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Color name
HEX #F9DD7C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9DD7C it is the complementary color #062283. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9DD7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9DD7C shade: #FEDD77, #FFEF8A, #FFFF9D, #FFFFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9DD7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9DD7C shade: #F9DD7C, #E8CB69, #D7B956, #C6A743 and #B59530

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9DD7C shade: #F8DC7B, #F8BA7B, #F8997B and #F87B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9DD7C shade: #F8DC7B, #F3F87B, #D1F87B, #AFF87B and #8DF87B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9DD7C shade matches the following richer shades: #F8DC7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9DD7C shade: #F8DC7B, #EDD686, #E2D091, #D7CA9C and #CCC4A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9DD7C shade: #F8987B, #F8BA7B, #F8DB7B, #F4F87B and #D3F87B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9DD7C shade: #F5C82C, #F6D254, #F8DC7B, #FAE7A2 and #FCF1CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9DD7C shade: #F9DD7C, #7FF87B and #A97BF8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9DD7C shade: #F9DD7C, #7BF8DB and #DB7BF8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9DD7C shade: #F9DD7C, #7FF87B, #7B98F8 and #F47BF8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9DD7C shade: #F9DD7C, #7BF89C, #7B98F8 and #F87BD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 50 / 2

HEX #F9DD7C

RGB 249 221 124

HSL 46.56, 0.91%, 0.73%

LAB 88.59, -2.42, 50.77

 

Complementary color

CMYK 95 / 74 / 0 / 49

HEX #062283

RGB 6 34 131

HSL 226.56, 0.91%, 0.27%

LAB 19.31, 31.88, -56.06

 

CMYK 0 / 13 / 53 / 0

HEX #FEDD77

RGB 254 221 119

HSL 45.33, 0.99%, 0.73%

LAB 88.98, -0.83, 53.71

 

CMYK 0 / 6 / 46 / 0

HEX #FFEF8A

RGB 255 239 138

HSL 51.79, 1%, 0.77%

LAB 93.81, -7.82, 50.55

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9D

RGB 255 255 157

HSL 60, 1%, 0.81%

LAB 98.12, -13.81, 46.8

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 11 / 50 / 2

HEX #F9DD7C

RGB 249 221 124

HSL 46.56, 0.91%, 0.73%

LAB 88.59, -2.42, 50.77

 

CMYK 0 / 13 / 55 / 9

HEX #E8CB69

RGB 232 203 105

HSL 46.3, 0.73%, 0.66%

LAB 82.32, -1.68, 51.97

 

CMYK 0 / 14 / 60 / 16

HEX #D7B956

RGB 215 185 86

HSL 46.05, 0.62%, 0.59%

LAB 75.96, -0.83, 53.14

 

CMYK 0 / 16 / 66 / 22

HEX #C6A743

RGB 198 167 67

HSL 45.8, 0.53%, 0.52%

LAB 69.5, 0.18, 54.18

 

CMYK 0 / 18 / 73 / 29

HEX #B59530

RGB 181 149 48

HSL 45.56, 0.58%, 0.45%

LAB 62.95, 1.38, 54.94

 

CMYK 0 / 11 / 50 / 3

HEX #F8DC7B

RGB 248 220 123

HSL 46.56, 0.9%, 0.73%

LAB 88.24, -2.4, 50.8

 

CMYK 0 / 25 / 50 / 3

HEX #F8BA7B

RGB 248 186 123

HSL 30.24, 0.9%, 0.73%

LAB 79.9, 15.19, 40.49

 

CMYK 0 / 38 / 50 / 3

HEX #F8997B

RGB 248 153 123

HSL 14.4, 0.9%, 0.73%

LAB 72.34, 32.51, 30.77

 

CMYK 0 / 50 / 50 / 3

HEX #F87B7B

RGB 248 123 123

HSL 0, 0.9%, 0.73%

LAB 66.18, 47.71, 22.57

 

CMYK 0 / 11 / 50 / 3

HEX #F8DC7B

RGB 248 220 123

HSL 46.56, 0.9%, 0.73%

LAB 88.24, -2.4, 50.8

 

CMYK 2 / 0 / 50 / 3

HEX #F3F87B

RGB 243 248 123

HSL 62.4, 0.9%, 0.73%

LAB 95, -18.26, 58.76

 

CMYK 16 / 0 / 50 / 3

HEX #D1F87B

RGB 209 248 123

HSL 78.72, 0.9%, 0.73%

LAB 92.63, -31.27, 55.37

 

CMYK 29 / 0 / 50 / 3

HEX #AFF87B

RGB 175 248 123

HSL 95.04, 0.9%, 0.73%

LAB 90.63, -43.42, 52.5

 

CMYK 43 / 0 / 50 / 3

HEX #8DF87B

RGB 141 248 123

HSL 111.36, 0.9%, 0.73%

LAB 89.03, -54.19, 50.18

 

CMYK 0 / 11 / 50 / 3

HEX #F8DC7B

RGB 248 220 123

HSL 46.56, 0.9%, 0.73%

LAB 88.24, -2.4, 50.8

 

CMYK 0 / 11 / 50 / 3

HEX #F8DC7B

RGB 248 220 123

HSL 46.56, 0.9%, 0.73%

LAB 88.24, -2.4, 50.8

 

CMYK 0 / 10 / 43 / 7

HEX #EDD686

RGB 237 214 134

HSL 46.6, 0.74%, 0.73%

LAB 85.92, -2.71, 42.32

 

CMYK 0 / 8 / 36 / 11

HEX #E2D091

RGB 226 208 145

HSL 46.67, 0.58%, 0.73%

LAB 83.61, -2.77, 33.58

 

CMYK 0 / 6 / 27 / 16

HEX #D7CA9C

RGB 215 202 156

HSL 46.78, 0.42%, 0.73%

LAB 81.34, -2.55, 24.65

 

CMYK 0 / 4 / 18 / 20

HEX #CCC4A8

RGB 204 196 168

HSL 46.67, 0.26%, 0.73%

LAB 79.12, -1.84, 15.07

 

CMYK 0 / 39 / 50 / 3

HEX #F8987B

RGB 248 152 123

HSL 13.92, 0.9%, 0.73%

LAB 72.12, 33.03, 30.49

 

CMYK 0 / 25 / 50 / 3

HEX #F8BA7B

RGB 248 186 123

HSL 30.24, 0.9%, 0.73%

LAB 79.9, 15.19, 40.49

 

CMYK 0 / 12 / 50 / 3

HEX #F8DB7B

RGB 248 219 123

HSL 46.08, 0.9%, 0.73%

LAB 87.99, -1.89, 50.5

 

CMYK 2 / 0 / 50 / 3

HEX #F4F87B

RGB 244 248 123

HSL 61.92, 0.9%, 0.73%

LAB 95.08, -17.87, 58.87

 

CMYK 15 / 0 / 50 / 3

HEX #D3F87B

RGB 211 248 123

HSL 77.76, 0.9%, 0.73%

LAB 92.76, -30.52, 55.56

 

CMYK 0 / 18 / 82 / 4

HEX #F5C82C

RGB 245 200 44

HSL 46.57, 0.91%, 0.57%

LAB 82.33, 2.13, 76.26

 

CMYK 0 / 15 / 66 / 4

HEX #F6D254

RGB 246 210 84

HSL 46.67, 0.9%, 0.65%

LAB 85.16, -0.9, 64.88

 

CMYK 0 / 11 / 50 / 3

HEX #F8DC7B

RGB 248 220 123

HSL 46.56, 0.9%, 0.73%

LAB 88.24, -2.4, 50.8

 

CMYK 0 / 8 / 35 / 2

HEX #FAE7A2

RGB 250 231 162

HSL 47.05, 0.9%, 0.81%

LAB 91.72, -3.27, 35.97

 

CMYK 0 / 4 / 20 / 1

HEX #FCF1CA

RGB 252 241 202

HSL 46.8, 0.89%, 0.89%

LAB 95.11, -2.42, 20.19

 

CMYK 0 / 11 / 50 / 2

HEX #F9DD7C

RGB 249 221 124

HSL 46.56, 0.91%, 0.73%

LAB 88.59, -2.42, 50.77

 

CMYK 49 / 0 / 50 / 3

HEX #7FF87B

RGB 127 248 123

HSL 118.08, 0.9%, 0.73%

LAB 88.48, -58.1, 49.39

 

CMYK 32 / 50 / 0 / 3

HEX #A97BF8

RGB 169 123 248

HSL 262.08, 0.9%, 0.73%

LAB 61.11, 43.52, -56.36

 

CMYK 0 / 11 / 50 / 2

HEX #F9DD7C

RGB 249 221 124

HSL 46.56, 0.91%, 0.73%

LAB 88.59, -2.42, 50.77

 

CMYK 50 / 0 / 12 / 3

HEX #7BF8DB

RGB 123 248 219

HSL 166.08, 0.9%, 0.73%

LAB 90.07, -41.76, 3.24

 

CMYK 12 / 50 / 0 / 3

HEX #DB7BF8

RGB 219 123 248

HSL 286.08, 0.9%, 0.73%

LAB 66.52, 56.46, -47.45

 

CMYK 0 / 11 / 50 / 2

HEX #F9DD7C

RGB 249 221 124

HSL 46.56, 0.91%, 0.73%

LAB 88.59, -2.42, 50.77

 

CMYK 49 / 0 / 50 / 3

HEX #7FF87B

RGB 127 248 123

HSL 118.08, 0.9%, 0.73%

LAB 88.48, -58.1, 49.39

 

CMYK 50 / 39 / 0 / 3

HEX #7B98F8

RGB 123 152 248

HSL 226.08, 0.9%, 0.73%

LAB 64.52, 15.83, -51.17

 

CMYK 2 / 50 / 0 / 3

HEX #F47BF8

RGB 244 123 248

HSL 298.08, 0.9%, 0.73%

LAB 69.59, 63.13, -42.41

 

CMYK 0 / 11 / 50 / 2

HEX #F9DD7C

RGB 249 221 124

HSL 46.56, 0.91%, 0.73%

LAB 88.59, -2.42, 50.77

 

CMYK 50 / 0 / 37 / 3

HEX #7BF89C

RGB 123 248 156

HSL 135.84, 0.9%, 0.73%

LAB 88.8, -54.29, 33.76

 

CMYK 50 / 39 / 0 / 3

HEX #7B98F8

RGB 123 152 248

HSL 226.08, 0.9%, 0.73%

LAB 64.52, 15.83, -51.17

 

CMYK 0 / 50 / 13 / 3

HEX #F87BD7

RGB 248 123 215

HSL 315.84, 0.9%, 0.73%

LAB 68.77, 58.85, -25.43

 

Description

Color code: HEX #F9DD7C | qconv.com Color code: HEX #F9DD7C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 221 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 221 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 50 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 50% 2% C M Y K

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Provide designers and agencies with accurate color values.

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