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Color name
HEX #F995BF

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F995BF it is the complementary color #066A40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F995BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F995BF shade: #FE95BA, #FFA7CD, #FFB9E0, #FFCBF3 and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F995BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F995BF shade: #F995BF, #E883AC, #D77199, #C65F86 and #B54D73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F995BF shade: #F894BE, #F894A3 and #F89494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F995BF shade: #F894BE, #F894D9, #F894F4, #E194F8 and #C794F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F995BF shade matches the following richer shades: #F894BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F995BF shade: #F894BE, #EF9EC0, #E6A7C1, #DDB0C3 and #D4B9C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F995BF shade: #F894F5, #F894DA, #F894C0, #F894A5 and #F89E94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F995BF shade: #F4468F, #F66DA7, #F894BE, #FBBBD6 and #FDE2EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F995BF shade: #F995BF, #F8E194 and #94E8F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F995BF shade: #F995BF, #C0F894 and #94C0F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F995BF shade: #F995BF, #F8E194, #94F8CD and #94ACF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F995BF shade: #F995BF, #F2F894, #94F8CD and #9B94F8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 23 / 2

HEX #F995BF

RGB 249 149 191

HSL 334.8, 0.89%, 0.78%

LAB 73.15, 42.77, -5.5

 

Complementary color

CMYK 94 / 0 / 40 / 58

HEX #066A40

RGB 6 106 64

HSL 154.8, 0.89%, 0.22%

LAB 39.1, -36.72, 16.46

 

CMYK 0 / 41 / 27 / 0

HEX #FE95BA

RGB 254 149 186

HSL 338.86, 0.98%, 0.79%

LAB 73.62, 43.78, -1.98

 

CMYK 0 / 35 / 20 / 0

HEX #FFA7CD

RGB 255 167 205

HSL 334.09, 1%, 0.83%

LAB 78.05, 37.53, -5.86

 

CMYK 0 / 27 / 12 / 0

HEX #FFB9E0

RGB 255 185 224

HSL 326.57, 1%, 0.86%

LAB 82.56, 31.05, -9.45

 

CMYK 0 / 20 / 5 / 0

HEX #FFCBF3

RGB 255 203 243

HSL 313.85, 1%, 0.9%

LAB 87.21, 24.77, -12.64

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 40 / 23 / 2

HEX #F995BF

RGB 249 149 191

HSL 334.8, 0.89%, 0.78%

LAB 73.15, 42.77, -5.5

 

CMYK 0 / 44 / 26 / 9

HEX #E883AC

RGB 232 131 172

HSL 335.64, 0.69%, 0.71%

LAB 66.8, 43.59, -4.52

 

CMYK 0 / 47 / 29 / 16

HEX #D77199

RGB 215 113 153

HSL 336.47, 0.56%, 0.64%

LAB 60.39, 44.43, -3.39

 

CMYK 0 / 52 / 32 / 22

HEX #C65F86

RGB 198 95 134

HSL 337.28, 0.47%, 0.57%

LAB 53.93, 45.25, -2.08

 

CMYK 0 / 57 / 36 / 29

HEX #B54D73

RGB 181 77 115

HSL 338.08, 0.41%, 0.51%

LAB 47.46, 46.01, -0.51

 

CMYK 0 / 40 / 23 / 3

HEX #F894BE

RGB 248 148 190

HSL 334.8, 0.88%, 0.78%

LAB 72.8, 42.81, -5.49

 

CMYK 0 / 40 / 34 / 3

HEX #F894A3

RGB 248 148 163

HSL 351, 0.88%, 0.78%

LAB 72.08, 39.29, 8.44

 

CMYK 0 / 40 / 40 / 3

HEX #F89494

RGB 248 148 148

HSL 0, 0.88%, 0.78%

LAB 71.74, 37.57, 16.27

 

CMYK 0 / 40 / 23 / 3

HEX #F894BE

RGB 248 148 190

HSL 334.8, 0.88%, 0.78%

LAB 72.8, 42.81, -5.49

 

CMYK 0 / 40 / 13 / 3

HEX #F894D9

RGB 248 148 217

HSL 318.6, 0.88%, 0.78%

LAB 73.64, 46.84, -19.12

 

CMYK 0 / 40 / 2 / 3

HEX #F894F4

RGB 248 148 244

HSL 302.4, 0.88%, 0.78%

LAB 74.61, 51.35, -32.38

 

CMYK 9 / 40 / 0 / 3

HEX #E194F8

RGB 225 148 248

HSL 286.2, 0.88%, 0.78%

LAB 72.2, 45.32, -38.5

 

CMYK 20 / 40 / 0 / 3

HEX #C794F8

RGB 199 148 248

HSL 270.6, 0.88%, 0.78%

LAB 69.54, 37.82, -42.86

 

CMYK 0 / 40 / 23 / 3

HEX #F894BE

RGB 248 148 190

HSL 334.8, 0.88%, 0.78%

LAB 72.8, 42.81, -5.49

 

CMYK 0 / 40 / 23 / 3

HEX #F894BE

RGB 248 148 190

HSL 334.8, 0.88%, 0.78%

LAB 72.8, 42.81, -5.49

 

CMYK 0 / 34 / 20 / 6

HEX #EF9EC0

RGB 239 158 192

HSL 334.81, 0.72%, 0.78%

LAB 73.94, 34.81, -5.02

 

CMYK 0 / 27 / 16 / 10

HEX #E6A7C1

RGB 230 167 193

HSL 335.24, 0.56%, 0.78%

LAB 75.02, 27.03, -4.09

 

CMYK 0 / 20 / 12 / 13

HEX #DDB0C3

RGB 221 176 195

HSL 334.67, 0.4%, 0.78%

LAB 76.29, 19.34, -3.41

 

CMYK 0 / 13 / 8 / 17

HEX #D4B9C4

RGB 212 185 196

HSL 335.56, 0.24%, 0.78%

LAB 77.69, 11.48, -2

 

CMYK 0 / 40 / 1 / 3

HEX #F894F5

RGB 248 148 245

HSL 301.8, 0.88%, 0.78%

LAB 74.65, 51.53, -32.87

 

CMYK 0 / 40 / 12 / 3

HEX #F894DA

RGB 248 148 218

HSL 318, 0.88%, 0.78%

LAB 73.67, 47, -19.62

 

CMYK 0 / 40 / 23 / 3

HEX #F894C0

RGB 248 148 192

HSL 333.6, 0.88%, 0.78%

LAB 72.85, 43.09, -6.51

 

CMYK 0 / 40 / 33 / 3

HEX #F894A5

RGB 248 148 165

HSL 349.8, 0.88%, 0.78%

LAB 72.13, 39.53, 7.4

 

CMYK 0 / 36 / 40 / 3

HEX #F89E94

RGB 248 158 148

HSL 6, 0.88%, 0.78%

LAB 73.9, 32.37, 19.27

 

CMYK 0 / 71 / 41 / 4

HEX #F4468F

RGB 244 70 143

HSL 334.83, 0.89%, 0.62%

LAB 57.65, 70.66, -1.07

 

CMYK 0 / 56 / 32 / 4

HEX #F66DA7

RGB 246 109 167

HSL 334.6, 0.88%, 0.7%

LAB 64.42, 58.2, -4.98

 

CMYK 0 / 40 / 23 / 3

HEX #F894BE

RGB 248 148 190

HSL 334.8, 0.88%, 0.78%

LAB 72.8, 42.81, -5.49

 

CMYK 0 / 25 / 15 / 2

HEX #FBBBD6

RGB 251 187 214

HSL 334.69, 0.89%, 0.86%

LAB 82.33, 27.04, -4.47

 

CMYK 0 / 11 / 6 / 1

HEX #FDE2EE

RGB 253 226 238

HSL 333.33, 0.87%, 0.94%

LAB 92.33, 11.23, -2.46

 

CMYK 0 / 40 / 23 / 2

HEX #F995BF

RGB 249 149 191

HSL 334.8, 0.89%, 0.78%

LAB 73.15, 42.77, -5.5

 

CMYK 0 / 9 / 40 / 3

HEX #F8E194

RGB 248 225 148

HSL 46.2, 0.88%, 0.78%

LAB 89.83, -2.55, 40.52

 

CMYK 40 / 6 / 0 / 3

HEX #94E8F8

RGB 148 232 248

HSL 189.6, 0.88%, 0.78%

LAB 87.38, -21.48, -15.78

 

CMYK 0 / 40 / 23 / 2

HEX #F995BF

RGB 249 149 191

HSL 334.8, 0.89%, 0.78%

LAB 73.15, 42.77, -5.5

 

CMYK 23 / 0 / 40 / 3

HEX #C0F894

RGB 192 248 148

HSL 93.6, 0.88%, 0.78%

LAB 91.9, -34.62, 42.37

 

CMYK 40 / 23 / 0 / 3

HEX #94C0F8

RGB 148 192 248

HSL 213.6, 0.88%, 0.78%

LAB 76.54, -0.7, -32.28

 

CMYK 0 / 40 / 23 / 2

HEX #F995BF

RGB 249 149 191

HSL 334.8, 0.89%, 0.78%

LAB 73.15, 42.77, -5.5

 

CMYK 0 / 9 / 40 / 3

HEX #F8E194

RGB 248 225 148

HSL 46.2, 0.88%, 0.78%

LAB 89.83, -2.55, 40.52

 

CMYK 40 / 0 / 17 / 3

HEX #94F8CD

RGB 148 248 205

HSL 154.2, 0.88%, 0.78%

LAB 90.71, -38.79, 11.54

 

CMYK 40 / 31 / 0 / 3

HEX #94ACF8

RGB 148 172 248

HSL 225.6, 0.88%, 0.78%

LAB 71.27, 10.37, -40.45

 

CMYK 0 / 40 / 23 / 2

HEX #F995BF

RGB 249 149 191

HSL 334.8, 0.89%, 0.78%

LAB 73.15, 42.77, -5.5

 

CMYK 2 / 0 / 40 / 3

HEX #F2F894

RGB 242 248 148

HSL 63.6, 0.88%, 0.78%

LAB 95.22, -16.29, 47.28

 

CMYK 40 / 0 / 17 / 3

HEX #94F8CD

RGB 148 248 205

HSL 154.2, 0.88%, 0.78%

LAB 90.71, -38.79, 11.54

 

CMYK 38 / 40 / 0 / 3

HEX #9B94F8

RGB 155 148 248

HSL 244.2, 0.88%, 0.78%

LAB 65.69, 25.83, -49.17

 

Description

Color code: HEX #F995BF | qconv.com Color code: HEX #F995BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 149 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 149 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 23 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 23% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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