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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F99FBB it is the complementary color #066044. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F99FBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F99FBB shade: #FE9FB6, #FFB1C9, #FFC3DC, #FFD5EF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F99FBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F99FBB shade: #F99FBB, #E88DA8, #D77B95, #C66982 and #B5576F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F99FBB shade: #F89FBB, #F89FA2 and #F89F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F99FBB shade: #F89FBB, #F89FD3, #F89FEB, #EE9FF8 and #D59FF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F99FBB shade matches the following richer shades: #F89FBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F99FBB shade: #F89FBB, #F0A7BE, #E8AFC1, #E0B7C4 and #D7C0C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F99FBB shade: #F89FEB, #F89FD3, #F89FBB, #F89FA3 and #F8B29F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F99FBB shade: #F35184, #F6789F, #F89FBB, #FBC5D6 and #FDECF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F99FBB shade: #F99FBB, #F8EE9F and #9FDFF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F99FBB shade: #F99FBB, #BBF89F and #9FBBF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F99FBB shade: #F99FBB, #F8EE9F, #9FF8DC and #9FA9F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F99FBB shade: #F99FBB, #E8F89F, #9FF8DC and #AF9FF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 25 / 2

HEX #F99FBB

RGB 249 159 187

HSL 341.33, 0.88%, 0.8%

LAB 75.15, 37.05, -0.36

 

Complementary color

CMYK 94 / 0 / 29 / 62

HEX #066044

RGB 6 96 68

HSL 161.33, 0.88%, 0.2%

LAB 35.64, -31.54, 9.33

 

CMYK 0 / 37 / 28 / 0

HEX #FE9FB6

RGB 254 159 182

HSL 345.47, 0.98%, 0.81%

LAB 75.6, 38.12, 3.12

 

CMYK 0 / 31 / 21 / 0

HEX #FFB1C9

RGB 255 177 201

HSL 341.54, 1%, 0.85%

LAB 80.14, 31.73, -0.63

 

CMYK 0 / 24 / 14 / 0

HEX #FFC3DC

RGB 255 195 220

HSL 335, 1%, 0.88%

LAB 84.72, 25.16, -4.12

 

CMYK 0 / 16 / 6 / 0

HEX #FFD5EF

RGB 255 213 239

HSL 322.86, 1%, 0.92%

LAB 89.43, 18.85, -7.23

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 36 / 25 / 2

HEX #F99FBB

RGB 249 159 187

HSL 341.33, 0.88%, 0.8%

LAB 75.15, 37.05, -0.36

 

CMYK 0 / 39 / 28 / 9

HEX #E88DA8

RGB 232 141 168

HSL 342.2, 0.66%, 0.73%

LAB 68.77, 37.87, 0.63

 

CMYK 0 / 43 / 31 / 16

HEX #D77B95

RGB 215 123 149

HSL 343.04, 0.53%, 0.66%

LAB 62.32, 38.75, 1.74

 

CMYK 0 / 47 / 34 / 22

HEX #C66982

RGB 198 105 130

HSL 343.87, 0.45%, 0.59%

LAB 55.81, 39.66, 3.01

 

CMYK 0 / 52 / 39 / 29

HEX #B5576F

RGB 181 87 111

HSL 344.68, 0.39%, 0.53%

LAB 49.24, 40.58, 4.5

 

CMYK 0 / 36 / 25 / 3

HEX #F89FBB

RGB 248 159 187

HSL 341.12, 0.86%, 0.8%

LAB 75.04, 36.7, -0.54

 

CMYK 0 / 36 / 35 / 3

HEX #F89FA2

RGB 248 159 162

HSL 357.98, 0.86%, 0.8%

LAB 74.42, 33.45, 12.32

 

CMYK 0 / 36 / 36 / 3

HEX #F89F9F

RGB 248 159 159

HSL 0, 0.86%, 0.8%

LAB 74.35, 33.1, 13.87

 

CMYK 0 / 36 / 25 / 3

HEX #F89FBB

RGB 248 159 187

HSL 341.12, 0.86%, 0.8%

LAB 75.04, 36.7, -0.54

 

CMYK 0 / 36 / 15 / 3

HEX #F89FD3

RGB 248 159 211

HSL 324.94, 0.86%, 0.8%

LAB 75.73, 40.24, -12.67

 

CMYK 0 / 36 / 5 / 3

HEX #F89FEB

RGB 248 159 235

HSL 308.76, 0.86%, 0.8%

LAB 76.53, 44.17, -24.56

 

CMYK 4 / 36 / 0 / 3

HEX #EE9FF8

RGB 238 159 248

HSL 293.26, 0.86%, 0.8%

LAB 75.92, 43.42, -32.64

 

CMYK 14 / 36 / 0 / 3

HEX #D59FF8

RGB 213 159 248

HSL 276.4, 0.86%, 0.8%

LAB 73.36, 35.92, -36.79

 

CMYK 0 / 36 / 25 / 3

HEX #F89FBB

RGB 248 159 187

HSL 341.12, 0.86%, 0.8%

LAB 75.04, 36.7, -0.54

 

CMYK 0 / 36 / 25 / 3

HEX #F89FBB

RGB 248 159 187

HSL 341.12, 0.86%, 0.8%

LAB 75.04, 36.7, -0.54

 

CMYK 0 / 30 / 21 / 6

HEX #F0A7BE

RGB 240 167 190

HSL 341.1, 0.71%, 0.8%

LAB 76, 30.1, -0.89

 

CMYK 0 / 25 / 17 / 9

HEX #E8AFC1

RGB 232 175 193

HSL 341.05, 0.55%, 0.8%

LAB 77.08, 23.46, -1.04

 

CMYK 0 / 18 / 13 / 12

HEX #E0B7C4

RGB 224 183 196

HSL 340.98, 0.4%, 0.8%

LAB 78.29, 16.81, -1

 

CMYK 0 / 11 / 7 / 16

HEX #D7C0C7

RGB 215 192 199

HSL 341.74, 0.22%, 0.8%

LAB 79.77, 9.31, -0.55

 

CMYK 0 / 36 / 5 / 3

HEX #F89FEB

RGB 248 159 235

HSL 308.76, 0.86%, 0.8%

LAB 76.53, 44.17, -24.56

 

CMYK 0 / 36 / 15 / 3

HEX #F89FD3

RGB 248 159 211

HSL 324.94, 0.86%, 0.8%

LAB 75.73, 40.24, -12.67

 

CMYK 0 / 36 / 25 / 3

HEX #F89FBB

RGB 248 159 187

HSL 341.12, 0.86%, 0.8%

LAB 75.04, 36.7, -0.54

 

CMYK 0 / 36 / 34 / 3

HEX #F89FA3

RGB 248 159 163

HSL 357.3, 0.86%, 0.8%

LAB 74.44, 33.57, 11.8

 

CMYK 0 / 28 / 36 / 3

HEX #F8B29F

RGB 248 178 159

HSL 12.81, 0.86%, 0.8%

LAB 78.64, 23.11, 19.84

 

CMYK 0 / 67 / 46 / 5

HEX #F35184

RGB 243 81 132

HSL 341.11, 0.87%, 0.64%

LAB 58.61, 65.41, 6.75

 

CMYK 0 / 51 / 35 / 4

HEX #F6789F

RGB 246 120 159

HSL 341.43, 0.88%, 0.72%

LAB 66.16, 52.12, 2.12

 

CMYK 0 / 36 / 25 / 3

HEX #F89FBB

RGB 248 159 187

HSL 341.12, 0.86%, 0.8%

LAB 75.04, 36.7, -0.54

 

CMYK 0 / 22 / 15 / 2

HEX #FBC5D6

RGB 251 197 214

HSL 341.11, 0.87%, 0.88%

LAB 84.64, 21.78, -1.08

 

CMYK 0 / 7 / 4 / 1

HEX #FDECF2

RGB 253 236 242

HSL 338.82, 0.81%, 0.96%

LAB 94.86, 6.76, -0.84

 

CMYK 0 / 36 / 25 / 2

HEX #F99FBB

RGB 249 159 187

HSL 341.33, 0.88%, 0.8%

LAB 75.15, 37.05, -0.36

 

CMYK 0 / 4 / 36 / 3

HEX #F8EE9F

RGB 248 238 159

HSL 53.26, 0.86%, 0.8%

LAB 93.28, -7.88, 39.49

 

CMYK 36 / 10 / 0 / 3

HEX #9FDFF8

RGB 159 223 248

HSL 196.85, 0.86%, 0.8%

LAB 85.47, -14.16, -18.61

 

CMYK 0 / 36 / 25 / 2

HEX #F99FBB

RGB 249 159 187

HSL 341.33, 0.88%, 0.8%

LAB 75.15, 37.05, -0.36

 

CMYK 25 / 0 / 36 / 3

HEX #BBF89F

RGB 187 248 159

HSL 101.12, 0.86%, 0.8%

LAB 91.78, -34.87, 36.73

 

CMYK 36 / 25 / 0 / 3

HEX #9FBBF8

RGB 159 187 248

HSL 221.12, 0.86%, 0.8%

LAB 75.88, 4.92, -33.25

 

CMYK 0 / 36 / 25 / 2

HEX #F99FBB

RGB 249 159 187

HSL 341.33, 0.88%, 0.8%

LAB 75.15, 37.05, -0.36

 

CMYK 0 / 4 / 36 / 3

HEX #F8EE9F

RGB 248 238 159

HSL 53.26, 0.86%, 0.8%

LAB 93.28, -7.88, 39.49

 

CMYK 36 / 0 / 11 / 3

HEX #9FF8DC

RGB 159 248 220

HSL 161.12, 0.86%, 0.8%

LAB 91.54, -32.75, 5.03

 

CMYK 36 / 32 / 0 / 3

HEX #9FA9F8

RGB 159 169 248

HSL 233.26, 0.86%, 0.8%

LAB 71.23, 14.94, -40.46

 

CMYK 0 / 36 / 25 / 2

HEX #F99FBB

RGB 249 159 187

HSL 341.33, 0.88%, 0.8%

LAB 75.15, 37.05, -0.36

 

CMYK 6 / 0 / 36 / 3

HEX #E8F89F

RGB 232 248 159

HSL 70.79, 0.86%, 0.8%

LAB 94.65, -18.83, 41.03

 

CMYK 36 / 0 / 11 / 3

HEX #9FF8DC

RGB 159 248 220

HSL 161.12, 0.86%, 0.8%

LAB 91.54, -32.75, 5.03

 

CMYK 29 / 36 / 0 / 3

HEX #AF9FF8

RGB 175 159 248

HSL 250.79, 0.86%, 0.8%

LAB 69.96, 24.94, -42.36

 

Description

Color code: HEX #F99FBB | qconv.com Color code: HEX #F99FBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 159 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 159 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 25 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 25% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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