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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9BFFC it is the complementary color #064003. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9BFFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9BFFC shade: #FEBFF7, #FFD1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9BFFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9BFFC shade: #F9BFFC, #E8ADE9, #D79BD6, #C689C3 and #B577B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9BFFC shade: #F9BFFC, #FCBFEE, #FCBFDE, #FCBFCE and #FCBFBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9BFFC shade: #F9BFFC, #E8BFFC, #D8BFFC, #C8BFFC and #BFBFFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9BFFC shade matches the following richer shades: #F9BFFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9BFFC shade: #F9BFFC, #F4C5F6, #EFCAF1, #EACFEB and #E5D5E6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9BFFC shade: #D8BFFC, #E8BFFC, #F8BFFC, #FCBFEE and #FCBFDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9BFFC shade: #F170F8, #F598FA, #F9BFFC and #FCE7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9BFFC shade: #F9BFFC, #FCC8BF and #BFFCE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9BFFC shade: #F9BFFC, #FCF8BF and #BFFCF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9BFFC shade: #F9BFFC, #FCC8BF, #C2FCBF and #BFF2FC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9BFFC shade: #F9BFFC, #FCDABF, #C2FCBF and #BFE0FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

Complementary color

CMYK 91 / 0 / 95 / 75

HEX #064003

RGB 6 64 3

HSL 117.05, 0.91%, 0.13%

LAB 22.7, -30.5, 29.1

 

CMYK 0 / 25 / 3 / 0

HEX #FEBFF7

RGB 254 191 247

HSL 306.67, 0.97%, 0.87%

LAB 84.51, 31.45, -18.84

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

CMYK 0 / 26 / 0 / 9

HEX #E8ADE9

RGB 232 173 233

HSL 299, 0.58%, 0.8%

LAB 77.83, 31.34, -21.64

 

CMYK 0 / 28 / 0 / 16

HEX #D79BD6

RGB 215 155 214

HSL 301, 0.43%, 0.73%

LAB 71.38, 31.99, -21.24

 

CMYK 0 / 31 / 2 / 22

HEX #C689C3

RGB 198 137 195

HSL 302.95, 0.35%, 0.66%

LAB 64.83, 32.68, -20.82

 

CMYK 0 / 34 / 3 / 29

HEX #B577B0

RGB 181 119 176

HSL 304.84, 0.3%, 0.59%

LAB 58.18, 33.4, -20.36

 

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

CMYK 0 / 24 / 6 / 1

HEX #FCBFEE

RGB 252 191 238

HSL 313.77, 0.91%, 0.87%

LAB 84.03, 29.23, -14.78

 

CMYK 0 / 24 / 12 / 1

HEX #FCBFDE

RGB 252 191 222

HSL 329.51, 0.91%, 0.87%

LAB 83.56, 26.56, -6.92

 

CMYK 0 / 24 / 18 / 1

HEX #FCBFCE

RGB 252 191 206

HSL 345.25, 0.91%, 0.87%

LAB 83.13, 24.06, 1.01

 

CMYK 0 / 24 / 24 / 1

HEX #FCBFBF

RGB 252 191 191

HSL 0, 0.91%, 0.87%

LAB 82.76, 21.88, 8.52

 

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

CMYK 8 / 24 / 0 / 1

HEX #E8BFFC

RGB 232 191 252

HSL 280.33, 0.91%, 0.87%

LAB 82.62, 25.34, -24.57

 

CMYK 14 / 24 / 0 / 1

HEX #D8BFFC

RGB 216 191 252

HSL 264.59, 0.91%, 0.87%

LAB 81.23, 20.33, -26.81

 

CMYK 21 / 24 / 0 / 1

HEX #C8BFFC

RGB 200 191 252

HSL 248.85, 0.91%, 0.87%

LAB 79.94, 15.45, -28.9

 

CMYK 24 / 24 / 0 / 1

HEX #BFBFFC

RGB 191 191 252

HSL 240, 0.91%, 0.87%

LAB 79.25, 12.77, -30.01

 

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

CMYK 1 / 20 / 0 / 4

HEX #F4C5F6

RGB 244 197 246

HSL 297.55, 0.73%, 0.87%

LAB 84.9, 24.85, -17.8

 

CMYK 1 / 16 / 0 / 5

HEX #EFCAF1

RGB 239 202 241

HSL 296.92, 0.58%, 0.87%

LAB 85.47, 19.65, -14.34

 

CMYK 0 / 12 / 0 / 8

HEX #EACFEB

RGB 234 207 235

HSL 297.86, 0.41%, 0.87%

LAB 86.06, 14.25, -10.32

 

CMYK 0 / 7 / 0 / 10

HEX #E5D5E6

RGB 229 213 230

HSL 296.47, 0.25%, 0.87%

LAB 86.98, 8.5, -6.36

 

CMYK 14 / 24 / 0 / 1

HEX #D8BFFC

RGB 216 191 252

HSL 264.59, 0.91%, 0.87%

LAB 81.23, 20.33, -26.81

 

CMYK 8 / 24 / 0 / 1

HEX #E8BFFC

RGB 232 191 252

HSL 280.33, 0.91%, 0.87%

LAB 82.62, 25.34, -24.57

 

CMYK 2 / 24 / 0 / 1

HEX #F8BFFC

RGB 248 191 252

HSL 296.07, 0.91%, 0.87%

LAB 84.09, 30.42, -22.18

 

CMYK 0 / 24 / 6 / 1

HEX #FCBFEE

RGB 252 191 238

HSL 313.77, 0.91%, 0.87%

LAB 84.03, 29.23, -14.78

 

CMYK 0 / 24 / 12 / 1

HEX #FCBFDE

RGB 252 191 222

HSL 329.51, 0.91%, 0.87%

LAB 83.56, 26.56, -6.92

 

CMYK 3 / 55 / 0 / 3

HEX #F170F8

RGB 241 112 248

HSL 296.91, 0.91%, 0.71%

LAB 67.33, 67.39, -45.99

 

CMYK 2 / 39 / 0 / 2

HEX #F598FA

RGB 245 152 250

HSL 296.94, 0.91%, 0.79%

LAB 75.31, 49.5, -34.6

 

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

CMYK 0 / 9 / 0 / 1

HEX #FCE7FD

RGB 252 231 253

HSL 297.27, 0.85%, 0.95%

LAB 93.86, 10.93, -8.04

 

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

CMYK 0 / 21 / 24 / 1

HEX #FCC8BF

RGB 252 200 191

HSL 8.85, 0.91%, 0.87%

LAB 84.88, 17.16, 11.54

 

CMYK 24 / 0 / 11 / 1

HEX #BFFCE0

RGB 191 252 224

HSL 152.46, 0.91%, 0.87%

LAB 94.35, -24.63, 7.22

 

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

CMYK 0 / 2 / 24 / 1

HEX #FCF8BF

RGB 252 248 191

HSL 56.07, 0.91%, 0.87%

LAB 96.65, -7.44, 27.94

 

CMYK 24 / 0 / 2 / 1

HEX #BFFCF8

RGB 191 252 248

HSL 176.07, 0.91%, 0.87%

LAB 94.94, -19.79, -4.31

 

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

CMYK 0 / 21 / 24 / 1

HEX #FCC8BF

RGB 252 200 191

HSL 8.85, 0.91%, 0.87%

LAB 84.88, 17.16, 11.54

 

CMYK 23 / 0 / 24 / 1

HEX #C2FCBF

RGB 194 252 191

HSL 117.05, 0.91%, 0.87%

LAB 93.82, -29.56, 23.43

 

CMYK 24 / 4 / 0 / 1

HEX #BFF2FC

RGB 191 242 252

HSL 189.84, 0.91%, 0.87%

LAB 92.4, -13.98, -10.14

 

CMYK 1 / 24 / 0 / 1

HEX #F9BFFC

RGB 249 191 252

HSL 297.05, 0.91%, 0.87%

LAB 84.19, 30.74, -22.03

 

CMYK 0 / 13 / 24 / 1

HEX #FCDABF

RGB 252 218 191

HSL 26.56, 0.91%, 0.87%

LAB 89.21, 7.79, 17.64

 

CMYK 23 / 0 / 24 / 1

HEX #C2FCBF

RGB 194 252 191

HSL 117.05, 0.91%, 0.87%

LAB 93.82, -29.56, 23.43

 

CMYK 24 / 11 / 0 / 1

HEX #BFE0FC

RGB 191 224 252

HSL 207.54, 0.91%, 0.87%

LAB 87.69, -4.81, -17.19

 

Description

Color code: HEX #F9BFFC | qconv.com Color code: HEX #F9BFFC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 191 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 191 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 24 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 24% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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