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Color name
HEX #F9AC99

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9AC99 it is the complementary color #065366. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9AC99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9AC99 shade: #FEAC94, #FFBEA7, #FFD0BA, #FFE2CD and #FFF4E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9AC99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9AC99 shade: #F9AC99, #E89A86, #D78873, #C67660 and #B5644D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9AC99 shade: #F9AC99 and #F99999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9AC99 shade: #F9AC99, #F9C699, #F9E099, #F8F999 and #DEF999

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9AC99 shade matches the following richer shades: #F9AC99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9AC99 shade: #F9AC99, #F0B1A2, #E7B7AB, #DFBCB3 and #D6C1BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9AC99 shade: #F999BB, #F999A1, #F9AB99, #F9C499 and #F9DE99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9AC99 shade: #F46D4B, #F68C72, #F9AC99, #FBCCC0 and #FDECE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9AC99 shade: #F9AC99, #D4F999 and #99AEF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9AC99 shade: #F9AC99, #99F9AB and #AB99F9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9AC99 shade: #F9AC99, #D4F999, #99E7F9 and #BE99F9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9AC99 shade: #F9AC99, #B7F999, #99E7F9 and #DA99F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

Complementary color

CMYK 94 / 19 / 0 / 60

HEX #065366

RGB 6 83 102

HSL 191.88, 0.89%, 0.21%

LAB 32.22, -13.69, -16.99

 

CMYK 0 / 32 / 42 / 0

HEX #FEAC94

RGB 254 172 148

HSL 13.58, 0.98%, 0.79%

LAB 77.71, 27.31, 24.59

 

CMYK 0 / 25 / 35 / 0

HEX #FFBEA7

RGB 255 190 167

HSL 15.68, 1%, 0.83%

LAB 82.31, 20.4, 20.75

 

CMYK 0 / 18 / 27 / 0

HEX #FFD0BA

RGB 255 208 186

HSL 19.13, 1%, 0.86%

LAB 86.96, 13.4, 17.16

 

CMYK 0 / 11 / 20 / 0

HEX #FFE2CD

RGB 255 226 205

HSL 25.2, 1%, 0.9%

LAB 91.71, 6.74, 13.9

 

CMYK 0 / 4 / 12 / 0

HEX #FFF4E0

RGB 255 244 224

HSL 38.71, 1%, 0.94%

LAB 96.55, 0.42, 10.94

 

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

CMYK 0 / 34 / 42 / 9

HEX #E89A86

RGB 232 154 134

HSL 12.24, 0.68%, 0.72%

LAB 70.86, 26.88, 22.48

 

CMYK 0 / 37 / 47 / 16

HEX #D78873

RGB 215 136 115

HSL 12.6, 0.56%, 0.65%

LAB 64.4, 27.91, 23.91

 

CMYK 0 / 40 / 52 / 22

HEX #C67660

RGB 198 118 96

HSL 12.94, 0.47%, 0.58%

LAB 57.85, 29.06, 25.51

 

CMYK 0 / 45 / 57 / 29

HEX #B5644D

RGB 181 100 77

HSL 13.27, 0.41%, 0.51%

LAB 51.24, 30.34, 27.33

 

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

CMYK 0 / 39 / 39 / 2

HEX #F99999

RGB 249 153 153

HSL 0, 0.89%, 0.79%

LAB 73.04, 35.9, 15.34

 

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

CMYK 0 / 20 / 39 / 2

HEX #F9C699

RGB 249 198 153

HSL 28.13, 0.89%, 0.79%

LAB 83.35, 12.3, 29.46

 

CMYK 0 / 10 / 39 / 2

HEX #F9E099

RGB 249 224 153

HSL 44.38, 0.89%, 0.79%

LAB 89.74, -1.11, 37.9

 

CMYK 0 / 0 / 39 / 2

HEX #F8F999

RGB 248 249 153

HSL 60.63, 0.89%, 0.79%

LAB 96, -13.97, 45.94

 

CMYK 11 / 0 / 39 / 2

HEX #DEF999

RGB 222 249 153

HSL 76.88, 0.89%, 0.79%

LAB 94.13, -23.72, 43.17

 

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

CMYK 0 / 26 / 33 / 6

HEX #F0B1A2

RGB 240 177 162

HSL 11.54, 0.72%, 0.79%

LAB 77.63, 20.98, 16.69

 

CMYK 0 / 21 / 26 / 9

HEX #E7B7AB

RGB 231 183 171

HSL 12, 0.56%, 0.79%

LAB 78.34, 15.59, 12.7

 

CMYK 0 / 16 / 20 / 13

HEX #DFBCB3

RGB 223 188 179

HSL 12.27, 0.41%, 0.79%

LAB 78.99, 11.1, 9.2

 

CMYK 0 / 10 / 12 / 16

HEX #D6C1BC

RGB 214 193 188

HSL 11.54, 0.24%, 0.79%

LAB 79.65, 6.57, 5.2

 

CMYK 0 / 39 / 25 / 2

HEX #F999BB

RGB 249 153 187

HSL 338.75, 0.89%, 0.79%

LAB 73.88, 40.16, -2.23

 

CMYK 0 / 39 / 35 / 2

HEX #F999A1

RGB 249 153 161

HSL 355, 0.89%, 0.79%

LAB 73.22, 36.82, 11.18

 

CMYK 0 / 31 / 39 / 2

HEX #F9AB99

RGB 249 171 153

HSL 11.25, 0.89%, 0.79%

LAB 77.02, 26.49, 20.86

 

CMYK 0 / 21 / 39 / 2

HEX #F9C499

RGB 249 196 153

HSL 26.88, 0.89%, 0.79%

LAB 82.87, 13.35, 28.81

 

CMYK 0 / 11 / 39 / 2

HEX #F9DE99

RGB 249 222 153

HSL 43.13, 0.89%, 0.79%

LAB 89.24, -0.1, 37.25

 

CMYK 0 / 55 / 69 / 4

HEX #F46D4B

RGB 244 109 75

HSL 12.07, 0.88%, 0.63%

LAB 62.24, 49.71, 43.89

 

CMYK 0 / 43 / 54 / 4

HEX #F68C72

RGB 246 140 114

HSL 11.82, 0.88%, 0.71%

LAB 69.16, 37.7, 31.46

 

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

CMYK 0 / 19 / 24 / 2

HEX #FBCCC0

RGB 251 204 192

HSL 12.2, 0.88%, 0.87%

LAB 85.76, 14.84, 12.24

 

CMYK 0 / 7 / 9 / 1

HEX #FDECE7

RGB 253 236 231

HSL 13.64, 0.85%, 0.95%

LAB 94.59, 4.92, 4.48

 

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

CMYK 15 / 0 / 39 / 2

HEX #D4F999

RGB 212 249 153

HSL 83.13, 0.89%, 0.79%

LAB 93.47, -27.37, 42.19

 

CMYK 39 / 30 / 0 / 2

HEX #99AEF9

RGB 153 174 249

HSL 226.88, 0.89%, 0.79%

LAB 72.15, 10.81, -39.6

 

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

CMYK 39 / 0 / 31 / 2

HEX #99F9AB

RGB 153 249 171

HSL 131.25, 0.89%, 0.79%

LAB 90.53, -44.16, 28.75

 

CMYK 31 / 39 / 0 / 2

HEX #AB99F9

RGB 171 153 249

HSL 251.25, 0.89%, 0.79%

LAB 68.23, 27.47, -45.64

 

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

CMYK 15 / 0 / 39 / 2

HEX #D4F999

RGB 212 249 153

HSL 83.13, 0.89%, 0.79%

LAB 93.47, -27.37, 42.19

 

CMYK 39 / 7 / 0 / 2

HEX #99E7F9

RGB 153 231 249

HSL 191.25, 0.89%, 0.79%

LAB 87.37, -19.49, -16.3

 

CMYK 24 / 39 / 0 / 2

HEX #BE99F9

RGB 190 153 249

HSL 263.13, 0.89%, 0.79%

LAB 69.87, 32.74, -42.94

 

CMYK 0 / 31 / 39 / 2

HEX #F9AC99

RGB 249 172 153

HSL 11.88, 0.89%, 0.79%

LAB 77.25, 25.96, 21.18

 

CMYK 27 / 0 / 39 / 2

HEX #B7F999

RGB 183 249 153

HSL 101.25, 0.89%, 0.79%

LAB 91.74, -37.5, 39.61

 

CMYK 39 / 7 / 0 / 2

HEX #99E7F9

RGB 153 231 249

HSL 191.25, 0.89%, 0.79%

LAB 87.37, -19.49, -16.3

 

CMYK 12 / 39 / 0 / 2

HEX #DA99F9

RGB 218 153 249

HSL 280.63, 0.89%, 0.79%

LAB 72.58, 40.83, -38.52

 

Description

Color code: HEX #F9AC99 | qconv.com Color code: HEX #F9AC99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 172 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 172 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 39% 2% C M Y K

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Provide designers and agencies with accurate color values.

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