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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F97FF9 it is the complementary color #068006. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F97FF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F97FF9 shade: #FE7FF4, #FF91FF, #FFA3FF, #FFB5FF and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F97FF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F97FF9 shade: #F97FF9, #E86DE6, #D75BD3, #C649C0 and #B537AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F97FF9 shade: #F980F9, #F980D8, #F980B7, #F98097 and #F98080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F97FF9 shade: #F980F9, #D880F9, #B780F9, #9780F9 and #8080F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F97FF9 shade matches the following richer shades: #F980F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F97FF9 shade: #F980F9, #EE8BEE, #E395E3, #D8A0D8 and #CEABCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F97FF9 shade: #B880F9, #D880F9, #F980F9, #F980D8 and #F980B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F97FF9 shade: #F531F5, #F758F7, #F980F9, #FAA7FA and #FCCFFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F97FF9 shade: #F97FF9, #F99880 and #80F9C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F97FF9 shade: #F97FF9, #F9F980 and #80F9F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F97FF9 shade: #F97FF9, #F99880, #80F980 and #80E0F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F97FF9 shade: #F97FF9, #F9BC80, #80F980 and #80BCF9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 0 / 2

HEX #F97FF9

RGB 249 127 249

HSL 300, 0.91%, 0.74%

LAB 70.98, 62.77, -40.74

 

Complementary color

CMYK 95 / 0 / 95 / 50

HEX #068006

RGB 6 128 6

HSL 120, 0.91%, 0.26%

LAB 46.3, -50.99, 48.73

 

CMYK 0 / 50 / 4 / 0

HEX #FE7FF4

RGB 254 127 244

HSL 304.72, 0.98%, 0.75%

LAB 71.41, 63.29, -37.3

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 49 / 0 / 2

HEX #F97FF9

RGB 249 127 249

HSL 300, 0.91%, 0.74%

LAB 70.98, 62.77, -40.74

 

CMYK 0 / 53 / 1 / 9

HEX #E86DE6

RGB 232 109 230

HSL 300.98, 0.73%, 0.67%

LAB 64.81, 63.31, -40.08

 

CMYK 0 / 58 / 2 / 16

HEX #D75BD3

RGB 215 91 211

HSL 301.94, 0.61%, 0.6%

LAB 58.63, 63.7, -39.27

 

CMYK 0 / 63 / 3 / 22

HEX #C649C0

RGB 198 73 192

HSL 302.88, 0.52%, 0.53%

LAB 52.48, 63.83, -38.24

 

CMYK 0 / 70 / 4 / 29

HEX #B537AD

RGB 181 55 173

HSL 303.81, 0.53%, 0.46%

LAB 46.41, 63.55, -36.9

 

CMYK 0 / 49 / 0 / 2

HEX #F980F9

RGB 249 128 249

HSL 300, 0.91%, 0.74%

LAB 71.16, 62.3, -40.46

 

CMYK 0 / 49 / 13 / 2

HEX #F980D8

RGB 249 128 216

HSL 316.36, 0.91%, 0.74%

LAB 69.85, 56.92, -24.33

 

CMYK 0 / 49 / 27 / 2

HEX #F980B7

RGB 249 128 183

HSL 332.73, 0.91%, 0.74%

LAB 68.75, 52.2, -7.57

 

CMYK 0 / 49 / 39 / 2

HEX #F98097

RGB 249 128 151

HSL 348.6, 0.91%, 0.74%

LAB 67.88, 48.35, 9.18

 

CMYK 0 / 49 / 49 / 2

HEX #F98080

RGB 249 128 128

HSL 0, 0.91%, 0.74%

LAB 67.38, 46.06, 21.42

 

CMYK 0 / 49 / 0 / 2

HEX #F980F9

RGB 249 128 249

HSL 300, 0.91%, 0.74%

LAB 71.16, 62.3, -40.46

 

CMYK 13 / 49 / 0 / 2

HEX #D880F9

RGB 216 128 249

HSL 283.64, 0.91%, 0.74%

LAB 67.18, 53.34, -46.98

 

CMYK 27 / 49 / 0 / 2

HEX #B780F9

RGB 183 128 249

HSL 267.27, 0.91%, 0.74%

LAB 63.63, 44.58, -52.83

 

CMYK 39 / 49 / 0 / 2

HEX #9780F9

RGB 151 128 249

HSL 251.4, 0.91%, 0.74%

LAB 60.66, 36.57, -57.74

 

CMYK 49 / 49 / 0 / 2

HEX #8080F9

RGB 128 128 249

HSL 240, 0.91%, 0.74%

LAB 58.85, 31.33, -60.73

 

CMYK 0 / 49 / 0 / 2

HEX #F980F9

RGB 249 128 249

HSL 300, 0.91%, 0.74%

LAB 71.16, 62.3, -40.46

 

CMYK 0 / 49 / 0 / 2

HEX #F980F9

RGB 249 128 249

HSL 300, 0.91%, 0.74%

LAB 71.16, 62.3, -40.46

 

CMYK 0 / 42 / 0 / 7

HEX #EE8BEE

RGB 238 139 238

HSL 300, 0.74%, 0.74%

LAB 71.43, 51.89, -34.13

 

CMYK 0 / 34 / 0 / 11

HEX #E395E3

RGB 227 149 227

HSL 300, 0.58%, 0.74%

LAB 71.81, 41.41, -27.62

 

CMYK 0 / 26 / 0 / 15

HEX #D8A0D8

RGB 216 160 216

HSL 300, 0.42%, 0.74%

LAB 72.69, 29.98, -20.34

 

CMYK 0 / 17 / 0 / 19

HEX #CEABCE

RGB 206 171 206

HSL 300, 0.26%, 0.74%

LAB 74, 18.79, -12.98

 

CMYK 26 / 49 / 0 / 2

HEX #B880F9

RGB 184 128 249

HSL 267.77, 0.91%, 0.74%

LAB 63.73, 44.84, -52.66

 

CMYK 13 / 49 / 0 / 2

HEX #D880F9

RGB 216 128 249

HSL 283.64, 0.91%, 0.74%

LAB 67.18, 53.34, -46.98

 

CMYK 0 / 49 / 0 / 2

HEX #F980F9

RGB 249 128 249

HSL 300, 0.91%, 0.74%

LAB 71.16, 62.3, -40.46

 

CMYK 0 / 49 / 13 / 2

HEX #F980D8

RGB 249 128 216

HSL 316.36, 0.91%, 0.74%

LAB 69.85, 56.92, -24.33

 

CMYK 0 / 49 / 26 / 2

HEX #F980B8

RGB 249 128 184

HSL 332.23, 0.91%, 0.74%

LAB 68.78, 52.33, -8.09

 

CMYK 0 / 80 / 0 / 4

HEX #F531F5

RGB 245 49 245

HSL 300, 0.91%, 0.58%

LAB 60.07, 89.36, -55.79

 

CMYK 0 / 64 / 0 / 3

HEX #F758F7

RGB 247 88 247

HSL 300, 0.91%, 0.66%

LAB 64.54, 78.49, -49.78

 

CMYK 0 / 49 / 0 / 2

HEX #F980F9

RGB 249 128 249

HSL 300, 0.91%, 0.74%

LAB 71.16, 62.3, -40.46

 

CMYK 0 / 33 / 0 / 2

HEX #FAA7FA

RGB 250 167 250

HSL 300, 0.89%, 0.82%

LAB 78.96, 43.28, -28.92

 

CMYK 0 / 18 / 0 / 1

HEX #FCCFFC

RGB 252 207 252

HSL 300, 0.88%, 0.9%

LAB 88.14, 23.28, -16.05

 

CMYK 0 / 49 / 0 / 2

HEX #F97FF9

RGB 249 127 249

HSL 300, 0.91%, 0.74%

LAB 70.98, 62.77, -40.74

 

CMYK 0 / 39 / 49 / 2

HEX #F99880

RGB 249 152 128

HSL 11.9, 0.91%, 0.74%

LAB 72.33, 33.86, 28.08

 

CMYK 49 / 0 / 20 / 2

HEX #80F9C8

RGB 128 249 200

HSL 155.7, 0.91%, 0.74%

LAB 90.1, -45.24, 13.14

 

CMYK 0 / 49 / 0 / 2

HEX #F97FF9

RGB 249 127 249

HSL 300, 0.91%, 0.74%

LAB 70.98, 62.77, -40.74

 

CMYK 0 / 0 / 49 / 2

HEX #F9F980

RGB 249 249 128

HSL 60, 0.91%, 0.74%

LAB 95.77, -15.97, 57.5

 

CMYK 49 / 0 / 0 / 2

HEX #80F9F9

RGB 128 249 249

HSL 180, 0.91%, 0.74%

LAB 91.32, -33.94, -10.51

 

CMYK 0 / 49 / 0 / 2

HEX #F97FF9

RGB 249 127 249

HSL 300, 0.91%, 0.74%

LAB 70.98, 62.77, -40.74

 

CMYK 0 / 39 / 49 / 2

HEX #F99880

RGB 249 152 128

HSL 11.9, 0.91%, 0.74%

LAB 72.33, 33.86, 28.08

 

CMYK 49 / 0 / 49 / 2

HEX #80F980

RGB 128 249 128

HSL 120, 0.91%, 0.74%

LAB 88.87, -57.57, 47.53

 

CMYK 49 / 10 / 0 / 2

HEX #80E0F9

RGB 128 224 249

HSL 192.4, 0.91%, 0.74%

LAB 84.35, -21.89, -20.96

 

CMYK 0 / 49 / 0 / 2

HEX #F97FF9

RGB 249 127 249

HSL 300, 0.91%, 0.74%

LAB 70.98, 62.77, -40.74

 

CMYK 0 / 24 / 49 / 2

HEX #F9BC80

RGB 249 188 128

HSL 29.75, 0.91%, 0.74%

LAB 80.55, 14.99, 38.77

 

CMYK 49 / 0 / 49 / 2

HEX #80F980

RGB 128 249 128

HSL 120, 0.91%, 0.74%

LAB 88.87, -57.57, 47.53

 

CMYK 49 / 24 / 0 / 2

HEX #80BCF9

RGB 128 188 249

HSL 210.25, 0.91%, 0.74%

LAB 74.44, -3.09, -36.15

 

Description

Color code: HEX #F97FF9 | qconv.com Color code: HEX #F97FF9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 127 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 127 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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