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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F987EE it is the complementary color #067811. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F987EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F987EE shade: #FE87E9, #FF99FC, #FFABFF, #FFBDFF and #FFCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F987EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F987EE shade: #F987EE, #E875DB, #D763C8, #C651B5 and #B53FA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F987EE shade: #F885ED, #F885CE, #F885AF, #F88590 and #F88585

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F987EE shade: #F885ED, #E485F8, #C585F8, #A685F8 and #8785F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F987EE shade matches the following richer shades: #F885ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F987EE shade: #F885ED, #EE90E5, #E39ADC, #D9A4D4 and #CFAFCC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F987EE shade: #C485F8, #E385F8, #F885EF, #F885D0 and #F885B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F987EE shade: #F437E2, #F65EE7, #F885ED, #FAADF3 and #FCD4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F987EE shade: #F987EE, #F8A685 and #85F8D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F987EE shade: #F987EE, #EFF885 and #85EFF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F987EE shade: #F987EE, #F8A685, #85F88F and #85D8F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F987EE shade: #F987EE, #F8C885, #85F88F and #85B5F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 4 / 2

HEX #F987EE

RGB 249 135 238

HSL 305.79, 0.9%, 0.75%

LAB 71.99, 57.07, -33.16

 

Complementary color

CMYK 95 / 0 / 86 / 53

HEX #067811

RGB 6 120 17

HSL 125.79, 0.9%, 0.25%

LAB 43.52, -48.07, 43.77

 

CMYK 0 / 47 / 8 / 0

HEX #FE87E9

RGB 254 135 233

HSL 310.59, 0.98%, 0.76%

LAB 72.42, 57.7, -29.71

 

CMYK 0 / 40 / 1 / 0

HEX #FF99FC

RGB 255 153 252

HSL 301.76, 1%, 0.8%

LAB 76.72, 52.3, -33.4

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 0 / 19 / 0 / 0

HEX #FFCFFF

RGB 255 207 255

HSL 300, 1%, 0.91%

LAB 88.5, 24.79, -17.06

 

CMYK 0 / 46 / 4 / 2

HEX #F987EE

RGB 249 135 238

HSL 305.79, 0.9%, 0.75%

LAB 71.99, 57.07, -33.16

 

CMYK 0 / 50 / 6 / 9

HEX #E875DB

RGB 232 117 219

HSL 306.78, 0.71%, 0.68%

LAB 65.74, 57.71, -32.5

 

CMYK 0 / 54 / 7 / 16

HEX #D763C8

RGB 215 99 200

HSL 307.76, 0.59%, 0.62%

LAB 59.47, 58.26, -31.72

 

CMYK 0 / 59 / 9 / 22

HEX #C651B5

RGB 198 81 181

HSL 308.72, 0.51%, 0.55%

LAB 53.2, 58.65, -30.76

 

CMYK 0 / 65 / 10 / 29

HEX #B53FA2

RGB 181 63 162

HSL 309.66, 0.48%, 0.48%

LAB 46.96, 58.75, -29.53

 

CMYK 0 / 46 / 4 / 3

HEX #F885ED

RGB 248 133 237

HSL 305.74, 0.89%, 0.75%

LAB 71.45, 57.59, -33.45

 

CMYK 0 / 46 / 17 / 3

HEX #F885CE

RGB 248 133 206

HSL 321.91, 0.89%, 0.75%

LAB 70.31, 52.67, -18.09

 

CMYK 0 / 46 / 29 / 3

HEX #F885AF

RGB 248 133 175

HSL 338.09, 0.89%, 0.75%

LAB 69.35, 48.37, -2.22

 

CMYK 0 / 46 / 42 / 3

HEX #F88590

RGB 248 133 144

HSL 354.26, 0.89%, 0.75%

LAB 68.57, 44.78, 14.07

 

CMYK 0 / 46 / 46 / 3

HEX #F88585

RGB 248 133 133

HSL 0, 0.89%, 0.75%

LAB 68.33, 43.68, 19.9

 

CMYK 0 / 46 / 4 / 3

HEX #F885ED

RGB 248 133 237

HSL 305.74, 0.89%, 0.75%

LAB 71.45, 57.59, -33.45

 

CMYK 8 / 46 / 0 / 3

HEX #E485F8

RGB 228 133 248

HSL 289.57, 0.89%, 0.75%

LAB 69.5, 53.9, -42.69

 

CMYK 21 / 46 / 0 / 3

HEX #C585F8

RGB 197 133 248

HSL 273.39, 0.89%, 0.75%

LAB 66.08, 45.38, -48.31

 

CMYK 33 / 46 / 0 / 3

HEX #A685F8

RGB 166 133 248

HSL 257.22, 0.89%, 0.75%

LAB 63.06, 37.19, -53.28

 

CMYK 46 / 46 / 0 / 3

HEX #8785F8

RGB 135 133 248

HSL 241.04, 0.89%, 0.75%

LAB 60.52, 29.66, -57.48

 

CMYK 0 / 46 / 4 / 3

HEX #F885ED

RGB 248 133 237

HSL 305.74, 0.89%, 0.75%

LAB 71.45, 57.59, -33.45

 

CMYK 0 / 46 / 4 / 3

HEX #F885ED

RGB 248 133 237

HSL 305.74, 0.89%, 0.75%

LAB 71.45, 57.59, -33.45

 

CMYK 0 / 39 / 4 / 7

HEX #EE90E5

RGB 238 144 229

HSL 305.74, 0.73%, 0.75%

LAB 72.08, 47.76, -28.19

 

CMYK 0 / 32 / 3 / 11

HEX #E39ADC

RGB 227 154 220

HSL 305.75, 0.57%, 0.75%

LAB 72.63, 37.5, -22.52

 

CMYK 0 / 24 / 2 / 15

HEX #D9A4D4

RGB 217 164 212

HSL 305.66, 0.41%, 0.75%

LAB 73.58, 27.41, -16.79

 

CMYK 0 / 15 / 1 / 19

HEX #CFAFCC

RGB 207 175 204

HSL 305.63, 0.25%, 0.75%

LAB 75, 16.58, -10.37

 

CMYK 21 / 46 / 0 / 3

HEX #C485F8

RGB 196 133 248

HSL 272.87, 0.89%, 0.75%

LAB 65.97, 45.11, -48.48

 

CMYK 8 / 46 / 0 / 3

HEX #E385F8

RGB 227 133 248

HSL 289.04, 0.89%, 0.75%

LAB 69.39, 53.63, -42.88

 

CMYK 0 / 46 / 4 / 3

HEX #F885EF

RGB 248 133 239

HSL 304.7, 0.89%, 0.75%

LAB 71.53, 57.92, -34.43

 

CMYK 0 / 46 / 16 / 3

HEX #F885D0

RGB 248 133 208

HSL 320.87, 0.89%, 0.75%

LAB 70.38, 52.97, -19.1

 

CMYK 0 / 46 / 29 / 3

HEX #F885B1

RGB 248 133 177

HSL 337.04, 0.89%, 0.75%

LAB 69.4, 48.63, -3.26

 

CMYK 0 / 77 / 7 / 4

HEX #F437E2

RGB 244 55 226

HSL 305.71, 0.9%, 0.59%

LAB 59.39, 85.01, -46.24

 

CMYK 0 / 62 / 6 / 4

HEX #F65EE7

RGB 246 94 231

HSL 305.92, 0.89%, 0.67%

LAB 64.46, 73.44, -41.05

 

CMYK 0 / 46 / 4 / 3

HEX #F885ED

RGB 248 133 237

HSL 305.74, 0.89%, 0.75%

LAB 71.45, 57.59, -33.45

 

CMYK 0 / 31 / 3 / 2

HEX #FAADF3

RGB 250 173 243

HSL 305.45, 0.89%, 0.83%

LAB 80, 38.91, -23.57

 

CMYK 0 / 16 / 2 / 1

HEX #FCD4F8

RGB 252 212 248

HSL 306, 0.87%, 0.91%

LAB 89.19, 19.94, -12.37

 

CMYK 0 / 46 / 4 / 2

HEX #F987EE

RGB 249 135 238

HSL 305.79, 0.9%, 0.75%

LAB 71.99, 57.07, -33.16

 

CMYK 0 / 33 / 46 / 3

HEX #F8A685

RGB 248 166 133

HSL 17.22, 0.89%, 0.75%

LAB 75.4, 26.63, 29.43

 

CMYK 46 / 0 / 15 / 3

HEX #85F8D4

RGB 133 248 212

HSL 161.22, 0.89%, 0.75%

LAB 90.26, -41.07, 7.2

 

CMYK 0 / 46 / 4 / 2

HEX #F987EE

RGB 249 135 238

HSL 305.79, 0.9%, 0.75%

LAB 71.99, 57.07, -33.16

 

CMYK 4 / 0 / 46 / 3

HEX #EFF885

RGB 239 248 133

HSL 64.7, 0.89%, 0.75%

LAB 94.81, -18.92, 53.86

 

CMYK 46 / 4 / 0 / 3

HEX #85EFF8

RGB 133 239 248

HSL 184.7, 0.89%, 0.75%

LAB 88.68, -28.39, -13.89

 

CMYK 0 / 46 / 4 / 2

HEX #F987EE

RGB 249 135 238

HSL 305.79, 0.9%, 0.75%

LAB 71.99, 57.07, -33.16

 

CMYK 0 / 33 / 46 / 3

HEX #F8A685

RGB 248 166 133

HSL 17.22, 0.89%, 0.75%

LAB 75.4, 26.63, 29.43

 

CMYK 46 / 0 / 42 / 3

HEX #85F88F

RGB 133 248 143

HSL 125.22, 0.89%, 0.75%

LAB 88.97, -53.75, 40.48

 

CMYK 46 / 13 / 0 / 3

HEX #85D8F8

RGB 133 216 248

HSL 196.7, 0.89%, 0.75%

LAB 82.31, -17, -23.51

 

CMYK 0 / 46 / 4 / 2

HEX #F987EE

RGB 249 135 238

HSL 305.79, 0.9%, 0.75%

LAB 71.99, 57.07, -33.16

 

CMYK 0 / 19 / 46 / 3

HEX #F8C885

RGB 248 200 133

HSL 34.96, 0.89%, 0.75%

LAB 83.42, 8.79, 39.86

 

CMYK 46 / 0 / 42 / 3

HEX #85F88F

RGB 133 248 143

HSL 125.22, 0.89%, 0.75%

LAB 88.97, -53.75, 40.48

 

CMYK 46 / 27 / 0 / 3

HEX #85B5F8

RGB 133 181 248

HSL 214.96, 0.89%, 0.75%

LAB 72.77, 1.63, -38.19

 

Description

Color code: HEX #F987EE | qconv.com Color code: HEX #F987EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 135 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 135 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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