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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F9E65C it is the complementary color #0619A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F9E65C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F9E65C shade: #FEE657, #FFF86A, #FFFF7D, #FFFF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F9E65C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F9E65C shade: #F9E65C, #E8D449, #D7C236, #C6B023 and #B59E10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F9E65C shade: #F9E65C, #F9BB5C, #F9915C, #F9675C and #F95C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F9E65C shade: #F9E65C, #E1F95C, #B7F95C, #8DF95C and #63F95C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F9E65C shade matches the following richer shades: #F9E65C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F9E65C shade: #F9E65C, #EBDB6A, #DDD177, #D0C785 and #C2BC93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F9E65C shade: #F9905C, #F9BA5C, #F9E45C, #E4F95C and #BAF95C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F9E65C shade: #F6D90C, #F7E034, #F9E65C, #FAEC84 and #FBF2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F9E65C shade: #F9E65C, #5CF967 and #A55CF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F9E65C shade: #F9E65C, #5CF9E4 and #E45CF9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F9E65C shade: #F9E65C, #5CF967, #5C71F9 and #F95CEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F9E65C shade: #F9E65C, #5CF995, #5C71F9 and #F95CBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

Complementary color

CMYK 96 / 85 / 0 / 36

HEX #0619A3

RGB 6 25 163

HSL 232.74, 0.93%, 0.33%

LAB 21.5, 48.28, -72.26

 

CMYK 0 / 9 / 66 / 0

HEX #FEE657

RGB 254 230 87

HSL 51.38, 0.99%, 0.67%

LAB 90.94, -7.51, 69.93

 

CMYK 0 / 3 / 58 / 0

HEX #FFF86A

RGB 255 248 106

HSL 57.18, 1%, 0.71%

LAB 95.76, -14.8, 67.32

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

CMYK 0 / 9 / 69 / 9

HEX #E8D449

RGB 232 212 73

HSL 52.45, 0.78%, 0.6%

LAB 84.34, -8.35, 68.04

 

CMYK 0 / 10 / 75 / 16

HEX #D7C236

RGB 215 194 54

HSL 52.17, 0.67%, 0.53%

LAB 78.05, -7.27, 68.31

 

CMYK 0 / 11 / 82 / 22

HEX #C6B023

RGB 198 176 35

HSL 51.9, 0.7%, 0.46%

LAB 71.68, -5.99, 67.88

 

CMYK 0 / 13 / 91 / 29

HEX #B59E10

RGB 181 158 16

HSL 51.64, 0.84%, 0.39%

LAB 65.21, -4.49, 66.27

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

CMYK 0 / 25 / 63 / 2

HEX #F9BB5C

RGB 249 187 92

HSL 36.31, 0.93%, 0.67%

LAB 79.87, 12.73, 55.68

 

CMYK 0 / 42 / 63 / 2

HEX #F9915C

RGB 249 145 92

HSL 20.25, 0.93%, 0.67%

LAB 70.29, 34.69, 44.63

 

CMYK 0 / 59 / 63 / 2

HEX #F9675C

RGB 249 103 92

HSL 4.2, 0.93%, 0.67%

LAB 62.18, 55.15, 34.77

 

CMYK 0 / 63 / 63 / 2

HEX #F95C5C

RGB 249 92 92

HSL 0, 0.93%, 0.67%

LAB 60.4, 59.9, 32.54

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

CMYK 10 / 0 / 63 / 2

HEX #E1F95C

RGB 225 249 92

HSL 69.17, 0.93%, 0.67%

LAB 93.68, -28.09, 70.14

 

CMYK 27 / 0 / 63 / 2

HEX #B7F95C

RGB 183 249 92

HSL 85.22, 0.93%, 0.67%

LAB 91.05, -43.92, 66.54

 

CMYK 43 / 0 / 63 / 2

HEX #8DF95C

RGB 141 249 92

HSL 101.27, 0.93%, 0.67%

LAB 89.01, -57.83, 63.73

 

CMYK 60 / 0 / 63 / 2

HEX #63F95C

RGB 99 249 92

HSL 117.32, 0.93%, 0.67%

LAB 87.57, -68.78, 61.74

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

CMYK 0 / 7 / 55 / 8

HEX #EBDB6A

RGB 235 219 106

HSL 52.56, 0.76%, 0.67%

LAB 86.68, -8.52, 56.66

 

CMYK 0 / 5 / 46 / 13

HEX #DDD177

RGB 221 209 119

HSL 52.94, 0.6%, 0.67%

LAB 83.08, -8.01, 45.9

 

CMYK 0 / 4 / 36 / 18

HEX #D0C785

RGB 208 199 133

HSL 52.8, 0.44%, 0.67%

LAB 79.59, -6.59, 34.2

 

CMYK 0 / 3 / 24 / 24

HEX #C2BC93

RGB 194 188 147

HSL 52.34, 0.28%, 0.67%

LAB 75.79, -4.51, 21.55

 

CMYK 0 / 42 / 63 / 2

HEX #F9905C

RGB 249 144 92

HSL 19.87, 0.93%, 0.67%

LAB 70.08, 35.2, 44.37

 

CMYK 0 / 25 / 63 / 2

HEX #F9BA5C

RGB 249 186 92

HSL 35.92, 0.93%, 0.67%

LAB 79.63, 13.25, 55.41

 

CMYK 0 / 8 / 63 / 2

HEX #F9E45C

RGB 249 228 92

HSL 51.97, 0.93%, 0.67%

LAB 90.04, -8.28, 66.83

 

CMYK 8 / 0 / 63 / 2

HEX #E4F95C

RGB 228 249 92

HSL 68.03, 0.93%, 0.67%

LAB 93.89, -26.91, 70.42

 

CMYK 25 / 0 / 63 / 2

HEX #BAF95C

RGB 186 249 92

HSL 84.08, 0.93%, 0.67%

LAB 91.22, -42.84, 66.77

 

CMYK 0 / 12 / 95 / 4

HEX #F6D90C

RGB 246 217 12

HSL 52.56, 0.93%, 0.51%

LAB 86.63, -6.66, 85.52

 

CMYK 0 / 9 / 79 / 3

HEX #F7E034

RGB 247 224 52

HSL 52.92, 0.92%, 0.59%

LAB 88.61, -8.95, 79.54

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

CMYK 0 / 6 / 47 / 2

HEX #FAEC84

RGB 250 236 132

HSL 52.88, 0.92%, 0.75%

LAB 92.57, -8.85, 51.8

 

CMYK 0 / 4 / 31 / 2

HEX #FBF2AC

RGB 251 242 172

HSL 53.16, 0.91%, 0.83%

LAB 94.73, -7.23, 34.93

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

CMYK 63 / 0 / 59 / 2

HEX #5CF967

RGB 92 249 103

HSL 124.2, 0.93%, 0.67%

LAB 87.49, -69.09, 56.96

 

CMYK 34 / 63 / 0 / 2

HEX #A55CF9

RGB 165 92 249

HSL 267.9, 0.93%, 0.67%

LAB 54.55, 59.16, -67.48

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

CMYK 63 / 0 / 8 / 2

HEX #5CF9E4

RGB 92 249 228

HSL 171.97, 0.93%, 0.67%

LAB 89.69, -45.84, -2.11

 

CMYK 8 / 63 / 0 / 2

HEX #E45CF9

RGB 228 92 249

HSL 291.97, 0.93%, 0.67%

LAB 62.5, 72.99, -54.29

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

CMYK 63 / 0 / 59 / 2

HEX #5CF967

RGB 92 249 103

HSL 124.2, 0.93%, 0.67%

LAB 87.49, -69.09, 56.96

 

CMYK 63 / 55 / 0 / 2

HEX #5C71F9

RGB 92 113 249

HSL 231.97, 0.93%, 0.67%

LAB 52.87, 33.53, -70.49

 

CMYK 0 / 63 / 4 / 2

HEX #F95CEE

RGB 249 92 238

HSL 304.2, 0.93%, 0.67%

LAB 64.94, 76.03, -44.15

 

CMYK 0 / 8 / 63 / 2

HEX #F9E65C

RGB 249 230 92

HSL 52.74, 0.93%, 0.67%

LAB 90.55, -9.27, 67.37

 

CMYK 63 / 0 / 40 / 2

HEX #5CF995

RGB 92 249 149

HSL 141.78, 0.93%, 0.67%

LAB 88.06, -62.6, 36.1

 

CMYK 63 / 55 / 0 / 2

HEX #5C71F9

RGB 92 113 249

HSL 231.97, 0.93%, 0.67%

LAB 52.87, 33.53, -70.49

 

CMYK 0 / 63 / 23 / 2

HEX #F95CBF

RGB 249 92 191

HSL 322.17, 0.93%, 0.67%

LAB 62.97, 69.31, -20.79

 

Description

Color code: HEX #F9E65C | qconv.com Color code: HEX #F9E65C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 230 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 230 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 63 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 63% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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