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Color name
HEX #F9DA7C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9DA7C it is the complementary color #062583. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9DA7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9DA7C shade: #FEDA77, #FFEC8A, #FFFE9D, #FFFFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9DA7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9DA7C shade: #F9DA7C, #E8C869, #D7B656, #C6A443 and #B59230

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9DA7C shade: #F8D97B, #F8B77B, #F8967B and #F87B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9DA7C shade: #F8D97B, #F6F87B, #D4F87B, #B2F87B and #90F87B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9DA7C shade matches the following richer shades: #F8D97B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9DA7C shade: #F8D97B, #EDD486, #E2CE91, #D7C89C and #CCC3A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9DA7C shade: #F8967B, #F8B87B, #F8D97B, #F6F87B and #D5F87B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9DA7C shade: #F5C32C, #F6CE54, #F8D97B, #FAE4A2 and #FCF0CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9DA7C shade: #F9DA7C, #81F87B and #A77BF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9DA7C shade: #F9DA7C, #7BF8D9 and #D97BF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9DA7C shade: #F9DA7C, #81F87B, #7B9AF8 and #F27BF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9DA7C shade: #F9DA7C, #7BF89A, #7B9AF8 and #F87BD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 50 / 2

HEX #F9DA7C

RGB 249 218 124

HSL 45.12, 0.91%, 0.73%

LAB 87.84, -0.89, 49.85

 

Complementary color

CMYK 95 / 72 / 0 / 49

HEX #062583

RGB 6 37 131

HSL 225.12, 0.91%, 0.27%

LAB 20.05, 29.87, -54.85

 

CMYK 0 / 14 / 53 / 0

HEX #FEDA77

RGB 254 218 119

HSL 44, 0.99%, 0.73%

LAB 88.23, 0.7, 52.82

 

CMYK 0 / 7 / 46 / 0

HEX #FFEC8A

RGB 255 236 138

HSL 50.26, 1%, 0.77%

LAB 93.05, -6.33, 49.61

 

CMYK 0 / 0 / 38 / 0

HEX #FFFE9D

RGB 255 254 157

HSL 59.39, 1%, 0.81%

LAB 97.86, -13.33, 46.47

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 12 / 50 / 2

HEX #F9DA7C

RGB 249 218 124

HSL 45.12, 0.91%, 0.73%

LAB 87.84, -0.89, 49.85

 

CMYK 0 / 14 / 55 / 9

HEX #E8C869

RGB 232 200 105

HSL 44.88, 0.73%, 0.66%

LAB 81.56, -0.14, 51.08

 

CMYK 0 / 15 / 60 / 16

HEX #D7B656

RGB 215 182 86

HSL 44.65, 0.62%, 0.59%

LAB 75.19, 0.75, 52.27

 

CMYK 0 / 17 / 66 / 22

HEX #C6A443

RGB 198 164 67

HSL 44.43, 0.53%, 0.52%

LAB 68.72, 1.78, 53.35

 

CMYK 0 / 19 / 73 / 29

HEX #B59230

RGB 181 146 48

HSL 44.21, 0.58%, 0.45%

LAB 62.16, 3.02, 54.16

 

CMYK 0 / 13 / 50 / 3

HEX #F8D97B

RGB 248 217 123

HSL 45.12, 0.9%, 0.73%

LAB 87.49, -0.87, 49.89

 

CMYK 0 / 26 / 50 / 3

HEX #F8B77B

RGB 248 183 123

HSL 28.8, 0.9%, 0.73%

LAB 79.19, 16.76, 39.59

 

CMYK 0 / 40 / 50 / 3

HEX #F8967B

RGB 248 150 123

HSL 12.96, 0.9%, 0.73%

LAB 71.69, 34.07, 29.92

 

CMYK 0 / 50 / 50 / 3

HEX #F87B7B

RGB 248 123 123

HSL 0, 0.9%, 0.73%

LAB 66.18, 47.71, 22.57

 

CMYK 0 / 13 / 50 / 3

HEX #F8D97B

RGB 248 217 123

HSL 45.12, 0.9%, 0.73%

LAB 87.49, -0.87, 49.89

 

CMYK 1 / 0 / 50 / 3

HEX #F6F87B

RGB 246 248 123

HSL 60.96, 0.9%, 0.73%

LAB 95.23, -17.09, 59.08

 

CMYK 15 / 0 / 50 / 3

HEX #D4F87B

RGB 212 248 123

HSL 77.28, 0.9%, 0.73%

LAB 92.82, -30.15, 55.65

 

CMYK 28 / 0 / 50 / 3

HEX #B2F87B

RGB 178 248 123

HSL 93.6, 0.9%, 0.73%

LAB 90.79, -42.4, 52.73

 

CMYK 42 / 0 / 50 / 3

HEX #90F87B

RGB 144 248 123

HSL 109.92, 0.9%, 0.73%

LAB 89.16, -53.31, 50.36

 

CMYK 0 / 13 / 50 / 3

HEX #F8D97B

RGB 248 217 123

HSL 45.12, 0.9%, 0.73%

LAB 87.49, -0.87, 49.89

 

CMYK 0 / 13 / 50 / 3

HEX #F8D97B

RGB 248 217 123

HSL 45.12, 0.9%, 0.73%

LAB 87.49, -0.87, 49.89

 

CMYK 0 / 11 / 43 / 7

HEX #EDD486

RGB 237 212 134

HSL 45.44, 0.74%, 0.73%

LAB 85.41, -1.69, 41.68

 

CMYK 0 / 9 / 36 / 11

HEX #E2CE91

RGB 226 206 145

HSL 45.19, 0.58%, 0.73%

LAB 83.1, -1.74, 32.91

 

CMYK 0 / 7 / 27 / 16

HEX #D7C89C

RGB 215 200 156

HSL 44.75, 0.42%, 0.73%

LAB 80.83, -1.51, 23.94

 

CMYK 0 / 4 / 18 / 20

HEX #CCC3A8

RGB 204 195 168

HSL 45, 0.26%, 0.73%

LAB 78.87, -1.32, 14.71

 

CMYK 0 / 40 / 50 / 3

HEX #F8967B

RGB 248 150 123

HSL 12.96, 0.9%, 0.73%

LAB 71.69, 34.07, 29.92

 

CMYK 0 / 26 / 50 / 3

HEX #F8B87B

RGB 248 184 123

HSL 29.28, 0.9%, 0.73%

LAB 79.42, 16.24, 39.89

 

CMYK 0 / 13 / 50 / 3

HEX #F8D97B

RGB 248 217 123

HSL 45.12, 0.9%, 0.73%

LAB 87.49, -0.87, 49.89

 

CMYK 1 / 0 / 50 / 3

HEX #F6F87B

RGB 246 248 123

HSL 60.96, 0.9%, 0.73%

LAB 95.23, -17.09, 59.08

 

CMYK 14 / 0 / 50 / 3

HEX #D5F87B

RGB 213 248 123

HSL 76.8, 0.9%, 0.73%

LAB 92.89, -29.77, 55.74

 

CMYK 0 / 20 / 82 / 4

HEX #F5C32C

RGB 245 195 44

HSL 45.07, 0.91%, 0.57%

LAB 81.08, 4.72, 75.21

 

CMYK 0 / 16 / 66 / 4

HEX #F6CE54

RGB 246 206 84

HSL 45.19, 0.9%, 0.65%

LAB 84.16, 1.15, 63.82

 

CMYK 0 / 13 / 50 / 3

HEX #F8D97B

RGB 248 217 123

HSL 45.12, 0.9%, 0.73%

LAB 87.49, -0.87, 49.89

 

CMYK 0 / 9 / 35 / 2

HEX #FAE4A2

RGB 250 228 162

HSL 45, 0.9%, 0.81%

LAB 90.97, -1.75, 34.98

 

CMYK 0 / 5 / 20 / 1

HEX #FCF0CA

RGB 252 240 202

HSL 45.6, 0.89%, 0.89%

LAB 94.86, -1.91, 19.84

 

CMYK 0 / 12 / 50 / 2

HEX #F9DA7C

RGB 249 218 124

HSL 45.12, 0.91%, 0.73%

LAB 87.84, -0.89, 49.85

 

CMYK 48 / 0 / 50 / 3

HEX #81F87B

RGB 129 248 123

HSL 117.12, 0.9%, 0.73%

LAB 88.56, -57.56, 49.5

 

CMYK 33 / 50 / 0 / 3

HEX #A77BF8

RGB 167 123 248

HSL 261.12, 0.9%, 0.73%

LAB 60.92, 43.02, -56.68

 

CMYK 0 / 12 / 50 / 2

HEX #F9DA7C

RGB 249 218 124

HSL 45.12, 0.91%, 0.73%

LAB 87.84, -0.89, 49.85

 

CMYK 50 / 0 / 13 / 3

HEX #7BF8D9

RGB 123 248 217

HSL 165.12, 0.9%, 0.73%

LAB 90.02, -42.22, 4.21

 

CMYK 13 / 50 / 0 / 3

HEX #D97BF8

RGB 217 123 248

HSL 285.12, 0.9%, 0.73%

LAB 66.29, 55.93, -47.83

 

CMYK 0 / 12 / 50 / 2

HEX #F9DA7C

RGB 249 218 124

HSL 45.12, 0.91%, 0.73%

LAB 87.84, -0.89, 49.85

 

CMYK 48 / 0 / 50 / 3

HEX #81F87B

RGB 129 248 123

HSL 117.12, 0.9%, 0.73%

LAB 88.56, -57.56, 49.5

 

CMYK 50 / 38 / 0 / 3

HEX #7B9AF8

RGB 123 154 248

HSL 225.12, 0.9%, 0.73%

LAB 65.04, 14.67, -50.34

 

CMYK 2 / 50 / 0 / 3

HEX #F27BF8

RGB 242 123 248

HSL 297.12, 0.9%, 0.73%

LAB 69.34, 62.6, -42.82

 

CMYK 0 / 12 / 50 / 2

HEX #F9DA7C

RGB 249 218 124

HSL 45.12, 0.91%, 0.73%

LAB 87.84, -0.89, 49.85

 

CMYK 50 / 0 / 38 / 3

HEX #7BF89A

RGB 123 248 154

HSL 134.88, 0.9%, 0.73%

LAB 88.77, -54.62, 34.72

 

CMYK 50 / 38 / 0 / 3

HEX #7B9AF8

RGB 123 154 248

HSL 225.12, 0.9%, 0.73%

LAB 65.04, 14.67, -50.34

 

CMYK 0 / 50 / 13 / 3

HEX #F87BD9

RGB 248 123 217

HSL 314.88, 0.9%, 0.73%

LAB 68.85, 59.15, -26.43

 

Description

Color code: HEX #F9DA7C | qconv.com Color code: HEX #F9DA7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 218 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 218 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 50% 2% C M Y K

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Provide designers and agencies with accurate color values.

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