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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCA5CE it is the complementary color #035A31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCA5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FCA5CE shade: #FFA5C9, #FFB7DC, #FFC9EF, #FFDBFF and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCA5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FCA5CE shade: #FCA5CE, #EB93BB, #DA81A8, #C96F95 and #B85D82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FCA5CE shade: #FCA5CE, #FCA5B7 and #FCA5A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FCA5CE shade: #FCA5CE, #FCA5E5, #FBA5FC, #E4A5FC and #CCA5FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FCA5CE shade matches the following richer shades: #FCA5CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FCA5CE shade: #FCA5CE, #F4ADCF, #EDB4CF, #E5BCCF and #DEC3D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FCA5CE shade: #FAA5FC, #FCA5E6, #FCA5CF, #FCA5B8 and #FCAAA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FCA5CE shade: #F955A3, #FB7DB8, #FCA5CE, #FDCDE4 and #FEF5FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FCA5CE shade: #FCA5CE, #FCE3A5 and #A5F2FC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FCA5CE shade: #FCA5CE, #CFFCA5 and #A5CFFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FCA5CE shade: #FCA5CE, #FCE3A5, #A5FCD2 and #A5BEFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FCA5CE shade: #FCA5CE, #FAFCA5, #A5FCD2 and #A7A5FC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

Complementary color

CMYK 97 / 0 / 46 / 65

HEX #035A31

RGB 3 90 49

HSL 151.72, 0.94%, 0.18%

LAB 33.04, -33.92, 17.29

 

CMYK 0 / 35 / 21 / 0

HEX #FFA5C9

RGB 255 165 201

HSL 336, 1%, 0.82%

LAB 77.51, 37.98, -4.48

 

CMYK 0 / 28 / 14 / 0

HEX #FFB7DC

RGB 255 183 220

HSL 329.17, 1%, 0.86%

LAB 82, 31.46, -8.14

 

CMYK 0 / 21 / 6 / 0

HEX #FFC9EF

RGB 255 201 239

HSL 317.78, 1%, 0.89%

LAB 86.64, 25.14, -11.39

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

CMYK 0 / 37 / 20 / 8

HEX #EB93BB

RGB 235 147 187

HSL 332.73, 0.69%, 0.75%

LAB 70.95, 38.46, -6.73

 

CMYK 0 / 41 / 23 / 15

HEX #DA81A8

RGB 218 129 168

HSL 333.71, 0.55%, 0.68%

LAB 64.51, 39.27, -5.83

 

CMYK 0 / 45 / 26 / 21

HEX #C96F95

RGB 201 111 149

HSL 334.67, 0.45%, 0.61%

LAB 58, 40.11, -4.82

 

CMYK 0 / 49 / 29 / 28

HEX #B85D82

RGB 184 93 130

HSL 335.6, 0.39%, 0.54%

LAB 51.42, 40.95, -3.64

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

CMYK 0 / 35 / 27 / 1

HEX #FCA5B7

RGB 252 165 183

HSL 347.59, 0.94%, 0.82%

LAB 76.69, 34.43, 4.12

 

CMYK 0 / 35 / 35 / 1

HEX #FCA5A5

RGB 252 165 165

HSL 0, 0.94%, 0.82%

LAB 76.27, 32.15, 13.35

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

CMYK 0 / 35 / 9 / 1

HEX #FCA5E5

RGB 252 165 229

HSL 315.86, 0.94%, 0.82%

LAB 78.03, 41.33, -18.98

 

CMYK 0 / 35 / 0 / 1

HEX #FBA5FC

RGB 251 165 252

HSL 299.31, 0.94%, 0.82%

LAB 78.72, 44.98, -30.36

 

CMYK 10 / 35 / 0 / 1

HEX #E4A5FC

RGB 228 165 252

HSL 283.45, 0.94%, 0.82%

LAB 76.33, 38.01, -34.24

 

CMYK 19 / 35 / 0 / 1

HEX #CCA5FC

RGB 204 165 252

HSL 266.9, 0.94%, 0.82%

LAB 74.05, 30.86, -37.97

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

CMYK 0 / 29 / 15 / 4

HEX #F4ADCF

RGB 244 173 207

HSL 331.27, 0.76%, 0.82%

LAB 78.24, 30.92, -6.8

 

CMYK 0 / 24 / 13 / 7

HEX #EDB4CF

RGB 237 180 207

HSL 331.58, 0.61%, 0.82%

LAB 79.13, 24.78, -5.57

 

CMYK 0 / 18 / 10 / 10

HEX #E5BCCF

RGB 229 188 207

HSL 332.2, 0.44%, 0.82%

LAB 80.25, 17.72, -4

 

CMYK 0 / 12 / 6 / 13

HEX #DEC3D0

RGB 222 195 208

HSL 331.11, 0.29%, 0.82%

LAB 81.35, 11.72, -2.99

 

CMYK 1 / 35 / 0 / 1

HEX #FAA5FC

RGB 250 165 252

HSL 298.62, 0.94%, 0.82%

LAB 78.61, 44.68, -30.53

 

CMYK 0 / 35 / 9 / 1

HEX #FCA5E6

RGB 252 165 230

HSL 315.17, 0.94%, 0.82%

LAB 78.06, 41.49, -19.47

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CF

RGB 252 165 207

HSL 331.03, 0.94%, 0.82%

LAB 77.35, 37.85, -8.04

 

CMYK 0 / 35 / 27 / 1

HEX #FCA5B8

RGB 252 165 184

HSL 346.9, 0.94%, 0.82%

LAB 76.72, 34.57, 3.61

 

CMYK 0 / 33 / 35 / 1

HEX #FCAAA5

RGB 252 170 165

HSL 3.45, 0.94%, 0.82%

LAB 77.38, 29.53, 14.91

 

CMYK 0 / 66 / 35 / 2

HEX #F955A3

RGB 249 85 163

HSL 331.46, 0.93%, 0.65%

LAB 61.03, 68.7, -7.66

 

CMYK 0 / 50 / 27 / 2

HEX #FB7DB8

RGB 251 125 184

HSL 331.9, 0.94%, 0.74%

LAB 68.49, 54.42, -8.49

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

CMYK 0 / 19 / 10 / 1

HEX #FDCDE4

RGB 253 205 228

HSL 331.25, 0.92%, 0.9%

LAB 87.07, 20.52, -4.93

 

CMYK 0 / 4 / 2 / 0

HEX #FEF5FA

RGB 254 245 250

HSL 326.67, 0.82%, 0.98%

LAB 97.34, 3.87, -1.34

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

CMYK 0 / 10 / 35 / 1

HEX #FCE3A5

RGB 252 227 165

HSL 42.76, 0.94%, 0.82%

LAB 90.94, -0.13, 33.44

 

CMYK 35 / 4 / 0 / 1

HEX #A5F2FC

RGB 165 242 252

HSL 186.9, 0.94%, 0.82%

LAB 91.02, -21.15, -12.34

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

CMYK 18 / 0 / 35 / 1

HEX #CFFCA5

RGB 207 252 165

HSL 91.03, 0.94%, 0.82%

LAB 94.14, -29.02, 37.08

 

CMYK 35 / 18 / 0 / 1

HEX #A5CFFC

RGB 165 207 252

HSL 211.03, 0.94%, 0.82%

LAB 81.65, -3.24, -26.49

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

CMYK 0 / 10 / 35 / 1

HEX #FCE3A5

RGB 252 227 165

HSL 42.76, 0.94%, 0.82%

LAB 90.94, -0.13, 33.44

 

CMYK 35 / 0 / 17 / 1

HEX #A5FCD2

RGB 165 252 210

HSL 151.03, 0.94%, 0.82%

LAB 92.7, -34.98, 11.89

 

CMYK 35 / 25 / 0 / 1

HEX #A5BEFC

RGB 165 190 252

HSL 222.76, 0.94%, 0.82%

LAB 77.19, 5.93, -33.33

 

CMYK 0 / 35 / 18 / 1

HEX #FCA5CE

RGB 252 165 206

HSL 331.72, 0.94%, 0.82%

LAB 77.32, 37.7, -7.53

 

CMYK 1 / 0 / 35 / 1

HEX #FAFCA5

RGB 250 252 165

HSL 61.38, 0.94%, 0.82%

LAB 97.09, -13.36, 41.5

 

CMYK 35 / 0 / 17 / 1

HEX #A5FCD2

RGB 165 252 210

HSL 151.03, 0.94%, 0.82%

LAB 92.7, -34.98, 11.89

 

CMYK 34 / 35 / 0 / 1

HEX #A7A5FC

RGB 167 165 252

HSL 241.38, 0.94%, 0.82%

LAB 70.98, 20.38, -42.98

 

Description

Color code: HEX #FCA5CE | qconv.com Color code: HEX #FCA5CE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 165 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 165 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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