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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F990FE it is the complementary color #066F01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F990FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F990FE shade: #FE90F9, #FFA2FF, #FFB4FF, #FFC6FF and #FFD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F990FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F990FE shade: #F990FE, #E87EEB, #D76CD8, #C65AC5 and #B548B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F990FE shade: #F88FFD, #FD8FE5, #FD8FC7, #FD8FA9 and #FD8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F990FE shade: #F88FFD, #DB8FFD, #BD8FFD, #9F8FFD and #8F8FFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F990FE shade matches the following richer shades: #F88FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F990FE shade: #F88FFD, #F098F4, #E8A2EB, #E0ABE2 and #D7B4D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F990FE shade: #BD8FFD, #DB8FFD, #F88FFD, #FD8FE6 and #FD8FC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F990FE shade: #F43EFD, #F667FD, #F88FFD, #FBB8FE and #FDE1FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F990FE shade: #F990FE, #FDA08F and #8FFDCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F990FE shade: #F990FE, #FDF88F and #8FFDF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F990FE shade: #F990FE, #FDA08F, #95FD8F and #8FEDFD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F990FE shade: #F990FE, #FDC18F, #95FD8F and #8FCCFD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 43 / 0 / 0

HEX #F990FE

RGB 249 144 254

HSL 297.27, 0.98%, 0.78%

LAB 74.34, 55.42, -38.22

 

Complementary color

CMYK 95 / 0 / 99 / 56

HEX #066F01

RGB 6 111 1

HSL 117.27, 0.98%, 0.22%

LAB 40.26, -46.06, 44.88

 

CMYK 0 / 43 / 2 / 0

HEX #FE90F9

RGB 254 144 249

HSL 302.73, 0.98%, 0.78%

LAB 74.73, 55.97, -34.86

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 2 / 43 / 0 / 0

HEX #F990FE

RGB 249 144 254

HSL 297.27, 0.98%, 0.78%

LAB 74.34, 55.42, -38.22

 

CMYK 1 / 46 / 0 / 8

HEX #E87EEB

RGB 232 126 235

HSL 298.35, 0.73%, 0.71%

LAB 68.08, 56.11, -37.75

 

CMYK 0 / 50 / 0 / 15

HEX #D76CD8

RGB 215 108 216

HSL 299.44, 0.58%, 0.64%

LAB 61.77, 56.74, -37.18

 

CMYK 0 / 55 / 1 / 22

HEX #C65AC5

RGB 198 90 197

HSL 300.56, 0.49%, 0.56%

LAB 55.43, 57.27, -36.49

 

CMYK 0 / 60 / 2 / 29

HEX #B548B2

RGB 181 72 178

HSL 301.65, 0.43%, 0.5%

LAB 49.1, 57.59, -35.61

 

CMYK 2 / 43 / 0 / 1

HEX #F88FFD

RGB 248 143 253

HSL 297.27, 0.96%, 0.78%

LAB 73.99, 55.45, -38.24

 

CMYK 0 / 43 / 9 / 1

HEX #FD8FE5

RGB 253 143 229

HSL 313.09, 0.96%, 0.78%

LAB 73.67, 52.83, -25.61

 

CMYK 0 / 43 / 21 / 1

HEX #FD8FC7

RGB 253 143 199

HSL 329.45, 0.96%, 0.78%

LAB 72.66, 48.27, -10.61

 

CMYK 0 / 43 / 33 / 1

HEX #FD8FA9

RGB 253 143 169

HSL 345.82, 0.96%, 0.78%

LAB 71.82, 44.32, 4.81

 

CMYK 0 / 43 / 43 / 1

HEX #FD8F8F

RGB 253 143 143

HSL 0, 0.96%, 0.78%

LAB 71.22, 41.43, 18.42

 

CMYK 2 / 43 / 0 / 1

HEX #F88FFD

RGB 248 143 253

HSL 297.27, 0.96%, 0.78%

LAB 73.99, 55.45, -38.24

 

CMYK 13 / 43 / 0 / 1

HEX #DB8FFD

RGB 219 143 253

HSL 281.45, 0.96%, 0.78%

LAB 70.73, 47.23, -43.57

 

CMYK 25 / 43 / 0 / 1

HEX #BD8FFD

RGB 189 143 253

HSL 265.09, 0.96%, 0.78%

LAB 67.69, 38.91, -48.55

 

CMYK 37 / 43 / 0 / 1

HEX #9F8FFD

RGB 159 143 253

HSL 248.73, 0.96%, 0.78%

LAB 65.05, 31.04, -52.91

 

CMYK 43 / 43 / 0 / 1

HEX #8F8FFD

RGB 143 143 253

HSL 240, 0.96%, 0.78%

LAB 63.82, 27.13, -54.94

 

CMYK 2 / 43 / 0 / 1

HEX #F88FFD

RGB 248 143 253

HSL 297.27, 0.96%, 0.78%

LAB 73.99, 55.45, -38.24

 

CMYK 2 / 43 / 0 / 1

HEX #F88FFD

RGB 248 143 253

HSL 297.27, 0.96%, 0.78%

LAB 73.99, 55.45, -38.24

 

CMYK 2 / 38 / 0 / 4

HEX #F098F4

RGB 240 152 244

HSL 297.39, 0.81%, 0.78%

LAB 74.52, 46.92, -32.61

 

CMYK 1 / 31 / 0 / 8

HEX #E8A2EB

RGB 232 162 235

HSL 297.53, 0.65%, 0.78%

LAB 75.45, 37.57, -26.36

 

CMYK 1 / 24 / 0 / 11

HEX #E0ABE2

RGB 224 171 226

HSL 297.82, 0.49%, 0.78%

LAB 76.35, 28.52, -20.17

 

CMYK 1 / 17 / 0 / 15

HEX #D7B4D9

RGB 215 180 217

HSL 296.76, 0.33%, 0.78%

LAB 77.34, 19, -13.88

 

CMYK 25 / 43 / 0 / 1

HEX #BD8FFD

RGB 189 143 253

HSL 265.09, 0.96%, 0.78%

LAB 67.69, 38.91, -48.55

 

CMYK 13 / 43 / 0 / 1

HEX #DB8FFD

RGB 219 143 253

HSL 281.45, 0.96%, 0.78%

LAB 70.73, 47.23, -43.57

 

CMYK 2 / 43 / 0 / 1

HEX #F88FFD

RGB 248 143 253

HSL 297.27, 0.96%, 0.78%

LAB 73.99, 55.45, -38.24

 

CMYK 0 / 43 / 9 / 1

HEX #FD8FE6

RGB 253 143 230

HSL 312.55, 0.96%, 0.78%

LAB 73.7, 53, -26.1

 

CMYK 0 / 43 / 21 / 1

HEX #FD8FC8

RGB 253 143 200

HSL 328.91, 0.96%, 0.78%

LAB 72.69, 48.42, -11.11

 

CMYK 4 / 75 / 0 / 1

HEX #F43EFD

RGB 244 62 253

HSL 297.17, 0.98%, 0.62%

LAB 61.46, 87.2, -58.02

 

CMYK 3 / 59 / 0 / 1

HEX #F667FD

RGB 246 103 253

HSL 297.2, 0.97%, 0.7%

LAB 66.81, 73.36, -49.5

 

CMYK 2 / 43 / 0 / 1

HEX #F88FFD

RGB 248 143 253

HSL 297.27, 0.96%, 0.78%

LAB 73.99, 55.45, -38.24

 

CMYK 1 / 28 / 0 / 0

HEX #FBB8FE

RGB 251 184 254

HSL 297.43, 0.97%, 0.86%

LAB 82.88, 35.43, -25.06

 

CMYK 0 / 11 / 0 / 0

HEX #FDE1FE

RGB 253 225 254

HSL 297.93, 0.94%, 0.94%

LAB 92.53, 14.55, -10.53

 

CMYK 2 / 43 / 0 / 0

HEX #F990FE

RGB 249 144 254

HSL 297.27, 0.98%, 0.78%

LAB 74.34, 55.42, -38.22

 

CMYK 0 / 37 / 43 / 1

HEX #FDA08F

RGB 253 160 143

HSL 9.27, 0.96%, 0.78%

LAB 74.83, 32.68, 23.36

 

CMYK 43 / 0 / 19 / 1

HEX #8FFDCC

RGB 143 253 204

HSL 153.27, 0.96%, 0.78%

LAB 91.89, -42.51, 13.7

 

CMYK 2 / 43 / 0 / 0

HEX #F990FE

RGB 249 144 254

HSL 297.27, 0.98%, 0.78%

LAB 74.34, 55.42, -38.22

 

CMYK 0 / 2 / 43 / 1

HEX #FDF88F

RGB 253 248 143

HSL 57.27, 0.96%, 0.78%

LAB 96, -12.57, 50.83

 

CMYK 43 / 0 / 2 / 1

HEX #8FFDF8

RGB 143 253 248

HSL 177.27, 0.96%, 0.78%

LAB 92.96, -32.78, -7.49

 

CMYK 2 / 43 / 0 / 0

HEX #F990FE

RGB 249 144 254

HSL 297.27, 0.98%, 0.78%

LAB 74.34, 55.42, -38.22

 

CMYK 0 / 37 / 43 / 1

HEX #FDA08F

RGB 253 160 143

HSL 9.27, 0.96%, 0.78%

LAB 74.83, 32.68, 23.36

 

CMYK 41 / 0 / 43 / 1

HEX #95FD8F

RGB 149 253 143

HSL 116.73, 0.96%, 0.78%

LAB 91.06, -51.29, 43.29

 

CMYK 43 / 6 / 0 / 1

HEX #8FEDFD

RGB 143 237 253

HSL 188.73, 0.96%, 0.78%

LAB 88.69, -23.89, -16.46

 

CMYK 2 / 43 / 0 / 0

HEX #F990FE

RGB 249 144 254

HSL 297.27, 0.98%, 0.78%

LAB 74.34, 55.42, -38.22

 

CMYK 0 / 24 / 43 / 1

HEX #FDC18F

RGB 253 193 143

HSL 27.27, 0.96%, 0.78%

LAB 82.38, 15.41, 33.46

 

CMYK 41 / 0 / 43 / 1

HEX #95FD8F

RGB 149 253 143

HSL 116.73, 0.96%, 0.78%

LAB 91.06, -51.29, 43.29

 

CMYK 43 / 19 / 0 / 1

HEX #8FCCFD

RGB 143 204 253

HSL 206.73, 0.96%, 0.78%

LAB 79.68, -7.05, -30.14

 

Description

Color code: HEX #F990FE | qconv.com Color code: HEX #F990FE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 144 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 144 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 43 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 43% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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