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Color name
HEX #F9B566

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9B566 it is the complementary color #064A99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9B566. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9B566 shade: #FEB561, #FFC774, #FFD987, #FFEB9A and #FFFDAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9B566. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9B566 shade: #F9B566, #E8A353, #D79140, #C67F2D and #B56D1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9B566 shade: #F8B567, #F88E67 and #F86767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9B566 shade: #F8B567, #F8DC67, #EDF867, #C6F867 and #9FF867

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9B566 shade matches the following richer shades: #F8B567

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9B566 shade: #F8B567, #EBB474, #DFB380, #D2B28D and #C5B19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9B566 shade: #F86767, #F88E67, #F8B467, #F8DB67 and #EEF867

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9B566 shade: #F58E18, #F7A23F, #F8B567, #FAC88E and #FBDBB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9B566 shade: #F9B566, #8EF867 and #7A67F8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9B566 shade: #F9B566, #67F8B4 and #B467F8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9B566 shade: #F9B566, #8EF867, #67ABF8 and #D167F8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9B566 shade: #F9B566, #67F86C, #67ABF8 and #F867F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 59 / 2

HEX #F9B566

RGB 249 181 102

HSL 32.24, 0.92%, 0.69%

LAB 78.55, 16.54, 49.39

 

Complementary color

CMYK 96 / 52 / 0 / 40

HEX #064A99

RGB 6 74 153

HSL 212.24, 0.92%, 0.31%

LAB 32.34, 13.24, -48.37

 

CMYK 0 / 29 / 62 / 0

HEX #FEB561

RGB 254 181 97

HSL 32.1, 0.99%, 0.69%

LAB 79.03, 18.24, 52.51

 

CMYK 0 / 22 / 55 / 0

HEX #FFC774

RGB 255 199 116

HSL 35.83, 1%, 0.73%

LAB 83.64, 10.64, 48.77

 

CMYK 0 / 15 / 47 / 0

HEX #FFD987

RGB 255 217 135

HSL 41, 1%, 0.76%

LAB 88.27, 2.99, 45.13

 

CMYK 0 / 8 / 40 / 0

HEX #FFEB9A

RGB 255 235 154

HSL 48.12, 1%, 0.8%

LAB 93.02, -4.24, 41.75

 

CMYK 0 / 1 / 32 / 0

HEX #FFFDAD

RGB 255 253 173

HSL 58.54, 1%, 0.84%

LAB 97.84, -11.06, 38.6

 

CMYK 0 / 27 / 59 / 2

HEX #F9B566

RGB 249 181 102

HSL 32.24, 0.92%, 0.69%

LAB 78.55, 16.54, 49.39

 

CMYK 0 / 30 / 64 / 9

HEX #E8A353

RGB 232 163 83

HSL 32.21, 0.76%, 0.62%

LAB 72.21, 17.78, 50.8

 

CMYK 0 / 33 / 70 / 16

HEX #D79140

RGB 215 145 64

HSL 32.19, 0.65%, 0.55%

LAB 65.8, 19.19, 52.15

 

CMYK 0 / 36 / 77 / 22

HEX #C67F2D

RGB 198 127 45

HSL 32.16, 0.63%, 0.48%

LAB 59.32, 20.82, 53.27

 

CMYK 0 / 40 / 86 / 29

HEX #B56D1A

RGB 181 109 26

HSL 32.13, 0.75%, 0.41%

LAB 52.77, 22.7, 53.81

 

CMYK 0 / 27 / 58 / 3

HEX #F8B567

RGB 248 181 103

HSL 32.28, 0.91%, 0.69%

LAB 78.45, 16.2, 48.76

 

CMYK 0 / 43 / 58 / 3

HEX #F88E67

RGB 248 142 103

HSL 16.14, 0.91%, 0.69%

LAB 69.67, 36.59, 38.09

 

CMYK 0 / 58 / 58 / 3

HEX #F86767

RGB 248 103 103

HSL 0, 0.91%, 0.69%

LAB 62.2, 55.53, 28.59

 

CMYK 0 / 27 / 58 / 3

HEX #F8B567

RGB 248 181 103

HSL 32.28, 0.91%, 0.69%

LAB 78.45, 16.2, 48.76

 

CMYK 0 / 11 / 58 / 3

HEX #F8DC67

RGB 248 220 103

HSL 48.41, 0.91%, 0.69%

LAB 88.03, -3.95, 59.84

 

CMYK 4 / 0 / 58 / 3

HEX #EDF867

RGB 237 248 103

HSL 64.55, 0.91%, 0.69%

LAB 94.36, -22.16, 66.66

 

CMYK 20 / 0 / 58 / 3

HEX #C6F867

RGB 198 248 103

HSL 80.69, 0.91%, 0.69%

LAB 91.74, -37.14, 63.01

 

CMYK 36 / 0 / 58 / 3

HEX #9FF867

RGB 159 248 103

HSL 96.83, 0.91%, 0.69%

LAB 89.62, -50.79, 60.04

 

CMYK 0 / 27 / 58 / 3

HEX #F8B567

RGB 248 181 103

HSL 32.28, 0.91%, 0.69%

LAB 78.45, 16.2, 48.76

 

CMYK 0 / 27 / 58 / 3

HEX #F8B567

RGB 248 181 103

HSL 32.28, 0.91%, 0.69%

LAB 78.45, 16.2, 48.76

 

CMYK 0 / 23 / 51 / 8

HEX #EBB474

RGB 235 180 116

HSL 32.27, 0.75%, 0.69%

LAB 77.02, 12.49, 40.17

 

CMYK 0 / 20 / 43 / 13

HEX #DFB380

RGB 223 179 128

HSL 32.21, 0.6%, 0.69%

LAB 75.75, 9.34, 32.06

 

CMYK 0 / 15 / 33 / 18

HEX #D2B28D

RGB 210 178 141

HSL 32.17, 0.43%, 0.69%

LAB 74.49, 6.22, 23.22

 

CMYK 0 / 10 / 22 / 23

HEX #C5B19A

RGB 197 177 154

HSL 32.09, 0.27%, 0.69%

LAB 73.32, 3.5, 14.39

 

CMYK 0 / 58 / 58 / 3

HEX #F86767

RGB 248 103 103

HSL 0, 0.91%, 0.69%

LAB 62.2, 55.53, 28.59

 

CMYK 0 / 43 / 58 / 3

HEX #F88E67

RGB 248 142 103

HSL 16.14, 0.91%, 0.69%

LAB 69.67, 36.59, 38.09

 

CMYK 0 / 27 / 58 / 3

HEX #F8B467

RGB 248 180 103

HSL 31.86, 0.91%, 0.69%

LAB 78.22, 16.73, 48.48

 

CMYK 0 / 12 / 58 / 3

HEX #F8DB67

RGB 248 219 103

HSL 48, 0.91%, 0.69%

LAB 87.78, -3.45, 59.56

 

CMYK 4 / 0 / 58 / 3

HEX #EEF867

RGB 238 248 103

HSL 64.14, 0.91%, 0.69%

LAB 94.44, -21.76, 66.76

 

CMYK 0 / 42 / 90 / 4

HEX #F58E18

RGB 245 142 24

HSL 32.04, 0.92%, 0.53%

LAB 68.62, 32.01, 70.41

 

CMYK 0 / 34 / 74 / 3

HEX #F7A23F

RGB 247 162 63

HSL 32.28, 0.92%, 0.61%

LAB 73.53, 23.5, 61.7

 

CMYK 0 / 27 / 58 / 3

HEX #F8B567

RGB 248 181 103

HSL 32.28, 0.91%, 0.69%

LAB 78.45, 16.2, 48.76

 

CMYK 0 / 20 / 43 / 2

HEX #FAC88E

RGB 250 200 142

HSL 32.22, 0.92%, 0.77%

LAB 83.75, 10.47, 35.71

 

CMYK 0 / 13 / 27 / 2

HEX #FBDBB6

RGB 251 219 182

HSL 32.17, 0.9%, 0.85%

LAB 89.18, 5.69, 22.29

 

CMYK 0 / 27 / 59 / 2

HEX #F9B566

RGB 249 181 102

HSL 32.24, 0.92%, 0.69%

LAB 78.55, 16.54, 49.39

 

CMYK 43 / 0 / 58 / 3

HEX #8EF867

RGB 142 248 103

HSL 103.86, 0.91%, 0.69%

LAB 88.86, -56.11, 58.97

 

CMYK 51 / 58 / 0 / 3

HEX #7A67F8

RGB 122 103 248

HSL 247.86, 0.91%, 0.69%

LAB 52.53, 44.38, -70.39

 

CMYK 0 / 27 / 59 / 2

HEX #F9B566

RGB 249 181 102

HSL 32.24, 0.92%, 0.69%

LAB 78.55, 16.54, 49.39

 

CMYK 58 / 0 / 27 / 3

HEX #67F8B4

RGB 103 248 180

HSL 151.86, 0.91%, 0.69%

LAB 88.6, -54.35, 21.22

 

CMYK 27 / 58 / 0 / 3

HEX #B467F8

RGB 180 103 248

HSL 271.86, 0.91%, 0.69%

LAB 58.21, 56.74, -60.94

 

CMYK 0 / 27 / 59 / 2

HEX #F9B566

RGB 249 181 102

HSL 32.24, 0.92%, 0.69%

LAB 78.55, 16.54, 49.39

 

CMYK 43 / 0 / 58 / 3

HEX #8EF867

RGB 142 248 103

HSL 103.86, 0.91%, 0.69%

LAB 88.86, -56.11, 58.97

 

CMYK 58 / 31 / 0 / 3

HEX #67ABF8

RGB 103 171 248

HSL 211.86, 0.91%, 0.69%

LAB 68.6, 0.77, -44.81

 

CMYK 16 / 58 / 0 / 3

HEX #D167F8

RGB 209 103 248

HSL 283.86, 0.91%, 0.69%

LAB 61.68, 63.58, -55.19

 

CMYK 0 / 27 / 59 / 2

HEX #F9B566

RGB 249 181 102

HSL 32.24, 0.92%, 0.69%

LAB 78.55, 16.54, 49.39

 

CMYK 58 / 0 / 56 / 3

HEX #67F86C

RGB 103 248 108

HSL 122.07, 0.91%, 0.69%

LAB 87.53, -65.83, 54.9

 

CMYK 58 / 31 / 0 / 3

HEX #67ABF8

RGB 103 171 248

HSL 211.86, 0.91%, 0.69%

LAB 68.6, 0.77, -44.81

 

CMYK 0 / 58 / 2 / 3

HEX #F867F3

RGB 248 103 243

HSL 302.07, 0.91%, 0.69%

LAB 66.62, 72.19, -44.29

 

Description

Color code: HEX #F9B566 | qconv.com Color code: HEX #F9B566 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 181 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 181 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 59 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 59% 2% C M Y K

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Provide designers and agencies with accurate color values.

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