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Color name
HEX #F9686A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9686A it is the complementary color #069795. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9686A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9686A shade: #FE6865, #FF7A78, #FF8C8B, #FF9E9E and #FFB0B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9686A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9686A shade: #F9686A, #E85657, #D74444, #C63231 and #B5201E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9686A shade: #F86769 and #F86767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9686A shade: #F86769, #F86790, #F867B7, #F867DE and #EB67F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9686A shade matches the following richer shades: #F86769

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9686A shade: #F86769, #EB7475, #DF8082, #D28D8E and #C59A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9686A shade: #F867B7, #F86790, #F86769, #F88B67 and #F8B267

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9686A shade: #F5181B, #F73F42, #F86769, #FA8E90 and #FBB6B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9686A shade: #F9686A, #DEF867 and #67A3F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9686A shade: #F9686A, #69F867 and #6769F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9686A shade: #F9686A, #DEF867, #67F8F6 and #8167F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9686A shade: #F9686A, #B2F867, #67F8F6 and #AD67F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 57 / 2

HEX #F9686A

RGB 249 104 106

HSL 359.17, 0.92%, 0.69%

LAB 62.58, 55.63, 27.41

 

Complementary color

CMYK 96 / 0 / 1 / 41

HEX #069795

RGB 6 151 149

HSL 179.17, 0.92%, 0.31%

LAB 56.43, -32.89, -8.45

 

CMYK 0 / 59 / 60 / 0

HEX #FE6865

RGB 254 104 101

HSL 1.18, 0.99%, 0.7%

LAB 63.27, 56.97, 31.28

 

CMYK 0 / 52 / 53 / 0

HEX #FF7A78

RGB 255 122 120

HSL 0.89, 1%, 0.74%

LAB 66.93, 50.42, 25.44

 

CMYK 0 / 45 / 45 / 0

HEX #FF8C8B

RGB 255 140 139

HSL 0.52, 1%, 0.77%

LAB 70.79, 43.27, 20.08

 

CMYK 0 / 38 / 38 / 0

HEX #FF9E9E

RGB 255 158 158

HSL 0, 1%, 0.81%

LAB 74.94, 36.07, 15.36

 

CMYK 0 / 31 / 31 / 0

HEX #FFB0B1

RGB 255 176 177

HSL 359.24, 1%, 0.85%

LAB 79.32, 28.98, 11.19

 

CMYK 0 / 58 / 57 / 2

HEX #F9686A

RGB 249 104 106

HSL 359.17, 0.92%, 0.69%

LAB 62.58, 55.63, 27.41

 

CMYK 0 / 63 / 63 / 9

HEX #E85657

RGB 232 86 87

HSL 359.59, 0.76%, 0.62%

LAB 56.58, 56.53, 29.99

 

CMYK 0 / 68 / 68 / 16

HEX #D74444

RGB 215 68 68

HSL 0, 0.65%, 0.55%

LAB 50.69, 57.23, 33.01

 

CMYK 0 / 75 / 75 / 22

HEX #C63231

RGB 198 50 49

HSL 0.4, 0.6%, 0.48%

LAB 44.95, 57.56, 36.52

 

CMYK 0 / 82 / 83 / 29

HEX #B5201E

RGB 181 32 30

HSL 0.79, 0.72%, 0.41%

LAB 39.5, 57.22, 40.41

 

CMYK 0 / 58 / 58 / 3

HEX #F86769

RGB 248 103 105

HSL 359.17, 0.91%, 0.69%

LAB 62.23, 55.67, 27.5

 

CMYK 0 / 58 / 58 / 3

HEX #F86767

RGB 248 103 103

HSL 0, 0.91%, 0.69%

LAB 62.2, 55.53, 28.59

 

CMYK 0 / 58 / 58 / 3

HEX #F86769

RGB 248 103 105

HSL 359.17, 0.91%, 0.69%

LAB 62.23, 55.67, 27.5

 

CMYK 0 / 58 / 42 / 3

HEX #F86790

RGB 248 103 144

HSL 343.03, 0.91%, 0.69%

LAB 63.07, 59, 6.28

 

CMYK 0 / 58 / 26 / 3

HEX #F867B7

RGB 248 103 183

HSL 326.9, 0.91%, 0.69%

LAB 64.22, 63.44, -14.36

 

CMYK 0 / 58 / 10 / 3

HEX #F867DE

RGB 248 103 222

HSL 310.76, 0.91%, 0.69%

LAB 65.69, 68.89, -34.08

 

CMYK 5 / 58 / 0 / 3

HEX #EB67F8

RGB 235 103 248

HSL 294.62, 0.91%, 0.69%

LAB 65.07, 69.85, -49.6

 

CMYK 0 / 58 / 58 / 3

HEX #F86769

RGB 248 103 105

HSL 359.17, 0.91%, 0.69%

LAB 62.23, 55.67, 27.5

 

CMYK 0 / 58 / 58 / 3

HEX #F86769

RGB 248 103 105

HSL 359.17, 0.91%, 0.69%

LAB 62.23, 55.67, 27.5

 

CMYK 0 / 51 / 50 / 8

HEX #EB7475

RGB 235 116 117

HSL 359.5, 0.75%, 0.69%

LAB 62.88, 45.98, 21.19

 

CMYK 0 / 43 / 42 / 13

HEX #DF8082

RGB 223 128 130

HSL 358.74, 0.6%, 0.69%

LAB 63.95, 36.78, 15.02

 

CMYK 0 / 33 / 32 / 18

HEX #D28D8E

RGB 210 141 142

HSL 359.13, 0.43%, 0.69%

LAB 65.52, 26.38, 10.22

 

CMYK 0 / 22 / 22 / 23

HEX #C59A9A

RGB 197 154 154

HSL 0, 0.27%, 0.69%

LAB 67.51, 16.02, 6.15

 

CMYK 0 / 58 / 26 / 3

HEX #F867B7

RGB 248 103 183

HSL 326.9, 0.91%, 0.69%

LAB 64.22, 63.44, -14.36

 

CMYK 0 / 58 / 42 / 3

HEX #F86790

RGB 248 103 144

HSL 343.03, 0.91%, 0.69%

LAB 63.07, 59, 6.28

 

CMYK 0 / 58 / 58 / 3

HEX #F86769

RGB 248 103 105

HSL 359.17, 0.91%, 0.69%

LAB 62.23, 55.67, 27.5

 

CMYK 0 / 44 / 58 / 3

HEX #F88B67

RGB 248 139 103

HSL 14.9, 0.91%, 0.69%

LAB 69.04, 38.13, 37.3

 

CMYK 0 / 28 / 58 / 3

HEX #F8B267

RGB 248 178 103

HSL 31.03, 0.91%, 0.69%

LAB 77.74, 17.78, 47.92

 

CMYK 0 / 90 / 89 / 4

HEX #F5181B

RGB 245 24 27

HSL 359.19, 0.92%, 0.53%

LAB 52, 75.82, 57.43

 

CMYK 0 / 74 / 73 / 3

HEX #F73F42

RGB 247 63 66

HSL 359.02, 0.92%, 0.61%

LAB 55.81, 68.63, 41.58

 

CMYK 0 / 58 / 58 / 3

HEX #F86769

RGB 248 103 105

HSL 359.17, 0.91%, 0.69%

LAB 62.23, 55.67, 27.5

 

CMYK 0 / 43 / 42 / 2

HEX #FA8E90

RGB 250 142 144

HSL 358.89, 0.92%, 0.77%

LAB 70.65, 40.95, 17.02

 

CMYK 0 / 27 / 27 / 2

HEX #FBB6B7

RGB 251 182 183

HSL 359.13, 0.9%, 0.85%

LAB 80.4, 25.15, 9.42

 

CMYK 0 / 58 / 57 / 2

HEX #F9686A

RGB 249 104 106

HSL 359.17, 0.92%, 0.69%

LAB 62.58, 55.63, 27.41

 

CMYK 10 / 0 / 58 / 3

HEX #DEF867

RGB 222 248 103

HSL 70.76, 0.91%, 0.69%

LAB 93.3, -28.03, 65.18

 

CMYK 58 / 34 / 0 / 3

HEX #67A3F8

RGB 103 163 248

HSL 215.17, 0.91%, 0.69%

LAB 66.41, 5.32, -48.25

 

CMYK 0 / 58 / 57 / 2

HEX #F9686A

RGB 249 104 106

HSL 359.17, 0.92%, 0.69%

LAB 62.58, 55.63, 27.41

 

CMYK 58 / 0 / 58 / 3

HEX #69F867

RGB 105 248 103

HSL 119.17, 0.91%, 0.69%

LAB 87.54, -65.94, 57.12

 

CMYK 58 / 58 / 0 / 3

HEX #6769F8

RGB 103 105 248

HSL 239.17, 0.91%, 0.69%

LAB 51.57, 39.81, -72.01

 

CMYK 0 / 58 / 57 / 2

HEX #F9686A

RGB 249 104 106

HSL 359.17, 0.92%, 0.69%

LAB 62.58, 55.63, 27.41

 

CMYK 10 / 0 / 58 / 3

HEX #DEF867

RGB 222 248 103

HSL 70.76, 0.91%, 0.69%

LAB 93.3, -28.03, 65.18

 

CMYK 58 / 0 / 1 / 3

HEX #67F8F6

RGB 103 248 246

HSL 179.17, 0.91%, 0.69%

LAB 90.17, -38.98, -10.73

 

CMYK 48 / 58 / 0 / 3

HEX #8167F8

RGB 129 103 248

HSL 250.76, 0.91%, 0.69%

LAB 53.11, 45.73, -69.42

 

CMYK 0 / 58 / 57 / 2

HEX #F9686A

RGB 249 104 106

HSL 359.17, 0.92%, 0.69%

LAB 62.58, 55.63, 27.41

 

CMYK 28 / 0 / 58 / 3

HEX #B2F867

RGB 178 248 103

HSL 88.97, 0.91%, 0.69%

LAB 90.59, -44.35, 61.4

 

CMYK 58 / 0 / 1 / 3

HEX #67F8F6

RGB 103 248 246

HSL 179.17, 0.91%, 0.69%

LAB 90.17, -38.98, -10.73

 

CMYK 30 / 58 / 0 / 3

HEX #AD67F8

RGB 173 103 248

HSL 268.97, 0.91%, 0.69%

LAB 57.43, 55.14, -62.24

 

Description

Color code: HEX #F9686A | qconv.com Color code: HEX #F9686A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 104 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 104 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 57% 2% C M Y K

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