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Color name
HEX #F990D6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F990D6 it is the complementary color #066F29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F990D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F990D6 shade: #FE90D1, #FFA2E4, #FFB4F7, #FFC6FF and #FFD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F990D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F990D6 shade: #F990D6, #E87EC3, #D76CB0, #C65A9D and #B5488A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F990D6 shade: #F98FD5, #F98FB9, #F98F9D and #F98F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F990D6 shade: #F98FD5, #F98FF2, #E38FF9, #C68FF9 and #AA8FF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F990D6 shade matches the following richer shades: #F98FD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F990D6 shade: #F98FD5, #EF99D2, #E6A2CF, #DCACCC and #D3B5C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F990D6 shade: #E48FF9, #F98FF2, #F98FD5, #F98FB9 and #F98F9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F990D6 shade: #F541B9, #F768C7, #F98FD5, #FBB6E4 and #FDDDF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F990D6 shade: #F990D6, #F9C78F and #8FF9F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F990D6 shade: #F990D6, #D5F98F and #8FD5F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F990D6 shade: #F990D6, #F9C78F, #8FF9B2 and #8FC0F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F990D6 shade: #F990D6, #F9E78F, #8FF9B2 and #8FA1F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 14 / 2

HEX #F990D6

RGB 249 144 214

HSL 320, 0.9%, 0.77%

LAB 72.85, 48.72, -18.65

 

Complementary color

CMYK 95 / 0 / 63 / 56

HEX #066F29

RGB 6 111 41

HSL 140, 0.9%, 0.23%

LAB 40.52, -42.79, 30.93

 

CMYK 0 / 43 / 18 / 0

HEX #FE90D1

RGB 254 144 209

HSL 324.55, 0.98%, 0.78%

LAB 73.3, 49.55, -15.16

 

CMYK 0 / 36 / 11 / 0

HEX #FFA2E4

RGB 255 162 228

HSL 317.42, 1%, 0.82%

LAB 77.7, 43.68, -18.91

 

CMYK 0 / 29 / 3 / 0

HEX #FFB4F7

RGB 255 180 247

HSL 306.4, 1%, 0.85%

LAB 82.17, 37.54, -22.37

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 42 / 14 / 2

HEX #F990D6

RGB 249 144 214

HSL 320, 0.9%, 0.77%

LAB 72.85, 48.72, -18.65

 

CMYK 0 / 46 / 16 / 9

HEX #E87EC3

RGB 232 126 195

HSL 320.94, 0.7%, 0.7%

LAB 66.53, 49.46, -17.86

 

CMYK 0 / 50 / 18 / 16

HEX #D76CB0

RGB 215 108 176

HSL 321.87, 0.57%, 0.63%

LAB 60.16, 50.18, -16.95

 

CMYK 0 / 55 / 21 / 22

HEX #C65A9D

RGB 198 90 157

HSL 322.78, 0.49%, 0.56%

LAB 53.76, 50.83, -15.88

 

CMYK 0 / 60 / 24 / 29

HEX #B5488A

RGB 181 72 138

HSL 323.67, 0.43%, 0.5%

LAB 47.36, 51.32, -14.56

 

CMYK 0 / 43 / 14 / 2

HEX #F98FD5

RGB 249 143 213

HSL 320.38, 0.9%, 0.77%

LAB 72.62, 49.07, -18.45

 

CMYK 0 / 43 / 26 / 2

HEX #F98FB9

RGB 249 143 185

HSL 336.23, 0.9%, 0.77%

LAB 71.75, 45, -4.25

 

CMYK 0 / 43 / 37 / 2

HEX #F98F9D

RGB 249 143 157

HSL 352.08, 0.9%, 0.77%

LAB 71.02, 41.5, 10.28

 

CMYK 0 / 43 / 43 / 2

HEX #F98F8F

RGB 249 143 143

HSL 0, 0.9%, 0.77%

LAB 70.71, 39.97, 17.63

 

CMYK 0 / 43 / 14 / 2

HEX #F98FD5

RGB 249 143 213

HSL 320.38, 0.9%, 0.77%

LAB 72.62, 49.07, -18.45

 

CMYK 0 / 43 / 3 / 2

HEX #F98FF2

RGB 249 143 242

HSL 303.96, 0.9%, 0.77%

LAB 73.67, 53.81, -32.74

 

CMYK 9 / 43 / 0 / 2

HEX #E38FF9

RGB 227 143 249

HSL 287.55, 0.9%, 0.77%

LAB 71.43, 48.7, -40.23

 

CMYK 20 / 43 / 0 / 2

HEX #C68FF9

RGB 198 143 249

HSL 271.13, 0.9%, 0.77%

LAB 68.38, 40.48, -45.23

 

CMYK 32 / 43 / 0 / 2

HEX #AA8FF9

RGB 170 143 249

HSL 255.28, 0.9%, 0.77%

LAB 65.77, 32.85, -49.51

 

CMYK 0 / 43 / 14 / 2

HEX #F98FD5

RGB 249 143 213

HSL 320.38, 0.9%, 0.77%

LAB 72.62, 49.07, -18.45

 

CMYK 0 / 43 / 14 / 2

HEX #F98FD5

RGB 249 143 213

HSL 320.38, 0.9%, 0.77%

LAB 72.62, 49.07, -18.45

 

CMYK 0 / 36 / 12 / 6

HEX #EF99D2

RGB 239 153 210

HSL 320.23, 0.73%, 0.77%

LAB 73.41, 40.23, -15.73

 

CMYK 0 / 30 / 10 / 10

HEX #E6A2CF

RGB 230 162 207

HSL 320.29, 0.58%, 0.77%

LAB 74.3, 31.98, -12.84

 

CMYK 0 / 22 / 7 / 14

HEX #DCACCC

RGB 220 172 204

HSL 320, 0.41%, 0.77%

LAB 75.5, 22.68, -9.5

 

CMYK 0 / 14 / 5 / 17

HEX #D3B5C9

RGB 211 181 201

HSL 320, 0.25%, 0.77%

LAB 76.75, 14.16, -6.11

 

CMYK 8 / 43 / 0 / 2

HEX #E48FF9

RGB 228 143 249

HSL 288.11, 0.9%, 0.77%

LAB 71.54, 48.99, -40.05

 

CMYK 0 / 43 / 3 / 2

HEX #F98FF2

RGB 249 143 242

HSL 303.96, 0.9%, 0.77%

LAB 73.67, 53.81, -32.74

 

CMYK 0 / 43 / 14 / 2

HEX #F98FD5

RGB 249 143 213

HSL 320.38, 0.9%, 0.77%

LAB 72.62, 49.07, -18.45

 

CMYK 0 / 43 / 26 / 2

HEX #F98FB9

RGB 249 143 185

HSL 336.23, 0.9%, 0.77%

LAB 71.75, 45, -4.25

 

CMYK 0 / 43 / 37 / 2

HEX #F98F9D

RGB 249 143 157

HSL 352.08, 0.9%, 0.77%

LAB 71.02, 41.5, 10.28

 

CMYK 0 / 73 / 24 / 4

HEX #F541B9

RGB 245 65 185

HSL 320, 0.9%, 0.61%

LAB 58.69, 77.06, -23.97

 

CMYK 0 / 58 / 19 / 3

HEX #F768C7

RGB 247 104 199

HSL 320.14, 0.9%, 0.69%

LAB 64.8, 64.85, -22.56

 

CMYK 0 / 43 / 14 / 2

HEX #F98FD5

RGB 249 143 213

HSL 320.38, 0.9%, 0.77%

LAB 72.62, 49.07, -18.45

 

CMYK 0 / 27 / 9 / 2

HEX #FBB6E4

RGB 251 182 228

HSL 320, 0.9%, 0.85%

LAB 81.6, 31.94, -13.07

 

CMYK 0 / 13 / 4 / 1

HEX #FDDDF2

RGB 253 221 242

HSL 320.63, 0.89%, 0.93%

LAB 91.24, 14.51, -6.16

 

CMYK 0 / 42 / 14 / 2

HEX #F990D6

RGB 249 144 214

HSL 320, 0.9%, 0.77%

LAB 72.85, 48.72, -18.65

 

CMYK 0 / 20 / 43 / 2

HEX #F9C78F

RGB 249 199 143

HSL 31.7, 0.9%, 0.77%

LAB 83.43, 10.7, 34.76

 

CMYK 43 / 0 / 3 / 2

HEX #8FF9F2

RGB 143 249 242

HSL 176.04, 0.9%, 0.77%

LAB 91.69, -32.33, -6.26

 

CMYK 0 / 42 / 14 / 2

HEX #F990D6

RGB 249 144 214

HSL 320, 0.9%, 0.77%

LAB 72.85, 48.72, -18.65

 

CMYK 14 / 0 / 43 / 2

HEX #D5F98F

RGB 213 249 143

HSL 80.38, 0.9%, 0.77%

LAB 93.4, -28.17, 46.97

 

CMYK 43 / 14 / 0 / 2

HEX #8FD5F9

RGB 143 213 249

HSL 200.38, 0.9%, 0.77%

LAB 81.98, -12.83, -24.49

 

CMYK 0 / 42 / 14 / 2

HEX #F990D6

RGB 249 144 214

HSL 320, 0.9%, 0.77%

LAB 72.85, 48.72, -18.65

 

CMYK 0 / 20 / 43 / 2

HEX #F9C78F

RGB 249 199 143

HSL 31.7, 0.9%, 0.77%

LAB 83.43, 10.7, 34.76

 

CMYK 43 / 0 / 29 / 2

HEX #8FF9B2

RGB 143 249 178

HSL 139.81, 0.9%, 0.77%

LAB 90.23, -45.73, 24.71

 

CMYK 43 / 23 / 0 / 2

HEX #8FC0F9

RGB 143 192 249

HSL 212.26, 0.9%, 0.77%

LAB 76.3, -1.69, -33.21

 

CMYK 0 / 42 / 14 / 2

HEX #F990D6

RGB 249 144 214

HSL 320, 0.9%, 0.77%

LAB 72.85, 48.72, -18.65

 

CMYK 0 / 7 / 43 / 2

HEX #F9E78F

RGB 249 231 143

HSL 49.81, 0.9%, 0.77%

LAB 91.36, -5.69, 44.96

 

CMYK 43 / 0 / 29 / 2

HEX #8FF9B2

RGB 143 249 178

HSL 139.81, 0.9%, 0.77%

LAB 90.23, -45.73, 24.71

 

CMYK 43 / 35 / 0 / 2

HEX #8FA1F9

RGB 143 161 249

HSL 229.81, 0.9%, 0.77%

LAB 68.14, 15.62, -45.91

 

Description

Color code: HEX #F990D6 | qconv.com Color code: HEX #F990D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 144 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 144 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 14 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 14% 2% C M Y K

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Provide designers and agencies with accurate color values.

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