYK 59 / 0 / 44 / 2

HEX #66F98B

RGB 102 249 139

HSL 135.1, 0.92%, 0.69%

LAB 88.18, -62.22, 41.21

 

CMYK 59 / 27 / 0 / 2

HEX #66B7F9

RGB 102 183 249

HSL 206.94, 0.92%, 0.69%

LAB 71.91, -5.78, -40.16

 

CMYK 0 / 59 / 16 / 2

HEX #F965D2

RGB 249 101 210

HSL 315.81, 0.93%, 0.69%

LAB 65.04, 68.23, -28.36

 

CMYK 0 / 15 / 59 / 2

HEX #F9D466

RGB 249 212 102

HSL 44.9, 0.92%, 0.69%

LAB 86.1, 0.45, 58.13

 

CMYK 59 / 0 / 44 / 2

HEX #66F98B

RGB 102 249 139

HSL 135.1, 0.92%, 0.69%

LAB 88.18, -62.22, 41.21

 

CMYK 59 / 44 / 0 / 2

HEX #668BF9

RGB 102 139 249

HSL 224.9, 0.92%, 0.69%

LAB 60.01, 19.54, -58.97

 

Description

Color code: HEX #F965D2 | qconv.com Color code: HEX #F965D2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 101 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 101 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 16 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 16% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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